Double Feature: Great White (2021) & The Reef: Stalked (2022)

Halloween month kicks off with an Australian shark film double feature. I couldn’t think of a better way than to pair up my fave horror subgenre to kick things off! Let’s check it out!

Great White (2021)

Director: Martin Wilson

Cast: Katrina Bowden, Aaron Jakubenko, Kimie Tsukakoshi, Tim Kano, Te Kohe Tuhaka, Jason Wilder, Tatjana Marjanovic

A fun filled flight to a remote atoll turns into a nightmare for five passengers when their seaplane is destroyed in a freak accident and they are trapped on a raft, 100 miles from shore with man-eating sharks lurking beneath the surface. – IMDB

Great White is an Australian shark film which is mostly similar to The Reef (review), playing on the more serious shark film style where it builds up on tension and atmosphere. The story takes form with the group stranded in open waters and being circled by sharks in a lifesaver as they gradually paddle their way to the closest land. In theory, the film holds a lot of potential since this formula does work well. The emptiness and loneliness of the location plus the unknown elements at play all contribute to that formula. However, what puts Great White in disadvantage is that the story and writing itself is not well-executed and the characters mostly feel a little lacking.

Looking at the story and writing, there’s some big execution issues here. If you follow the time stamps on the film, there’s a decent set up for the situation where the bad stuff happens also relatively quickly. In usual circumstances, that’s a rather decent pacing. However, where things fall apart is that the events focus heavily on the group of stranded characters and the many hidden emotions they have with each other which leads to the story, despite the presence of the shark in the background being a threat, it also brings up on the human side a lot where some characters truly become a very grating experience and wondering when the next attack would be. Thing is, once they start off, things do happen but they do have a great deal of time together in this floatation device before the shark makes a move. The shark attack themselves are rather fun especially since a good part of the film is in the dark so the unknown becomes even more apparent.

The writing issue touched on the characters themselves and Great White has a cast of some good and some bad characters. On one side of the spectrum, there are the knowledgeable resourceful people and on the other hand, the whiny and annoying character (one truly stands out) who is filled with some jealousy in his mind that causes him to act out with some dire consequences. If there was any sort of redemption, its that the final face off with the shark, because there always is one, was really fun to watch. A little wild but still an exciting way to wrap up this whole thing while tying together some of the story pieces together.

Overall, Great White is a more serious shark film that leans on tension and atmosphere. In this case, this was counterbalanced by its human interaction which had its pros and cons. The shark bits themselves were done really well however there were some petty human relationships and conversations that ended causing a lot of nuisance to the story as a whole.

The Reef: Stalked (2022)

Director (and writer): Andrew Traucki

Cast: Teressa Liane, Ann Truong, Saskia Archer, Kate Lister, Bridget Burt

After her sister’s murder, Nic, her younger sister and two friends seek solace through a Pacific island kayaking adventure. Hours into the trip the women are stalked by a shark and must band together, face their fears and save each other. – IMDB

For those who have seen The Reef, this one has no connection to it other than featuring a shark who stalks its characters. The Reef: Stalked plays a little faster pace than The Reef which was a much more slow-burn experience. Looking at this one, the pacing and more frequent action bits adds to the shark film experience while the part which lowers it might be the obvious lower budget Go-Pro camera filming and the very odd cuts from one scene to the next at times including the snippets of the shark, however the shark does make a good few appearances. As much I am comparing the two, its truly to give a general picture for those who have seen The Reef, like myself. The Reef sequel wasn’t really necessary but it can be appreciated.

Taking the approach of films like 47 Meters Down which takes their sequel in a new story with a similar shark concept, The Reef: Stalked definitely finds itself in a different sort of film. This time, the characters are at sea coping with a loss with different members having different experiences and know-hows which contribute or hinder the group’s progress as they go out on kayak. Its mostly focuses on the flotation devices at this point from kayaks to boats to balances which can create their own dangers with the shark’s appearance. Its a neat element for sure as a lot of the more mainstream shark films haven’t played around with kayaking yet so it feels fresh in that sense. The shark also is more active in this one so the danger hits much quicker. Trading in relationship issues, this time the main character is torn between a tense sister relationship and something like post-traumatic stress disorder from a past event creating its hindrance as well.

The acting here is okay for a shark film. No one here feels like they are super awkward but its adequate to get the role across. The dialogue has some decent moments and some that truthfully feels a little hard to digest. It does have a moment which calls sharks “men in grey suits” which of course, that character gets offed first because we all know to not mock sharks in silly descriptions and strip them from their danger element in these films. There is also a moment of childhood endangerment that also creates a rather tense piece which has somewhat of a callback to various other shark films but fits well in this piece to kick off the final act to not only seek help. It is a rather awkward transition of events when the group decides the only way to escape is to kill it which feels like an oddly sudden deduction of events for their situation.

The Reef: Stalked is an average shark movie overall. Compared to its first film, this one is probably easier to get into because it has more action and shark attacks and things move along much quicker after the first scene is established to build up its main character. However, the film does have some moments which transition awkwardly from the weird shark footage cuts to some odd decisions from its characters, its not exactly unpredictable but there are a few good moments.

Double Feature: Maze Runner: The Scorch Trials (2015) & Maze Runner: The Death Cure (2018)

If you haven’t seen the review for the first film, you can check it out HERE.

Maze Runner: The Scorch Trials (2015)

Director: Wes Ball

Cast: Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Ki Hong Lee, Giancarlo Esposito, Dexter Darden, Alexander Flores, Jacob Lofland, Rosa Salazar, Patricia Clarkson, Aidan Gillen, Lili Taylor, Barry Pepper, Alan Tudyk

After having escaped the Maze, the Gladers now face a new set of challenges on the open roads of a desolate landscape filled with unimaginable obstacles. – IMDB

The Scorch Trials picks up right after the events of the first film when they escape the maze and is flown away to a closed compound which they eventually realize has ulterior motives which takes them on the run again. With both WCKD and the new dangers in the new desert landscape in the midst, the group has changed a little but still they are working together in hopes to find a rumored safe haven.

Its no secret that I’m a big fan of The Maze Runner books so its even more exciting to see that the films do live up to the world building and atmosphere of each desolate place that Thomas and the Gladers traverse. Much like its first film, The Scorch Trials excels in creating those two elements really well. The second film has a lot more than just an empty space with an ever-changing maze, this time its a vast desert landscape but shows the deterioration of time and battles and such with its ruins scattered around. It gives a better idea of what the world has now become and the dangerous creatures called Cranks that have inhabited it which are basically zombies. They are the reason that WCKD is looking for the cure with belief that the kids are immune. While the film market is saturated with zombie films at this point, perhaps its the fact that Scorch Trials brings out the “zombies” as an unexpected element adds to the surprise element a little.

