TADFF 2019: Canadian Shorts After Dark

Toronto After Dark Film Festival

Imagine a World (2019)

Imagine A World

Director (and writer): Joanna Tsanis

Cast: Gina O. James, Tevin Wolfe, Rob Notman

Imagine A World tells the story of a brother and sister who lets in a door to door salesman hoping to offer them a plan for a new internet and phone service much faster than the current on they have to find that he will not take no for an answer.

Imagine A World works in a few folds. The first is the horror which is set on the mysterious salesman who is very persistent. While he does feel a bit bizarre through the whole conversation, which will be revealed to be within reason, the horror it brings is of letting in a stranger into too much of the personal information and letting them into the house and the disadvantage of overinformation as a cautionary tale. At the same time, the other side of the spectrum works as to how technology has powered a good part of our life and the necessity of it even the neglect of the importance of having a functional phone signal in a world where actual communication is neglected in the majority of the other non-urgent parts of our lives. Packed with some gory bits and a rather psychological atmospheric build-up, Imagine A World works to help build a tense situation of having a stranger and their persistence being the central focus of giving a sense of fear and possible danger noticed a little too late.

Plainsong (Melopée) (2019)

Plainsong

Director: Alexis Fortier-Gauthier

Cast: Antoine DesRochers, Rosalie Fortier, Antoine L’Ecuyer

Plainsong, originally titles Melopée, is a French-Canadian short film about three friends who go out to a beach house to celebrate St. Jean Baptiste Day when one of them summons a sea creature with a song.

Plainsong is done really well. It goes for about 16 minutes long and pads out quite a decent bit of intrigue although in the heart of French-Canadian cinema also adds in some romance which doesn’t end up having much drama. The short actually works really well and executes its suspense very well probably until the creature reveal which probably could have been done with better poise with a better budget and that ruins the illusion a little. However, using sound as a trigger and having one of the three friends being deaf is a rather common blend as there’s one person that is rather unsure about what is going on while the other one will be disturbed a little more. What does carry here and makes it work is the atmosphere that it gives. For its length, its a little less straightforward than it should be but then, if this were to be expanded into a full feature, this would be a nice concept short film to show an idea that could very well work with much more time to explore these three friends and the sea creature that is summoned. As a short, it lacks a little on both ends whether its the romantic bit or the creature feature bit. A lot of good elements here but put together, its a bit fragmented making the story less effective than it could be.

Moment (2019)

Moment

Director (and writer): Geoffrey Uloth

Cast: Emelia Hellman, Patrick Abellard, Dayane Ntibarikure, Jonathan Bedard, Allan Chou, Jonathan Silver

Moment is about a homeless girl, Charli who is attacked by three masked hoodlums on her way home from a Halloween party when two masked superheroes stop time and help her devise a plan when she wakes up to save herself.

Moment is a spectacular little short. Running at over 20 minutes (which a rarity in shorts that I’ve seen before), this one shows off a fantastic story. Charli is a young adult who lives on the streets with her boyfriend. She’s plays music to pass the time and yet, there’s a hint of the life that she’s left behind and how she struggles with it. Its her own story in this short as she takes the moment in her own hands and saves herself. Not only is it a story about her but its a fun little idea with superheroes that can stop time but can’t change anything, making them break the illusion of the all-powerful, can do everything sort of superhero but one that is honestly there to help but everything still remains in her hands to work with what the moment presents to her. There’s a subtext of what could happen as a follow-up as she also takes that one moment to reflect on the different parts of her life. Moment is a fantastic short and done so very well.

Alaska (2019)

Alaska

Director: Gwynne Phillips, Briana Templeton, Chris Wilson

Cast: Chris Wilson, Gwynne Phillips, Briana Templeton, Paul Beer, Sharjil Rasool, Chris Sandiford

Alaska is a horror comedy about a couple arriving to their friend’s dinner party late and due to his suspicion of being disliked, starts to believe that he is being poisoned.

The charm and stellar points of this short has to go to its script. Although by the last thing before its reveal, its quite obvious what it wants to do, there is such a charm to how dangerous our minds can be especially when one choice can cause everything to spiral out of control. There is also a good group of characters here which are alright and they work well enough, some more deliberately fillers as a means to an end. Still, a fun little short set in Alaska which remembers to bring it into the equation.

No One Will Believe You (2019)

No One Will Ever Believe You

Director (and writer): Frédéric Chalté

Cast: Mandy St-Jacques Turpin, Emilie Lovitt, Maryline Chery

Most kids believed that they had monsters under their bed at one point or another (or in their closet). No One Will Ever Believe You is a horror short that tells the story of a sister who wants to scare her sister on Halloween and when she prepares for it, she notices that there is a monster under the bed planning the same thing.

