To All The Boys: Always and Forever (2021)

You can check out the review of the first 2 movies of this trilogy below:

To All The Boys I’ve Love Before
To All The Boys: P.S. I Still Love You

To All The Boys: Always and Forever (2021)

Director: Michael Fimognari

Cast: Lana Condor, Noah Centineo, Janel Parrish, Anna Cathcart, Ross Butler, Madeleine Arthur, Emilija Baranac, Trezzo Mahoro, Sarayu Blue, John Corbett, Henry Thomas

Continuing the romantic life of the teenage girl and facing her good and hard times with her friends and family. – IMDB

As we reach the last movie of the To All The Boys trilogy on Netflix, this is based on the third book of the trilogy of the same name. The third book is focused around Lara Jean but this time, unlike the first one where its about facing up to her feelings despite making herself vulnerable or the second book that its about choosing between two guys, this one is dials back to her as she struggles with choosing between a college that she wants to go to and the guy that she loves, worrying about the future of what might happen if she chooses one love over the other or a more suitable future over her love life, despite having to face up to changing plans and the consequences related to it. The story itself centering back to the basics of family, her future and her love life.

While its not a complete change back to its first film and lacks somewhat of the same type of charm, Always and Forever is a definite step up from the second film. However, that’s not to say that this one has some issues as well as it has a feeling piecing together montages a lot and jumping from one sequence to the next rather quickly creating a little sense of disjointedness. Where this film does carry back its fun elements is bringing back more screen time for the three sisters and the relationship they have while each also having their own sense of settling with a new situation to come with their father remarrying. There is no doubt that a big part of what works for this trilogy is the family element especially when the other sisters are charming characters along with their father.

For Lara Jean, the center back to her and her friends along with the idea of how to go for the future she wants in terms of college and think a little more about making the decision suitable for her comes into play. Of course, To All The Boys is also about Peter and Lara Jean’s relationship and there is a decent balance of it here as well especially as they each face their own insecurities about a future that might involve them being apart from each other and finding the courage and confidence to face those problems together. In some ways, for Lara Jean, its a lot about how she decides to be true to what she wants and for Peter to be able to support her choices even if it means taking a harder route for them.

To All The Boys: Always and Forever also packs in a really nice soundtrack that definitely matches with everything. There is a use of romantic comedy references which is pretty fun as well as the concept of Peter and Lara Jean’s meet-cute. The script here fills in those pieces of what hasn’t been talked about in previous two books while also tying in Lara Jean’s love for romantic comedies that makes it feel like it fits well. It also brings back a snippet of the first film’s use of having her talking to an imagined version of Peter Kavinsky as she struggles to tell him the truth behind something was misinterpreted. With that said, the charming characters of Lara Jean and Peter Kavinsky as their own characters and as a couple is still one of the highlights of the film, which also makes perhaps some small little details feel very touching to watch, especially the near ending scene that is probably one of my faves and gives a nice feeling of the series coming full circle.

Overall, To All The Boys: Always and Forever is a pretty good sequel. Its a nice way to wrap up the trilogy and manages to bring everything back to a nice feeling from the first film. It addresses all the characters in Lara Jean’s circle for the most part and sees a progress throughout the time being in school and how they’ve also changed as well or made amends in other cases. Its about growing up and these characters definitely feel like they have. Its a satisfying ending and a great way to wrap up the trilogy.

TV Binge: Bridgerton (Season 1, 2020)

Bridgerton (Season 1, 2020)

Creator: Chris Van Dusen

Cast: Phoebe Dynevor, Regé-Jean Page, Jonathan Bailey, Ruby Barker, Nicola Coughlan, Ruth Gemmell, Adjoa Andoh, Claudia Jessie, Luke Newton, Luke Thompson, Polly Walker, Golda Rosheuval

Wealth, lust, and betrayal set against the backdrop of Regency-era England, seen through the eyes of the powerful Bridgerton family. – IMDB

Based on Julia Quinn’s first book of the Bridgerton book series called The Duke and I, Bridgerton’s first season is like a Regency London’s era of Gossip Girl. Its scandalous and there’s a mystery lady called Lady Whistledown writing on everyone’s gossip and spreading her speculations about different situations. Set during the beginning of the season where the debutantes go into society to look for their suitors, the first season is all about Daphne, the oldest daughter of the Bridgerton family as she enters into society and navigates her way through everyone’s different opinions before hatching a plan with the newly arrived Duke Hastings who wants to craft a fake connection with her to avoid having to deal with other mothers of available daughters as he doesn’t want to marry while creating the smoke screen for Daphne that will make other men desire her more because of already being desired. Of course, its no doubt that Daphne and Duke Hastings form a real connection eventually and it becomes quite the push and pull relationship, full of drama and soapy elements as well as the many sex and intimate scenes going on.

