Double Feature: Dog Soldiers (2002) & Hell House LLC (2015)

Welcome to the next double feature! Something of a horror double feature as we start bouncing between Shudder and Netflix more (so more horror in the horizon..a lot more). The first to appear is a pairing of one movie that I’ve been wanting to watch the finally go on Shudder, Dog Soldiers and the second is a random choice by my husband, the first of three movies called Hell House LLC. Let’s check it out!

Dog Soldiers (2002)

Dog Soldiers

Director (and writer): Neil Marshall

Cast: Sean Pertwee, Kevin McKidd, Emma Cleasby, Liam Cunningham, Thomas Lockyer, Darren Morfitt, Chris Robson, Leslie Simpson

A routine military exercise turns into a nightmare in the Scotland wilderness. – IMDB

Werewolf movies are rather hard to come by and its nice to see that here and there they do come up even if a lot of times, it sometimes still feels a bit lacking. Dog Soldiers has my praise for tackling this subgenre in horror films but at the same time, the movie itself is something of a slow-burn. It plays up on the unknown of who is hunting them and why this military team is at the location at the time and that takes a lot of time to build, probably longer than I’d have wanted.

There are some decent scenes and yet, while the script tries to give all the characters something more, its main players do dial down to 4 of the characters especially when they end up trapped in the house. The two military exercise leaders of sorts is Sean Pertwee’s character Sergeant Wells and Kevin McKidd’s character Private Cooper who takes over when Wells ends up injured rather seriously. The next two is a woman who lives in the area and knows of these odd events happening played by Emma Cleasby as a character of Megan who gives them a lot of the information as she saves them from the wilderness  while the last is a Captain who won’t talk about what happened but was involved in the last attack that killed his team pretty much.

Dog Soldiers itself has a decent premise. The story its trying to tell and the way they want to add in the twists and answer all those mysteries. Even some of the attack scenes and werewolf designs, despite its budget, still works alright. The biggest issue here dials down to execution where the first half seems to lag a little and when the reveal happens and things get serious (even though there were attack scenes and other scenes before that), it seems a little late in the game making the second half definitely stronger than the first.

Hell House LLC (2015)

Hell House LLC

Director (and writer): Stephen Cognetti

Cast: Gore Abrams, Alice Bahlke, Danny Bellini, Theodore Bouloukos, Jared Hacker, Ryan Jennifer Jones

Five years after an unexplained malfunction causes the death of 15 tour-goers and staff on the opening night of a Halloween haunted house tour, a documentary crew travels back to the scene of the tragedy to find out what really happened. – IMDB

Found footage films are always a somewhat interesting horror genre to see. They usually all reliant on the execution and finding how to create the right atmosphere. With Hell House LLC, its the first in what is now a 3 movie franchise. We’ll be looking at the other 2 later on as a double feature. This is an independent movie and yet somehow, found footage films are usually still very good with a smaller budget. This first movie does a great job in its execution and especially in using its cameras and background to have this lurking horror atmosphere. There are a few little jumpscares here and there but they are also very effective.

What does shine here is in the premise of looking back at this documentary that five crew members have joined together for their next haunted house tour in this abandoned hotel called Abaddon Hotel located in a small town . It shows the entire lead-up through the surveillance cameras and other filming cameras that document the whole making-of up to the night of the malfunction. It uses its lighting and darkness pretty well and also builds a decent lore with the story of the hotel and its previous hotel owner. It all makes sense but lacks enough information to keep it a mystery and how these characters one by one change in their own ways and it becomes a question of whether its because of the hotel and whatever seems to be haunting it or just the haunted house weighing down on them for other reasons. 

Overall, Hell House LLC is a strong found footage film. It has enough of a creepy factor and helps itself by having all these mysterious stories and how it brings in different horror elements in the background. There’s a change in the characters as well as the entire haunted house deal making it have a lot of opportunities to play with these suitable horror elements to appear amidst the haunted house props that also play well with the whole premise. Its one location makes Abaddon Hotel a worthy horror setting. Its definitely worth a watch if you  haven’t seen it yet!