There’s always this haunting element to using childhood beliefs as the catalyst of any horror event. With this one, the monster under the bed and the whole atmosphere behind it was done really well. Its not that we haven’t quite seen but as something from a third perspective of one character watching another, the whole idea behind it works. Its a bit cheesy at bits and the final part with that one final line was where it breaks the immersion as its not completely necessary. Some things are better left to the audience to deduct which would have given it a much more powerful ending.

Best Friends Forever (2019)

Best Friends Forever

Director: Emily Gagne & Josh Korngut

Cast: Michelle Coburn, Addison Holley, Katelyn Wells, Nicole Samantha Huff, Jen Pogue

Best Friends Forever is a horror short set in 1996 with a group of girls telling the story of Nancy, an outcast in 1970s that was tricked at a party and is now a vengeful spirit haunting teenage girls to find a friend, anyone who lets her into the house. While they were trying to use it as a prank on their friends, it turns out that Nancy actually does exist.

Using legends that come true is rather normal to see in horror stories. Best Friends Forever plays on this with some familiar premise and gathers up a group of girls who share different characteristics. Although this is a short so it quite expands on these characters but it does take the time to give them all different murders each time and keeps it fairly off-screen which also keeps the appearance of Nancy a secret and keeps her appearances rather creepy. They use a tint of neon pink throughout which contrasts well with the dark atmosphere. Best Friends Forever isn’t quite unique but then a lot of its execution is pretty good.

TADFF 2019: International Shorts After Dark

Toronto After Dark Film Festival

Compiled as 8 short films from various international locations, a few of them from the USA and screened as the International Shorts After Dark, here are 6 of the 8 shorts reviewed. One of them called Bar Fight was paired with a feature during Fantasia Festival in July so the review is linked at the bottom.

Maggie May (2018)

Maggie May

Director (and writer): Mia Kate Russell

Cast: Lulu McClatchy, Katrina Mathers, Sophia Davey, Ditch Davey, Don Bridges

Maggie May is about a sister who stays back to help out after their mother dies to end up in an accident which leaves her dying but her sister Maggie May simply ignores it. Sometimes, the scariest thing is not what someone does but in some situations, what someone doesn’t do. That is what powers the horror and unsettling feeling in Maggie May.

While the short itself is done fairly well, there’s this over exaggeration (perhaps deliberate) of the character of Maggie May and that makes it too over the top to make it feel as horrifying and more just a loathing in general to watch. What does work for the concept itself is the whole idea of passivity being more dangerous than the other way around in some cases. However, what does balance it out is the whole process of dying with the sister and the both the psychological and physical changes that she goes through hoping for help but also noticing the pieces around her fading away.  There’s a decent amount of blood and gore that somehow balance with the psychological elements of the whole story and pulls through a fairly effectively little short.

Puzzle (2019)

Director: Vincenzo Aiello

Cast: Marie Wyler

In a fairly concise story, Puzzle is a rather creepy one as it is based on the premise of a woman finding puzzle pieces around her home. As she pieces them together, it reveals something frightening. This one is very well-executed. It keeps its setting confined in a room mostly while using the puzzle pieces to each lead to the next one and it having the final unveil of what and possible who is responsible and yet, it still manages to keep some mysteries, mostly because its less than 5 minutes and the ability to craft something rather unnerving is already very impressive.

Eject (2019)

Eject

Director (and writer): David Yorke

Cast: Elena Saurel

Eject is about a woman that finds her arm has a USB port and proceeds to plug it in and ends up in another place where she can sort through files of her life. There are some fairly horror elements here and yet, characters finding too good to be true situations and using it to their advantage is not a new concept although this one for being a short did leave a fairly precious deeper message (in my mind but I might be overthinking) about the impossibilities of casting everything bad out of life as that isn’t reality. Its the mechanics of how this dimension works that becomes the mystery and the horror all wrapped up together. Its not a long short, less than 10 minutes and yet, long dark tunnels and empty room with a cabinet and a mysterious door leading to who knows is the unknown factors that add to this short film.

La Noria (2019)

La Noria

Director (and writer): Carlos Baena

La Noria is a Spanish animated short with no dialogue about a grieving boy who sees creatures in his attic who ends up showing him compassion.

La Noria is possibly the best short so far in all of the shorts shown at the festival. The animation is absolutely brilliant. On a visual level, the color palette is beautiful. The creature designs are also incredibly creative. There’s something of a Christmas holidays setting but somehow its the tint of light that works here. What starts off as failing to put together a ferris wheel and remembering his father turns into an intense walk through  his home festering with all kinds of creatures, all different in their appearance and having their own characteristics but all takes a surprising turn of events to something very touching. This one shows off the concept of being able to deliver an effective story with the power of visuals and sound effects and score to give it all it needs. Even the ending credits are done fantastically.

