Double Feature: Over The Moon (2020) & Mamma Mia! Here We Go Again (2018)

Welcome to the next double feature! This time is something of a musical double feature as we look at Netflix animated film Over The Moon and the Mamma Mia sequel, Mamma Mia! Here We Go Again. Let’s check it out!

Over The Moon (2020)

Directors: Glen Keane, John Kahrs

Voice Cast: Cathy Ang, John Cho, Edie Ichioka, Ruthie Ann Miles, Sandra Oh, Robert G. Chiu, Margaret Cho, Phillipa Soo, Ken Jeong

In this animated musical, a girl builds a rocket ship and blasts off, hoping to meet a mythical moon goddess. – IMDB

Over The Moon tells the story of a Chinese girl Fei Fei who is told the story of the Moon Goddess who takes a potion of immortality and is sent to live on the moon with her Jade Rabbit and waits for her lover there. A story that has its own different versions but has its own set of life lessons. Living with her parents who make moon cakes for a living, her life eventually falls apart when her mother is sick and eventually leaves her and her father as well a little pet bunny Bungee. Years later on Moon Festival, her father introduces her to Mrs. Zhong, a woman that will be her stepmother and Chin, a weird little boy who thinks he has the superpower to run through walls to be his stepbrother. Her father and family judge her for her belief in Chang’e and she goes to build a rocket to go to the moon which takes her a crazy journey when Chang’e and the moon isn’t all that she imagined, especially when she finds that Chin has tagged along for the ride. 

Using the legend of the Moon Goddess and a quick look at the Moon Festival as a jumping point for the story, Over The Moon’s delivers a message about moving on and family. With some colorful imaginative parts especially from the part of building the rocket and flying to the moon and the whole sequence on the moon with Chang’e and all of the moon’s occupants, it’s a fun little adventure and the studio’s take on what the Moon Goddess is doing after being sent to the moon. The animation and creativity in those sequences are pretty good but perhaps the parts of the animation with the Fei Fei’s mom at the beginning with some watercolor/Chinese painting coming to life stands out even more just based on how beautiful those scenes are executed. 

Over The Moon also has a great voice cast with John Cho, Margaret Cho, Sandra Oh and Ken Jeong even if some of the roles might be a little smaller. Fei Fei is voiced by Cathy Ang and does a pretty good job much like Chang’e is voiced by Phillipa Soo. This is a musical so the songs are pretty fun for the most part. It’s not quite as memorable as other musicals but some of the scenes are pretty nice as well. Talking about voice casts and languages, the film actually took some time for the Mandarin voice casts and script to have little changes that cater to their own audience especially with the comedic elements, which is a cool little detail seeing as this is American-Chinese but it is based on an animated film set in China. 

Overall, Over The Moon is a fun little animated film. It might not be particularly as deep and probably caters more to children with its cute little elements of Bungee and the dog on the moon Gobi and other little colorful creatures on the moon. It is rather heartwarming.

Mamma Mia! Here We Go Again (2018)

Director (and co-writer): Ol Parker

Cast: Lily James, Amanda Seyfried, Andy Garcia, Alex Davies, Jessica Keenan Wynn, Dominic Cooper, Julie Walters, Christine Baranski, Hugh Skinner, Pierce Brosnan, Josh Dylan, Jeremy Irvine, Colin Firth, Stellan Skarsgard, Cher, Meryl Streep

Five years after the events of Mamma Mia! (2008), Sophie prepares for the grand reopening of the Hotel Bella Donna as she learns more about her mother’s past. – IMDB

Being a fan of the first movie, Mamma Mia! Here We Go Again is released ten years after and its a rather good look as the characters have all gotten older as well just like Sophie and her return. In some ways, the movie does feel like a fun little jump back into the story especially for fans of the musical since they got back a lot (if not all) of the original cast of the first one and the sequel adds a little something as it fills in those pieces of the first movie, like how Donna met her three suitors and ended up with Sophie and staying on the island. For sure, its not exactly a needed story to tell but as much as I had my own doubts about it, it still has that feel-good vibe of the first film that left me really happy as I watched the musical and the musical numbers play out one by one.

With that said, one of the best things for sequels is having the original cast show up for this one. It shows the family essentially being separate but each on a different path in this future but the island and the family pulling them all back together. These characters are rather fun and charming. Fluctuating between the past and the present does add a lot of fun to it. The younger cast still manages to carry the film fairly well especially as Lily James plays the young Donna. It also comes with a cameo of Cher and Meryl Streep which is also pretty cool.

Overall, I honestly feel that Mamma Mia! Here We Go Again is for the fans of the original film. If you didn’t care of it, this sequel probably will do nothing for you. While its story is fairly straight forward that you don’t really need to know the first film to catch on to the story (maybe it will hinder the relationships of the characters in the present time), its still just a feel-good musical with those fun ABBA songs. Its just a fun time for those who enjoy musicals. Plus, I really liked the Waterloo performance in those outfits at the end of the first film and they did it again for this one in a slightly different way which was also entertaining.

Double Feature: Halloween (2018) & Guns Akimbo (2019)

After taking 2 days off to regroup, we’re back with the first double feature of 2021. Its still the remaining movies not reviewed from last year’s viewing. This time, its a look at 2018’s sequel of Halloween paired with 2019’s Guns Akimbo. Let’s check it out!

Halloween (2018)

Director: David Gordon Green

Cast: Jamie Lee Curtis, Judy Greer, Andi Matichak, Haluk Bilginer, Will Patton, Rhian Rees, Jefferson Hall

Laurie Strode confronts her long-time foe Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. – IMDB

The 11th movie of the Halloween franchise which has changed directors and had multiple versions of what its meant to be to finally get back to one that is set with Laurie Strode as a grandmother and mother who has grown estranged from her family because of her precautions towards Michael Myers and her past that has convinced her that as long as he is alive, it will never be safe however also having the means to fight back when needed.