Usually, I’d complain about the runtime as this one does go over the 2 hour mark. However, The Scorch Trials keeps things action-packed and builds up on the tension of each scene, making the film very entertaining and captivating to watch for the most part as it moves from one quick-paced scene to the next from one dangerous situation and escape to the next one. These spaces where the action is taking place also range quite a bit from dilapidated buildings to sewers to vents. Even the Cranks themselves have their own evolution in having a variety of two as we can see from the film. The visuals here do add to the whole environment and setting for the film.

Despite its long runtime, character development does leave a bit to be desired. All the characters don’t really expand a lot on terms of personality. The focal characters, Thomas (Dylan O’Brien) and Teresa (Kaya Scodelario) extend their storyline a little to build up their purpose and where they stand after the events of the maze. Aside from them, in my opinion the characters that felt more well-constructed through his actions is Minho (Ki Hong Lee). This film brings out a lot of where the loyalties lie. While the lack of character development was acceptable in the base movie, it feels like the supporting characters could benefit from a little more depth especially for Newt (Thomas Brodie-Sangster) who was a fun character in the first film and while this film gives him more screen time still feels like it doesn’t quite do justice to his character completely. Breaking out of the maze also means that they now have new groups of people to deal with including one group led by Jorge, played by Giancarlo Esposito and the other led by Vince, played by Barry Pepper. Both of these creating their own dynamics.

As someone who has read the source material (review), the film does capture most of the big moments and the atmosphere up to the world-building elements. What’s good about The Maze Runner trilogy really is that even though they aren’t completely self-contained, each book starts with a new area and phase so while the other movies would help to complete the image, its not incredibly hard to follow except for the character alliances in some cases.

Maze Runner: The Death Cure (2018)

Director: Wes Ball

Cast: Dylan O’Brien, Ki Hong Lee, Kaya Scodelario, Thomas Brodie-Sangster, Dexter Darden, Will Poulter, Rosa Salazar, Giancarlo Esposito, Patricia Clarkson, Aidan Gillen, Barry Pepper, Walton Goggins

Young hero Thomas embarks on a mission to find a cure for a deadly disease known as “The Flare”. – IMDB

Taking place a little while after the end of events in The Scorch Trials, mostly able to tell with the unitedness of the three crews of last once and the mid-length hair that Brenda, a new female character from the previous film, The Death Cure is a last hurrah which continues on with the quick-paced action-packed world. Attempting to keep this spoil-free, the previous film flipped a lot of things around with Minho being caught and Thomas keeping his promise to never leave him behind, Brenda bringing a little love triangle but not really while betrayal is the center of how things are the way they are with WCKD.

This film’s adventure starts off with a bang with a rather adventurous and daring rescue plan to hijack a train car which ends up leading them off to their new setting this time, the Last City aka the headquarters of WCKD and meeting the rebellion group in that area lead by Lawrence played by Walton Goggins and they see an old face, Gally who has mellowed out a little and willing to help them. The Last City is a pretty good new setting as it differs from the previous two in a metropolitan setting full of tall skyscrapers and guarded to protect from Cranks and those infected by the Flare. The contrast of the rebellion group in the outside area in their underground dark and gloomy base to the sci-fi WCKD headquarters, this movie adds a lot of scope.

The big finale brings a lot of big moments as the characters start pivoting more and having a little more screen time. The atmosphere is still captured very well from the characters in the WCKD building following orders and having a one track mind to create a cure while the other group with Thomas is planning to not only rescue but also steal the cure. The dangers gives this group another chance to navigate this cityscape maze, something we haven’t talked about is each place having its own maze. The first one being an actual maze whereas its all a maze as they navigate the unknown in the desert landscape of Scorch Trials and the cityscape and WCKD headquarters of Last City.

In some ways, the big finale does get harmed a little by the lack of character development since the ending does create quite the event. For a little comparison, the book (review) does a much better job in that scene (if I remember correctly, its been a while). However, the final film of the trilogy does achieve quite a bit with some pretty fantastic scenes especially the elaborate rescue and escape plan in Last City which creates some gripping moments.

Overall, The Maze Runner is a pretty entertaining adaptation. Its not exactly the same as the book and some of the character development leaves a little to be desired which makes the ending lack a little of the punch that it wants to deliver, however the world building and the settings along with the gripping atmosphere and the visuals really are the elements that stand out quite a lot.

The Summer I Turned Pretty (Summer#1) by Jenny Han

The Summer I Turned Pretty
(Summer #1)
By: Jenny Han

Some summers are just destined to be pretty.

When each summer begins, Belly leaves her school life behind and escapes to Cousins Beach, the place she has spent every summer of her life. Not only does the beach house mean home away from home, but her favorite people are there: Susannah, her mother’s best friend, and her sons, Conrad and Jeremiah. Belly has been chasing Conrad for as long as she can remember, and more than anything, she hopes this summer will be different. Despite distractions from a new guy named Cam and lingering looks from Conrad’s brother, Jeremiah, Belly’s heart belongs to Conrad. Will he offer his to her? Will this be the summer that changes everything?  – Goodreads

Expectations are a very dangerous thing. Its no secret for frequenters of my humble blog that I’m a huge fan of To All The Boys I’ve Loved Before. While the trilogy had its imperfections as it went along, it still had a lot of great moments much like the Netflix adaptations that still managed to capture the essence of the story from both a coming of age and teen romance angle. I’m not going to lie that the synopsis of The Summer I Turned Pretty wasn’t exactly capturing me a lot in the first place however, sometimes the actual read could give some surprises. The issue is that The Summer I Turned Pretty basically didn’t give me any surprises and was what I expected out of an average teen romance.

The Summer I Turned Pretty is pretty much a through and through teen romance. Its a little bit of coming of age and friendship but overall, its mostly focused around its main character Belly (short for Isabel) and her sweet sixteen summer. Belly is not a very captivating character, in fact as a main character from her point of view, it probably painted her out to be much more annoying than anything else. The deal is Belly has a certain grounded-ness, which is the good part like her insecurities as a teenager and trying to feel accepted in a group of friends. Those things worked in favor to her character however for the most part, she did make some pretty bad decisions or inconsiderate ones, although sometimes I feel that its my age reading this now that makes me see this more mature and this stuff is normal for someone at sixteen.

