Blog Tour: His to Defend (Spotlight)

Tour Banner (10)

HIS TO DEFEND
BY: RHENNA MORGAN

HIS TO DEFEND

Publication Date: October 14, 2019
Genre: Contemporary Romance
Publisher: Carina Press
Length: 384 pages

Book one of NOLA Knights, the heart-stoppingly sexy spin-off series by Men of Haven author Rhenna Morgan

His world. His rules. Her love.

Though his methods may be rough, when it comes to protecting what’s his, Russian vor Sergei Petrovyh’s heart is always in the right place. That’s never been more true than when the gorgeous Evette Labadie asks him for a job. He knows enough to keep his hands off someone as beloved by the locals as Evie, but there’s something about her that calls to him—no matter how badly he burns to make her his.

Don’t think Evie hasn’t noticed the powerful Russian mafia boss who makes her favorite diner a regular stop. How can she not? He’s as hot as his reputation is dangerous. But everyone in her struggling New Orleans neighborhood knows he’s the man to turn to. And right now she needs money to get her son out of trouble.

Her other needs—needs she knows damn well Sergei can more than satisfy—will have to wait.

Evie soon finds herself playing Cinderella to a man who, despite what people believe, is definitely more prince than villain. She can’t help falling deeper in love with each passing day. But when a turf war between Sergei and a rival brings violence to her doorstep, Evie must come to grips with loving a man who will do anything to defend her…or walk away from her best chance at a happily-ever-after of her very own.

ADD TO GOODREADS

EXCERPT

Evette pinched the business-size check from her former employer a little tighter and glared at the cleaning company’s logo in the top corner. On any other Friday, the money would have meant inching closer to some semblance of security for her and her son, Emerson. A step toward unraveling the mess she’d created for her life. Today, the unexpected termination that had come with her weekly pay felt more like a sucker punch to the gut. Yet another obstacle to overcome after too many damned years running the gauntlet and never even glimpsing the finish line.

Maybe she could get a job cleaning at one of the hotels. God knew the French Quarter was packed with them, and she was pretty sure she could count on regular shift work, like the office cleaning crew she’d been on. Though, how she was going to land one by Monday when it was already close to 4:30 on a Friday afternoon was beyond her. And landing something quick was the only way this latest setback wouldn’t force her into dipping into Emerson’s school fund. Plus, there was the hurdle of what would happen if they called her old company for references and found out she’d been fired for a security breach.

Not. Good.

The commuter bus swung onto Tulane headed toward Mid-City, and Evie’s spirits sunk a little lower. If someone had told her when she was growing up that she’d be a single mom living in one of New Orleans’s rougher parts of town at twenty-eight years old, she’d have laughed in their face. She was going to be a fashion retail buyer—or at least have some kind of career in fashion. She was going to travel the world. See things. Know people. Adventure her way through life and suck it dry.

Then her mom had died, and she’d gone off the rails.

She sighed and slunk a little farther down onto the hard plastic bench, the run-down stores, bars and restaurants along the roadside passing in a blur while the vibrations from the bus’s engine rattled clear to her bones.

Get knocked down seven times, stand up eight.

If she had a dollar for all the times her momma had said it and all the times Evie had echoed it in the last eight years, she’d be driving a Porsche toward the Garden District right now instead of a barely livable apartment.

But her momma had made it.

Mostly.

Raised Evette through her tumultuous preteen years after her daddy’s death and made it look easy. It hadn’t been until a year after Emerson had been born and Evie had found the courage to read some of her mother’s journals that she’d realized just how much of a challenge her mother had really faced. How much she’d given up and how alone she’d felt through every second.

Evie understood it now. Knew to her very marrow the sacrifices that had been made on her behalf.

And she’d thrown it all away nursing her grief.

Resolve and a whole lot of stubbornness revved her energy and forced her taller in her seat. Pity was what had gotten her into this mess to begin with, and she’d be damned if she went that route again.