Having a little drama and a story that catches up and brings the story back to the original 1978 storyline with Jamie Lee Curtis, Halloween brings it all back with a Michael Myers and Laurie Strode 40 years after the incident and Myers still going to find her. As the story looks at Laurie Strode’s family situation and the current situation of Michael Myers, it also focuses on crime podcasters that end up triggering some part of Myers that causes him to go rogue.

At this point, Halloween seems to really be for the fans that have stuck around since the beginning, enduring its many sequels along with all the randomness and nonsensical story directions. Halloween 2018 is a great attempt at reviving the series especially as its a solid story as a whole. Sure, the story focuses on the family drama between Laurie Strode and her daughter, played by Judy Greer who faults her mother for giving her a traumatic childhood full of defense lessons and harsh upbringing perhaps of what she feels is paranoia and yet, that part did become a little nonsensical and frustrating in its own regards. What does make up for it is in the second half when the danger is undeniable and how the family will face it.

Michael Myers is a fantastic horror icon. One that truly shows the inhuman side of a monster that makes for a talk about whether he is human considering he seems to be indestructible. 2018’s Halloween brings all that back to perspective. No more reasons of why he does it or adding in unnecessary side story and just executing it as a slasher, one that gives once the victim a chance to fight back. Its not exactly scary or horrific as a movie but its still a thrilling and fun movie.

Guns Akimbo (2019)

Director (and writer): Jason Lei Howden

Cast: Daniel Radcliffe, Samara Weaving, Ned Dennehy, Natasha Liu Bordizzo, Grant Bowler, Edwin Wright, Milo Cawthorne

A guy relies on his newly-acquired gladiator skills to save his ex-girlfriend from kidnappers. – IMDB

Guns Akimbo feels very similar to other movies in its own realm like Nerve or even Ready Player One. Movies with worlds rooted in a live game with rather extreme results. Its over the top and ridiculous. And yet, Guns Akimbo has this satisfying feeling to the adrenaline rush and its one that puts this main character, Miles who is a nobody at work find some empowerment by being a troll online, you know, the current day keyboard warrior that anyone with any presence online dislikes. He messes with the wrong people and they make his life hell by attaching guns to his hands and sending him on a deadly mission. With that said, it is ridiculous as a whole and there are movies in the same realm that definitely does a better job in terms of creativity and pacing, making this one probably a fairly forgettable experience looking back at it right now.

However, Guns Akimbo has a few things going for it. It has this not so serious tone. The characters seem to all just enjoy doing their over the top thing. Daniel Radcliffe is pretty fun to watch and probably one of the much more entertaining roles that he’s been in post-Harry Potter, but I could be wrong since I haven’t been really keeping track (side note: if you do have other movies to recommend of his, let me know in the comments below). The biggest motivation has to be watching Samara Weaving taking on another one of these over the top adrenaline rush movies and making it her own by creating yet another similar character but still unique in her own way. Its always a joy to watch her take on these characters and embody the character so well.

Thing is, Guns Akimbo has a lot of action and yet somehow, there seems to be a lot of time without action as well. There is this imbalance in execution of the movie as a whole. Its a little confusing on whether its trying to be more than just a mindless high octane movie. In some ways, the humor at the beginning goes to this character Miles getting extreme consequences for being an internet troll and then ends up having to run away, which is a great premise with tons of potential and the bickering between Miles and Nix also becomes quite a highlight moment. The story does lose itself a little on what its trying to achieve. Sure, this isn’t a movie meant for analysis and yet, I can’t help but feel while I was watching it that it doesn’t quite hit that extremity or high octane that it should have.

Overall, Guns Akimbo is very much like watching a video game come to life. Its fairly action-packed and Daniel Radcliffe and Samara Weaving are fantastic in this. The tone and execution is a little imbalanced with what it wants to deliver and what it actually delivers perhaps. However, as a mindless entertainment sort of deal, it feels fun enough. There are definitely other similar movies that do a better job but there are still some worthwhile elements.

Double Feature: Future World (2018) & Jumanji: The Next Level (2019)

Today’s double feature is a more action/adventure sort of deal. The pairing of 2018’s Future World set in a future dystopia wasteland and 2019’s sequel of Jumanji where they head back into Jumanji a second time in Jumanji: The Next Level with a little twist.

Let’s check it out!

Future World (2018)

Director: James Franco & Bruce Thierry Cheung

Cast: James Franco, Suki Waterhouse, Jeff Wahlberg, Margarita Levieva, Snoop Dogg, Lucy Liu, Milla Jovovich

A young boy searches a future world wasteland for a rumored cure for his dying mother. – IMDB

Science fiction, action, adventure, Western: all these are categories of what Future World is described. Most of people familiar with my tastes in movies know that I do enjoy mixed genre films and yet, not such a big fan of Westerns (mostly because I just haven’t found many that I liked before). Future World is kind of like the direct to video version of Mad Max: Fury Road. At least its comparable in color tones and atmosphere and even some of the design elements. With that said, the world itself is fairly cool especially as it goes into different places and meeting the different rulers in the various corners of this wasteland.

Where Future World feels a bit messy might actually be in its male lead as a younger boy Prince looking for this rumored medicine for her mother and to save his land. Call it trials for the boy or whatever you want because he falls into a lot of trouble and makes some bad decisions, maybe trying to highlight his naivety to the world around him. Prince becomes this fairly frustrating character to watch.

