Tranquil Dreams Podcast #15: What’s Up 2021 Week 22

Welcome to the next episode of Tranquil Dreams Podcast as we dive into Week 22 of What’s Up 2021. A midweek episode, right? I told you that we’d get one out earlier than usual. Its still a little behind schedule but who else is counting but me.

This episode, we skip over reading and dive into my thoughts on the 2017 narrative game Night in the Woods as I wrap it up. I look into a suggestive sounding Hong Kong action comedy that isn’t completely what it sounds like. The last part that takes up a lot of focus is binging as I talk about a new series that I absolutely adore while sharing some thoughts on Netflix Taiwanese series Detention, Chinese high school series Please Classmate and Chinese romance drama series Love Scenery as those are finished up.

Thanks for listening and hope you enjoy!

Related Links

Detention – Film Review
Love Scenery – TV Binge
Put Your Head On My Shoulder – TV Binge
Find Yourself – TV Binge
Game Warp Blog

Music in the Episode:
There It Is by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4519-there-it-is
License: https://filmmusic.io/standard-license

Listen to the Show:
Anchor
Spotify
Google Podcasts
Breaker
RadioPublic

Tranquil Dreams Podcast #14: What’s Up 2021 Week 21

The next episode of Tranquil Dreams Podcast is here! I’ve finally gotten a routine down…kind of, considering there should be probably another episode coming out in a day or two to do a little catch up since I’m about a week or so behind.

This episode covers Week 21 of What’s Up 2021 as reading is still on hiatus and gaming hasn’t changed a lot compared to previous weeks or two. I do give my general thoughts on Army of the Dead and the adaptation of Nancy Drew and the Hidden Staircase while also giving an overview of my thoughts on the new volume of Love Death and Robots. Its a quick one this time.

Thanks for listening and hope you enjoy!

Related Links

Army of the Dead – Film Review
Love Death + Robots (Season 2) – TV Binge

Music in the Episode:
There It Is by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4519-there-it-is
License: https://filmmusic.io/standard-license

Listen to the Show:
Anchor
Spotify
Google Podcasts
Breaker
RadioPublic

TV Binge: Use For My Talent (我亲爱的小洁癖, 2021)

Use For My Talent (我亲爱的小洁癖, 2021)

Director: Cong Cai

Cast: Yue Shen, Jasper Liu, Yunfan Dai, Charles Lin, Yanan, Mengdi Su, Sirui Huang, Quan Tan, Ran Xiao

Because of his incomplete family, Gu Ren Qi has a closed up personality and mysophobia. Shuang Jiao used to have a happy family, but later lost her mother in a car accident, and became a slovenly person. The two became acquainted when Shuang Jiao becomes an employee in Gu Ren Qi’s cleaning company. The two became closer as they get to know each other. Under each other’s influence, they began to heal from their wounds. – MyDramaList

Watch on: Mango TV (Youtube & App) & Netflix

Use For My Talent is a Chinese adpatation of 2018 Korean series Clean With Passion For Now. Let’s just get this out of the way right now that I’m not a big fan of Korean series so I usually don’t go and watch them so I haven’t seen the original of this series. However, Use For My Talent landing on Netflix was such a treat although it does have Shen Yue who is on another Netflix series, Meteor Garden (a Mainland China modernized remake of the 2001 Taiwanese series both directed by the same director Angie Chai) and Jasper Liu in Taiwanese Netflix series Triad Princess and Korean/Taiwanese collaborated variety/travel show Twogether (review). These two main cast members are no doubt talented in their own regards and great to see them together especially as Jasper Liu seems to have moved his focus into Mainland Chinese series now and making a more frequent appearance.

Running at 24 episodes (my favorite length for these types of romantic comedy-drama series), Use For My Talent is a fun one to watch. There’s a good balance of humor, drama and romance that blends together to create this one. It does get a little peculiar in parts but the characters are done pretty well. Not only the main couple, Ren Qi and Shuang Jiao is fun to watch but the two other supporting/secondary couples are also very fun to watch and each having their own dynamic which gives a good variety. Plus, it takes time to look at mysophobia that Ren Qi has and dives into that angle to give it its own drama moments but also using it as some parts of humor especially when encountered with his polar opposite Shuang Jiao who opens up his eyes to slowly accepting the world and treatment to be able to get closer to her. I’m sure some of this stuff is either exaggerated or simplified for the drama’s purpose but it does expose an element of this phobia which leads to using the cleaning company while having a focus on how technology can’t necessarily replace the human element of some services.