Labadie women didn’t quit. Didn’t give up. They faced whatever they needed to face, and they smiled doing it. Eventually, she was going to find a way to give her and Emerson the world. She just might have to scrimp a little longer and get more creative to make it happen.

Where to buy His to Defend

Amazon
Barnes & Noble
iTunes
Google Play
Kobo

ABOUT THE AUTHOR

rhenna Morgan

A native Oklahoman, Rhenna Morgan is a certified romance junkie. Whether it’s contemporary, paranormal, or fantasy you’re after, Rhenna’s stories pack romantic escape full of new, exciting worlds, and strong, intuitive men who fight to keep the women they want. For advance release news and exclusive content, sign up for her newsletter at http://RhennaMorgan.com. You’ll also find all of her social links there, along with her smoking hot inspiration boards.

Website
Facebook
Twitter
Instagram
Goodreads

Blog Tour Schedule

October 14th

Reads & Reels (Spotlight) http://readsandreels.com
Reviews and Promos by Nyx (Spotlight) https://nyxblogs.wordpress.com/
Vivianna MacKade (Guest Post) https://viviana-mackade.blog/
Didi Oviatt (Review) https://didioviatt.wordpress.com
Romance Book Binge (Review) https://romancebookbinge.com/

October 15th

I’m All About Books (Spotlight) https://imallaboutbooks.com/
Sophril Reads (Spotlight) http://sophrilreads.wordpress.com

October 16th

The Magic of Wor(l)ds (Spotlight) http://themagicofworlds.wordpress.com
Cup of Books (Review) https://cupofbooksblog.wordpress.com/
Jane Hunt Writer (Review) https://www.jolliffe01.com/blog

October 17th

Dash Fan Book Reviews (Review) https://dashfan81.blogspot.com/
The Bookish Mrs. Harding (Review) http://thebookishmrsharding.home.blog

October 18th

Misty’s Book Space (Review) http://mistysbookspace.wordpress.com
The Cozy Pages (Review) http://thecozypages.wordpress.com/

…..

October 21st

B is for Book Review (Spotlight) https://bforbookreview.wordpress.com
I Love Books and Stuff (Spotlight) https://ilovebooksandstuffblog.wordpress.com
Literary Dust (Review) https://literarydust.wordpress.com/
The Faerie Review (Review) http://www.thefaeriereview.com

October 22nd

Nesie’s Place (Spotlight) https://nesiesplace.wordpress.com
Tranquil Dreams (Spotlight) https://klling.wordpress.com/
Inked and Blonde (Review) https://inkedandblonde.blogspot.com/

October 23rd

Wrong Side of Forty (Review) https://wrongsideoffortyuk.wordpress.com/
Tsarina Press (Review) https://www.tsarinapress.com

October 24th

Past Midnight (Review) http://pastmidnight.home.blog

October 25th

Jessica Belmont (Review) https://jessicabelmont.wordpress.com/
Book Dragon Girl (Review) https://bookdragongirl.com
Crossroads Reviews (Spotlight) http://www.crossroadreviews.com

Blog Tour Organized by:

R&R Button

R&R Book Tours

Advertisements

FNC 2019: J’ai Perdu Mon Corps (I Lost My Body, 2019)

J’ai Perdu Mon Corps (I Lost My Body, 2019)

J'ai Perdu Mon corps

Director (and co-screenplay): Jeremy Clapin

Voice Cast: Hakim Faris, Victoire Du Bois, Patrick D’Assumcao

A story of Naoufel, a young man who is in love with Gabrielle. In another part of town, a severed hand escapes from a dissection lab, determined to find its body again. – IMDB

French animated features always seem to have a darkness to its overall premise. In this case, this upcoming Netflix France Original film (according to this poster is set to release in the end of November) follows two sides of a story. The first is the story of Nafouel, a pizza delivery boy having a bad day that ends up having a random conversation with a girl through a building intercom during a rain storm outside and is intrigued by this stranger and finds a way to approach her while on the other side, it follows a severed hand trying to go through the city to reunite with the body it belongs to. Its easy to see that these two stories are linked together and who this severed hand belongs to and yet, alternating between the two and having it converge at the end gives this film so much charm. Perhaps of the timeline jumping back and forth between the two that the story sometimes does have moments of disjointedness.

