Double Feature: Deadly Detention (2017) & Downrange (2017)

Time to move into D double feature! Two incredibly random choices on my lists on Netflix and Shudder respectively. The first is currently on Netflix Canada called Deadly Detention. I’m not going to lie that I picked it initially because it looked like one that I didn’t have to spend too much energy to watch, which usually doesn’t bode well in past experience. The second is a Shudder exclusive called Downrange. Let’s check it out!

Deadly Detention (2017)

Deadly Detention

Director: Blair Hayes

Cast: Alex Frnka, Sarah Davenport, Henry Zaga, Coy Stewart, Jennifer Robyn Jacobs, Gillian Vigman, Kevin Blake

Five high school students are having Saturday detention in a former Correctional Facility, and must find a way to outsmart an unseen menace out to kill them. – IMDB

Deadly Detention is something of a Saw mashed with Escape Room kind of deal. A lot of things don’t make sense, especially right from the beginning to why the school picked their backup detention hall in a former correctional facility to the generic character structure that might be trying to draw some parallels to The Breakfast Club. This teen horror movie leaves a lot to be desired and that’s coming from me that had pretty low expectations going in to begin with. The characters aren’t appealing and honestly doesn’t really make you want to cheer for any of them. While the “big twist” reveal is meant to be shocking and the facts of why the “killer” does all this and how they get them all in this location is explained, its all stemmed from something that is merely mentioned so slightly.  At the end of the day, even the ending is something of a let-down even if it also tries to pull a clever little turn of events.

There’s so many things wrong with Deadly Detention from bad decisions from the characters to unsatisfying character developments to incredibly bad dialogue and a lot of overacting in most of the cast. Its not one that I’d recommend and honestly, it was something of a waste of time. I don’t say that about movies a lot but this one is very unsatisfying and rather annoying to watch and even for myself, who has a great ability to suspend reality found the scenario just too contrived and convoluted that it made everything very predictable and linear as well. If there was one thing that was good about this, its probably the role of detention monitor played by Gillian Vigman that actually seemed to fit her character well but her character isn’t really on screen a lot.

Downrange (2017)

Downrange

Director (and co-writer): Ryuhei Kitamura

Cast: Kelly Connaire, Stephanie Pearson, Rod Hernandez, Anthony Kirlew, Alexa Yeames, Jason Tobias, Aion Boyd

Stranded at the side of the road after a tire blowout, a group of friends become targets for an enigmatic sniper. – IMDB

The best way to describe Downrange is that its something of a hidden gem. Shudder acquires some really great movies and its been getting some good exclusives as well. Downrange is a 2017 horror thriller and while there are some issues here and there and some obvious issues with visuals, probably due to budget, with what they had, this was done pretty well.

One of the best things about movies like this is its setting. Its secluded and well-targeted. They are hunted by an unknown factor simply chosen by chance and coincidence that they passed in that stretch of road who wields a sniper rifle hidden in an unknown location. The unknowns give the hunter advantage especially when the point of view is mostly placed on the stranded friends. While each of the stranded friends have their own stories, they don’t let their own personal issues drag out too long but rather uses it to build up their character traits and even the physical and mental strength that they have with each decision that they make in the process of being hunted and the plans they attempt to try to survive and escape.

Its a well-paced execution and full of gripping moments. The intense situation is not only a pressing matter of survival with water and food dwindling under the intense heat and the secluded desert road. Its definitely the constant coincidence structured in horror movies to have someone very saavy on survival and guns to be a part of the crew but the group isn’t all useless. These characters want to survive and while they begin scared, they all find their will to survive and work together to figure out the best way to escape. They make some suitably clever choices albeit some more understandably risky ones. Downrange is a pretty decent horror thriller. It delivered both the horror and thriller elements pretty well and is an engaging watch. Its always nice to find hidden gems and this one might not be perfect but its definitely worth a watch.

That’s it for this D double feature!
Two very similar cast set-up but with two different opinions!
Have you seen Deadly Detention and/or Downrange?