Having touched on it a little before, the characters here are absolutely a treat. The main leads played by Shen Yue and Jasper Liu are really great. Shen Yue is probably one of my top favorite young actresses in the last few years as most of her series and roles have been both fun and believeable especially as she gradually moves into TV series set outside of the school setting. I’ve seen most of her shows (even if I never got around to the review). She has this natural and down to earth essence to her that makes her really believable in her roles and carries the emotions really well. The same applies for Use For My Talent where she plays as Shuang Jiao and the character is pretty decent. Funny how things turn around as this show adapts from a Korean series and earlier this year, Korea adapted a Chinese series that was her debut role in A Love So Beautiful (review). On the other hand, as popular as Jasper Liu is, I haven’t seen him outside of two variety shows but there’s something about him that is very charming and he does have pretty good acting skills as well. The chemistry between the two worked really well and came off fairly natural even by the end when he would do the very sappy/cringy sweet talk. It was hard to not cringe but also secretly like it just a little especially as it was a nod to a conversation from a prior part of the series.

Of course the series isn’t just about them but also has some colorful characters. Another couple is RenQi’s assistant DongXian who is very slow and unromantic but ends up with a popular lifestyle streamer QianQian. They are a little fun to watch especially since DongXian’s character is rather hilarious overall but has a little bit of a sad backstory (like a lot of the main cast). Aside from them is ShuangJiao’s little brother JunJie who ends up chasing up her sister’s best friend Yan who has their own sweet moments. The process for both of these having a similar dynamic but pretty funny and entertaining. No series is complete without some sort of love triangle and that brings in Yunfan Dai’s character Lu Xian, a psychiatrist that recently returned to China for 2 purposes: one to repay a debt that ShuangJiao’s mom offered him at a young age (which leads him to falling for her) and the second to act as the consultant for RenQi’s phobia and hopefully control and cure him to a certain extent. His character is pretty decent as well. In most Chinese series, family is also a big part and here the two leads family can be considered opposites of each other and on one side very comedic in dynamic and on the other side, very strict and maybe a little intentionally frustrating.

If there was something to nitpick a little, it definitely would be regarding the choice of melodrama that they used to break the two apart which is an inevitable part of these series but how is always where it works or doesn’t. What they used is always a frustrating choice although props to the two leads for being able to create some genuine sad feelings for this break-up.

Overall, Use For My Talent is an absolute treat. In terms of pacing, comedy and romance, everything works really well. The ending is a little odd with the whole melodrama but thanks to well-connected characters, despite the situation set up, they still manage to carry through the heartwrenching breakup feeling between the two. Its a rather impressive one which highlights some of the talent in the Chinese market.

With all that said, next mission…catch up on Jasper Liu’s series. Anyone have suggestions from the Netflix available ones? Please let me know.

TV Binge: Love Scenery (良辰美景好时光, 2021)

Love Scenery (良辰美景好时光, 2021)

Director: Zoe Qin
Cast: Lulu Xu, Yi Lin, Bing Hu, Harry Hu, Danni Zhong, Yuwei Jiang, Ting Wang, Cheng Wang, Rong Wang, Zheng Zhong

Liang Chen is devoted to bringing good music works to the listeners, expressing the idea of being kind, real, and perfect. Lu Jing loves computer and big data research. He is highly recognized in the academic field through studying complicated human behavior and psychology, thus influencing the classmates around by his solid specialty literacy. They are strangers first but then brought together by big data and they become closer in the journey of pursuing dreams. – MyDramaList

Watch on: iQiyi

Love Scenery is a Chinese romance drama that rolls in very familiar territory. In the recent while, Chinese dramas have had two hot topics for story telling or adaptations: romances involving women older than their guy love interest and marriage before love/contractual marriage. Love Scenery falls in the former one where in reality the cast itself also has this age gap so it makes it all the more believable. Running at 31 episodes, the series does take a turn somewhere in the last 10 episodes or so that almost feels like its a bit forced and gets a little boring to watch, almost feeling like the characters become empty.