Somehow French animated films have such good grasp hitting those bizarre themes and finding just the right balance of humor to make it work. J’ai Perdu Mon Corps is a fine example of this. While Naoufel’s side of the story feels a bit awkward and maybe a tad sketchy if you think about the almost stalker-ish way he chooses to approach this girl. At the same time, he is somewhat of a rather unpleasant character or simply flawed and fairly shallow which is where this film falls short slightly. It all depends on how his character is viewed although there are some believable moments of clumsiness and his trying to work hard to get her attention and some missteps that he does which makes some funny moments. As I always like to mention, flawed characters to begin with makes for the better development characters as they have so much more room to grow and that definitely applies in this story.

Where it does shine right from the beginning is starting with how the severed hand is introduced and the moments of how it goes from location to location. There’s a lot of dark humor to be had, especially as it meets all kinds of things and dangers along the way and is essentially defenceless. Some come out with mostly unexpected outcomes and that just makes each step of its way back to the body that it belongs to even more rewarding in the end.

Overall, J’ai Perdu Mon Corps is exactly as its title hints at. The winning factor here is how it uses the whole concept of a severed hand and can create a rather charming and humorous story out of it. It fits into the whole charm of French animation that is a tad odd but still works out overall to have those dramatic moments as well. As a feature-length directorial debut for Jeremy Clapin, its definitely one that lands very well and has a unique premise.

J’ai Perdu Mon Corps will be hitting theatres for a limited release in US (November 15) and UK (November 22) and also hitting Netflix (for most countries) on November 29th (all based on research on the Internet, so please check or correct me in the comments if you have other more accurate info).

TADFF 2019 Shorts: Turbo Killer/Far Horizon/Flip

Toronto After Dark Film Festival

The next batch of three shorts is here! These were screened with a shorter length feature called Blood Machines, which happens to be a sequel to the first of these three shorts reviewed here. The others suitably work with this post-apocalyptic sort of concept with quite a bit of imagination and creativity behind each of these premises.

Turbo Killer (2016)

Director (and writer): Seth Ickerman

Cast: Joelle Berckmans, Guillaume Faure, Marc-Antoine Frederic, Noémie Stevens

 Set up like a music video with a great soundtrack, Turbo Killer is a visual feast. The color palette pops. The story is abstract but still somewhat easy to understand about a post-apocalyptic world where a man accidentally transports a woman and then another masked man comes to save her. Its a fun little (almost) 5 minutes short that truly shows something that can be expanded on.

Far Horizon (2019)

Far Horizon

Director: Sara Martins

Set in 2025, Far Horizon is episode one of what I’d expect would be a series with fairly short episodes. Episode 1 is called survivor. While the context isn’t quite there, the synopsis of this is pretty much that a group of soldiers search the desolate land and end up going to look through, what they believe, is an abandoned field hospital for a supply run and ends up finding the first survivor in three years.

The tone here is done well. The suspense is also quite good. The cast also works as well as the characters definitely seem to have something more to learn about. The whole episode/short builds in tension as the suspense and darkness of each scene hides a lot of whats around them, limiting the vision and giving the final discovery such a nice element of surprise. Its rather impressive and if this is an actual series, it’d be nice to see where it heads for story-wise.

Flip (2019)

Flip

Director: Jessica Grace Smith

Kept in a post-apocalyptic future trapped in a bunk, mother Flip and daughter Plug need to find a way to escape their prison. Flip tries to protect Plug as much as possible and kept her away from Helmet, a growling aggressive beast (of sorts) that goes to visit them and abuse her. However, when things go wrong one day, Plug finds the courage to protect her mother and fight back.