However, talking about the mature element, there are parts of this where Belly feels like she is more than sixteen in terms of how she views love itself and how she words certain things. Its a very odd character that’s been put together. Thing is, looking at the other characters, they feel even less fleshed out and while this inevitable love triangle between her and the brothers Conrad and Jeremiah, the two brothers also feel very lightly written and then the ending gives them a sudden shift.

This does bring us to the execution and structure for The Summer I Turned Pretty. The execution style is actually one that I do enjoy which creates something of a scrambled storyline as she talks about the current and then it links back to a past story regarding a younger self at the summer house vacation. Its meant to create context to give some depth for the story itself, which it does do for the most part. Even if the story itself doesn’t really feel that surprising most of the time, it still adds to the story itself to build up on the events that bring these characters together. That’s the main thing is everything is just about the events but never truly about the growth of the characters other than their expected growth due to getting older.

Overall, The Summer I Turned Pretty is very average. It all dials down to some rather lackluster characters stuck in a predictable teen romance situation. The best part of the story actually are the moments when its not about the romance and the vibe of how the summer house is with the two mothers and their kids in the little anecdotal chapters. Some of them show a rather heartwarming and positive family vibe. Its hard to talk about this one since it stands a bit in the middle. Considering the ending did feel like it had a resolution, it did feel self-contained which is a trait I love in books that are meant to be some form of series. In this case, I’m rather hesitant about reading the rest of the trilogy.

Goodreads score: 3/5

Double Feature: Wedding Season (2022) & Look Both Ways (2022)

Wedding Season (2022)

Director: Tom Dey

Cast: Pallavi Sharda, Suraj Sharma, Arianna Afsar, Sean Kleier, Veena Sood, Rizwan Manji

Pressured by their parents to find spouses, Asha and Ravi pretend to date during a summer of weddings, only to find themselves falling for each other. – IMDB

The latest Netflix romantic comedy plays into the Indian culture as it revolves around a summer full of weddings and two kids who are set up together and decide to fake a relationship to avoid all the chatter. Asha (Pallavi Sharda) is the main character who is the central point of view where the plot is concerned. In some ways, it plays along a generation gap and culture gap that drives with kids born and raised in another country and while some details aren’t quite the applicable, the general story does apply to a lot of immigrant families. Its a fun angle to take for the story even if the romantic comedy of fake relationships turning real isn’t exactly a really unique idea overall and honestly has been done to death a lot, much like when I talked about the same general concept with another recently released Netflix film Purple Hearts (review).

Despite the predictable elements, the characters and cultural elements are pretty fun. The nagging parents and the whole wedding scenes all in different styles and the fun banter between the two leads are fairly entertaining. Its probably where the charm of this film is mostly centered on. Asha’s character is done pretty well as she plans this own thing because she wants to achieve better things in work and forgets about the core values of the project she is working on so as she tries to distance herself from her background because of growing up in the Western society, she eventually realizes a little something more about herself that exceeds that of just romance in the whole picture of the film. There’s a certain depth for Asha as her mindset shifts especially as her and her sister also have a lot of moments which eventually derives to a deeper understanding for the arranged marriage and relationship between her parents as well.

This is a romantic comedy so its time to take a look at the male character Ravi, played by Suraj Sharma. Honestly, I haven’t seen this actor since Life of Pi (podcast discussion). He definitely plays the more chill and fun character here but there is a definite secret that he and his family are trying to keep away that gets revealed by the end. Its a rather silly secret but the reaction from it is on one side fairly comedic because it did feel a little over the top but also a bit annoying because it felt like something that shouldn’t have gotten the reaction from Asha seeing as she is more modernized in her thoughts. Regardless, Ravi does have some fun bits and does also represent a certain other group of immigrant children who take on their own path against their parents’ wish.

To be fair, Wedding Season isn’t a bad film overall. The romantic elements actually are the weaker links here as the cultural elements take over to make the film more unique in this area. That’s not saying that the chemistry for the two main leads isn’t there as there definitely is even if some bits feel like it just jumps over fairly quickly. However, the film shines with the family moments with Asha, her sister and parents as well as the supporting characters from the nosy auntie to the judgmental views of others. There’s some truly charming elements here.

Look Both Ways (2022)

Director: Wanuri Kahiu

Cast: Lili Reinhart, Danny Ramirez, Aisha Dee, Andrea Savage, Luke Wilson, David Corenswet, Nia Long

On the eve of her college graduation, Natalie’s life diverges into parallel realities: one in which she becomes pregnant and remains in her hometown to raise her child and another in which she moves to LA to pursue her dream career. – IMDB

Look Both Ways is one of the latest Netflix films and balances really well the romance, drama and comedy elements of its story. The story itself while being compared a lot to Sliding Doors (a film that I haven’t seen yet) runs a parallel storyline which starts at the beginning when its main character is thrust into a situation following a quick decision when it bases around her pregnancy test on her graduation night. On one hand, the positive result turns her life around and the negative one takes her to execute her five year plan. Look Both Ways is a story about options in life regardless of what things may pop up accidentally and the positive message that it will all work out in the end as both sides of her realities lead to a different level of success and achievement and its own set of challenges as well.

With that said, a film like with alternating realities is heavily reliant on its execution and flow. In this case, it does a pretty good job. There is a logical bounce between the realities which is easily to follow and is a long enough set piece that doesn’t feel like the jumping from one reality to the next is too abrupt or lacking in delivering the feelings of the scene. It does help that the storyline keeps itself simple. On one hand, the planned reality focuses on the workplace challenges while the other side sticks to the challenges of a having a baby and the mixed feelings and responsibilities that come with it as well as how to rebuild her own life. While its a very hypothetical element to give the story two outcomes and their own timeline, these two timelines still feel rooted in a lot of realistic feelings and trials and tribulations especially when even the planned moments in life will have their unplanned obstacles. The positive message is truly what makes this film a fun one, despite perhaps a few plot point flaws here and there which doesn’t take away from the feel-good elements.