However, the movie does take things to quite the action level. There are some fun cinematography here as it directs the camera through some cool sequences and such. The best probably with the Drug Lord, played by Milla Jovovich who takes it to this wild level that I kind of like quite a bit. With that, there are some interesting characters in these different groups mentioned before with Love Lord by Snoop Dogg, which is a rather minor role and the persistent Warlord played by James Franco (that also takes on the co-director role in this film) who shows up throughout because of this Android girl Ash (Suki Waterhouse) who goes rogue and decides to save the Prince. And finally, the Queen that the Prince is trying to save is played by Lucy Liu.

Future World is not exactly a good movie. There are some issues with it and probably the Prince being this character that’s hard to get behind is one of the biggest things. And yet, there is a fun element to it probably because of these over the top characters like James Franco who does crazy really well (which reminded me a little of what I loved about this role in Springbreakers) and Milla Jovovich who also has extended a little outside of her Alice role in the Resident Evil series more and more. Sure, she’s not exactly a great actress but she takes on these roles and its a fun time for her sequences. Is the movie as a whole a fun time? Not really.

Jumanji: The Next Level (2019)

Director (and co-writer): Jake Kasdan

Cast: Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Awkwafina, Nick Jonas, Alex Wolff, Morgan Turner, Madison Iseman, Ser’Darius Blain, Danny DeVito, Danny Glover

In Jumanji: The Next Level, the gang is back but the game has changed. As they return to rescue one of their own, the players will have to brave parts unknown from arid deserts to snowy mountains, to escape the world’s most dangerous game. – IMDB

Jumanji: The Next Level is the sequel to 2017’s Jumanji: Welcome to the Jungle (review), which of course continues on with the Jumanji franchise, something that I’m sure not a whole lot of people were banking that it would keep going and probably not even the success it should be. The Next Level is pretty fun and keeps to the tone of the first one. It takes away the Alex Wolff character, Spencer for a little while as his friends hunt him down and end up going back into the game that takes them onto a much more dangerous adventure except this time, they are tagged along with grandparents, played by Danny DeVito and Danny Glover who in the real world has their own issues to iron out after a decision to end their restaurant business. Because of these two’s bickering and the bodies that that they take over, it becomes a hilarious romp. Not to mention, the crew goes to track down Spencer’s whereabouts who ends up being embodied in a female character, Ming portrayed by Awkwafina (who is just showing up everywhere).

Jumanji: The Next Level is a decent sequel. It maintains a lot of the fun and humor from the first movie and carries forward with the characters adding a little switch in the in-game characters and who they end up embodying. At the same time, the Jumanji world has changed also into something of an another game with other objectives while also changing the characters from the previous movies strengths and weaknesses. Sure, it might flow much better for people who have seen the first movie and lacks that standalone quality to it but Jumanji, no matter which movie we’re talking about, isn’t exactly a hard movie to catch up on story-wise.

Overall, there isn’t a whole lot to say about Jumanji: The Next Level. If you like this type of action-adventure film and Dwayne Johnson, Kevin Hart and Jack Black’s humor is your cup of tea, this movie is a fun movie to watch. Sure, its better if you have seen the first movie before watching this one but both of them are good in their own very similar ways and this one does add changes that do fit well with the story they are telling. Plus, the cast is still pretty awesome especially with the addition of Danny Glover and Danny DeVito even if I kind of feel like the whole story between those two and the whole relationship of Spencer seems a little trivial to the whole story but it does create a link between the different pieces so overall, its still a fun time.

Double Feature: Angela’s Christmas Wish (2020) & The Grinch (2018)

Merry Christmas everyone!

Wrapping up this year’s Holidays marathon on Christmas day is how it usually works so the next double feature is the final 2 movies of the marathon, although I did have one more alternate Christmas movie but we’ll pair it up later after Christmas. This time, its a animated Christmas films double feature with a Netflix sequel, Angela’s Christmas Wish and 2018’s adaptation, The Grinch.

Let’s check it out!

Angela’s Christmas Wish (2020)

Director (and co-writer): Damien O’Connor

Voice cast: Lucy O’Connell, Ruth Negga, Moe Dunford, Brendan Mullins, Shona Hamill, Oscar Butler, Janet Moran

A sequel to the much loved Angela’s Christmas, Angela’s Christmas Wish is a heart-warming tale of a determined little girl who sets out to reunite her family in time for Christmas. – IMDB

There’s something so heartwarming about Angela’s Christmas Wish. It has that same type of charming little girl character for Angela that continues from Angela’s Christmas (review) where Angela’s imagination is one that makes it so beautiful to be a child because of the naivety to believe in the things that she knows probably isn’t true but also shows her big heart. Last year was keeping baby Jesus warm and stirring up a lot of commotion that the townspeople hasn’t quite forgotten as it still gets mentioned but this year, its running around trying to bring her father home. Being an adult watching this, its obvious that whatever she is thinking up is absolutely impossible to happen and the adults do bring it up, however its the persistence and the pure hope of bringing her father back home that makes this such a heartwarming tale, which takes her on an adventure and makes a new friend in the process.

Wrapping it up with a tale about a pauper and what he wished for that made him happy as a string between the conversation and a Christmas surprise to look forward to, Angela’s Christmas Wish is all about family, the meaning of happiness and the best intentions. The story is all about the kids and their shenanigans especially based on their simple minded ideas that kids have, liking digging to Australia. Its all the world that crafts up these cute funny moments that make up this story and makes Angela such a charming character who has this convincing enthusiasm that makes her brother and this other little girl to follow along her since her wish would make for her father getting involved and that would allow him to spend time with her. Its all these little desires from children to be close to their parents and yet, adults can see through those beyond the lines moment that make it so meaningful to watch.