Double Feature: The Changeling (1980) & Catcalls (2017)

Next double feature up is the C double feature! Its a bit of a Shudder double feature as I finally watch 1980’s The Changeling and then also pair it with a 2017 short film Catcalls!  Let’s check it out!

The Changeling (1980)

The Changeling

Director: Peter Medak

Cast: George C. Scott, Trish Van Devere, Melvyn Douglas, Jean Marsh, John Colicos, Barry Morse, Madeleine Sherwood

A man staying at a secluded historical mansion finds himself being haunted by the presence of a spectre. – IMDB

The 80s was a great time for horror movies. We talk a lot about slashers in that era among the many other releases and yet, The Changeling as a ghost story was honestly a treat. There are some elements here that is executed really well. While it might be the whole set-up or the more mystery thriller element that takes its priority as the story tries to find out why its being haunted and who it is haunted by, there are some moments that truly take a very basic element that we still see in horror films nowadays and its finding the perfect way of acting it out that adds so much to the scene. One of the best examples is when they are channeling the ghost. We see this a lot in current films and yet they never were quite creepy as this one. The only other time this round table spirit summoning ceremony crept me out was a few years back when I was playing Until Dawn.

The Changeling is a pretty decent haunted house film. Its location is quite good. The house is huge and it manages to use all those different elements of space and echo to create the atmosphere. Its all done really well and actually lands a lot of the suspense and unsettling feeling throughout the film. Its not exactly perfect. There are some small pacing issues but at the same time, the story is executed pretty well. There’s a good balance of mystery and horror and the acting is fairly decent as well.

Catcalls (short, 2017)

Catcalls

Director (and writer): Kate Dolan

Cast: Martin O’Sullivan, Cesca Saunders, Edel Murphy, Sarah Kinlen, Desmond Eastwood

A man cruises around late at night looking for something. He pulls in to ask two young girls for directions – only to flash them to get a cheap thrill. Unfortunately, he has picked the wrong girls. They are also out hunting tonight and they will stop at nothing to get their kill. – IMDB

Its rare that I’d review short films outside out of special requests or film festivals but Catcalls is a unique title that I watched randomly on Shudder, plus anything to do with cats always intrigues me. Catcalls is one that I definitely liked quite a bit. Running at 9 minutes, the story is really great. It takes on a literal term of catcalls towards ladies and merges it with cats to make it all blend together. The imagination and direction is awesomely clever. What makes it even better is that it keeps the suspense of whats going on mostly off-screen or never focuses on the effects of the actual horror elements, giving it this suspense and slowly reveals it bit by bit.

Catcalls is a fun short to watch. Its imaginative and executed well. The whole story works on a lot of levels and definitely one that I highly recommend.

That’s it for this C double feature!
Have you seen these two films? Thoughts?

Double Feature: Black Mountain Side (2014) & Berlin Syndrome (2017)

Time for the next Double Feature! We’re moving right along with the B selections. The first is a Shudder pick, Black Mountain Side and the second is a movie currently on Netflix called Berlin Syndrome! Let’s check it out!

Black Mountain Side (2014)

Black Mountain Side

Director (and writer): Nick Szostakiwskyj

Cast: Shane Twerdun, Michael Dickson, Carl Toftfelt, Marc Anthony Williams, Andrew Moxham, Timothy Lyle, Steve Bradley

At a cold, desolate, northmost outpost in Canada, an archaeological discovery is made. A specialist arrives Nov. 1. Strange things happen. All contact with the outside world is down. – IMDB

Black Mountain Side is a slow burn indie horror film. I think its important to grasp all those elements because the first half is one that is slow and quiet. The setting itself in the Canadian North makes it a unique setting to say the least. The first part does a good job and laying out the land of how communication and its cast of characters are all there and their purpose in this archaeological dig site and the outpost itself. Paced by its calendar execution in chronological order of what happens on what day and how much time has past is a decent way to give a sense of progress.

At the same time, the lay of the land itself and the things that happen does get intriguing once actual things start snowballing and the pacing picks up a little more. Thing is, it does feel like there’s not enough that happens in the first half to have the second half make up for it. Its not only that issue but also the fact that it doesn’t use its isolated landscape or give each of  the character’s dig site as a decent area to create more suspense. The suspense is mostly in the unknown. While that does create a lot of questions, its ending relates heavily to a better executed film recently with a similar premise, The Ritual.