Look Both Ways stars primarily Riverdale’s Lili Reinhart, an actress that is very underrated as she does a great job with the role of Betty in Riverdale and despite the supporting role was pretty good in Hustlers (review) as well. In Look Both Ways, she is the focal character and all the events revolve around her and she gives both sides of the realities a really good portrayal and connects really well on both ends with the sentiments at that moment. Its nice to know that destiny doesn’t play a big part here mostly as both realities sees her end up different romantically as well. In reality, the two parts actually play together to create the full person that she becomes. Much like the LA career five year plan focuses on her career and friends more, letting the story focus more on her friendship, the pregnancy sidetrack takes her back home where it brings in a lot of nice conversations between her parents (Luke Wilson and Andrea Savage) as they have to also accept this new reality and gradually despite their disappointment also brings their own form of support.

Overall, Look Both Ways is a pretty good film. The cast is pretty decent especially with Lili Reinhart doing a great job at portraying her character. Its also a film with a wonderful positive message that ends in an open-ended way which gives the film a good thoughtful ending as well. Perhaps, its a good point of view for life in general to explore the reality that when things don’t quite go as planned that it will work out one way or another.

TV Binge: Never Have I Ever (Season 2, 2021)

Never Have I Ever (Season 2, 2021)

Creators: Lang Fisher & Mindy Kaling

Cast: Maitreyi Ramakrishnan, Poorna Jagannathan, Darren Barnet, John McEnroe, Jaren Lewison, Benjamin Norris, Richa Moorjani, Lee Rodriguez, Ramona Young, Megan Suri, Sendhil Ramamurthy, Adam Shapiro, Christina Kartchner, Niecy Nash, Dino Petrera, Common, Utkarsh Ambudkar

The complicated life of a modern-day first generation Indian American teenage girl, inspired by Mindy Kaling’s own childhood. – IMDB

Picking up right where Season 1 (review) left off, Season 2 continues on as Devi (Maitreyi Ramakrishnan) is now faced with her mom deciding to move with her to India as this prompts her to believe that dating both Paxton (Darren Barnet) and Ben (Jaren Lewison) secretly is a great idea. However when the India idea is cancelled, she now faces the consequences of her actions when both of them now despise her. At the same time, another cooler Indian girl Aneesa transfers to Sherman Oaks which makes her feel uncomfortable. On the side, Kamala (Richa Moorjani) has to deal with her new lab and labmates and her long distance relationship while Devi’s mother, Nalini (Poorna Jagannathan) is faced with dealing with another dermatologist Dr. Jackson (Common) who has opposing approaches to their practices as well as still trying to figure out how to deal with Devi’s constant issues.

The second season of Never Have I Ever is pretty fun. Arguably, probably even better than the first season because the foundation has already built for all the characters. The series still focuses on Devi quite a bit as she is still coming to terms with a lot of herself as she constantly made bad decisions which always lead to some bad situation that she needed to resolve. She is a very imperfect teen and that’s what makes her so easy to connect to as she struggles with her culture and blending into the student body with a lot of the high school drama. Before getting into the student body, its really about navigating between her two boys, Paxton and Ben and learning that she can’t really get everything, her temper/rage needs to be in check and she needs to embrace that she doesn’t have to be perfect despite remembering that her father would always call her “perfect girl” but slowly feeling less confident about things as everything seems to fall apart. Amidst all this, its learning about honesty and trust throughout this season (which was cleverly introduced through one of her therapy sessions) as well as not feeling the need to reach unrealistic expectations for herself (which leads to great revelation when she dreams of her father who explains why he calls her “perfect girl”. Devi’s journey is a fascinating one to say the least, even if sometimes she seems to truly go way off in her interpretation but its what makes her charming and comedic to watch.

As for the rest of the characters, the script makes them go through a lot of the issues that teens would encounter whether its from a teen dealing with their single parent like their disapproval of their new love interest. For Kamala, who is in her lab rotation, she has to deal with the realities of workspace in terms of gender and blending in. The high school setting brings on the issues of not fitting into despite coming out for Fabiola and somewhat losing herself in the process while Eleanor deals with a toxic relationship which she soon learns to differentiate. At the same time, Paxton gives a new angle to the jock forced to turn academic due to unforeseen issues. With dances, PDA and boyfriend/girlfriend issues to deal with, there’s a lot of area to cover for the show and probably a lot more issues to explore.

While the first season also had these characters, the second season really gave the smaller supporting characters so much room. They aren’t very deep characters but they had their purpose of being either very over the top or simply weird to mostly give insight to the main characters but a lot of times add in another level of comedy. The one that comes to mind is absolutely the history teacher Mr. Shapiro (Adam Shapiro) who is such an odd teacher especially with his freestyle of teaching history and his reactions to certain things but so funny to watch in all his weirdness. There’s characters who are impactful like Paxton’s sister Rebecca (Lily D. Moore) who is there to be the person to set Paxton straight. The new addition this time is Devi’s English teacher Mr. Kulkarni (Utkarsh Ambudkar) who comes in as a love interest for Kamala but also has the cool teacher vibe.

The culture and the generational gap plays a big part in the show breaking some of the stereotypes. That’s a big element of the show that also makes it rather appealing. Its nice to see Netflix embrace these things especially as its an international streaming service, much like its recent release of the romantic comedy film Wedding Season. Another big part of the show’s appeal which makes it unique is the voice-over by John McEnroe for Devi which adds a ton of charm to the show as someone who judges her on the spot a lot. Last season had Adam Samberg do a voice-over commentating on Ben and this season, there was one episode for Paxton with Gigi Hadid doing her narrative for his point of view which was quite a nice change of pace.

Running at 10 episodes of around 30 minutes ( makes it approx. 5 hours in total), Never Have I Ever is completely bingeable. To be fair, much like most comedies, the humor does depend a lot of a person’s taste. For myself, the first time watching Season 1 didn’t quite work too well but the show did grow on me that I’ve gone on to rewatch it a few times since its release of Season 1 and 2. Its an easy and fun watch overall and one that does share a lot of deeper topics despite navigating a teen’s life as she constantly messes up and learns from those mistakes. Isn’t that what life is, even if we’ve probably not gone through all of it.

Double Feature: Persuasion (2022) & Purple Hearts (2022)

Persuasion (2022)

Director: Carrie Cracknell

Cast: Dakota Johnson, Cosmo Jarvis, Henry Golding, Richard E. Grant, Yolanda Kettle, Ben Bailey Smith, Nikki Amuka-Bird, Mia McKenna-Bruce

Eight years after Anne Elliot was persuaded not to marry a dashing man of humble origins, they meet again. Will she seize her second chance at true love? – IMDB

Based on Jane Austen’s novel of the same name (review), Persuasion tells the story of Anne, a woman well past her prime for marriage who ends up moving to Bath due to his father’s frivolous spending as the return of a man she once refused marriage after persuasion due to status returns to town after 8 years and brings back her inner struggle as they attempt to run in the same circle as friends.