Angela’s Christmas Wish is a fun and heartwarming story. One that has all the right values and such charming characters in a cute little town. The ending bit was so touching also that I got a little teary. Its one definitely worth a watch, especially since its less than 50 minutes in length.

The Grinch (2018)

Director: Yarrow Cheney & Scott Mosier

Voice cast: Benedict Cumberbatch, Cameron Seely, Rashida Jones, Pharrell Williams, Tristan O’Hare, Kenan Thompson, Sam Lavagnino, Ramone Hamilton, Angela Lansbury, Scarlett Estevez

A grumpy Grinch (Benedict Cumberbatch) plots to ruin Christmas for the village of Whoville. – IMDB

*Originally posted on Movies and Tea Friday Film Club*

Based on the 1957 Dr. Seuss book How The Grinch Stole Christmas and the third screen adaptation following the 1966 classic TV adaptation and the 2000 live action film, The Grinch is a computer animated film and the second Dr. Seuss by Illumination following The Lorax. Illumination is rather on point with these adaptation. For those who are unfamiliar of How the Grinch Stole Christmas, its about a green-furred Grinch who was born with two hearts too small who lives alone in the mountains with his dog Max above Whoville. The Whos are festive and love Christmas a lot which rubs The Grinch the wrong way that he decides to put a stop to it by disguising as Santa on Christmas Eve and stealing all their decorations, gifts and foods to stop them from celebrating Christmas however, he soon realizes that Christmas is more than the material things and that its all about the Christmas spirit which lives in them and ends up with this revelation making his heart grow two sizes and deciding to give back all that he stole to the Whos who in turn, take him in for their Christmas holiday.

While the first adaptation in 1966 is the one that most interprets the original story, these adaptations all add their own twists to fluff up the full length. In this adaptation, it gives the Grinch a backstory that makes him less of the disagreeable character but one where he grows up suffering from being alone that he doesn’t know how it feels to have companionship whether as friends or family. At the same time, giving a lot of life to certain characters in Whoville and not just focusing on Cindy Lou Who. She still plays a big element but giving her more of a backstory, a ploy to meet Santa with her friends and a connection with her mom. Sure, maybe it does stretch far from the original but all this does add a lot of fun characters. Cindy Lou Who and her friends are very adorable in design just like Max and the addition of a buffalo and then there’s the very fun neighbor Mr. Bricklebaum.

Plus, there’s a decent cast of voice actors from Grinch by Benedict Cumberbatch, Cindy Lou’s mom by Rashida Jones, Cindy Lou by Cameron Seely and Mr. Bricklebaum voiced by Kenan Thompson. Of course, a big part of Dr. Seuss story is the Narrator. In this case, its narrated by Pharrell Williams who actually has some narration that strays away from the original text but still keeps the rhyming and creative elements.

This adaptation of The Grinch still has a lot of heart. Its light and fun and fairly entertaining. There’s no doubt that The Grinch Who Stole Christmas is its best without all the extra bits but as its straightforward story like the 1966 TV movie, however this version does an exceptional job at making it very entertaining. Its still full of the Christmas spirit and its a great effort as an adaptation plus in my opinion, its much more redeeming than the 2000 live action adaptation. This one might have some slight pacing issues but it still delivers as a family holiday animated film.

The Princess Switch: Switched Again (2020)

The Princess Switch: Switched Again (2020)

Director: Mike Rohl

Cast: Vanessa Hudgens, Sam Palladio, Mark Fleischmann, Nick Sagar, Mia Lloyd, Suanne Braun, Lachlan Nieboer, Ricky Norwood, Florence Hall

When Duchess Margaret unexpectedly inherits the throne to Montenaro and hits a rough patch with Kevin, it’s up to her double Stacy to save the day before a new lookalike, party girl Fiona foils their plans. – IMDB

The Princess Switch, while not exactly a fresh idea, was a fun one in its original release. Vanessa Hudgens is rather fun playing two different characters, playing around with accents and different background and identity swaps. Something like a version of It Takes Two for grown-ups. You can read my review of the first film HERE.

When Netflix announced that there was a sequel, it was hard to imagine what direction they would take. It didn’t feel like there was a whole lot of other stories to tell especially seeing as A Christmas Prince had already gone through 2 sequels by last year and each one feeling less and less entertaining. The Princess Switch: Switched Again hits much lower than the original. Its not exactly unexpected but having a third Vanessa Hudgens character, Fiona, a different sort of character of the prior two is still fun enough however, the plot as a whole is lacking. Because of so many Vanessa Hudgens, everyone becomes passing figures. The story falls really flat as this new scheme comes into play, there’s just more pieces that don’t fit together and its not exciting or entertaining to watch. Some of the new characters try to be funny but it all seems to miss a mark. Nothing seems to be out of the expected and just turns into a fairly disappointing sort of ordeal. Of course, like I said before, its not unexpected.

Much like the first film, Vanessa Hudgens holds up the movie and is definitely the highlight here. She plays these three characters with a different style and vibe. Margaret and Stacy both being different while Fiona is a much more outward character and brings a little more sass and silliness especially with her two minions. Adding into the equation a guy that wants to win over Margaret’s affections, it all boils down to a fairly predictable sort of movie and the characters all being rather one-dimensional. Not that anyone is expecting more (at least I hope not). Other than Vanessa Hudgens and some of the characters from the first film, the thing that gives this one a little more points is that it finally ties up the world that Netflix is building between A Christmas Prince and this one as the royal family from there makes a cameo appearance.