Bridgerton is thoroughly a guilty pleasure. There’s no other way to put it. Its not exactly untapped territory especially for myself that watches a ton of Chinese dramas which revolve around crafting fake relationships that turn into real connections and so on so forth. What makes Bridgerton fun is of course the Regency London era with its beautiful houses and lovely clothes and the very innocent and protected debutantes who are protected from everything about sex and intimacy. At the same time, the world that its crafted is a racially integrated Regency era London where (according to Wikipedia because I haven’t read the source material) it differs from the book’s setting. However, they do a great job and justifying how it all came to be briefly in conversation. The story itself definitely has those expected frustrating moments where the two misunderstand each other and then there’s some scheming that creates them to diverge in their feelings and its a whole roller coaster ride in terms of the few months of the season that Daphne and Duke Hastings go through.

Other than the setting, Bridgerton is all about the characters. For starters, the main couple Daphne and Duke Hastings has a ton of chemistry and that reflects well as their connection grows stronger and they love each other more. The sex scenes are done incredibly well and very believable. Above all of it though, its about Daphne’s sexual awakening and the gradual revelation and learning about how sex works and how getting pregnant works and all that comes together that crafts her character in a certain way. Aside from these two, the story does also deliver some other great characters. The favorite going to Lady Danbury (Adjoa Andoh) who is Duke Hastings aka Simon’s mentor. Hands down the best character in the whole first season. The first season also laid down the foundation of the Bridgerton family whether its their widowed mother Violet or the three brothers, Anthony, Benedict, Colin and Gregory or the younger sisters Eloise, Francesca and Hyacinth who all make an appearance, big or small. Seeing as the following seasons will be about the other members of the family, that foundation is rather important plus the first season also follows some of the relationships and character development for a few of the siblings especially for Anthony, Benedict, Eloise and Colin.

There’s not a whole lot to say about the 10 episodes of the first season of Bridgerton. For those who like Regency era London settings, this one is a pretty decent choice. The first season’s most compelling parts are the scenes that build up the relationship between Daphne and Simon. The slow connection and the comfort; the change from disapproval to love; the fake relationship to real; what they teach other and grow together: it has its frustrating moments but then it also has some well-crafted moments. The second compelling element has to be trying to figure out who is Lady Whistledown especially when she’s voiced by Julie Andrews. When I finished watching it the first time, I had some mixed feelings about it but when I watched it a second time around, I realized that there is something there that does work.

As an aside, Season 2 has been confirmed and its going to follow the brother Anthony who had his tangent in season 1 although, I was rather lukewarm to the whole thing. However, the season ended hinting that it would be focused on him finding a wife so we will see where that goes. In the meantime, I’m going to catch up with the series when I have a moment see how the series match up to the source material.

Double Feature: Angela’s Christmas Wish (2020) & The Grinch (2018)

Merry Christmas everyone!

Wrapping up this year’s Holidays marathon on Christmas day is how it usually works so the next double feature is the final 2 movies of the marathon, although I did have one more alternate Christmas movie but we’ll pair it up later after Christmas. This time, its a animated Christmas films double feature with a Netflix sequel, Angela’s Christmas Wish and 2018’s adaptation, The Grinch.

Let’s check it out!

Angela’s Christmas Wish (2020)

Director (and co-writer): Damien O’Connor

Voice cast: Lucy O’Connell, Ruth Negga, Moe Dunford, Brendan Mullins, Shona Hamill, Oscar Butler, Janet Moran

A sequel to the much loved Angela’s Christmas, Angela’s Christmas Wish is a heart-warming tale of a determined little girl who sets out to reunite her family in time for Christmas. – IMDB

There’s something so heartwarming about Angela’s Christmas Wish. It has that same type of charming little girl character for Angela that continues from Angela’s Christmas (review) where Angela’s imagination is one that makes it so beautiful to be a child because of the naivety to believe in the things that she knows probably isn’t true but also shows her big heart. Last year was keeping baby Jesus warm and stirring up a lot of commotion that the townspeople hasn’t quite forgotten as it still gets mentioned but this year, its running around trying to bring her father home. Being an adult watching this, its obvious that whatever she is thinking up is absolutely impossible to happen and the adults do bring it up, however its the persistence and the pure hope of bringing her father back home that makes this such a heartwarming tale, which takes her on an adventure and makes a new friend in the process.