That’s not to the say, the premise here doesn’t have potential. Its mostly execution issues that becomes most of its downfall. Its a very slow-burn film overall, and takes patience to get through the first part without a lot of things happening and just building up foundation and setting up the scene to have a better quarter and the ending is also not exactly one that I’m quite fond of (although I won’t talk about it too much to avoid spoilers). Its sad because the Canada’s Great North has a lot to offer as a setting and its a shame that its not used more.

Berlin Syndrome (2017)

Berlin Syndrome

Director: Cate Shortland

Cast: Teresa Palmer, Max Riemelt, Matthias Habich, Emma Bading, Elmira Bahrami, Christoph Franken

A passionate holiday romance leads to an obsessive relationship, when an Australian photojournalist wakes one morning in a Berlin apartment and is unable to leave. – IMDB

While Berlin Syndrome’s premise isn’t exactly groundbreaking, what it does is execute a good abduction thriller. Berlin Syndrome tells the cautionary tale of an Australian young woman who travels to Berlin and ends up having a holiday romance with a young man who ends up abducting her and trapping her in his apartment to keep her by his side. It manages to balance a good level of obsessive romance, fear and danger as well as dependence and some deeper psychological thriller elements.

One of the best elements in Berlin Syndrome is in its characters and of course, the two leads that take on the respective roles. Teresa Palmer takes on a great role as the female lead and possibly the first time that I’ve seen her act in her native accent and not an American accent. Its rather refreshing plus, her character as Clare is not a damsel in distress but full of survival. Even when it feels like she is stepping down from conflict in the situation, she is always quietly looking for the next step and adapting to her situation. Her character has a bit of complexity. Just like Max Riemelt as Andi who plays the abductor and obsessive lover who wants to keep her there and yet his character is full of psychological elements to consider as more is revealed, there is a depth to his character and why he does it as well as his dependence on the relationship even with his priorities in life outside of his secret life of having an abducted girl at his home which shows the different sides of him with family and his job and the mental struggles he may be having to keep his life in control.

Berlin Syndrome is a pleasant surprise. Its always great to find movies like this kind of hidden gem that gets tucked away. It was packed a good balance from great execution to the rather one location element and the abduction as well as the relationship dynamic and changes from the start to finish between Clare and Andi as well as the characters development. All done really well and well worth a watch if you haven’t seen it yet.

That’s it for this B double feature!
Have you seen these two films? Thoughts?

Blog Tour: Double Barrel Horror #3 (Review)

Welcome to the blog tour for Double Barrel Horror Volume #3, a collection of thrills and chills by six amazing authors! Hold onto your pants folks!

Double Barrel Horror Vol. 3
By: Matthew Weber, Christine Morgan, Mark Matthews, Theresa Braun, Calvin Demmer, Glenn Rolfe, Robert Essig

double barrel horror vol. 3

Publication Date: March 22nd, 2020
Genre: Anthology/Horror/Suspense

Synopsis

Brace yourself for another two-barrel blast of unrelenting horror and suspense. Volume 3 of the ‘Double Barrel Horror’ anthology series delivers two chilling tales from each of six talented authors for a 12-story onslaught that will blow you out of your sneakers. This time around, your fate lies in the hands of Christine Morgan, Mark Matthews, Theresa Braun, Calvin Demmer, Glenn Rolfe, and Robert Essig

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Authors

Matthew Weber

Christine Morgan

Mark Matthews

Theresa Braun

Calvin Demmer

Glenn Rolfe

Robert Essig

Review

While I haven’t read any of the previous two volumes of Double Barrel Horror anthologies, Volume 3 is structured by its authors and their two stories each. For each of the author, it shows off their writing style and sometimes, even a little correlation in detail from one story to the next. Each of these stories are different in their premise and also have their own uniqueness and creativity. Its fairly imaginative and each one has their own twist. As with all kinds of anthologies, they usually have stories that will more and others that in contrast appeal a little less. Its rather nice to say that most of these stories all appeal rather well and it has to do with its variety and the different style that each author chooses while writing their horror stories.