Years ago when I did a Jane Austen books read, Persuasion was one of the hidden gems considering Pride and Prejudice is the most talked about. The Netflix adaptation is a little odd in execution. Dakota Johnson is rather suitable in her role as Anne and she remains the narrator of her own story as it brings in some fourth wall breaking elements as she speaks her feelings to the audience throughout the film. Unlike the clever use in Enola Holmes, it keeps her character development amusing but still feels almost  little too modernized. However, the attempt to make this unique is a good effort, considering this is one of the key elements of the execution.

Persuasion is a story that embodies a deeper and more mature story as a love slowly rekindles and Anne and Captain Wentworth need to get through their past differences from the failed proposal years ago. The issue here is that these two have no chemistry and part of it is the film execution with how their encounters are written but the other part is that Cosmo Jarvis as Captain Wentworth doesn’t quite have the acting depth to interpret those quiet brooding stares as he observes or as they exchange glances. Arguably, the best moment between them, a lot thanks to some nice cinematography, is their final moment as they rekindle their romance and realize that they both still love each other.

Persuasion does hit a lot of expected elements of a period drama like the setting and the soundtrack are pretty good, much like the costumes themselves are decent as well. Some of the supporting cast including the other suitor played by Henry Golding also does a good job. Where the film falls short is in its tone which adds in a bit of silliness and humor as well as breaking the fourth wall which is a unique take but the script might have let it down a little, much like the romance which felt like it didn’t have the chemistry it needed to make it more memorable.

Purple Hearts (2022)

Director: Elizabeth Allen Rosenbaum

Cast: Sofia Carson, Nicholas Galitzine, Chosen Jacobs, John Harlan Kim, Kat Cunning, Linden Ashby, Scott Deckert, Anthony Ippolito, Loren Escandon

In spite of their many differences, Cassie, a struggling singer-songwriter, and Luke, a troubled Marine, agree to marry solely for military benefits. But when tragedy strikes, the line between real and pretend begins to blur. – IMDB

At this point, Netflix delivers a good amount of romance films a year in whatever genre and usually its a pretty mixed bag and truly a test of chemistry and casting rather than script. Purple Hearts is the latest offering as a romance drama which sets a premise of a marriage out convenience for a young soldier being shipped out very soon and a waitress/musician, both with their own hardships that this arrangement would offer.

Deal is, as someone who watches a lot of Chinese drama, marriage before love premise has been done to death over the past two years in all kinds of premise. Of course, it usually is more humorous and light hearted at the beginning rather than the dramatic twist here. While the general premise is fairly predictable, the use of a soldier and his situation that gives him a purple heart is one that makes this journey much more memorable as while it isn’t so much about war, Luke finds meaning in becoming a Marine through it despite the danger and connects more to his father (Linden Ashby) because of this choice despite the bad decisions he had made prior.

Much like Cassie who as the child of an immigrant family also makes her reconsider her feelings about the sacrifices the Marines are making as she learns more about Luke as they do what they need to do to keep up appearances. This understanding also helps her find inspiration to write powerful music which brings her growing success. This brings in the additional music element which is probably the purpose to cast Sofia Carson. While I don’t avidly listen to Sofia Carson, the two songs that she performs here are pretty good and fit the story well. In some ways, it does tie to the story itself in a meaningful way so its a way for her character to express herself despite the arguments and banter between her and Luke.

Honestly, I’m not too hard on romance dramas. In reality, a predictable story is acceptable when they can deliver a believable chemistry between the two main leads. In this case, the chemistry between the two could definitely be better since their characters are fairly thin in development, however the premise and the execution gives this story a little more than just a love story so with everything rounded together, the two coming together from despise to leaning on each other to their revelation that they love each other by the end , its a pretty decent heartwarming and touching journey between the two. A romance where two people help each other grow in one way or another creates their chemistry subtly and a story with this premise of living the “in sickness and in health” part of the vows despite the fake marriage at the beginning.

To be fair, when it comes to romance films and I’ve seen quite a few of them being the sappy romantic that I am, this one might come up fairly average but it still works for various elements. The ending even had me feeling rather connected with Cassie and Luke’s love when these two finally figure out their feelings.

TV Binge: Resident Evil (Season 1, 2022)

Resident Evil (Season 1, 2022)

Cast: Ella Balinska, Tamara Smart, Siena Agudong, Adeline Rudolph, Paola Nunez, Lance Reddick, Anthony Oseyemi, Connor Gosatti, Pedro De Tavira

Nearly three decades after the discovery of the T-virus, an outbreak reveals the Umbrella Corporation’s dark secrets. Based on the horror franchise. – IMDB

Its hard to not know what Resident Evil is at this point, whether you are a gamer or not. Of course, if you are a gamer, then you are much more familiar with the source material depending how thorough you were with the entire game franchise. After Paul W. S. Anderson’s Resident Evil film franchise (franchise overview) which really went off into its own tangent and basically only retaining the world itself and into his own writing and production (depending on the film), a handful of animated films, the reboot of the game once again with Welcome to Raccoon City (review) and last year’s Netflix animated series (review) (which honestly was more like a film split up in 4 episodes), Netflix’s Resident Evil series finally released and it takes the story into the future, decades after the outbreak at Raccoon City and writing up its own story. While I’m not sure its something that Resident Evil fans have been looking forward to, considering some of my friends would like a legit decent survivors escaping Raccoon City story which we’ve seen too many times in my opinion, regardless of whether its good or bad, for myself, the direction was a good one which if successful, will breathe some needed new life into Resident Evil to at least give it a boost into the alternate future. It all leaves the question of whether it was able to achieve that or at least, is Resident Evil still what it is if it takes out the 1998 outbreak setting.

Resident Evil series delivers a parallel storyline. This first is set in the past and an alternate present in our terms in 2022 when 14 year old fraternal twins Billie (Siena Agudong) and Jade Wesker (Tamara Smart) move to New Raccoon City, an Umbrella planned community as Albert Wesker (Lance Reddick) works on finalizing a drug called Joy for Umbrella corporation to hit the markets. Umbrella is now under new leadership under the daughter of Dr. Marcus, Evelyn (Paola Nunez) who reclaimed her father’s company. However, when the twins break into the lab, they learn some dark secrets there which ends up putting their lives in danger. The second plot runs in the series present in 2036 as it follows a grown-up Jade Wesker (Ella Balinska) who is studying the “zero”-filled world to track their evolution and mutation of the T-virus. Zeroes are what “zombies” are called in this world. As Jade tries to evade Umbrella who is hunting her down, she is helping do research for a hidden organization The University who tries to present the old world artifacts.