Wrapping it up with a tale about a pauper and what he wished for that made him happy as a string between the conversation and a Christmas surprise to look forward to, Angela’s Christmas Wish is all about family, the meaning of happiness and the best intentions. The story is all about the kids and their shenanigans especially based on their simple minded ideas that kids have, liking digging to Australia. Its all the world that crafts up these cute funny moments that make up this story and makes Angela such a charming character who has this convincing enthusiasm that makes her brother and this other little girl to follow along her since her wish would make for her father getting involved and that would allow him to spend time with her. Its all these little desires from children to be close to their parents and yet, adults can see through those beyond the lines moment that make it so meaningful to watch.

Angela’s Christmas Wish is a fun and heartwarming story. One that has all the right values and such charming characters in a cute little town. The ending bit was so touching also that I got a little teary. Its one definitely worth a watch, especially since its less than 50 minutes in length.

The Grinch (2018)

Director: Yarrow Cheney & Scott Mosier

Voice cast: Benedict Cumberbatch, Cameron Seely, Rashida Jones, Pharrell Williams, Tristan O’Hare, Kenan Thompson, Sam Lavagnino, Ramone Hamilton, Angela Lansbury, Scarlett Estevez

A grumpy Grinch (Benedict Cumberbatch) plots to ruin Christmas for the village of Whoville. – IMDB

*Originally posted on Movies and Tea Friday Film Club*

Based on the 1957 Dr. Seuss book How The Grinch Stole Christmas and the third screen adaptation following the 1966 classic TV adaptation and the 2000 live action film, The Grinch is a computer animated film and the second Dr. Seuss by Illumination following The Lorax. Illumination is rather on point with these adaptation. For those who are unfamiliar of How the Grinch Stole Christmas, its about a green-furred Grinch who was born with two hearts too small who lives alone in the mountains with his dog Max above Whoville. The Whos are festive and love Christmas a lot which rubs The Grinch the wrong way that he decides to put a stop to it by disguising as Santa on Christmas Eve and stealing all their decorations, gifts and foods to stop them from celebrating Christmas however, he soon realizes that Christmas is more than the material things and that its all about the Christmas spirit which lives in them and ends up with this revelation making his heart grow two sizes and deciding to give back all that he stole to the Whos who in turn, take him in for their Christmas holiday.

While the first adaptation in 1966 is the one that most interprets the original story, these adaptations all add their own twists to fluff up the full length. In this adaptation, it gives the Grinch a backstory that makes him less of the disagreeable character but one where he grows up suffering from being alone that he doesn’t know how it feels to have companionship whether as friends or family. At the same time, giving a lot of life to certain characters in Whoville and not just focusing on Cindy Lou Who. She still plays a big element but giving her more of a backstory, a ploy to meet Santa with her friends and a connection with her mom. Sure, maybe it does stretch far from the original but all this does add a lot of fun characters. Cindy Lou Who and her friends are very adorable in design just like Max and the addition of a buffalo and then there’s the very fun neighbor Mr. Bricklebaum.

Plus, there’s a decent cast of voice actors from Grinch by Benedict Cumberbatch, Cindy Lou’s mom by Rashida Jones, Cindy Lou by Cameron Seely and Mr. Bricklebaum voiced by Kenan Thompson. Of course, a big part of Dr. Seuss story is the Narrator. In this case, its narrated by Pharrell Williams who actually has some narration that strays away from the original text but still keeps the rhyming and creative elements.

This adaptation of The Grinch still has a lot of heart. Its light and fun and fairly entertaining. There’s no doubt that The Grinch Who Stole Christmas is its best without all the extra bits but as its straightforward story like the 1966 TV movie, however this version does an exceptional job at making it very entertaining. Its still full of the Christmas spirit and its a great effort as an adaptation plus in my opinion, its much more redeeming than the 2000 live action adaptation. This one might have some slight pacing issues but it still delivers as a family holiday animated film.

Double Feature: Operation Santa Drop (2020) & Jingle Jangle: A Christmas Journey (2020)

I’m super behind on these Christmas reviews going out so I figured that I’d double down to get all of them out. Back to the double feature reviews, we’re in for a Netflix Original double feature for holiday films.