Its never been my forte to review anthologies and I won’t go through each of these stories as there are twelve of them and its more important to highlight the authors and the stories and even the double feature story that hit the mark the best for my own preference. Christine Morgan starts off the anthology with Eye See You in a remarkable way. The descriptive and visual portrayal in Robert Essig’s From Unclean Spells is outstanding. At the same time, Mark Matthews, Theresa Braun, Calvin Demmer and Glenn Rolfe all present some fun double features. Among them, Glenn Rolfe definitely ends on a high with two awesome stories called The Guide and The House on Mayflower Street that definitely was a major highlight and two very strong entries. Different in their horror genre but both equally entertaining. Although, one of the more memorable reads did go to Theresa Braun’s Stillborn which had some chilling elements. Same goes for Mark Matthews two stories, Wicked Smart Carnie and Goodwin that also stood out a lot as well.

Overall, Double Barrel Horror Volume 3’s stories all have their flair but for myself, some definitely land better than others. Luckily, they definitely almost all land in one way or another with the minority that are a little less memorable. Plus, they also have the perk of introducing previously unknown authors (to myself).

Score: 4/5

Purchase Link: Amazon

Blog Tour Schedule

May 11th

Reads & Reels (Spotlight) http://readsandreels.com
Kim Knight (Spotlight) http://kimknightauthor.wordpress.com
Literary Dust (Review) https://literarydust.wordpress.com/

May 12th

Breakeven Books (Spotlight) https://breakevenbooks.com
The Scary Reviews (Review) https://thescaryreviews.com
Cats Luv Coffee (Spotlight) https://catsluvcoffeez.blogspot.com

May 13th

Entertainingly Nerdy (Spotlight) https://www.entertaininglynerdy.com
The Faerie Review (Spotlight) http://www.thefaeriereview.com
Book Dragons Not Worms (Spotlight) https://bookdragonsnotworms.blogspot.com/?m=1

May 14th

Dark Whimsical Art (Spotlight) https://www.darkwhimsicalart.com/blogs/news
Didi Oviatt (Review) https://didioviatt.wordpress.com
Books Teacup & Reviews (Spotlight) https://booksteacupnreviews.wordpress.com/

May 15th

I Smell Sheep (Spotlight) http://www.ismellsheep.com/
Jessica Belmont (Review) https://jessicabelmont.wordpress.com/
Banshee Irish Horror Blog (Review) www.bansheeirishhorrorblog.com
Tranquil Dreams (Review) https://klling.wordpress.com

Blog Tour Organized By:

R&R Button

R&R Book Tours

Double Feature: A.M.I. (2019) & Albion: The Enchanted Stallion (2016)

Next Double Feature is here! Its been a while since I’ve gone on an alphabet double feature! This time, I’m going to try to work through both Netflix and Shudder titles for the pairing as much as possible. Its a decision that I made after the A selections though so here we are! A selection starts with 2019 horror film A.M.I. and then followed by 2016’s indie fantasy-adventure film Albion: The Enchanted Stallion. Let’s check it out!

A.M.I. (2019)

A.M.I.

Director (and co-writer): Rusty Nixon

Cast: Debs Howard, Philip Granger, Bonnie Hay, Sam Robert Muik, Veronica Hampson, Havana Guppy

A seventeen year old girl forms a co-dependent relationship with an artificial intelligence on her phone and goes on a murderous rampage. – IMDB

Movies based on AI and possibly corrupted or misused technology is definitely been on the rise. We did recently watch Child’s Play remake (review) and then there’s been a few short films screened at film festivals that had that sort of concept as well. A.M.I. plays with that concept where the AI becomes the mother figure anchor for Cassie, who loses her mother and can’t seem to see eye to eye with her father, grows distant with her friends (who aren’t all that great) and then a scumbag of a boyfriend. With all these factors, A.M.I. turns into her “person” and eventually becomes the manipulating force that drives her to start killing all those that have wronged her.