Overall, The Princess Switch: Switched Again is a fairly normal movie, nothing that’s unexpected and everything stays rather predictable. The whole three personalities for Vanessa Hudgens just feels like she works really hard. Everything else feels a little more normal like the relationship between Stacy and her prince while Margaret sorting out things with Kevin. In comparison, it seems to give more weight to Margaret’s character this time as its in her kingdom this time. The whole world that Netflix creates for their Christmas stories is pretty neat. As a finishing thought, seeing as I’ve had rather lackluster feelings to both A Christmas Prince 3 and this one, I really don’t know where Netflix plans to take these stories or this world.

Double Feature: Happy Death Day (2017) & Happy Death Day 2U (2019)

A sudden change in plans brings another double feature before we start the Blood in the Snow Festival coverage. A lot going on right now. Either way, 31 days of Horror is in the final few days and this pairing is Happy Death Day and its sequel Happy Death Day 2U. Let’s check it out!

Happy Death Day (2017)

Happy Death Day

Director: Christopher Landon

Cast: Jessica Rothe, Israel Broussard, Ruby Modine, Charles Aitken, Laura Clifton, Rachel Matthews, Jason Bayle, Rob Mello

A college student must relive the day of her murder over and over again, in a loop that will end only when she discovers her killer’s identity. – IMDB

Riding between science fiction, slasher and dark comedy, Happy Death Day is quite the entertaining romp that its meant to be. Playing with the concept of an unknown time loop that takes our main character Theresa, mostly known as Tree who is a sorority girl with her own issues and a whole lot of enemies that keeps dying and waking up on her birthday as she tries to figure out who is her killer. It becomes quite a fun ride as she makes friend with Carter, the guy that lives in the dorm that she keeps waking up in and then starts connecting with how bitchy of a person she is to the people around her as well as embracing how avoiding her past has made her into this miserable person.

While the time loop isn’t really explained in the movie, it never really feels like it needs to either. Happy Death Day is at its best because of the humor that it delivers and the many different ways that Theresa changes throughout. With that said, Jessica Rothe captures her role as Theresa incredibly well. She has this charm and charisma that really adds so much to how she portrays the character. It also is rather comedic how she is the only one with the memory of all this and wakes up being different every time.

In reality, Happy Death Day is a really straight forward sort of movie. It delivers a few twists in her time loop and leaving the suspense in the air of whether she will escape her time loop or not. Its not so much that its scary but more that its a lot of fun to watch. Sure, the slasher bits can get a few jumps at the beginning but the threat of her being able to loop really does take away the horror of it. Still, its a different a type of horror film riding the line of horror comedy but a nice palate cleanser and really why I do love films that mix genres/subgenres so much.

Happy Death Day 2U (2019)

Happy Death Day 2U

Director (and co-writer): Christopher Landon

Cast: Jessica Rothe, Israel Broussard, Phi Vu, Suraj Sharma, Sarah Yarkin, Rachel Matthews, Ruby Modine, Steve Zissis, Charles Aitken, Laura Clifton

Tree Gelbman discovers that dying over and over was surprisingly easier than the dangers that lie ahead. – IMDB

While Happy Death Day should have been probably been a one movie deal and let it end at where it is, it was expected that with how well Happy Death Day did that it would get a sequel. Add it onto another unnecessary sequel. What the sequel aims to do now is give us the cause of Tree’s time loop in the first movie but this time, the equation has changed because that loop has caused a parallel dimension which brings in the help of the science students that caused in the first place who happen to be Carter’s roommate, Ryan and his friends. Tree needs to work with them to stop it and its a lot of the same as the first film with a lot of trial and error dying except this time mostly on her own terms instead of by the baby face killer.

The heart of Happy Death Day 2U is really on how charming Jessica Rothe’s character Tree is. The parallel dimension gives her another sort of revelation about her life. Personally, it brings in a little bit more seriousness to what should be more comedic but they do make it up with this montage of how she chooses to kill herself for each trial by the team to end the loop. Its a bigger cast to say the least and I do enjoy the dynamic of the science crew. They bring their own sort of humor.

The sequel is a lot of the same with some other stakes at hand but it feels pretty much the same and if anything, a little more silly than the first one but its just a fun little romp. Its definitely more sci-fi than horror in this more and more drama than comedy. Still, it was fairly entertaining. Not quite as good as the first one and not a necessary sequel by any means but its still pretty fun for my own standards. I just really hope they don’t do a third one because it really doesn’t need to dive even further.

That’s it for this double feature!
Have you seen Happy Death Day and the sequel? Thoughts?

Blog Tour: To Reap the Spirit (The Dead Dreamer Series Book 3) by Sarah Lampkin (Review/Giveaway)

To Reap the Spirit
(The Dead Dreamer Series #3)
By: Sarah Lampkin

To Reap the Spirit

Publication: October 13th, 2020
Genre: New Adult/Urban Fantasy

SYNOPSIS

Sanguis daretur. Ignis invocavit.

The third installment in the haunting Dead Dreamer series.

Somehow Brenna Whit has survived to her junior year at Nephesburg College. Despite all odds, she’s fought against the Gatekeepers and lived. But the battle for the Fade has only just begun.

New pieces have been added to the board.

The Fade opens to the Veil.

And a Shade from the past returns.

With Brenna’s secret out, everyone is after her: dead and living alike. Those from across the sea have come and they’re determined to regain control of their broken faction.

Questions will be answers

Fires will be lit

Chaos will reign

Add to Goodreads

REVIEW

Picking up from the situation of Book 2, To Reap the Spirit explores further into the Fade as more moving parts of the dangers surrounding Brenna’s Dead Dreamer side of things take on a new meaning. Much like Book 2, the Gatekeepers have called in another Dead Dreamer, Bridget to remedy and control the situation of her unsealing the doors to stop their conflicting goals. However, Bridget is a much more dangerous character that takes things further as she can cause some dire consequences with her power.