Looking at pacing and plot, Love Scenery starts off pretty strong with a popular female singer Liang Chen (Lulu Xu) and smart and handsome university student Lu Jing (Yi Lin) who is also a popular game streamer called Herman as his idolization of her ended up using one of her songs as for people who would lose the game and causing her to be invited to a streaming showcase. Because of this, she asks for help from her friend and unpopular actor Ruibin (Harry Hu) who gets fed up with her lacking gamer skills and refers her to Lu Jing, both hiding under their gaming profiles. The whole part of jumping in game and their interactions at the beginning leading to a lot of comedic and embarrassing moments are all pretty fun to watch. The game scenarios are brought to life and adding in how they figure out who each other are and then realizing the feelings for each other is a good progress. The bad gamer versus good gamer with their different priorities and silly situations all have a lot of comedic value and makes it a lot of fun. Plus these parts have a lot of action as they play a first person shooter so there’s a lot of fighting and gunfights and such which definitely adds to it. Even after they both individually figured out who each other are but trying to test or dodge the situation (depending on the character) has its fun moments.

Where the series starts falling apart has to do with the story progression and how the characters don’t seem to fall a little flat over after the whole romance happens or at least the acknowledgement that they do like each other with not only the age element but as a result, the celebrity and university student influence in the eyes of the public. There’s a lot of frustrating moments once that happens that makes the situation really drag on at parts. Not to mention that while the settings of romantic moments are done well, the two main characters chemistry are a little lacking for the most part. It might have to do with some of the acting is not too good especially when you consider that Yi Lin is a rather young actor and this role while somewhat fitting in some parts and draws some opposites from a previous series, Put Your Head On My Shoulder (review) which was his debut, this one had a lot more drama and it seems that capturing drama still feels like it falls a little short in terms of how he emotes. When he is doing the happy and youthful things, he captures that well but he lacks deeper emotions in general especially if he lacks chemistry with Lulu Xu. Its not saying that nothing lands as some of the scenes are designed to capture them well and builds up the atmosphere well enough.

On the contrary, in terms of romance, the secondary leads between Ruibin (Harry Hu) and a lonely actress Shanshan Ma (Danni Zhong) is a lot more fun especially as the chase is one that lasts the whole way and her character has a lot to discover in terms why she is the way that she is and gradually opens up. The two are a lot more enjoyable as there’s a lot of silliness going on especially for the character of Ruibin, who always does the wrong things or timing with good intentions especially in his chase for Shanshan.

Of course, the story is more than just romance. Its also about chasing your dreams. For the university student bits, its about moving forward as he goes through university, joining competitions. The focus isn’t really there as its more on Liang Chen as she tries to change her style from the romantic ballad style singer to taking a chance and switching to being a rock singer and going back to her roots despite the challenges and risks of it all. These parts are decent since the soundtrack is pretty good. Although, once things start slowing down in the last bits, the challenges seem to be a little rinse and repeat and nothing extremely exciting.

Overall, Love Scenery started out really strong and eventually fell short the further it went along as the pacing, story and characters starting feeling a little emptier the further that it went along. The main issue probably being that 31 episodes was a few episodes too many for the story that it wanted to tell and sometimes it hit the melodrama moments a little too hard. If it had kept up with the beginning half’s pacing and tone, the series would have been a lot of fun. In a nutshell, not bad but not great.

Tranquil Dreams Podcast #13: What’s Up 2021 Week 20

Time for the next episode of Tranquil Dreams Podcast as I do an overview of What’s Up 2021 for Week 20. I’ve fallen behind again with the episodes so I’m a little confused as to what’s in what week anymore so probably at the end of the year, I might be missing a week or something. Just a side note before jumping into it.

This episode, we’re still skipping over the reading section (although I think that I’ve found a way to catch up with reading) and binging is definitely a change while I give some thoughts on Resident Evil Village, an overview of some of the new series that launched during Week 20 and check out 2 movie sequels.

Thanks for listening and hope you enjoy!