The story and premise, while not entirely fresh, has a decent foundation. The only issue is that the film is filled with really bad characters. Bad in the sense that they are truly bad people with some really warped sense of friendship, love, relationships, etc. As Cassie breaks down from seeing everyone’s true personality, her character is supposed to have some kind of pity, I suppose but then, the story never gives enough to make her feel that way and instead brings her straight into this rampage that she goes on. The characters here are built so incredibly thin and so unwelcoming that its hard to side with any of them and care about what happens to them either. A part of that might have to do with some overacting on all parts and some ridiculous dialogue.

A.M.I. has a lot of issues that hides the fact that the premise itself wasn’t a bad one and has some creepy parts but the tone it chooses and the characters it uses during this makes it actually a rather funny movie. Perhaps if it didn’t feel like it took itself that seriously, it would have been a fun little movie romp to have a good laugh at some of the ridiculous bits that happen.

Albion: The Enchanted Stallion (2016)

Albion: The Enchanted Stallion

Director (and co-writer): Castille Landon

Cast: Avery Arendes, Stephen Dorff, Castille Landon, Daniel Sharman, John Cleese, Liam McIntyre, Jennifer Morrison

A twelve-year-old girl is transported by a magical black stallion to the mystical world of ALBION, where she discovers that she alone is the key to saving an entire race of people. – IMDB

Albion: The Enchanted Stallion is a fun little fantasy adventure. There’s a lot of creativity here and introduces a new fantasy world that the young girl enters unknowingly on the back of a stallion that she tends to. In this world, she learns that its not all coincidence and yet has something linked to herself and it gives her the courage and bravery to do the right thing and help her newfound friends in saving the people in this magical world called Albion.

Albion is a world split between the good and bad. There are people fighting to regain the balance that once was despite its perils and challenges. Evie is brought into this world and almost doesn’t believe that things that she experiences and tries to find a way back. Its a fun world to say the least. Plus, each of the characters that she meets is rather entertaining as well. They run into their own dangers and while some of the characters could have a little more depth, this is something of a family film (although there are some rather disgusting bits), it satisfies the adventurous tale that it wants to tell. Everyone’s character whether good or bad has its own standout moments. Special mention to Jennifer Morrison who plays The Abbess and her part is absolutely awesome.

Albion: The Enchanted Stallion has its little issues here and there but it executes itself pretty well and its a harmless little film that packs in a lot of fun dialogue and banter and also brings in some colorful characters. I’d definitely say that its something of a hidden gem and a pleasant surprise in the landscape of family fantasy adventure films.

That’s it for the A title double feature!
Have you seen these movies? Thoughts?

Double Feature: 31 (2016) & Justice League (2017)

Time for the next Double Feature! This time is a bit of a random combination as I take a look at 2017’s DC superhero film Justice League and Shudder exclusive horror film 31. Two movies that has been on my to-watch list for a little while but always a bit hesitant on it. Let’s check it out!

31 (2016)

31

Director (and writer): Rob Zombie

Cast: Sheri Moon Zombie, Jeff Daniel Phillips, Lawrence Hilton-Jacobs, Meg Foster, Kevin Jackson, Malcolm McDowell, Jane Carr, Judy Geeson, Richard Brake, Pancho Moler, David Ury, Lew Temple, Torsten Voges, Elizabeth Daily

Five carnival workers are kidnapped and held hostage in an abandoned, hellish compound where they are forced to participate in a violent game, the goal of which is to survive twelve hours against a gang of sadistic clowns. – IMDB

When we think about Rob Zombie movies, I’m fairly certain that’s a hit or miss deal, just like how we’d think about his version of Halloween brings up a lot of debate. With that said, 31 probably will fall in that same area. 31 is something of a Saw mixed with escape room deal. It takes a group of 5 carnival workers who get kidnapped into this sadistic game to survive 12 hours. This game that has never had survivors before suddenly is met with these five who turn out to be tougher than expected and take down these different sadistic clowns one after under. While their numbers also dwindle gradually, the game itself and the whole concept is done pretty well.