Whether its the design of the mother and daughter or the world or even the villainous Helmet, Flip is a very well-executed short. Running at 13 minutes, this one has more depth than the typical short and actually manages to show off a lot of the elements of their entrapment as well as their dangerous situation and the creeping fear of the inevitable if they do stay there. The action sequence and the stakes in the story make Flip a really good short (and even one that could merit a full length project to see what this world has to offer more especially for this mother and daughter duo).

That’s it for these three shorts!
If anything, these short films show that there’s still a lot more to explore in the whole post-apocalypse idea or a dystopian future.

 

 

TADFF 2019 Shorts #1: We Three Queens/Eyes Open/Make Me A Sandwich

Toronto After Dark Film Festival

Much to our surprise, we are going to be covering Toronto After Dark Film Festival remotely for its short films selections. The festival itself runs from October 17 to 25th this year at the Scotiabank Theatre. If you happen to be in Toronto, do head over to check out this festival with its great line-up of feature films. You can find all the info HERE.

Over the next few days throughout the duration of TADFF, I will be looking at these in various categories and pre-feature shorts will be batched in 3 (or 4) films. Most of these will be paired with their screening times. These three to kick-off the first batch of pre-feature shorts are paired with screenings from October 17th and 18th.

We Three Queens (2018)

We Three Queens

Director: Chris Agoston

Cast: Erin Margurite Carter, Soma Chhaya, Emma Hunter, Rachel Wilson

*Screens with Extra Ordinary at TADFF 2019*

Beard (Erin Margurite Carter), Charlotte (Soma Chhaya) and Janet (Emma Hunter) are an all-star carolling group called We Three Queens. As they go to pick up their vests from their seamstress, they end up waking up kidnapped in her basement. With Christmas just around the corner, they need to find a way to convince Shelly (Rachel Wilson) to release them before midnight so that they can finish their carolling.

Christmas horror is always a welcome idea. Carolling has probably (at least to my knowledge) never been used in the context of a horror film. In a premise like this one, carolling definitely seems like quite the competitive world although who doesn’t want to be a part of something important or get noticed by the people that they enjoy watching, right? Running at almost 9 minutes, We Three Queens is a fun little Christmas horror short that adds a little comedy to the situation. Its not hard to see where the story goes as there is some foreshadowing but the actresses here are also quite entertaining to watch especially with their dialogue. Something about having a lot of red on screen not only makes it have the feeling of holiday but also have this more troubling situation at hand that we never know how Shelly would react to their responses to her requests.

Straight-forward and fairly unique in its premise of carollers being the central focus, We Three Queens is a fun Christmas horror short to check out.

Eyes Open (2019)

Eyes Open

Director (and writer): Jawed J.S.

Cast: Angela Bell

*Screens with Witches in the Woods*

Eyes Open is a 2019 horror short about a girl who goes for a walk in the woods to soon find out that she is haunted by an unseen presence both physically and psychologically.

Horror set in the woods has become increasingly used. Its a great choice for a setting because of its emptiness and isolation. With Eyes Open, its (almost) 6 minutes is a huge difference from where it starts to where it ends. The horror actually builds in its moments. While there were some oddities to this one, it still works overall especially as the unseen presence that haunts the single character in Eyes Open shows what it is doing: attacking when she closes her eyes. There are some odd low-budget effects but still, for its progression of horror, it does a pretty decent job at making it intriguing.

Make Me A Sandwich (2019)

Make Me A Sandwich

Director: Denman Hatch

Cast: Anne Shepherd, Peter Hodgins

*Screens with James vs. His Future Self*

Make Me  A Sandwich is a 2019 horror short (and its very short) about a wife who is constantly being asked by her husband to make him a sandwich.

Nothing is quite defining of a short film than one that runs for 3 minutes and keeps things as simple as a wife constantly being asked to make her husband a sandwich. And yet, those 3 minutes say a lot with just the wife’s reaction to each aggressive demand. Anne Shepherd as the wife does a great job at using those little facial expressions to show her lack of patience each time and how she retaliates. At the same time, what seems simple and straight forward as this story has a very startling twist at the end. Deranged might be the way to say that twist ending and actually makes you think a little more about the whole situation here and what we just watched. Its rather unsettling to watch and yet its hard to not laugh at a little of the dark humor here (perhaps its dark humor..I’m not sure anymore). If satisfying unsettling is a term that works, then this might apply to Make Me  A Sandwich.