Related Links

Twogether – TV Binge
Pacific Rim – Film Review
Brandel Savage Twitch Channel

Music in the Episode:
There It Is by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4519-there-it-is
License: https://filmmusic.io/standard-license

Listen to the Show:
Anchor
Spotify
Google Podcasts
Breaker
RadioPublic

TV Binge: Love Death & Robots (Volume 2, 2021)

Love Death & Robots (Volume 2, 2021)

Creator: Tim Miller

A collection of animated short stories that span various genres including science fiction, fantasy, horror and comedy. – IMDB

The first season of Love Death and Robots (podcast discussion) was an absolute treat with its 18 episodes or so and having a variety of different short films that explores the three themes: Love, Death and Robots. Thinking back to it now, there are still many segments that are memorable. In comparison, the second season is much shorter running at a swift 8 episodes with some stories feeling more familiar however, the animation style has shifted to some refined visuals that for some almost look real and also, some unique animation art style. The stories itself also has overlapping themes in some in some interesting settings.

Anthology volumes are always going to have hit and miss. The good news is that the second volume of Love Death & Robots is overall pretty good with some segments landing better than others but nothing that is lackluster. Looking at more specific segments, the art style and story of a few do stand out like the horror creature feature of The Tall Grass which had painting-like illustrations or Ice with its world building and comic book/graphic novel illustration style that brings in creative designs and a outer space setting with normal humans being in a world of modded humans. There’s also a Christmas short All Through The House which has its characters almost like dolls while playing with who Santa is and leaving it with a rather troubling question.

In terms of overall stories that seem to be a great basis for a bigger scale movie to some kind of full-length feature, some of these definitely have the basis and foundation for it. Coincidentally, these also have some good voice cast behind it and some more renowned names. The first, of course is for Pop Squad which sets up a future where humans have traded the rights to have children for living forever and being young forever also where having children is now a crime and when found, said children will be killed in order to maintain the population balance. Its a well-structured story with a lot more to explore especially when its voice cast includes Nolan North and Elodie Young. Much like Snow in the Desert which also has a barren wasteland setting and manages to blend all three themes of this volume together.

Two other ones well worth mentioning is the starting episode and the final one which both contrast from the rest of the series in tone. The first called Automated Customer Service carries in a different setting of a futuristic senior residence where a cleaning robot goes rogue and packed with a comedic element mocking the future of automated customer service. Its one that sets an upbeat yet sinister tone but is rather entertaining overall and pretty fun. The final episode, The Drowned Giant is a slow-paced one that leaves room for reflection on humanity in general as it circles around the discovery and gradual deterioration of a drowned giant washed ashore with a monologue from the scientist that observes it over time. Its one that might not fit the general one of the entire volume but does end with a more meaningful and thought-provoking point.

Overall, the second volume/season of Love Death and Robots is a pretty good one. Most of them are well worth a watch and each have their own value whether from visuals and art style to storytelling and world building. It is a short season but one that is still bingeworthy.

Tranquil Dreams Podcast #12: What’s Up 2021 Week 19

Late as always! The next Tranquil Dreams Podcast is here as we jump into looking at the What’s Up 2021 for Week 19! A skip in reading, a short watching section and playing section and a lengthy binging section that includes discussion on comedy in movies, an emotionally narrative game and an array of TV series from guilty pleasure TV to a quick discussion on the cancellation of the Chinese idol survival competition Youth With You 3. Hope you enjoy!

Related Links

Julie and the Phantoms – TV Binge

Music in the Episode:
There It Is by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4519-there-it-is
License: https://filmmusic.io/standard-license

Listen to the Show:
Anchor
Spotify
Google Podcasts
Breaker
RadioPublic

TV Binge: Julie and the Phantoms (Season 1, 2020)

Julie and the Phantoms (Season 1, 2020)

Creators: Dan Cross & David Hoge

Cast: Madison Reyes, Charlie Gillespie, Owen Joyner, Jeremy Shada, Jadah Marie, Sacha Carlson, Savannah Lee May, Carlos Ponce, Booboo Stewart, Sonny Bustamante, Cheyenne Jackson

Julie is a teenage girl who finds her passion for music and life with the help of a high -concept band of teen boys (The Phantoms) who have been dead for 25 years. Julie, in turn, helps them become the band they were never able to be. – IMDB

Based on the Brazilian TV series Julie e os Fantasmas, Julie and the Phantoms is a musical comedy drama that tells the story of a girl who is able to make 3 teenage ghosts that died 25 years ago visible to everyone whenever they play music together and hence brought about the their band, Julie and the Phantoms. Running at 9 episodes, there’s a lot to love about Julie and the Phantoms whether from the teenage content or the ghost element and especially the musical and band elements. There’s a little bit of romance, family and friendship and talks about loss and dreams and finding the courage to face it all. All in all, Julie and the Phantoms might have some plot points that seem a tad far-fetched but overall, its feel-good element really lands on such positive notes making it quite a binge-worthy experience.