Hope everyone’s having a Merry Christmas Eve and lets check out these two movies!

Operation Santa Drop (2020)

Director: Martin Wood

Cast: Kat Graham, Alexander Ludwig, Trezzo Mahoro, Bethany Brown, Rohan Campbell, Virginia Madsen, Jeff Joseph, Janet Kidder

Congressional aide Erica (Kat Graham) forgoes family Christmas to travel at her boss’s behest. At a beachside Air Force base, she clashes with Capt. Andrew Jantz (Alexander Ludwig), who knows her assignment is finding reasons to defund the facility. – IMDB

Operation Christmas Drop takes a tropic setting for Christmas, much like last year’s Holiday in the Wild (review). In this case, its about the Air Force base doing a good deed on their own means but the facility being on the verge of possibility defunded because of it. Its pretty much a holiday romantic comedy with a bigger cause at heart which has all the right intentions however also feels very familiar. Of course, if these types of movies are your cup of tea, its definitely going to work other than perhaps the computer animated gecko sitting on the wall that looks the most out of place. In the current state of pandemic across the world, it perhaps helps that this sort of destination is one to look forward to in the future when things get back to some form of normal.

Its hard to criticize Operation Christmas Drop. In many ways, the meaning of Christmas and the good deed makes this a rather feel good movie. However, putting it in the context of the romance at heart, it feels a little light. The chemistry is on and off between the two main leads and yet, the whole exploring the place and mostly the character Erica, played by Kat Graham does change her heart as she would have to for to movie to have to fight against her boss, the congresswoman played by Virginia Madsen. The charm is really in how it portrays the villagers and the people in it, plus the setting gives it a lot of extra points. The whole Christmas Drop scene might be the most fun to watch.

Operation Christmas Drop is an alright movie. Its pretty harmless overall and has a decent story to tell especially since its based on a true situation which it makes a point to highlight at the end of the movie. Nameless heroes are the best ones to talk about and possibly the most heartwarming stories. Its very fitting for a holiday film, even if it doesn’t hit all the notes for the romantic arc.

Jingle Jangle: A Christmas Journey (2020)

Director (and writer): David E. Talbert

Cast: Forest Whitaker, Keegan-Michael Key, Hugh Bonneville, Anika Noni Rose, Madalen Mills, Phylicia Rashad, Ricky Martin, Justin Cornwell, Sharon Rose, Lisa Davina Phillip, Kieron L. Dyer

An imaginary world comes to life in a holiday tale of an eccentric toymaker, his adventurous granddaughter, and a magical invention that has the power to change their lives forever. – IMDB

Jingle Jangle: A Christmas Journey is a musical fantasy film. I’m all about Netflix putting together these musical films. I also caught up with The Prom shortly after this one but that’s for another post. While its not exactly a Christmas movie in the conventional way, it is one that’s full of magic: the magic of creation especially in terms of toy creations. Its about family and making peace. There’s a bit of silliness to the whole situation as well and some imagination elements but its a fun journey to say the least.

There’s a lot to love about Jingle Jangle even if there are some small pacing issues perhaps and the story is rather predictable in where it will go. However, the musical numbers are really fun and I’m also a sucker for those big musical scenes which almost feels like flash mob. The music itself is good as well. The cast performs it very well. There are some memorable songs in the mix.

Perhaps one of the things that also stand out is that the cast is exceptional, at least to me. Forest Whitaker takes on the main inventor role Jeronicus that has lost his magic after his creation ideas are stolen from his apprentice and at the verge of losing his store that has now turned into a pawnshop, his granddaughter is sent over with the same type of inventive bone as him to warm his life up and also bring back his magic. With a new young boy that wants to be his apprentice in the mix and the postal service lady that wants to win his heart in the most entertaining way and so much personality, it also brings into the mix of Keegan-Michael Key as Gustafson, his apprentice that was actually mislead by Jeronicus’ invention Don Juan Diego who has so much of a human conscious that it doesn’t want to be replicated. Don Juan Diego is animated and voiced by Ricky Martin who does a fantastic job as well. Not to mention that the young stars including the main lead of the granddaughter Journey by Madalen Mills.

Jingle Jangle: A Christmas Journey is really quite the fun spectacle. The magic and the music and the characters all are quite the charming. Not to mention the setting of the village is nice as well as the toy design that is in the making turns out to be this uber cute Wall-E-esque looking robot. There may be some flaws with this and it has some overacting here and there but then musicals always seem to have that sort of feeling to it and its those moments that blend well with the musical numbers and boosting the story elements.