 

FNC 2019: A White, White Day (Hvítur, Hvítur Dagur, 2019)

A White, White Day (2019)

A White White Day

Director (and writer): Hlynur Palmason

Cast: Ingvar Sigurdsson, Ida Mekkin Hlynsdottir, Hilmir Snaer Guonason

In a remote Icelandic town, an off duty police chief begins to suspect a local man to have had an affair with his wife, who has recently died in a car accident. Gradually his obsession for finding out the truth accumulates and inevitably begins to endanger himself and his loved ones. A story of grief, revenge and unconditional love. – Letterboxd

Unlike a lot of the films at Festival du Nouveau Cinema (that I’ve seen this year), A White White Day is not about a relationship but rather a person’s journey. Its fairly existentialist and also very arthouse. It also is quite slow-paced as the story slowly revealed of those tidbits that pieced the story together to come together in the second half. This movie is focused on a lot of time pieces which is quite obvious just from how the movie starts off showing a car passing through different surveillance cameras on the secluded highway of remote Iceland and ends up in a car accident. Its filled with fog regularly (as we soon learn). And then it jumps forward to a still shot of a house and snapping away like a time piece as different elements change and shift in and out and the seasons also slightly change as well. Everything is in the detail and the director’s respect for the audience’s ability to connect the dots is where most audience will appreciate it the most. At some points, these little time-shift still shots aren’t quite for everyone (just like watching someone eat pie for 10 minutes in A Ghost Story doesn’t work for everyone either). Consistency is quite important and A White White Day commits with these transitional shots to show time and possibly different emotions during driving with these styles of shot a few times during the film.

The entire remote Iceland setting is fantastic for this story. The middle of nowhere fits well with a man who loses his wife and thinks about her and the mixed feelings that he has about the situation that soon reveals as an obsession for the truth behind his wife and whether she had an affair and who it was with. This leads to the high point of the film as he loses it and makes for a fantastic way to end the film. Don’t get me wrong though, A White, White Day has some really great moments especially the one where he tells a scary bedtime story to his sick granddaughter.

As much as all the technical is worth a note here, the true star here would go to the main male character Ingimundur played by Ingvar Sigurdsson, as this is his journey of finding out the truth. Everything is in the details just like how it frames its shots to his facial expressions and how he acts with his eyes (which is always a sign of a great actor especially for a quiet and subtle role).

A White, White Day is not a film that is to my cup of tea whether in pacing or just snapshots of the same thing over and over again (which was where I knew this wasn’t going to be for me). However, there will no doubt be an audience that can appreciate it because there are a lot of standout elements and some great moments here and the second half of the film really does boost the movie to fantastic heights.  If existentialist and arthouse drama is your cup of tea, this one does have a lot to offer.

A White, White Day has one more screening during Festival du Nouveau Cinema on October 18th at Cineplex Odeon Quartier – Salle 17. You can find more info HERE.

Blog Tour: Hope by Terry Tyler (Review/Giveaway)

Hope

HOPE
BY: TERRY TYLER

Hope

Publication Date: May 24, 2019
Genre: Dystopian/Psychological Thriller

SYNOPSIS

Terry Tyler’s nineteenth published work is a psychological thriller set in a dystopian near future – the UK, Year 2028.

Blogger Lita Stone and journalist Nick Freer live and work online, seeing life through soundbites, news TV and social media. Keeping the outside world at bay in their cozy flat, they observe the ruthless activities of the new PM and his celebrity fitness guru wife, Mona (hashtag MoMo), with the mild outrage that can be quelled simply by writing another blog post.

Meanwhile, in the outside world, multinational conglomerate Nutricorp is busy buying up supermarket chains, controlling the media, and financing the new compounds for the homeless: the Hope Villages.