That’s it for this double feature!
Have you seen these two films?

Double Feature: The Marshes (2018) & Short Term 12 (2013)

Time for the next double feature! This time, its somewhat of an odd pairing as we quickly catch up on some movies

The Marshes (2018)

The Marshes

Director (and writer): Roger Scott

Cast: Dafna Kronental, Sam Delich, Matthew Cooper, Eddie Baroo

Deep in a remote marshland, three young biologists conduct research but when they encounter evil, science ends and survival begins. – IMDB

Australian horror films have definitely been more abundant in the last few years. The Marshes is an alright look into the survival horror in a remote area as it creates something of a legend that wanders this land that these three take as a campfire story in the first part as they stay longer in this area to conduct the research. However, there seems to be a lot of fluff in the beginning between the three at the start before any of the horror starts that makes it a little harder to first get into. However, once the horror does start, the setting allows for a good atmosphere to build. 

The wilderness, isolation and the outdoors marshlands is where The Marshes is at its most unique and most effective horror parts. It creates a lot of thrills as the cannibalistic threat hunts down the three biologists. There is a good amount of stealth and hiding and makes for some tension. Visually, the setting also is appealing along with some of the more gruesome death scenes are well executed as well. However, the characters themselves and the flow of events are fairly predictable. It lacks a bit of surprise and the characters and situation always feel slightly underdeveloped that its hard to truly care of the three characters as well. 

The Marshes is an okay horror thriller. It has its gruesome scenes and creates a human/monstrous threat which has its creepy elements. However, a lot of it feels like it falls flat whether because it follows some expected motions in horror films or simply that it takes a little long to introduce its threat and start the hiding. If anything, The Marshes does prove that marshlands are a great horror setting perhaps with a slightly better script. 

Short Term 12 (2013)

Short Term 12
Director (and writer): Destin Daniel Cretton

Cast: Brie Larson, John Gallagher Jr., Stephanie Beatriz, Rami Malek, Alex Calloway, Kevin Balmore, LaKeith Stanfield, Kaitlyn Dever

A 20-something supervising staff member of a residential treatment facility navigates the troubled waters of that world alongside her co-worker and longtime boyfriend. – IMDB

Short Term 12 is a little indie hidden gem that shines out because of its cast of characters. While its central focal point is between two of the supervising staff members Grace and Mason, played by Brie Larson and John Gallagher Jr respectively, as they embrace the next step in their life, the past troubles for Grace and her inability to talk about them ends up creating a wall in their relationship especially as her troubled past reveals itself slowly as she deals with a new teenager that lives at the facility, Jayden played by Kaitlyn Dever. 

There’s so much to love as Short Term 12 remembers to keep its story focused on its characters. While it can’t give stories for all its youths, it focuses on a few. As for the supervisors, it also gives a few characters that make for a fresh pair of eyes especially as Rami Malek is the new supervisor that enters this residential treatment facility and learns how to maneuver and find his purpose here. On the other hand, the more interesting story is the next youth that is getting ready to be released from the facility and transition back to the real world Marcus, played incredibly well by LaKeith Stanfield. Marcus might be somewhat of a supporting story here for the youths facing transition while on the other hand, another youth looks at his dependence on his objects that is taken away suddenly. 

Each of the stories for its youth as well as the connections to the supervisors shows both sides of the characters in this facility called Short Term 12. Adapted from a short film of the same name, this indie film definitely tells a great story with a good deal of character depth and development. Plus, a handful of the cast has gone a long way since their roles here: Brie Larson, John Gallagher Jr., LaKeith Stanfield, Rami Malek. Short Term is a fantastic movie and well worth a watch if you haven’t seen it yet. 

That’s it for this double feature!
Have you seen either of these films?

What’s Up 2020: Week 3

Week 3 of 2020 has come to an end and its been something of a weather bomb. Luckily, we didn’t lose any power so things proceeded as it should..mostly. I’m having some other issues that is somewhat hindering some writing and whatnot so its been a slower week than usual. Not to mention, the desire to sit in front of the computer has been a little less as Chinese New Year preparations started as well. Let’s see what’s going on!