However, there are some serious execution issues that doesn’t quite strike a balance with its quick pacing. Usually with movies like this and ideal movie length, its hard to be very critical of its execution as it usually keeps the characters on their toes and becomes an exciting watch. Don’t get me wrong – it is a fun and rather intense watch. Each of these killer clowns also have their own unique qualities that give them their own edge. It all dials down to how these five taking down these clowns in a fairly swift manner actually brings in this element that these clowns aren’t on screen long enough to feel like they are deadly. It becomes obvious that the main showstopper is the first one that is in the opening scene, Doom-Head (Richard Brake) who does a stellar job and makes us wonder whether the film’s end game giving him the most depth and focus actually should have just been this sole much more capable threat than adding so much more.

To be fair, the five carnival workers is a good balance as well. They each have their own value in the group and its pretty fair game as they find their way to survive together and move on as they lose their own group one by one. Leading all this is tough chick, Charly, played by Sheri Moon Zombie who is no doubt meant to be the highlight of the film. She does a pretty good job at being the “final girl” candidate and in all reality, my only thought of question in a much more unimportant and random thought is how her little outfit stayed together through all the fighting, running and hiding.

31 is an okay movie. There are some issues with it and yet, there’s also some entertaining elements to it as well. Its ending a little questionable and will probably be debatable on who will like it and who won’t depending on how you like your movies to end.

Justice League (2016)

justice league

Director: Zack Snyder

Cast: Ben Affleck, Henry  Cavill, Amy Adams, Gal Gadot, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Diane Lane, Connie Nielsen, J.K. Simmons, Ciaran Hinds, Amber Heard

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his new-found ally, Diana Prince, to face an even greater enemy. – IMDB

DC Universe is still one that I’m catching up to gradually. Its been spotty at best to catch onto especially with Marvel Cinematic Universe’s earlier domination. However, the effort is there plus, I’m a fan of Gal Gadot played by Wonder Woman so why not, right? Thing is Justice League is like your typical superhero movie. Its nothing too different from what you’d expect and its hard to not compare it to something like The Avengers who had a lot of success when it first launched. Sure, its a different universe but then the story superhero movies do tell is about the same, seeing as I’m not a comic book fan so my focus on watching these films is more about enjoyment than all the background lore that I know nothing about from its source material.

With all that said, Justice League actually was a pleasant surprise. Its 2 hour run time is filled pretty well. There is a good balance between the characters and their purpose in the storyline as a whole. There is a suitable amount of banter between its characters to keep it entertaining. Ezra Miller’s The Flash actually is a big highlight which takes over a little of a the Spider-Man appeal where its a lot of fanboy over the other superheroes but keeping him a good back-up support when things get dicey. The dynamic between the group also works fairly well. Considering that I hated the pacing of Batman vs. Superman and has since forgotten most of it, Justice League has much better pacing.

Like what I’ve been saying about the last few DC movies (except for Wonder Woman that really does stand out more, in my opinion), these superhero movies have their fun blockbuster elements. The villain is acceptable. Its a tad lengthy (like most superhero movies in whichever universe) and its execution sometimes is okay. but the overall experience is alright. It might be the over-saturated superhero market and its rather formulaic plot execution that has somehow desensitized the initial excitement of these films. DC movies seem to struggle to grab the element that makes them stand out more and each story more memorable. Its a good first time viewing but its hard to say whether I’d be going back to watch it again.

That’s it for this double feature!
Some pleasant surprises but still have some disappointing elements for both films!
Have you seen 31 and/or Justice League? Thoughts?

Double Feature: Hell House LLC II:The Abaddon Hotel (2018) & Hell House LLC III: Lake of Fire (2019)

Wrapping up the Hell House LLC franchise from the first movie’s review HERE, its time to look at the remaining two movies. Let’s check it out!