Lita and Nick suspect little of the danger that awaits the unfortunate, until the outside world catches up with them – and Lita is forced to discover a strength she never knew she possessed.

Add to Goodreads

REVIEW

Hitting quite close to home as the main character Lita is a blogger who talks about fairly touchy subjects in a future dystopian UK that results in rather dire circumstances, Hope is a gripping psychological thriller. Its dystopian setting is one that has similar goals to those familiar with movies like The Purge, where the government schemes in their own way to thin out the non-working class which is seen as being a burden to the society and disposed of in whatever way possible. “Out of sight, out of mind” kind of deal. This dystopian future is always a nice topic to look at as it also refers to different events that has happened in our current day and age and how it has affected the future of the UK (such as Brexit). This setting opens up through the eyes of Lita about the levels of governmental control, its manipulation of technology, the lies and secrets as well as its schemes to push the non-working class or the poor/less fortunate to these camps called Hope Village in the middle of nowhere and working to live there for credits while having a lot of underlying issues that the three soon discover for themselves.

Separated into a few parts in the book quite cleverly, the situation of Lita and her two friends, Nick and Kendall end up in different locations as they move from one place to the next trying to maintain their bond and stay together as they view each other as family. Each location creates a new section of the story which gives it structure. In each phase, it moves from the struggle to stay afloat as things go sideways for each of them one by one and how it leads them to live in a Hope Village which makes them desperate for change and their actions to this puts them in a much worse situation.

Its these situations that also give Lita the hard times that give her character a lot of development. It shifts from each location from the honest blogger to a much more toned down version that treats situations a little smarter through her many losses throughout the story and shifts her character trajectory. While a few of these situations, from the reader’s view is quite easily predictable and doesn’t quite do any out of the left field. Its really the combination of all these events that make Hope quite an intriguing read.

The finesse of crafting  each of the characters and the hardships they encounter each lead to their own outcome. The setting of this dystopian future UK also is one that has lots of discover. It manages to touch on a lot of the different angles from the government motives to the characters reactions and how to face this situation and find their ways to uncover the secrets trying to be hidden. There’s also a little to think about this dystopian future as the society going backwards as these Hope Villages feel very similar to restrictive camps in history. As thrilling as this might be, where it falls short just a little is that it was fairly predictable and I like thrillers to be slightly more shocking. While I say that, there is no doubt a lot of really great writing and story execution done here. 

Goodreads: 4/5 

Where to Buy:

Amazon UK
Amazon
Universal Link

ABOUT THE AUTHOR

Terry Tyler

Terry Tyler is the author of nineteen books available from Amazon, the latest being ‘Hope’, a dystopian, psychological drama set in the UK, a decade into the future. She is currently at work on ‘Blackthorn’, a post-apocalyptic stand-alone story set in her fictional city of the same name. Proud to be independently published, Terry is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.

Terry is a Walking Dead addict, and has a great interest in history (particularly 14th-17th century), and sociological/cultural/anthropological stuff, generally. She loves South Park, Netflix, autumn and winter, and going for long walks in quiet places where there are lots of trees. She lives in the north east of England with her husband.

Twitter
Blog
Goodreads
Bookbub
Amazon UK
Amazon

GIVEAWAY

 Win 1 of 4 digital copies of Hope in format of choice

ENTER HERE

BLOG TOUR SCHEDULE

October 14th

Reads & Reels (Review) http://readsandreels.com
Just 4 My Books (Review) http://www.just4mybooks.wordpress.com
Lisette Brody (Guest Post) http://lisettebrodey.com/
Reviews and Promos by Nyx (Spotlight) https://nyxblogs.wordpress.com/

October 15th

Lunarian Press (Spotlight) https://www.lunarianpress.com/
Jessica Belmont (Review) https://jessicabelmont.wordpress.com/
Tommye Turner Talks (Review) http://tommyeturnertalks.com

October 16th

B is for Book Review (Interview) https://bforbookreview.wordpress.com
The Magic of Wor(l)ds (Review) http://themagicofworlds.wordpress.com
Books Teacup and Review (Spotlight) https://booksteacupnreviews.wordpress.com/