Looking at the story premise, the series takes a decent step forward. Its pretty ambitious considering its bound to disappoint a lot of franchise fans seeing as it revamps the entire story and only uses the Raccoon City event everyone is familiar with as a backdrop. However, pushing it to the future is a good idea and with what they have, the parallel being there retains both elements of still keeping the T-virus and its existence along with Umbrella still having dark secrets and they things they are trying to hide from their past while adding in a central character which never has been the center with Albert Wesker in the future, even if he still is top bill but more supporting than the twins. At the same time, the 2036 events is proof that whatever Umbrella was trying to do under new management wasn’t contained as the world is in its apocalyptic state with zeroes running rampant and in its own way, introducing this new world’s monsters whether the “zombies” or other mutations. In that sense, the story does try to maintain a balance. The two sides of the story do work well to complement each other and each has their redeeming qualities and tension. Of course, the 2022 events with the teen twins in their school environment adds the teen element as they try to blend in, get bullied and try to make friends. Some of that feels a little mundane in the spectrum of things but luckily, the casting for the young Jade and Billie are decent, even if their teen characters are a little frustrating a times.

Taking a quick glance at the cast, its some rather fresh faces. Adult Jade Wesker is played by Ella Balinska who was previously in the reboot of Charlie’s Angels (review) as one of the Angels. Jade is the focus of the series and she takes the role pretty well. The action sequences involving her are done pretty good and as she does get caught up a few dicey situations. Her younger self portrayed by Tamara Smart is a little more frustrating to watch as mentioned above. Billie on the other hand portrayed by Siena Agudong is done pretty well. Her character goes through a lot more in the younger sequence and puts her in constant inner struggles. The older self is portrayed by Adeline Rudolph (plays Agatha in The Chilling Adventures of Sabrina) which was a pretty short presence in this season. Lance Reddick’s Albert Wesker is probably not the expected choice however, the character itself is built pretty well to fit in this world. Honestly, I haven’t seen Lance Reddick other than as the hotel manager in John Wick films and his role there is fairly small but so good. Seeing as Wesker’s side of the story is rarely dived into thoroughly, there is a lot of space to build it up. Focusing on his daughters makes it all the more good as he is there but it adds a new generation to the new Raccoon City and the future of Resident Evil’s setting. Its a pretty nice touch (perhaps I’m just overthinking it as usual).

What’s Resident Evil without its villains and here, the villainous character here is Evelyn Marcus which is played relatively well by Paola Nunez. Sometimes, Evelyn is fairly annoying as most villains are but she has a dangerous edge to her that carries well enough, some parts a little overdone but there is some development. Of course, the other villains are the zeroes and the mutated creatures. In that sense, the mutated creature designs here are probably the element that I’ve always loved about the franchise and in this case, this new future brings in some giant versions of animals which are quite fun to see. If only there was more then the 3 or so types shown. This does tie in to the world building which honestly gets showcased much more in the 2036 side of the story as there’s so much more to discover in the wastelands.

In the end, your enjoyment of this series will hang heavily on asking the the initial question as to what makes Resident Evil, well, Resident Evil. While this series pushes it to the future and uses Umbrella and the T-virus as its foundation, it still doesn’t feel too different from being another zombie series, but then that is what Resident Evil is, right? Its another type of zombie franchise, except in this case, its set with a younger cast, has a bit of teen and family drama and a few other tangents. Or perhaps the 1998 events of the outbreak is what makes Resident Evil what it is or perhaps its the main cast of Chris and Claire, Jill and Leon, who obviously is not in this series so this will definitely not fit. If we look at this from solely an action horror series, then its actually not too bad as it does have a lot of action and a good bit of horror.

Double Feature: Profile (2018) & Scary Stories To Tell In The Dark (2019)

Profile (2018)

Director (& co-writer): Timur Bekmambetov

Cast: Valene Kane, Morgan Watkins, Christine Adams, Emma Cater, Amir Rahimzadeh, Shazad Latif

An undercover British journalist infiltrates the online propaganda channels of the so-called Islamic State, only to be sucked in by her recruiter. – IMDB

Released as part of the initial three Screenlife films aka cyber found footage along with Searching (review) and Unfriended (review), Timur Bekmamtov delivers Profile, a film about a UK journalist Amy (Valene Kane) who goes undercover and engages into an online conversation with a jihadist Bilel (Shazad Latif) to learn about their ways of recruiting religious converts, their operations and how these converts are transported. As she uses her alias profile Melody to talk to Bilel, a leader who wants to woo her, she starts to blur the reality of her assignment with this new relationship during the process and things go out of control with both her boyfriend and her boss. 

Screenlife is a fascinating subgenre that fits very well to the modern world we live in and breathes new life into the found footage genre. The three Screenlife productions by Bekmamtov all vary in scenario and genre, showing the potential of the variety of stories it can tell in a convincing way through the screen of someone. The cyber element used here focuses heavily on the accessibility of information at our fingertips and the ability to multitask while in a conversation. It exposes a world of danger that resides online. Unlike the other screenlife stories, this one is based on a non-fiction book In The Skin Of A Jihadist. The fact that its based on a real event makes it even more captivating. 

When dealing with cyber found footage, this one is centered around two main people, Melody aka Amy and Bilel. Their characters become the focal point especially for the former as it’s all from her point of view aka her computer screen. Her character is fantastic as the contrast of nervousness of setting up the first conversation to the ease of diving into believing Bilel to the big finale makes her character rather complex or perhaps gives a nod to how convincing the character of Bilel is. He becomes a real and convincing person when he seemingly can offer so much and knows the right things to say: shedding a bit of personal information at the right time and sharing an insight of the positivity that surrounds him as well as the dangers. However, it’s all an expectations versus reality situation that drives to a rather intense finale. There are some sudden character shifts and it has to do with the subtle and fast moving timeline however the interactions between the two along with Amy’s research along the way is some shocking stuff.

Profile might not quite hit the epicness of Searching in the Screenlife films by Bekmamtov, however, it definitely packs a punch with the narrative. A lot of these films do work so much better watching it on a computer screen than the big screen in terms of involvement. Much like documentary films like Caught In The Net which tries to lure out its predators in a real situation, this adapts a true story into a believable scenario with this format which suits the whole investigation very well. It’s definitely worth a watch. 