Hell House LLC II: The Abaddon Hotel (2018)

hell house LLC II

Director (and writer): Stephen Cognetti

Cast:  Vasile Flutur, Jillian Geurts, Joy Shatz, Dustin Austen, Brian David Tracy, Kyle Inglemen, Amanda K. Morales, Laura Frenzer, Danny Bellini

It’s been eight years since the opening night tragedy of Hell House, LLC and still many unanswered questions remain. Thanks to an anonymous tip, investigative journalist Jessica Fox is convinced that key evidence is hidden inside the abandoned Abaddon Hotel-evidence that will shed light on the hotel’s mysteries. She assembles a team equally hungry for answers with one goal: break into the hotel and discover the truth. – IMDB

I’m going to be honest here and say that after watching Hell House LLC, it never seemed like it needed a sequel or that a sequel would be in the picture. Of course, it did leave some space to explore the whole Abaddon Hotel mystery a little further. Hell House LLC 2 is supposed to be just that. It takes up the same found footage concept. This time, its years later and this anonymous tip sets this new crew on a search to find some answers. Suffice to say that things get a little out of hand, or else there wouldn’t be a movie to watch.

Thing is, Hell House LLC 2 is about The Abaddon Hotel and yet, the story itself seems like it gets lost in its story a little and what it wants to tell. While the haunted house element pays a lot of tribute back to its original and it tries to dig a little deeper into the history of it again, the story is not quite as unique as its first one. A lot of elements are very predictable and it doesn’t have the same effect of making this work out quite the same way as this group goes in with something of a paranormal investigation mindset. There’s a little more paranormal and less of the atmosphere building that gives it what it originally shone in the first one.

Overall, Hell House LLC 2 felt a tad unnecessary. It does try to add more context to the Hell House LLC haunted house deal and who is behind the situation that went down in the first movie and does add to the story. Its execution, however, is where it falls short. The movie starts off relatively okay as the crew groups together and they break into Abaddon Hotel but the further it goes along, the movie loses a bit of steam up to this ending with a rather annoying monologue bit.

Hell House LLC III: Lake of Fire (2019)

hell house llc 3

Director (and writer): Stephen Cognetti

Cast: Elizabeth Vermilyea, Sam Kazzi, Theodore Bouloukos, Brian David Tracy, Brigid Abrams, Leo Defriend, Jordan Kaplan, Danny Bellini, Gabriel Chytry

The Abaddon Hotel will once again be open to the public. Russell Wynn has taken his audience-interactive show, Insomnia, into the abandoned hotel that is rumored to be haunted. – IMDB

Right after we talk about how unnecessary Hell House LLC 2 was, this series ends on the third movie, Hell House LLC: Lake of Fire. Lake of Fire was talked about in the second movie and here we see something of a first movie rehash as they try to rebuild the haunted house. The movie itself tries to pull the first and second movie together and then propels itself to an ending that wraps up the whole ordeal. There’s a lot of cuts that go back to those previous films as they go through the haunted house parts and draws parallels to the original and first sequel.

Its hard to tell whether its the pacing or the constant flashbacks or parallels drawn that make this film feel slow and rather boring. As the movie progresses, despite its shortcomings, it does add to bring in the “lake of fire” idea to the whole story and what makes it work especially when the haunted house experience is open the public. Its not hard to imagine what will be the result but how it all happens is on one hand cool in certain areas especially in this one area with the white corridor and adding in those creepy elements that link all three movies together actually work really well but then there are some shots that are cool in execution like using the camera on a turn table or display case or something that works out really well but at the same time, the believability of that scene has some flaws.

One of the better elements of this movie is how it chooses to wrap up the series to makes it more grounded and has some kind of conclusion. The ending ending itself is pretty clever. It sounds bad to say that the ending is the best part but the ending itself is structured to give the whole Hell House LLC something of an answer to what happened and why this is happening and how it all finds some kind of ending. Horror movies nowadays refer on the cliffhanger ending so they can have the “what happens next?” but with this third movie, Hell House LLC feels like its wrapped up and done and while I think it would have ended at the first movie at its strongest leaving some questions unanswered, somehow the ending of the third movie was good to have those answers as well.

Overall of the franchise: While Hell House LLC is strongest at its first movie, the haunted house and the whole location and lore that it brings is pretty solid. The execution in the second and third leaves a lot to be desired for the most part but the base story and what it tries to tell is still there.

That’s it for this double feature!
We wrapped up another horror franchise!
Have you seen the Hell House LLC movies? Thoughts?