October 17th

LoopyLouLaura (Review) https://www.loopyloulaura.com/
Tranquil Dreams (Review) https://klling.wordpress.com/
Didi Oviatt (Spotlight) https://didioviatt.wordpress.com

October 18th

I’m All About Books (Review) https://imallaboubtbooks.com
The Faerie Review (Review) http://www.thefaeriereview.com
Crossroads Reviews (Spotlight) http://www.crossroadreviews.com

Blog Tour organized by:

R&R Button

R&R Book Tours

 

FNC 2019: Adoration (2019)

Adoration (2019)

Adoration

Director (and co-writer): Fabrice du Welz

Cast: Thomas Gioria, Fantine Harduin, Benoit Poelvoorde, Emmanuelle Beart, Beatrice Dalle, Laurent Lucas

Paul is a 12 year old boy who lives with his mother, a nurse working at a mental institution in the middle of a forest. While visiting his mother at the clinic, Paul crosses paths with Gloria, a schizophrenic teenager, and falls in love with her to the point that he decides to help her escape at all costs after she commits a crime. The pair embarks on a trip across the Ardennes woods which will reveal the extent of Gloria’s dangerous madness and Paul’s devotion to her. – Letterboxd

Some people say that our first loves are the deepest and most memorable. It certainly would apply to Adoration who sees a 12 year old boy, Paul’s fascination and infatuation with the latest resident, Gloria at the psychiatric clinic where his mother works. This story is mostly through the eyes of the main character Paul, played by young actor Thomas Gioria. Independent stories usually like to use the view of one character and it works very well as it keeps the story fairly straightforward while leaving it space for the unknown to happen. The audience learns with the leading character and is able to connect with their situation. In this case, Adoration does a rather good job.

Thomas Gioria does a fairly good job at bringing Paul to life the most subtle and quiet way. Paul is a shy boy who lives secluded from everyone and keeps to himself mostly so when a beautiful teenager Gloria (Fantine Harduin) literally bumps into him, its no surprise that he will be fascinated at not only someone around his age but also the questions of why she keeps trying to run away from the clinic which in his mind should be for her own good. However, Gloria is a convincing girl whether its because Paul chooses to believe her situation or maybe his attraction to her makes him feel the need to protect her but he follows through after she makes a huge “mistake” to run away. Its the journey to Gloria’s grandfather’s home and the time spent with these two characters and their increasingly toxic relationship. To be honest, Paul’s character is rather dialed down that while the movie is mostly seen through his point of view, its Gloria’s slow reveal of her psychological problems that become the shocking elements and simply how much she is able to keep Paul in her control while also having him also be somewhat of her anchor because of their reliance on each other.

Toxic relationships between these two teenagers are the heart of the film. Against some impressive musical pairing as well being able to start off the story in a fairly light-heart escape and the innocence of the characters (especially Paul) gives them room to grow on this journey of running away. The story ends rather abruptly but at the same time, leaves the audience room to ponder on  this relationship and where it can take them especially as they are just teenagers and dealing with some rather extreme situations especially as Gloria seemingly does fluctuate between the good and bad days simply with triggers. The ending is a bit of the headscratcher but its easy to see how its deliberately meant to be that way because it doesn’t quite matter where these two go but rather what Paul chooses despite now understanding the situation that he’s in.

Adoration is a teenage runaway story essentially. Is it completely expected what they go through? Probably not. Is it hard to imagine that Gloria was “lying” to Paul about her situation? She technically wasn’t because in her mind, this is all real. Despite its predictable elements, the setting on the forest and wilderness and having the different strangers that they meet on the path as well as the way Gloria’s character peels away in all its layers of mental illness is done with a lot of detail and care. For a young actress like Fantine Harduin, it is one outstanding performance that is well worth a watch.

Adoration has one more screening during Festival du Nouveau Cinema on October 20th at 4pm at Cineplex Odeon Quartier – Salle 10. You can find more info HERE.