READING

archie vol.6

  • Archie, Vol.6

Currently reading: Buried In My Past

After a few reading rushes, I decided to take a little break and read a graphic novel. The reboot Archie comics set like a graphic novel and with a somewhat darker story (still not quite as dark as the TV series) has been one that feels like a refreshing update to the characters, making the more modernized. There’s a lot to like about it as it is helmed by Mark Waid. Volume 6 is the last one that will be helmed by Mark Wait for these Archic comics but will be handed over to someone else for the next one. Review for this one coming up!

PLAYING

glass masquerade

Currently playing: Overcooked 2, The Pedestrian

Wrapped up the base game of Glass Masquerade on the weekend and have been debating getting the DLCs but its been kind of getting in the way of the actual gaming that I need to do to record the next Game Warp podcast. You can check out the review for Glass Masquerade as that’s already done. Its a bit short but the game isn’t too complex either.

The husband and I are still working on Overcooked 2. We usually stretch it out quite a bit as we only play on the weekends. I think we’re more than halfway done at this point. At the same time, I started up The Pedestrian which is an indie puzzle game that I had backed on Kickstarter 2 or 3 years ago which is finally getting released on January 29. As backers, we got the game in advance, which is great. I’ll be playing that and hopefully getting a review out for next week or something.

WATCHING

godzilla king of the monsters

  • Short Term 12 (2013)
  • Mike Birbiglia: Thank God For Jokes (2017)
  • Leslie Jones: Time Machine (2020)
  • Deep Blue Sea 2 (2018)
  • Godzilla: King of the Monsters (2019)

Its been a tad stressful at work so I’ve been honestly just busy with that and not watching a ton of movies as they don’t work in companion to work as much, especially first time viewings. With that said, I like to watch/listen to stand-up comedies. I can’t say the two I chose were really my cup of tea but they had some good bits. While Short Term 12 got added into viewing list as it left Netflix Canada and that review is coming up in a double feature. Other than that, Deep Blue Sea 2 literally just got added to Netflix and of course, I had to see how bad it was. I’m not being negative but the original is one of my favorites so its best to keep the expectations low and it became as a monstrous weekend as we also caught up with Godzilla: King of the Monsters which is a kick-ass movie. It was so awesome!

BINGING

The Circle

  • The Circle (Season 1, 2019)

Currently binging: Who’s the Murderer 5, Ashes of Love

The Circle’s 3 week competition finally ended. I’m working on the TV binge for it as its an interesting little social media competition to talk about, both as a structure, the contestant choices as well as the mechancis as well as the concept of this being a social experiment which all has elements to talk about. Let’s just say that I wouldn’t be opposed to another season of these. TV is fairly calm right now as I’m trying to do some wrapping up on different things and Who’s the Murderer 5 is currently ongoing so only updating an episode a week and Ashes of Love is over 60 episodes and I’m pretty much halfway and things are getting really good, so I’m focusing on that.

However, focus will be cut short when Eternal Love’s sequel, Three Lives Three Worlds: Pillow Book (also titled recently Eternal Love of Dream), starts up next week and well, Handsome Siblings got acquired by Netflix and is releasing new episodes on weekly basis. All very exciting things!!

That’s it for this What’s Up for Week 3!
What have you been reading/watching/playing/binging?

Double Feature: The Big Sick (2017) & Sinister (2012)

Welcome to the next double feature! Somewhat of a mixed bag for the rest of January double features from what I see. This time, we’re pairing a 2017 romantic comedy The Big Sick with 2012’s Sinister. Both at the time of release did get quite a few good reviews that its been on my to-watch list for a little while.

Let’s check it out!