The Christmas Chronicles 2 (2020)

The Christmas Chronicles 2 (2020)

Director (and co-writer): Chris Columbus

Cast: Kurt Russell, Goldie Hawn, Darby Camp, Julian Dennison, Jahzir Bruno, Tyrese Gibson, Judah Lewis, Kimberly Williams-Paisley

Kate Pierce, now a cynical teen, is unexpectedly reunited with Santa Claus when a mysterious troublemaker threatens to cancel Christmas – forever. – IMDB

We’re big fans of The Christmas Chronicles (review) so suffice to say, we were looking forward to the sequel. The sequel takes place a year after the events of the first film again during Christmas season where the family is on vacation in the south with the mother’s new boyfriend and son. There’s resistance to both the new relationship and where they are by Kate who ends up scheming a way to escape but ends up falling into a trap that takes her to North Pole.

The Christmas Chronicles 2 is a bit of mixed feelings. On one hand, there are some very fun bits and the characters including the elves and exploring Santa’s Village plus Kurt Russell as Santa Claus and Goldie Hawn having a bigger part this time around as Mrs. Claus are all very entertaining bits for the movie. The animation of the elves and how they are designed is so cute that I went trying to see if somewhere sells these plush but with no luck.

Along with the pros, there were some cons. Most of it had to do with the plot and the whole revenge bit from Belsnickel, an elf that gets punished for doing misdeeds after Santa doesn’t pay attention to him that he act out and gets turned into human. The main issue is the Belsnickel character that is rather an annoying character design and feels a little disjointed in general. Perhaps, its supposed to fit with a child lashing out and being bratty but the execution just felt lacking on his development. The character is more of an issue in the first half and does feel better as it goes further although his character still just feels like the means of creating issues for Santa and his village.

Playing with tech a little as it moves through time travel a little and morphing through locations, The Christmas Chronicles 2 still had the adventure bit locked down and the young characters finally reaching Santa’s village as a means for Belsnickel turns out to get them involved which also brings on some fun characters and adventures. Starting with cameo characters, Tyrese Gibson plays the mom’s boyfriend which is pretty fun and the first time that I’ve seen him out of the Fast and Furious franchise. With Judah Lewis’s brother falling into a smaller role, Kate is paired with a tag along of the boyfriend’s son, Jack played Jahzir Bruno who ends up bonding the two but giving him a journey as he starts fighting his wide array of fears and finding his courage all with the help of Mrs. Claus. Probably the character everyone has been waiting for since the surprise appearance at the end of the first film is Goldie Hawn as Mrs. Claus, who turns up on quite the role. She creates this balance for Santa. Plus, the whole village’s elves going nuts was quite a hilarious turn of events in a brutally cute way.

Overall, The Christmas Chronicles 2 is alright. It still has the entertainment level and the tone especially with the comedy and family film is done pretty well. The real selling point is in Kurt Russell as Santa who holds up his role really well while expanding it to a memorable Mrs. Claus by Goldie Hawn. It takes on this message about discovering Christmas spirit and a bit like the story of The Grinch where it doesn’t matter so much about where it is but its in their hearts sort of deal. Not quite as outstanding as the first film but still a fun enough one to enjoy for the holidays.

The Princess Switch: Switched Again (2020)

The Princess Switch: Switched Again (2020)

Director: Mike Rohl

Cast: Vanessa Hudgens, Sam Palladio, Mark Fleischmann, Nick Sagar, Mia Lloyd, Suanne Braun, Lachlan Nieboer, Ricky Norwood, Florence Hall

When Duchess Margaret unexpectedly inherits the throne to Montenaro and hits a rough patch with Kevin, it’s up to her double Stacy to save the day before a new lookalike, party girl Fiona foils their plans. – IMDB

The Princess Switch, while not exactly a fresh idea, was a fun one in its original release. Vanessa Hudgens is rather fun playing two different characters, playing around with accents and different background and identity swaps. Something like a version of It Takes Two for grown-ups. You can read my review of the first film HERE.