Looking at the young cast, they are all fairly new to acting. With a lot of musical sort of shows or movies, it has a little overacting element however, the band when with each other feels mostly like the characters do fit themselves. The main actress is Madison Reyes who plays Julie, a girl trying to embrace music again after her mother’s passing. Trying to balance being okay for her family and  having the courage to follow her dreams with the help of the band, Madison Reyes does a really good job capturing the role and also showing her musical talents of singing. Playing opposite her are the 3 ghost boys from the Sunset Curve: Luke (Charlie Gillespie), Alex (Owen Joyner) and Reggie (Jeremy Shada),who have personalities that balance each other which makes each of them stand out and each having their own issues although this season was mostly focused on Luke and building up the chemistry he has with Julie. An overall success for the two as they have some great moments together which is not physical but just through looks and conversation.

The story and the narrative does a good layout for the first season. It gives a good foundation and lays out the scene for both the key characters of Julie and her high school scene along with her family and also, gives a look at the ghost side of things and how this world’s ghosts work (which takes a twist at the finale and gives a set up for the second season). In terms of the songs, every episode has at least one musical offering which aligns with the plot and mostly is fun and positive sort of songs especially with its lyrics. They each have their own fun and are pretty catchy overall.

Overall, Julie and the Phantoms for the first season is a fun show. As a teen show, its pretty good. There are some issues probably in terms of over the top acting in certain parts but its feel-good elements and the fun and catchy songs does cover over a lot of its flaws. It does help that I’m a big fan of these types of shows plus its well-paced and the episodes are relatively short so the first season is definitely a breeze to binge. Definitely one that comes highly recommended for myself (seeing as I’ve rewatched the season a few times at this point since its launch and enjoy it equally as much every time) especially for fans of teen shows and musicals. With that said, I can’t wait for the second season whenever it will be released.

Tranquil Dreams Podcast #11: What’s Up 2021 Week 18

Welcome to the next episode of Tranquil Dreams Podcast as we cover What’s Up 2021 Week 18. It’s a really quick one as this lands on the last week of April and coincidentally, the last week of work rush, meaning not a whole lot was done. Every section had a quick overview of the one or two things that that I managed to check out or currently doing. Nothing too special to discuss but some potential plans for some of the sections to talk about and an update on the binging situation. Hope you enjoy!

Related Links

Freaks – Film Review

Music in the Episode:
There It Is by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4519-there-it-is
License: https://filmmusic.io/standard-license

Listen to the Show:
Anchor
Spotify
Google Podcasts
Breaker
RadioPublic

Double Feature: Crime Scene: The Vanishing at the Cecil Hotel (2021) & Don’t F*ck With Cats (2019)

Welcome to the next double feature! This time is a little different as I get the reviews for documentary mini-series out of the way. Being mini-series, it technically should be in its own segment as TV binges but Letterboxd categorized them as movies so here we are! The first is Crime Scene: The Vanishing at Cecil Hotel which is rather new as its a 2021 Netflix documentary and the other is Don’t F*ck With Cats: Hunting Down an Internet Killer from 2019, also a Netflix documentary. Let’s check it out!

Crime Scene: The Vanishing at The Cecil Hotel (Mini-series, 2021)

College student and tourist Elisa Lam vanishes, leaving behind all of her possessions in her hotel room. The Cecil Hotel grows in infamy. – IMDB

*Originally posted on Friday Film Club on Movies and Tea*

Crime Scene: The Vanishing At The Cecil Hotel is a 2021 American docu-series about the vanishing and death of Elisa Lam at the Cecil Hotel. Separated into 4 episodes, it takes a look at the beginning, progression and finale of Elisa Lam’s vanishing and what happens. At the same time, its not only about the mystery but also about the investigation process and the involvement of web sleuths after the elevator surveillance tape was released online as well as the history of the Cecil Hotel from its early days until the present.