Book 3 brings in the equation of the different stances that the Guardians and Gatekeepers have as well as things that they also can’t seem to control while also giving Brenna her own further struggles with balancing life in the Fade and how far she can go before even she has her limits while also having the side of life with the living that she can’t seem to get involved with. At the same time, it explores another dimension other than the Fade called The Veil. At the same time, pulling in more characters to have bigger parts to play that were either present in previous books or at least mentioned. There’s a bigger element of action and danger throughout which does make it more engaging but at times, what made the previous 2 books stand out was the smaller scope from at least the character standpoint but to be fair, it was inevitable that it had to get bigger since we had already hints of bigger parties at play than what was happening in the college campus.

Overall, as a 3rd book of a series, its engaging because of how it manages to expand further into the story and world building on the elements from the previous books. At the same time, adding more characters expands further from just its main character Brenna while giving more room for other people to be involved like her interaction with her best friends, Aeria and Damon as well as having more roommates and new “enemies” that adds quite a bit to the story overall.

Score: 4.5 out of 5

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DEAD DREAMER BOOKS

To Dream is to Die (Book #1)

Eighteen-year-old Brenna Whit is entering college as a freshman and starting to meet new people, but she hides a dark secret. Because of an accident that happened three years ago, her spirit wanders the Fade whenever she falls asleep. It’s something she wants to keep hidden from the world, but when she sees someone watching her in spirit form, she fears the secret’s out. With new friends, possibly new enemies, school, and a new crush, Brenna has too much to worry about for just her freshman year of college.

Perfect for those who enjoy Buffy the Vampire Slayer and Supernatural

Goodreads

To Wake the Dead (Book #2)

Brenna Whit teeters the line between the living and the dead. Now that she’s back for her sophomore year at Nephesburg College, she’s determined to focus on the waking world. But when her own soul is trying to kill her and a new Dead Dreamer is fighting for power, Brenna is dragged back into the world of the dead.

The Gatekeepers are doing everything they can to restore the power they once held over the town of Nephesburg. With a mysterious set of twins arriving in town to help them prepare, Brenna must decide what’s important: continuing to hide her secret or reveal herself and fight for what she believes is right. The decision could end up leading to a permanent death for Brenna so she must choose wisely.

Classes have begun…

The battlefield is set…

Let the fight for the Fade begin.

Goodreads

ABOUT THE AUTHOR

A native of Richmond, Virginia, Sarah Lampkin is a 2015 graduate from Lynchburg College [University of Lynchburg] with a master’s degree in English. Since graduation, Sarah now lives in Northern Virginia working in the IT field as a Technical Writer while continuing her research for her graduate school thesis. When she isn’t working, Sarah continues her Celtic mythology research and Gaelic studies, while working on the Dead Dreamer series.

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Double Feature: The Kissing Booth 2 (2020) & Skyscraper (2018)

Welcome to the next double feature! I have to say that I may have given up on the alphabet format but I don’t think anyone else was really following that anyways…always get stuck at Q. Either way, next pairing are two movies I saw as breathers in between Fantasia screenings. The first is The Kissing Booth 2 (which I’m still wondering why I saw since I didn’t like the first one) and the second is Skyscraper which has Dwayne Johnson which is almost guaranteed a nice mindless entertainment movie night. Not exactly the typical sort of pairing but it is what it is.

Let’s check it out!

The Kissing Booth 2 (2020)

Director (and co-writer): Vince Marcello

Cast: Joey King, Joel Courtney, Jacob Elordi, Taylor Zakhar Perez, Molly Ringwald, Maisie Richardson-Sellers, Meganne Young, Stephen Jennings

In the sequel to 2018’s THE KISSING BOOTH, high school senior Elle juggles a long-distance relationship with her dreamy boyfriend Noah, college applications, and a new friendship with a handsome classmate that could change everything. – IMDB

Following the events of The Kissing Booth (review), The Kissing Booth 2 resumes after a summer of Elle and Noah being together and they have to part ways because of Noah having to go to Harvard. Between juggling her emotions for Noah not being there, keeping herself busy, spending time with her best friend (and his girlfriend) and then trying to find money to fund possibly college in Boston without burdening her family and keeping her own secrets, Elle has quite a lot on her plate. Not only from Elle’s angle, The Kissing Booth 2 also focuses a little on Noah and Lee’s side. The Kissing Booth 2 is probably exactly as I’d expected it would go seeing as I still am wondering why I started it in the first place since I didn’t really enjoy the first one and not a huge fan of Elle’s character setup.

The whole world of The Kissing Booth 2 just always seem to have this missing thing that they aren’t hitting. This one tries to cover a lot of ground with different supporting characters and more conflicts. Its about friends and relationships and planning for the future. I just sometimes have this hard time believing that these characters and how they talk are teenagers in high school in this current day and age. Its a predictable sort of story and to be honest, this film was more enjoyable than the first because of one element and that’s the Second Lead Syndrome where I thought the new character and Elle’s new friend and dance partner that has some sparks, Marco portrayed by Taylor Zakhar Perez was fun and one of the better characters of this whole story. There seemed to be some good chemistry between the two of them especially in the dance competition part which was a lot of fun to watch overall. But then I have this deep love for Dance Dance Revolution so the whole Dance Mania competition was a highlight.