Scary Stories To Tell In The Dark (2019)

Director: André Ovredal

Cast: Zoe Margaret Colletti, Michael Garza, Gabriel Rush, Austin Abrams, Dean Norris, Gil Bellows, Austin Zajur, Natalie Ganzhorn, Lorraine Toussaint, Kathleen Pollard

On Halloween 1968, Stella and her two friends meet a mysterious drifter, Ramón, and uncover a sinister notebook of stories. – IMDB

Based on the children’s book series of the same name by Alvin Schwartz, Scary Stories To Tell In The Dark was co-produced and the screenplay co-written by Guillermo Del Toro. The story follows three friends as they find a sinister notebook of stories which writes itself and eventually, the people around her start disappearing. As danger creeps closer to themselves, Stella (Zoe Margaret Colletti) has to act quickly to find out the truth about the girl Sarah Bellows (Kathleen Pollard) who lived in the haunted house where they found the notebook in order to hopefully put an end to the string of events which as befallen them.

In some ways, Scary Stories To Tell In The Dark almost plays out like a horror anthology. The different stories being written throughout the story reflect a different segment for the different characters who are Stella’s group of friends. While the film focuses on the angle from Stella’s point of view as she is the one who took the book and asked for its help in the first place, it becomes an “evil” that she can’t get rid of even after regretting her choice. Its also because of these moments that the film’s main storyline around Stella and finding out about the Bellows history becomes what strings along the story but its hard to not feel like there is a sense of disjointedness when the strength is in the little stories themselves and this isn’t meant to be an anthology. That is coming from a person that hasn’t read any of the source material so maybe its the issue of adaptation.

The cinematography is the standout element for the film. While the stories themselves might not be all that scary in execution, the horror elements is mostly from the different forms of the horror figures that it brings to life in a varying dark and creepy atmosphere that somewhat exceeds that of what you’d expect from a children’s book adaptation. Each story has their own horrific element and as the story is being written and the actual events are going down, it leaves space for anticipation of what comes next and what horror is waiting for that character. Most of them are great imaginations and as they come to life really add in the darker element for this film set around these simple horror stories to scare children. Perhaps its the simplicity that makes them work even more.

Overall, Scary Stories To Tell In The Dark is visually appealing especially when bringing to life the horrors of the stories. The premise itself is also quite good as a foundation especially for a children’s books series and actually some of the horrors in the film feel almost too much for children however, the execution does leave a little to be desired. While the separate stories are really fun to see come to life, the main plot line isn’t quite as well told and with the teen cast, some bits are still rather silly.

TV Binge: Stranger Things (Season 4, 2022)

Stranger Things (Season 4, 2022)

Creator: The Duffer Brothers

Cast: Millie Bobby Brown, Finn Wolfhard, Winona Ryder, David Harbour, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Joe Keery, Noah Schnapp, Sadie Sink, Priah Ferguson, Matthew Modine, Maya Hawke, Joseph Quinn

When a young boy disappears, his mother, a police chief and his friends must confront terrifying supernatural forces in order to get him back. – IMDB

Its been a while for Stranger Things and now that the two parts of Season 4 are finally released, its time to give it an overall look. Season 4 of Stranger Things definitely takes things back up to the hype of its first season. Not only do the ending 2 episodes become incredibly long running at 1.5 hours and 2.5 hours respectively but the whole show in general shows off a lot of writing especially when referencing back to almost a circle effect as events from prior seasons all come together from looking at what happened exactly with Eleven (Millie Bobby Brown) at the Hawkins Lab that lead her to run away to the initial group being separate for various reasons but all coming together in their different places, showing off the extent of the Upside Down and the hive mind of the demogorgons and also what connects them all together. Its an elaborate story and one that truly elevates especially in terms of the script.

Since I never managed to get the TV binges for Season 2 and 3 out, its suitable to talk a little about my feelings towards it. The last 2 seasons were decent but never quite lived up to its first season, even though season 3 did end on quite the big change with a lot at stake in its big finale. Perhaps its how it felt a little been there done that with the same similar plot of the Upside Down and Eleven’s powers and Hawkins Lab and sealing the portals and such. There were some decent new characters as well, even if some didn’t last. The threat doesn’t seem to change even if the dynamic between the friends shifted a little and still had some fun moments.

What makes Season 4 work better even if some of the threats are familiar, is that there is more depth. There’s a lot of change and it justifies that a certain amount of time has moved on since how things ended in Season 3. It brings in topics of bullying and the 80s satanic panic along with new characters coming into play. The 80s theme is still very vibrant with the soundtrack, even surpassing that of Kate Bush’s Running Up That Hill and Metallica’s Master of Puppets. It helps that the crew is all split up in different locations which adds some freshness as the adults are in Russia, the kids are split between Hawkins and California while Eleven needs to reconnect with her powers despite the people involved. There’s a lot to talk about just in terms of the many tangents of the plotline. The most direct would be the whole process of Russia where the adults come together with Joyce (Winona Ryder) working with Murray (Brett Gelman) to follow a message allegedly from Hopper (David Harbour) and they head off to save him. As much as the kids are a part of the story, the adults are also rather important as well. This side of the story as dangerous as it is actually packs a lot of comedic relief whether its the dialogue from Murray or Joyce and their very unplanned way of trying to save Hopper.

The whole dynamic between the friends shifts as they get older with different priorities like wanting to break away from being the Dungeons and Dragons nerds to being the popular jock. While Eleven in her new environment with Will (Noah Schnapp) experiences her powers gone after the last season’s events and has to deal with bullying. Despite all this, everyone tries to pretend everything is okay when it isn’t which is the main reason for some of the conflicts here afterwards. With new alliances, the main one being the new character Eddie Munson (Joseph Quinn) who is wrongly accused of a fellow classmate’s death in his trailer as well as Steve’s (Joe Keery) work buddy Robin (Maya Hawke). Its nice to see that as Lucas falls out of the group for a bit, his sister Erica (Priah Ferguson) steps up with a bigger role as she is a little body with a big attitude who is incredibly fun to watch. With a lot of the relationships and little other things put into the backdrop as they group together to fight against the new enemy Vecna, it all builds to a rather big thing with some serious aftermath affecting not only the Upside Down but also Hawkins as a whole. What deserves a big mention, other than Eleven’s side of the story as she’s always a big part, is that Max (Sadie Sink) gets a much bigger role in this season as what happened in the previous season haunts her to the point that makes her mentally weaker and giving the chance to be trapped into a deadly situation.