The documentary itself definitely has some good and bad elements. On one hand, the history of the Cecil Hotel and the area that it resides it adds a lot of knowledge. As the case builds from the one event, it digs up the horrors of the hotel and the dangerous people that lived there and how the hotel ended up with these residents. Through the interviews of the past manager, the past residents and the investigators of the case, it adds in a lot of perspective that feels like tangents to the mystery the the documentary focuses around but actually gives it a lot of foundation.

The mystery itself is done well enough. In some ways, it actually feels like the historical information about the hotel actually sometimes outshines the case itself mostly because the case itself uses a narrator as a voice-over reading Elisa Lam’s online entries and thoughts and plays it out in a blurry image while also adding in some of the real footage from the news and the investigation. The case is rather mysterious especially with the elevator surveillance tape that gets released and web sleuths who try to decipher this footage and all the questions that it raises. Ever since Don’t F*ck With Cats docu-series was released, web sleuths seems to be a hot commodity to add into mysteries, perhaps more pushed forward by the fact that Unsolved Mysteries have been revived on Netflix as well.

For this docu-series, where it does falls short is that it never really pinpoints a solid direction in execution and sometimes feels like it wants to touch on too many different issues from online bullying, mental illness, Cecil Hotel, who is at fault, etc. All these issues are big things to talk about and yet, the big points of mental illness, which should have been the focus didn’t have as much time to dive into, since that should have been the big takeaway from this one. However, at the end of the day, for those unfamiliar with Elisa Lam’s case and the Cecil Hotel, it is a rather fascinating one in terms of the information that it offers.

Don’t F*ck With Cats: Hunting an Internet Killer (Mini-series, 2019)

A group of online justice seekers track down a guy who posted a video of himself killing kittens. – IMDB

Don’t F*ck With Cats: Hunting an Internet Killer is a 4 episode mini docu-series on Netflix that highlights the trek of web sleuths tracing down a kitten killer after releasing a brutal video which leads to a bigger case which involved the killing of young man filmed and released to the public as well. Its hard to talk about Don’t F*ck With Cats being the main reason that it follows a case that is tracked down to a killer located in Montreal, a city that I personally grew up in. The places this killer frequented and lived are areas familiar to myself and for that, its one of the reasons that makes this documentary probably one that hits a lot harder especially the unsettling feeling that unspeakable things could be happening all around us and no one ever really knows. I’m not naive to believe that that isn’t that case, but watching something like this definitely brings that out.

With that said, Don’t F*ck With Cats on one hand is well-executed as a documentary. It starts off focusing heavily on web sleuths and the power of the Internet that pretty much using the right avenues, you can probably track down anything. Other than the very disturbing video of the kitten killings, the web sleuths part actually is an entertaining and intriguing as the community comes together but also leads up to a conclusive thought at the end that gives the viewers a final question to ponder on whether they were the push that caused the killer to elevate to bigger crimes. I’m getting ahead of myself but the idea of this hunt moving between the Internet killers and how it tracks from a single video to eventually being able to pinpoint a location by the end and eventually provide information to the police to hopefully help with their investigation is a fascinating sort of journey as it also parallels with the inevitable focus on the crimes of Luka Magnotta. There are also uses of videos from when the investigation was going on and such which always adds to documentaries.

To be honest, Don’t F*ck With Cats is a really good documentary. On one hand, its one to definitely watch as its focus on web sleuths and the power of Internet is quite intriguing and triumphant for the most part for what they were able to discover however, on the other hand, its also a disturbing case and one that should be highlighted but then as Luka Magnotta is still alive, it almost seems unfair to bring him that spotlight given the information even though the show does make a good point to give space for friends of his human victim to talk about this person whose life was ended so young. In some ways, while the case revolves around the killer and proves how the Internet is a powerful tool when used correctly. The biggest takeaway is that the Internet is great in some ways and also horrible in other ways. The openness of it brings on its own consequences and in the end, that message is shown clearly giving the documentary a good amount to ponder on.