The Kissing Booth 2 is really nothing to call home about. I’d love to see Taylor Zakhar Perez in something else although it was announced that The Kissing Booth 3 is happening and was filmed back to back or something and just to finish this thing up, I’ll probably still check it out and cross my fingers that maybe the 2nd lead will get the girl (which probably won’t happen) but then I’m getting ahead of myself at this point. If you liked The Kissing Booth then you might like the sequel, if you didn’t, then maybe you are like me and found some joy with the second male lead and the dance competition.

Skyscraper (2018)

Skyscraper

Director (and writer): Rawson Marshall Thurber

Cast: Dwayne Johnson, Neve Campbell, Chin Han, Roland Moller, Noah Taylor, Byron Mann, Pablo Schreiber, McKenna Roberts, Noah Cottrell, Hannah Quinlivan

A security expert must infiltrate a burning skyscraper, 225 stories above ground, when his family is trapped inside by criminals. – IMDB

Dwayne Johnson is definitely one of those actors that makes some fun and entertaining sort of action movies packed with one liners and just altogether a straightforward good time. The stories sometimes don’t have a ton of depth and are fairly predictable but if you already know what to expect then its almost always a decent little action romp. With that said, Skyscraper fits the bill of exactly what to expect. Set in a rather fictional Hong Kong (to anyone who knows the city well enough) in a fictional tall skyscraper, it might break the reality just a tad on that front as well as how ridiculously over the top a few of the action sequences are. For frequenters of Fast and the Furious franchise who has just been packed with these over the top unrealistic moments that people like to make Youtube videos to debunk how accurate it can be, Skyscraper is a usual deal especially when Dwayne Johnson’s character goes to jump off a crane to another building, there’s some strange physics going on there.

Its really hard to talk about movies likes these. On one hand, for serious moviegoers, its very obvious that there are a ton of flaws whether in shallow plot or some computer effects or even how some events flow and how certain scenes are structured. Its not going to be some award-winning movie. On the other hand, if you go by the standpoint of having exactly what is expected and for the mindless entertainment and some fun Dwayne Johnson moments, this is fairly harmless especially when a lot of his skyscraper moments involve duct tape, a common every day man trick which does keep the movie grounded a little more than expected.

Not to mention, Dwayne Johnson is accompanied by a supporting role by Neve Campbell who plays his wife in the movie. She actually has quite a useful point to make and actually speaks some decent Cantonese line. I always praise actors/actresses who are given these foreign lines and get it right on point. Although, that is definitely more of a personal thing. With that said, there are some good characters here plus I do usually enjoy Chin Han’s roles. Overall, Skyscraper was plain and simple a fun time. I acknowledge all the issues with it but at the same time, it was exactly what I needed when I chose to watch it.


That’s it for this double feature!
Have you seen these two films? Thoughts?

Double Feature: The Platform (2019) & The Predator (2018)

As I took a few days off to get my mind back on track and figure out what needs to be written (because I basically forgot after Fantasia Festival), we’re back on the double feature! As we gear into October’s Halloween Horror month, I’m leaving some horror on Shudder for next month so we’re focusing on the rest of the alphabet with only Netflix choices and maybe some shortcuts along the way.

Picking up where we left off, its time for the P selection. The first is a Netflix movie called The Platform and paired with the fourth movie in the Predator franchise called The Predator. Let’s check it out!

The Platform (2019)

Director: Galder Gaztelu-Urrutia

Cast: Ivan Massagué, Zorion Eguileor, Antonia San Juan, Emilio Buale, Alexandra Masangkay, Zihara Llana

A vertical prison with one cell per level. Two people per cell. One only food platform and two minutes per day to feed from up to down. An endless nightmare trapped in The Hole. – IMDB

The Platform is a Netflix Original Spanish sci-fi horror film which works a lot like Snowpiercer where its moving horizontal through a train, this one moves in a vertical structure via a platform that passes from the top levels to the lowest levels. As a man gets trapped there, his conversation with his cellmate becomes one where he starts to notice the patterns and the system and wants to fight for a change to actually survive this ordeal. The backstory and mystery of why these people are there and how do they get out is all a key part to the story. Sure, the platform itself plays a big part as the people shift every while from one level to another so that they can experience the upper and lower levels and the ugly and selfish side of humans in the face of survival.

Netflix automatically started the movie in its dubbed English version for myself which was a decent experience. It would be interesting to watch it again in its original audio. Overall, The Platform is a pretty good film. It builds up on the mystery and the intensity of the situation pretty well and has a decent pacing and execution throughout.

The Predator (2018)

Director (and co-writer): Shane Black

Cast: Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Sterling K. Brown, Thomas Jane, Alfie Allen, Augusto Aguilera, Jake Busey

When a young boy accidentally triggers the universe’s most lethal hunters’ return to Earth, only a ragtag crew of ex-soldiers and a disgruntled scientist can prevent the end of the human race. – IMDB

There are days I wonder why we just keep going back to making more and more of a franchise when it should’ve been left at the first movie. It sometimes feels like Predator is one of those situation, maybe because I’m also not a huge fan of this franchise in comparison to Alien franchise, I guess. Although, credit where its due, Predators (review) was a pretty fun one even though I think some people wasn’t a big fan. Back on track to this one, the story here is far-fetched and it runs rather off track the further it goes. The only thing that worked for it was the ragtag team and the twist of the concept of the predators end-game although the whole “twist” of what they wanted wasn’t exactly a twist but fairly obvious.

I don’t hate on this completely since I thought Olivia Munn’s character was fairly resourceful and there’s some familiar faces with Thomas Jane and Keegan-Michael Key, two people that I rather enjoy in movies. Then there’s the little boy played by Jacob Tremblay who right away is different but intelligent for his age. The characters do work rather well. Its a pity that the story gets a little odd especially when the Predator world starts showing up with alien pups which was supposed to add some humor which it kind of did at times especially with whatever it would fetch back.