The Big Sick (2017)

big sick

Director: Michael Showalter

Cast: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher, Zenobia Shroff, Adeel Akhtar, Bo Burnham

Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family’s expectations, and his true feelings. – IMDB

*originally written for Friday Film Club on Movies and Tea HERE*

Loosely based on the real life relationship between Kumail Nanjiani and Emily Gordon who also penned the script for this romantic comedy, The Big Sick is something of a breath of fresh air in the whole realm of romantic comedies. It highlights a little of cultural differences that stand between those involved in interethnic relationships. At the same time, it still bundles in a decent amount of soul-searching on behalf of primarily the character of Kumail as the character of Emily does fall into a coma for at least half of the film or something. This also is quite the unusual sort of flow of events as it makes it much more than simply a typical rom-com.There’s a deeper level as these other elements get brought into the picture.

Looking at the cast, there is not much to say about Kumail as someone who plays himself in this somewhat autobiographical flow of events. However, there is quite an impressive little cast here going and the first goes to Zoe Kazan who, while spends most a good part of it in a coma, brings in a very quirky female lead, which shouldn’t be a surprise with the roles that she has played before whether in an indie romance like In Your Eyes or Ruby Sparks. Playing her father Terry is Ray Romano who plays a fairly serious role here despite the story touching in the stand-up comedian main character. Playing the mother is Holly Hunter who takes on quite a strong motherly role who finds a growing bond with Kumail and has a powerful scene where she attacks someone in the audience for making a racial comment.

There’s a lot to love about The Big Sick. A big part of it goes to it feeling genuine and heartfelt. The other part is that the intercultural relationship is a refreshing angle to take with some new themes to explore. If you like a nice romantic comedy, this one definitely fits the bill.

Sinister (2012)

sinister 2012

Director (and co-writer): Scott Derrickson

Cast: Ethan Hawke, Juliet Rylance, Fred Dalton Thompson, James Ransone, Michael Hall D’Addario, Clare Foley

Washed-up true-crime writer Ellison Oswalt finds a box of super 8 home movies that suggest the murder he is currently researching is the work of a serial killer whose work dates back to the 1960s. – IMDB

Sinister is a decent horror movie. Setting around watching home movies on this old tape projection machine is something that adds a lot of mystery. Plus, the story unfolds in sections. The first part plays out like a mystery thriller and adds in a lot of suspense and finding clues and piecing together the different things of these past murders. The second half goes more into the horror elements and frequently some tropes. It operates a lot of the film in the dark because the main character, other than that one moment where they make an effort to say that they lost electricity randomly, seems to enjoy investigating noises and abnormalities in the dark hallways of their new home. It does create the atmosphere but then, logically, sometimes it doesn’t quite make sense.

Deal is, tropes don’t bother me so much as how well they are executed. Sinister might have some truly unbelievable decision-making especially on the main character Ellison played by Ethan Hawke. Thats not saying that Ethan Hawke isn’t suitable for the role because he does fit quite well in this character. To be fair, the darkness was a bit deliberate but it did manage to deliver some very predictable and oddly effective startles and jump scares. Plus the evil in question here is actually rather creepy from afar. A lot of evil is much better as unclear figures as it leaves space for imagination to run wild. This one does that well partially. The uncovering of the lore behind this evil was done pretty well though especially with its focus on children. There is one scene with the children running around the house in the dark popping up in odd places that was the best scene in the whole film.

Sinister is a decent horror film. It relies on some of the obvious horror tropes and overuses the dark element to create its scares and suspense by blinding the audience. However, it does manage to create quite the evil here and give it a deep enough lore to give it mystery and horror. Is it one to revisit again? Probably not. But is it intriguing enough to watch the sequel? I’d say yes.

That’s it for this double feature!
Have you seen either of these films? Thoughts?

Double Feature: Lady Bird (2017) & A Cinderella Story: Christmas Wish (2019)

DOUBLEFEATURE (76)

Welcome back to Double Features! Its been a crazy 2 months or so of festival season so double features has been tucked in the back. Its December so also time for the festive films to start. Slim pickings most of the time so this time, we’ll be having a little mix and mash of festive films, Marvel/Disney/Pixar last hurrah before they leave Netflix month in December. The first taste of Christmas films, A Cinderalla Story: Christmas Wish is paired with Lady Bird, a movie that I saw was expiring on Netflix this month as well.