When Netflix announced that there was a sequel, it was hard to imagine what direction they would take. It didn’t feel like there was a whole lot of other stories to tell especially seeing as A Christmas Prince had already gone through 2 sequels by last year and each one feeling less and less entertaining. The Princess Switch: Switched Again hits much lower than the original. Its not exactly unexpected but having a third Vanessa Hudgens character, Fiona, a different sort of character of the prior two is still fun enough however, the plot as a whole is lacking. Because of so many Vanessa Hudgens, everyone becomes passing figures. The story falls really flat as this new scheme comes into play, there’s just more pieces that don’t fit together and its not exciting or entertaining to watch. Some of the new characters try to be funny but it all seems to miss a mark. Nothing seems to be out of the expected and just turns into a fairly disappointing sort of ordeal. Of course, like I said before, its not unexpected.

Much like the first film, Vanessa Hudgens holds up the movie and is definitely the highlight here. She plays these three characters with a different style and vibe. Margaret and Stacy both being different while Fiona is a much more outward character and brings a little more sass and silliness especially with her two minions. Adding into the equation a guy that wants to win over Margaret’s affections, it all boils down to a fairly predictable sort of movie and the characters all being rather one-dimensional. Not that anyone is expecting more (at least I hope not). Other than Vanessa Hudgens and some of the characters from the first film, the thing that gives this one a little more points is that it finally ties up the world that Netflix is building between A Christmas Prince and this one as the royal family from there makes a cameo appearance.

Overall, The Princess Switch: Switched Again is a fairly normal movie, nothing that’s unexpected and everything stays rather predictable. The whole three personalities for Vanessa Hudgens just feels like she works really hard. Everything else feels a little more normal like the relationship between Stacy and her prince while Margaret sorting out things with Kevin. In comparison, it seems to give more weight to Margaret’s character this time as its in her kingdom this time. The whole world that Netflix creates for their Christmas stories is pretty neat. As a finishing thought, seeing as I’ve had rather lackluster feelings to both A Christmas Prince 3 and this one, I really don’t know where Netflix plans to take these stories or this world.

Holidate (2020)

Holidate (2020)

Director: John Whitesell

Cast: Emma Roberts, Luke Bracey, Kristin Chenoweth, Frances Fisher, Andrew Bachelor, Jessica Capshaw, Manish Dayal, Alex Moffat, Cynthy Wu

Fed up with being single on holidays, two strangers agree to be each other’s platonic plus-ones all year long, only to catch real feelings along the way. – IMDB

Netflix earliest Christmas/holiday themed romantic comedy was Holiday, released at the end of October. Bearing the talented Emma Roberts who has done quite a few quirky movies in her filmography, Holidate holds a decent premise revolving around the concept of being single during the holidays and the judging eyes of family and friends for not having someone in their life or simply life choices in general. Entering into a holiday contract plus these two people together. While the premise itself is fairly unique using the holiday angle, the whole concept of contractual relationships and the flow of the romantic comedy offers nothing too refreshing.

Romantic comedies aren’t exactly fresh nowadays and yet for those who like to watch it, a lot dwells on the chemistry between the main leads that at least give a reason to root for them. Here’s where some of the deepest issues do occur in the execution. The holiday premise causes the film to jump through the different holidays almost in montage speed giving them very little character build. The scenes that give these two characters the most backstory is in little pieces at the beginning for set-up before the contract, once or twice in the middle and then at the end, when they inevitably face up to their feelings. They have little moments like hooking up after a drunk rendez-vous or helping each other out of embarrassing situations or whatnot and yet, the connection between them is slightly lacking.

If we look at the comedy parts, that part might be a little more successful depending on what your comedy style is. For myself, some of the comedy does land. Embarrassing moments or some over the top bits are good. However, some of the over the top stuff mostly with Kristen Chenoweth’s character sometimes rides along the fine line between being funny and being too much. However, comedy is very subjective. In the comedy department though, Emma Roberts and Luke Bracey do land those moments fairly well.

With that said, Emma Roberts is a really good actress and with what she’s given here, her role is pretty fun. Holidate as a whole is a fairly lackluster and predictable sort of romantic comedy set up and yet, the premise here is fun. It makes sense that it didn’t go full Christmas movie selection since its more about the holidays than set solely during Christmas. Thing is, Holidate is somewhat of a middling viewing. If you enjoy romantic comedies, this one is okay and you can give it a shot. Its nothing super memorable but it has some fun and awkward moments.

Double Feature: Happy Death Day (2017) & Happy Death Day 2U (2019)

A sudden change in plans brings another double feature before we start the Blood in the Snow Festival coverage. A lot going on right now. Either way, 31 days of Horror is in the final few days and this pairing is Happy Death Day and its sequel Happy Death Day 2U. Let’s check it out!