Its a fairly flat experience. Its not good but not horrible either. There are some glaring issues with it for sure but then, the director definitely has a special place for this movie as it puts in some references to the original film (or at least a very obvious one).

That’s it for this double feature!
Have you seen these two films?

Double Feature: 47 Meters Down: Uncaged (2019) & Little Women (2019)

Next double feature is here as I worked through some more rentals. The first is the sequel of 47 Meters Down called 47 Meters Down: Uncaged. The second is Greta Gerwig’s directed adaptation of book of the same name, Little Women. Let’s check it out!

47 Meters Down: Uncaged (2019)

47 meters down uncaged

Director: Johannes Roberts

Cast: Sophie Nélisse, Corinne Foxx, Brianne Tju, Sistine Rose Stallone, John Corbett, Nia Long, Brec Bassinger, Davi Santos, Khylin Rhambo

Four teen girls diving in a ruined underwater city quickly learn they’ve entered the territory of the deadliest shark species in the claustrophobic labyrinth of submerged caves.- IMDB

Let’s start off that this is pretty much a new story from 47 Meters Down. For those who have seen 47 Meters Down, there really isn’t any room to do a sequel with those characters or that storyline. While shark movies are rather entertaining and I did enjoy 47 Meters Down in several aspects and premise, lets just say that a sequel wasn’t exactly something that was expected or needed but it happened.

47 Meters Down: Uncaged takes a new perspective. This time around, it goes into a cave diving adventure where these four girls go to explore the underwater Mayan ruins but it ends up trapping them in after a sudden realization that there were blind sharks living in these caves. Its something of an opposite experience than 47 Meters Down. Uncaged has a lot more sharks and while there are some questionable CG effects like the screaming fish, the blind sharks is a fairly fresh concept. Sharks hunting only by sound and being able to blend into the background of the dark murky waters that the girls find them in. The whole course of finding their way out and having a lot of cast gives the movie a higher death count, more people to be endanger. With that said, its a faster paced movie and a much more simple and direct sort of element. It takes some of the good premise elements of the first like survival with decreasing oxygen tanks to the light elements and flares versus sharks and applies to a bigger scope.

If you look at the cast, its not exactly a well-known one. However, there are some second generation actresses like Jamie Foxx’s daughter Corinne Foxx and Sylvester Stallone’s daughter Sistine Rose Stallone. The characters themselves are linear and one dimensional. There is a little bit of family elements here as two step-sisters face this labyrinth together to try and get out. There’s also John Corbett who stars as one of the girl’s dad who is the one who is exploring these caves as their current project and the reason that they are in this location in the first place.

Overall, its an okay shark movie. Its paced quicker with a lot more sharks than its predecessor. Its more direct and less psychological. There are some tension built from this specific location of underwater caves that also brings in the frightening feeling of claustrophobia every once in a while. The sharks have really good designs of their scarred body probably from navigating the tight spaces in the area and how they have biologically changed because of being trapped in this dark location for such a long time. The general concept makes enough sense even if some of the computer graphics isn’t done well but Johannes Roberts does get some nice cinematography in that makes up for a part of that.

Little Women (2019)

Little Women

Director (and adapted screenplay): Greta Gerwig

Cast: Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, Chris Cooper, Meryl Streep

Jo March reflects back and forth on her life, telling the beloved story of the March sisters – four young women, each determined to live life on her own terms. – IMDB

One of the classics that I haven’t read before is Little Women. I have a general idea of the source material but I’ve never actually read the novel nor have I seen the 1994 film adaptation. This viewing is solely based on this movie as its own film. With that said, Little Women is set up in a structure that I rather like. In one way, its main focus is on Jo March, played by Saoirse Ronan and her determination to be a writer despite not quite able to accept the criticism but willing to sacrifice to have her work published anonymously. Its has something of an (semi-autobiographical nature where who we see as Jo March feels like she’s telling her story while also having this breaking reality moments at times where we see how things actually went and the way the story is told based on the pressures from her editor and whatnot.

Little Women is about the different girls in each of the March sisters who seek something different in life. They each grow up together and much like any siblings have their own issues and one sacrifices more than the other. As they grow up, their age and being able to do things the others can’t do all come into play as all kinds of values come into play. Through the actions and decisions of each of the sisters, it crafts each of their characters. The focus is rather heavily on the sisters finding their value and what they each value that leads them in different paths. Certain things break them apart and yet other things will bring them together. In the path of growing up, they sacrifice things and other things pass them by and some just fade into regret and moving on. Its all part of life. Something about Greta Gerwig’s structure for this story works really well. Its a subtle and endearing story about this sisterhood. While some characters fall into the background, they each have their own purpose whether its the mother, played brilliantly by Laura Dern that teaches her daughters to be selfless and willing them to have a mind of their own or its the youngest sister who has a dream but with her illness brings together the family in the end. There’s something that pieces each of these events together.

The focus is a lot on Jo March, Amy March and their neighbor/family friend, Laurie played by Timothée Chalamet. It seems that Greta Gerwig sure loves to work with Saoirse Ronan and Timothée Chalamet and always sees them as the impossible pairing. Their relationship/friendship is something of the other way around from Lady Bird (review), which I thought was pretty genius to cast them and give their characters an opposing sort of character and giving these two a nice dynamic. Little Women is a pretty great adaptation that executed really well and all the characters portrayed incredibly charming and with a good deal of depth and purpose. Its a great coming of age period drama.

That’s it for this double feature!
Have you seen these two films? Thoughts?