Let’s check it out!

Lady Bird (2017)

Lady Bird

Director (and writer): Greta Gerwig

Cast: Saoirse Ronan, Laurie Metcalf, Tracy Letts, Lucas Hedge, Timothée Chalamet, Beanie Feldstein, Lois Smith, Stephen McKinley Henderson, Odeya Rush, Jordan Rodrigues, Marielle Scott

In 2002, an artistically inclined seventeen-year-old girl comes of age in Sacramento, California. – IMDB

I always wonder why I put off watching movies for so long because Lady Bird had been on Netflix for quite a while. Being a huge fan of Saoirse Ronan (and I have a few more of her films to catch up on), there’s something truly fun about this one. I love coming of age films especially with girls and then 2002 was also my graduating year in high school so all the things from posters to style to lingo all became very nostalgic especially with all the feelings of finding the path and future, romance and friends.

Lady Bird, as her character calls herself instead of her given name Christine, tackles all of these things with her somewhat of a drama queen personality and a determination to do whatever she can to get what she wants regardless of the consequences which she will deal with afterwards. She’s a bit of a reckless character without actually realizing that she is in many cases. In the struggle between trying to break free from Sacramento and get to the East coast much to her mother’s disagreement and always being inconsiderate on how much she dislikes her current situation whether the place or constantly thinking that her mother doesn’t like her, its a bit sad to watch this character try to find love and care. Saoirse Ronan takes on this role with so much charisma. There’s this over the top and bizarre sort of character that Lady Bird is that no one else understands who she is and she tries to act very confident about who she is and yet there’s this extremity to her and it starts right off the bat when an argument with her mother in the car results in her plunging out of the moving car. That sets the tone of this mother and daughter relationship right from that moment between these strong characters.

Lady Bird focuses primarily on the family dynamic of Christine and her family especially the mother and daughter relationship and the desire of breaking free from a place to pursue her dreams and wanting to be acknowledged that she can be more than she is and the acceptance and having someone to share those grand dreams. In the process of finding who are her true friends and what the value of love is in her mind (or how little it matters to others). There’s this greatness of how her character is presented that makes those genuine moments even easier to connect with. Everyone on this part of her last year of senior high sets her in the right direction to her future and finding the confidence to be herself and mending or expressing herself .

Lady Bird is a really great movie. All the pieces from performances to the time to the different experiences she goes through and the coming of age moment when she finally embraces who she is is a journey and one that is a mix of drama and comedy that connects really well.

A Cinderella Story: Christmas Wish (2019)

A Cinderella Story: Christmas Wish

Director (and co-writer): Michelle Johnston

Cast: Laura Marano, Gregg Sulkin, Isabella Gomez, Lilian Doucet-Hope, Johannah Newmarch, Chanelle Peloso, Barclay Hope, Garfield Wilson

Its really hard to believe that A Cinderella Story is a film franchise at this point with this latest film, A Cinderella Story: Christmas Wish as its fifth film. While I completely am behind the first one original A Cinderella Story with Hilary Duff and Chad Michael Murray which is a fun one to watch even now, and can relatively get into its second one with Selena Gomez. Skipped the third one mostly because it wasn’t available and I didn’t want to buy it and then watched the fourth one (review) which was very disappointing and now we get to this one…and I ask myself why I put myself through these things. I didn’t think it could get worse than the last one but it really is.

The performances are completely wooden. The story has nothing new to it and simply predictable. Even the whole evil stepmother and stepsisters were really uninspiring like it didn’t really matter to whoever made this one either. Not to mention, not much of it logically made sense even in how a girl becomes unidentifiable with a pink wig and pointy elf ears and an elf costume and not some kind of special makeup or anything.

Its really hard to get behind this one. I’m trying to find something good about it but I don’t know what to say. It is set during Christmas so the Christmas setting is nice, I guess. These just need to stop (and I don’t say this very often about the worst of franchises).  Maybe the pretty leads and some of their musical numbers (there is one that was okay) could appeal to someone maybe younger than myself. Sometimes, we just outgrow these things I guess.