Stranger Things Season 4 is definitely a step up from the previous 2 seasons. While it seems to jump around a lot, the difference in locations and the different groups of characters working together in one scenario to the next gives off parallel storylines that drive the story further. The writing also adds depth as it does pull a lot of the world that they’ve been building all these seasons together giving it a circle effect (which I have to admit is something I particularly love seeing in any sort of film or TV as it makes it feel very clever). The characters, new ones especially did such a great job, no matter if it was the bully or the jock or Eddie Munson who all delivered the necessary effects. It is nice to see Steve’s character have some other purpose than being the babysitter at the end while Eddie and Dustin does build a nice friendship as well. If there was one thing to criticize (and I’m sure there’s more especially some bits of the episodes working towards those 2 final ones) more strongly is its the whole cliffhanger ending, which from memory Stranger Things always did have the tendency to do to build up the anticipation for the next season. With that said, its not so bad since their final season is going to happen so hopefully we will see that released soon and see how the Duffer Brothers wrap up this whole world.

Double Feature: Girl’s Revenge (哈囉,少女, 2020) & Cyber Hell: Exposing An Internet Horror (2022)

Girl’s Revenge (哈囉,少女, 2020)

Director: Weica Wang

Cast: Yu-Ping Wang, Yuri Chen, Shiny Yao, Pii Liu, Mike Lin, Edison Song, Teng-hong Xia, Moon Lee

Bullying. Humiliation. An ugly truth. She’s standing up for her friend. But her retaliatory quest is about to unravel. After a sex video subjects her friend to mockery and bullying, a transfer student sets out to reveal the truth as campus secrets come to light. – IMDB

There’s been a really big focus on bullying in Asian film and TV lately in the past few years from Girl From Nowhere, Better Days and Cry Me A Sad River, etc. A lot of these films focus on the extremities of the situation. Girl’s Revenge takes it from another angle which looks not only at bullying but how social media plays a big part in the modern school environment when a sex video leaks from a party gone out of control. Its more of emotional bullying than a physical one.

Girl’s Revenge is basically set up in 2 parts. The first focuses on the new transfer student Yun-heng and her bond with her new group of friends leading up to the birthday party where one of her friends Li-Chia gets involved in this sex video being taken and distributed after an edgy party game. The second part is how Yun-heng teams up with other students to try to figure out what actually happened at the party to give some justice to her friends. It all dials down to walking the line between whether Yun-Heng’s justice for her friend is making her into the bullies that she despises by giving them a taste of their own medicine.

Girl’s Revenge runs at a tight 81 minutes and for that, it has its pros and cons. The story keeps itself very quick-paced and moves forward from Yun-Heng’s transfer to making new friends and drawing those lines of certain other classmates. The conflict happens quickly much like the investigation itself but the quick-paced also keeps it focused on the situation at hand. On the other side, the tighter runtime sacrifices a little on building up more on the characters as there just isn’t enough time to do it. There’s a basic background of what happens and hints of Yun-Heng’s past as to why she’s been transferred to this school which affects her decisions in the end, especially when its exposed at the end. Its somewhat of a twist to the story itself which at one part does push a little too far and becomes slightly apparent where the plot wants to take it.

The cast here is pretty close-knit, focusing on a few key characters from the three friends, the in-running class ambassador, the boy pursuing Yun-Heng, another classmate who initiates the investigation and the school teacher and principal. The roles are pretty clear-cut and the characters here faced with this situation do work well, especially for the character of Ke-Chien, the class ambassador who is the main suspect of what goes down as she seems to be a wolf in a sheep skin trying to be nice to everyone but also having the resources to make it seem like the subconsciously exposes other student’s secrets but acting innocent about it. Its never been so clear that someone is a suspect but then, its these characters that do create some good friction especially since there is no outward and obvious bullying, so how do you subject such a person to what they’ve done. The film takes a good approach in this situation.

Girl’s Revenge might lack a little bit of character depth but its portrayal of this form of bullying in the modern world in a school setting is one that doesn’t forget to make sure we know that these are high school students in the set-up who find joy in life’s simple things but also that easy accessibility of social media is one that can easily be misused and it no longer has to be a physical act but an emotionally disturbing one.

Cyber Hell: Exposing An Internet Horror (2022)

Director: Jin-seong Choi

Anonymous and exploitative, a network of online chat rooms ran rampant with sex crimes. The hunt to take down its operators required guts and tenacity. – IMDB

Continuing on the online crime investigation documentary angle, Netflix recently delivers Cyber Hell, a South Korea n crime that involves a mystery chat room, the dark web and a slew of police officers, reporters and hackers working together to trace down hidden manipulators who use compromising footage of young girls to make them do bad things to themselves which gets shared online with paying members. As internet becomes our main form of connection more and more, these real life horror stories really do deserved to be shared, not focused on the killer themselves but both the devastation of its victims but also bringing attention to the dangers lurking in the deep dark corners of the web and condemnning not only those who created the space but also those who create the demand for it.

Unlike other limited series, Cyber Hell is executed as a 2 hour documentary film. It fits the investigation really well as it moves through the time frame of how they track the culprits down from the angle of the police and others who are simply reporting the investigation to bring awareness to the public about such crimes. This investigation is also one that is much closer to the present as it took place starting in 2018 and follows each step that they discuss until the eventual capture of the culprits. The documentary focuses heavily on the process and the hardships of looking for a killer in today’s online space especially with the advancement of technology and the more securitized software or online chatrooms which provides a safe space where information isn’t saved but also can be a useful tool for those who mean harm to others, much like creating spaces like the Nth room.

As it moves from one interviewee to the next, it makes it more real that some of these people remain hidden while others are from various fields of job willing to join the case at the time. Luckily, the ones involved were eventually caught and the final highlight of the issue didn’t talk about those who did it but also who else is responsible and bringing in a bigger point of how easily what we consider safe information can be used to blackmail.

Much like ‘The Blue Whale Challenge’ which was made into a Russian film #Blue_Whale (review) which was adapted to talk about the issue of the dangers of online darker spaces, Cyber Hell achieves that by telling the story of the hunt from those involved from their online interactions with the ones involved to those actually implicated into the situation and afraid to talk about it and being used to delay the investigative work. Considering its something in South Korea and wasn’t exposed further, it was an intriguing case to learn about and well worth a watch.