Happy Death Day (2017)

Happy Death Day

Director: Christopher Landon

Cast: Jessica Rothe, Israel Broussard, Ruby Modine, Charles Aitken, Laura Clifton, Rachel Matthews, Jason Bayle, Rob Mello

A college student must relive the day of her murder over and over again, in a loop that will end only when she discovers her killer’s identity. – IMDB

Riding between science fiction, slasher and dark comedy, Happy Death Day is quite the entertaining romp that its meant to be. Playing with the concept of an unknown time loop that takes our main character Theresa, mostly known as Tree who is a sorority girl with her own issues and a whole lot of enemies that keeps dying and waking up on her birthday as she tries to figure out who is her killer. It becomes quite a fun ride as she makes friend with Carter, the guy that lives in the dorm that she keeps waking up in and then starts connecting with how bitchy of a person she is to the people around her as well as embracing how avoiding her past has made her into this miserable person.

While the time loop isn’t really explained in the movie, it never really feels like it needs to either. Happy Death Day is at its best because of the humor that it delivers and the many different ways that Theresa changes throughout. With that said, Jessica Rothe captures her role as Theresa incredibly well. She has this charm and charisma that really adds so much to how she portrays the character. It also is rather comedic how she is the only one with the memory of all this and wakes up being different every time.

In reality, Happy Death Day is a really straight forward sort of movie. It delivers a few twists in her time loop and leaving the suspense in the air of whether she will escape her time loop or not. Its not so much that its scary but more that its a lot of fun to watch. Sure, the slasher bits can get a few jumps at the beginning but the threat of her being able to loop really does take away the horror of it. Still, its a different a type of horror film riding the line of horror comedy but a nice palate cleanser and really why I do love films that mix genres/subgenres so much.

Happy Death Day 2U (2019)

Happy Death Day 2U

Director (and co-writer): Christopher Landon

Cast: Jessica Rothe, Israel Broussard, Phi Vu, Suraj Sharma, Sarah Yarkin, Rachel Matthews, Ruby Modine, Steve Zissis, Charles Aitken, Laura Clifton

Tree Gelbman discovers that dying over and over was surprisingly easier than the dangers that lie ahead. – IMDB

While Happy Death Day should have been probably been a one movie deal and let it end at where it is, it was expected that with how well Happy Death Day did that it would get a sequel. Add it onto another unnecessary sequel. What the sequel aims to do now is give us the cause of Tree’s time loop in the first movie but this time, the equation has changed because that loop has caused a parallel dimension which brings in the help of the science students that caused in the first place who happen to be Carter’s roommate, Ryan and his friends. Tree needs to work with them to stop it and its a lot of the same as the first film with a lot of trial and error dying except this time mostly on her own terms instead of by the baby face killer.

The heart of Happy Death Day 2U is really on how charming Jessica Rothe’s character Tree is. The parallel dimension gives her another sort of revelation about her life. Personally, it brings in a little bit more seriousness to what should be more comedic but they do make it up with this montage of how she chooses to kill herself for each trial by the team to end the loop. Its a bigger cast to say the least and I do enjoy the dynamic of the science crew. They bring their own sort of humor.

The sequel is a lot of the same with some other stakes at hand but it feels pretty much the same and if anything, a little more silly than the first one but its just a fun little romp. Its definitely more sci-fi than horror in this more and more drama than comedy. Still, it was fairly entertaining. Not quite as good as the first one and not a necessary sequel by any means but its still pretty fun for my own standards. I just really hope they don’t do a third one because it really doesn’t need to dive even further.

That’s it for this double feature!
Have you seen Happy Death Day and the sequel? Thoughts?

Double Feature: Truth or Dare (2017) & Truth or Dare: Extended Director’s Cut (2018)

Next up in the double feature is a pairing of 2017’s Truth or Dare and 2018’s Truth or Dare. The latter is an Extended Director’s Cut because that’s all Netflix has. Let’s check it out!

Truth or Dare (2017)

Truth or Dare 2017

Director: Nick Simon

Cast: Cassandra Scerbo, Brytni Sarpy, Mason Dye, Alexxis Lemire, Ricardo Hoyos, Luke Baines, Harvey Guillen, Christina Masterson, Heather Langenkamp

Eight college friends head to a “Haunted Rental” for Halloween. But when they replay the game that made the house infamous, they awaken an evil spirit intent on stealing their souls. – IMDB

2017’s Truth or Dare is direct to video supernatural horror film which plays along the concept of a supernatural being in a house that gets unleashed when friends go there that chases them down for 3 rounds of Truth or Dare before leaving them alone. With a rather ambiguous sort of ending and a cast of part frustrating and part decent characters but some rather intense dare executions, Truth or Dare is an okay offering. Sure, there’s a lot of bad dialogue and one of the characters in particular were especially annoying to watch but there is an undeniable sinister vibe and a cameo of Heather Langenkamp as a previous survivor of one of these games.