That’s it for this double feature!
We kick off the Christmas month with a rather lacking movie but hey, its only going to go up from here (probably just jinxed myself). 

Have you seen any of these movies? Thoughts?

BITS 2019: The Nights Before Christmas (World Premiere 2019)

BITS 2019 banner

The Nights Before Christmas (2019)

The Nights Before Christmas

Director (and co-writer): Paul Tanter

Cast: Simon Phillips, Sayla de Goede, Keegan Chambers, Meredith Heinrich, Jennifer Willis, Kate Schroder, Michael Coughlan, Anne-Carolyne Binette

The Nights Before Christmas is the sequel of 2017’s Once Upon a Time at Christmas. I have never seen the first movie so there is no comparison or expectations going into this one. Alternate Christmas movies are always a welcome a sight and choosing psycho killers who call themselves Mr. and Mrs. Claus is a pretty decent angle to take. There are some very obvious choices here that feel familiar like Mrs. Claus channels a lot of a character like Harley Quinn. There are some scenes that remind of movies like Silence of the Lamb between Clarice and Hannibal Lecter. And then there are elements that fall in the path a little like Halloween with Loomis. Less refined versions of it. There are some good and some bad in The Nights Before Christmas and it applies to almost every aspect of the film which leaves it less memorable than it probably could have been.

The Nights Before Christmas

Let’s start with the positives. The villainous psycho killers are the definite positives here. Mr. Claus specifically, played by Simon Phillips is a wild character that truly takes the whole crazy killer to a whole new level. His character with his blind eye and even the first scene as she commits his crime in the asylum already shows off the type of killer that the story is about to embrace. There is some character in the film that makes a point about him being equal crazy and equal smart and that very well rounds up the character and adds a little more to the story as the unexpected plan comes into play and what his endgame is or even where it all starts. Mrs. Claus is similar to what Harley Quinn is to Joker, who pales a little to the greatness achieved by Mr. Claus. She has the unsettled character but never seems to command the scene the same way but because her character also is rather crazy, nothing really has to make too much sense.  Other than that, the story and twists here are actually scripted relatively well especially when it concerns the scenes with Mr. and Mrs. Claus on the killing spree.

The Nights Before Christmas

This horror film struggles with depth (as a lot of horror films do). Perhaps its the watching it from the second film where I’m going to give it some benefit of the doubt as this one does go back to the roots of where Mr. and Mrs. Claus seems to have started their killing spree after burning down the asylum and surprisingly, it links back to the Woodridge massacre of the previous film. How the timeline all works is something that is a bit fuzzy. Another issue is the script for everyone else is very flat and sometimes illogical or clunky. There are dialogues that don’t quite fit their role, especially for the rather unconvincing FBI special agent role. It leaves quite a lot to be desired in terms of depth to the character itself. While the survivors of the Woodridge Massacre do come into play here and try to build it back up to something intriguing, they don’t appear quite as often to save it and is supposed to have this twist element that doesn’t quite land as none of the characters seem to have enough depth to care about too much.

Its hard to truly give an accurate review of The Nights Before Christmas mostly because the first film may or may not add to the experience here. There’s a certain level of stand-alone to this one where the first movie is not required to understand the story of this one, but maybe it might help. The story is singular to this story. Dialogue is a really important element in a film and somehow its what broke the experience the majority of the time here. Luckily, the villains do glue this film together and gives it some entertainment value. I may come back to this review and further it after seeing the first one to complete the experience but for now, its a tad lacking.

 

BITS 2019 Shorts: Sky So Blue/One in Two People/Songs My Mother Taught Me/Break In Break Out

BITS 2019 banner

As we continue the Blood in the Snow Festival coverage, these are the next batch of films that were paired with full feature films screened. This time, we’re taking up four films: Sky So Blue, One in Two People, Songs My Mother Taught Me, Break In Break Out. Four very impressive horror shorts!

Sky So Blue (2019)

Sky So Blue

Director: Tyler Williams

Cast: Jeff Sinasac, Daniel Park

After being attacked and imprisoned in his own home, a man stands accused of creating a strange piece of music that may or may not have the power to kill anyone who hears it. – IMDB

Sky So Blue is a 15 minute short that is a psychologically unsettling and suspenseful interaction between two people: a man being accused of creating a deadly music piece that has gone viral and since then killed a lot of people and the other a man who has lost his family because of it. The interaction leads to a whole did he or did he not do it. Is the accusation right? Is the other one just acting innocent? The questions constantly rise as the man asks him questions to get the reason of why and how he created this music. Its a little bit of a cat and mouse sort of conversation with not a whole lot of resolution but as revenge seems to get stronger between them, its a rather “shocking” sort of ending that still manages to keep it slightly ambiguous. Those types of endings are the best as they can spark up some nice afterthought and reflection.

*Sky So Blue screened at the Blood in the Snow Festival with Dead Dicks on November 23 at 7pm*

One in Two People (2019)

One in Two People

Director: Ali Mashayekhi

Cast: Ashley Leggat, Katie Boland, Karissa Strain, Jade Hassouné, Katie Strain, Adam Tsekhman, Matt Murray

Emily is surrounded by her friends as she reveals her dark secret. – IMDB

One in Two People is a 7 minute short that plays with the unseen and the unknown. This one is executed really well as it leaves a lot of suspense and guesswork that only be deciphered through the conversation between the friends and their different position in Emily’s life and how they view her. It all becomes a question off deciphering both the character of Emily and whether she is to be believed. Of course, being a short film, it wouldn’t possibly be nothing but rather how this something will be presented. One in Two People uses the reactions of entering into this locked and the aftermath that builds up the unsettling horror feeling and giving this well-executed finale that honestly was rather creepy. As an addition, Jade Hassouné who played Meliorn in Shadowhunters plays the boyfriend of Emily in this short which was pretty great.

*One in Two People screens at Blood in the Snow Festival with The Nights Before Christmas on November 23rd at 9:30pm*

Song My Mother Taught Me (2018)

Song My Mother Taught Me

Director (and co-writer): Doug Cook

Cast: Julian Robino, Ace Hicks, Brock Morgan, Jane Moffat, Farid Yazdani, Allison Dawn Doiron, Blake Johnson

After Bobby and Lydia lose their mother to cancer, life becomes a difficult feat, especially for Bobby. In an attempt to cheer up her brother, Lydia throws a Halloween party with a close group of friends. It is on this night that they will discover what they mean to each other and learn an important lesson…the dead should always be left alone. – IMDB 

In some ways, Songs My Mother Taught Me starts in a rather generic rundown especially with the recent overuse of Ouija as a central focus however, this short film takes it for a refreshing new twist as this Ouija channels something very different from the moment that the literal countdown starts. From the first moment of how they present what this group channels that causes from a lot of craziness that ensues. It builds up the tension very well and adds in a different element of surprise of what is actually going on, leaving a bit of mystery of the whole situation. Its a fun, tense and quick-paced spiral of events executed with a lot of heart to give this premise a refreshing take.

* Songs My Mother Taught Me is screening with Majic on November 24th at 4:30pm at the Blood in the Snow Festival.*

Break In Break Out (2019)

Break In Break Out

Director (and writer): Michael Driscoll

Cast: Athena Karkanis, Nick Smyth, James Rejent, Robert Morse, Tara Yelland

Break In Break Out is a 7 minute short about a routine burglary goes terribly wrong. This short is probably the one which is the most daring in its execution as it keeps it silent with no dialogue. Its hyper focused on the actions and the sound effects around the scene to build up the interest. Its a awesome and unique way to present this story as within the few minutes that it is presented, it adds in two surprising twists, flips the typical story that you’d expect around and then adds in so much style to its execution. Its a lot of awesomeness to this one that gives it a wow actor. Its one that shouldn’t be missed!

*Break In Break Out is screening with Hunter’s Moon on November 24 at 9:30pm in the Blood in the Snow Festival.*