Truth or Dare did have a pretty imbalance pacing. The beginning half was a lot of setting up the situation and getting the crew into this location which they soon realize is part of this “scary rentals” site which is never a good idea but they still go along with it. things spiral out of control really fast when their first dare is to make out with another girl or a truth about a secret, which brings up a whole lot of questions that they don’t seem to ask, and things from that point jumps up in intensity really quickly. Its all kind of a ridiculous sort of set up in story progression since the only thing that the previous survivor does is state the obvious but gives them pointers on how to make it out alive, which still leads to arguments about what needs to be done.

As much as it sounds like I’m hating on Truth or Dare, I’m honestly not. The characters are a little annoying and frustrating particularly the character Jessie and the dialogue in general is a tad uninspiring but the movie is sinister and the tension is effective enough plus some of the dares and how they need to be smart about sharing the dare to stay alive has some decent execution. Overall, some good some bad so an okay watch.

Truth or Dare: Extended Director’s Cut (2018)

Truth or Dare 2018

Director (and co-writer): Jeff Wadlow

Cast: Lucy Hale, Tyler Posey, Violett Beane, Hayden Szeto, Sophia Ali, Nolan Gerard Funk, Landon Liboiron, Sam Lerner, Tom Choi, Aurora Perrineau

A harmless game of Truth or Dare among friends turns deadly when someone – or something – begins to punish those who tell a lie or refuse the dare.  – IMDB

Let’s put it out there right away that I haven’t seen Truth or Dare’s theatrical release but I did do a little research on the differences to the extended director’s cut which is the version currently on Netflix. Extended Director’s Cut includes a lot more of the rated scenes that was removed to fit a PG-13 rating. I’m sure that it does add to the experience since Truth or Dare is its best when its in the process of the truth or dare segments. One part of it I’m not a big fan and it’ll be talked about later.

Taking a quick moment to compare (seeing as I did watch this back to back), Blumhouse’s Truth or Dare is definitely a bigger budget with a lot more familiar faces like Lucy Hale (Pretty Little Liars), Tyler Posey (Teen Wolf), Landon Liboiron (Hemlock Grove), Hayden Szeto (The Edge of Seventeen) and Violett Beane (The Flash) and a story that gives this Truth or Dare a deeper lore to discover. There are more concrete rules and a set sequence for them to follow. It jumps between Mexico and US and a lot of different backstories and secrets from the characters. All of these things having their pros and cons.

The flow of the story is decent and the truth and dare segments are pretty decent as they have that cringe and tension of when its going to drop. It has a sequence of how the truth and dare rounds go and the mystery of whether the previous person went which gives the viewers more knowledge than the characters. The only issue with those segments is the possession phase where the characters all change into these creepy smiling faces with kind of distorted voices which for one, isn’t as scary as they think it is and second, gets overused so becomes more frustrating and predictable than effective by the end. At the same time, the jumping from Mexico and US is a little crazy because its like a trip to the grocery story with their frequency, not to mention at one part they have a gun and can cross the border, which seems absolutely ridiculous. The next point is some illogical scenes that just don’t really make a ton of sense. I know these movies aren’t meant to be dug into detail and watched really for their face value but some things are hard to ignore.

The only thing I do have to say that really made up for the 2017 is that the characters here are much more bearable. Maybe its the cast and it has to do with the characters while still being fairly one dimensional still have a certain level of back story even though its fairly easy to figure out who is going to die and whatnot. Plus, the ending is a kind of a fun opening for a sequel or something.

As a final note, for myself, I’m pretty done with Truth or Dare concept. It seems like after back to back years of Truth or Dare premise, it can be tucked away and really doesn’t seem like they can do anything more unique since both of these carry the same kind of execution of some possessed and cursed game where the characters pretty much have a slim chance of getting out. But who knows, right? Someone out there will find a twist for it somehow. It always seems to happen at some point.

That’s it for this Truth or Dare double feature!
Have you seen these two? Which do you prefer?