The Haunted Swordsman (2019)

The Haunted Swordsman

Director: Kevin McTurk

Cast: Jason Scott Lee, James Hong, Franka Potente, Christopher Lloyd

In terms of uniqueness, The Haunted Swordsman is a short that definitely fills that criteria. Its a ghost story puppet film that takes a horror adventure following a samurai in a world of witches and creatures. Made with 36 inch tall bunraku puppets and in live action, The Haunted Swordsman is a lot of fun filled with sufficient amount of horror, fantasy and adventure.

The story itself is a lot of fun as it starts with a samurai on a quest with a severed head, The Navigator as his companion guide, whichever it is in search of the The Black Monk, voiced by Christopher Lloyd. The samurai being voiced by Jason Scott Lee and The Navigator voiced by James Hong. The score itself blends well with the samurai tale elements and for a puppet film, the action is incredibly on point. A lot of compliments go to the attention to detail given to the puppets and how great it all looks as well as the puppeteers who make it all come to life convincingly. Its definitely a realm well worth looking at. While this is a short animated film at about 15 minutes or so, the samurai is sent on a quest, giving this concept and story a lot of potential to explore further and hopefully, director Kevin McTurk will do just that in the future.

Place (2019)

Place

Director: Jason Gudasz

Cast: Emily Green, Nick Hurley, Stella Edwards, Emmanuelle Roumain, Willy Roberts

Place is a short about a couple the goes into their new home to find the electrician dead in a freak accident to find that something seems to also be inhabiting it.

Place is about a family adjusting to all the ghosts in the place. While the ghosts never quite reveal itself, it does take over the family one by one. It gives them a rather edgy character and each of them change in their own way as they each take on a different oddness to them, whether its their change in how they talk. A lot of it is rather deliberate and possibly in a fairly dark comedy sort of way. Each of them interact with it in a different form as well. The character changes are a bit abrupt for a short, it needs to be paced fairly quickly. However, the daughter in here does bring in those little details of giving out clues of what legends are in the equation, inhabiting their place. Place is quite odd but then its meant to be that way with those little details which adds to the story plus it does have a rather good twist at the end.

Other shorts in this showcase not reviewed here:

Bar Fight (Fantasia Review)
Your Last Day on Earth

TADFF 2019: Dark Before Dawn: Convoy/Patterns/The Changeling

Toronto After Dark Film Festival

Dark Before Dawn: Convoy (2019)

Dark Before Dawn: Convoy

Director: Brodie Spaull & Paul Krysinski

After some research, Dark Before Dawn  is a YouTube series and this little part shown at Toronto After Dark is episode 10 called Convoy. Convoy is a little segment which tells the story of some men carrying previous cargo when they are infiltrated by some other men and end up fighting for their lives. You can watch the episodes HERE.

Looking really good right from the start, this episode of Dark Before Dawn as a start-off episode looks really intriguing and definitely sparks an urge to check out what came before to see whether it will reveal why the cargo itself is precious and whether its just a bunch of different people in the same (what would look like) post-apocalyptic world. The action itself is great and the whole tone works well. Its straightforward as small segments like these should be. Its just a lot of action and works for its context. There is some blood going on here and it all looks good and nothing low budget, which is always a plus. Definitely looking forward to check out the rest of the series and see what is in store for it, especially how the Dark Before Dawn element works in the series and story as a whole.

Patterns (2019)

Patterns

Director (and writer): BJ Verot

Cast: Steven Ratzlaff, Karl Thordarsson, Jake Kennerd, Aidan Ritchie

Patterns tells the story of an older man Henry who goes to a facility to get a treatment procedure and ends up being set on a path of killing after he receives a phone call.

Patterns has a fragmented storyline that jumps back and forth from the past where Henry goes to get his treatment and the happenings there to the trigger that leads him down the path. Its mostly an action piece and fairly mysterious as to what this whole procedure he goes to does to him as he ends up joining their “program” which makes him susceptible to number sequences on the phone which repeat itself in his mind over and over again. While the elements here from Henry to the doctor to even the Cleaner all are great pieces to the puzzle, the acting might be the only iffy bit here that seems like everyone seems to be trying too hard to make the film more suspenseful or that they have more to them instead of it being as natural as it should be.

There’s a lot of questions that leave unanswered but that does show a potential of this concept having a further area to explore if ever it was considered as a bigger piece and gives it some depth, always a good thing.

The Changeling (2019)

The Changeline 2019

Director: David Hamelin & Neil Macdonald

Cast: Katherine McCallum, Emily Farrell, Tiarnan Cormack, Olivia Hamelin

The Changeling is a 5 minute short about a woman who comes home after a panicked call from her babysitter and frantically goes in to look for her baby daughter to find a demon looking after her instead.

There’s a lot of good elements here. The background score works well with building up the atmosphere here. There are a few jumpscares here and there however do work well enough except doors banging shut which because of its overuse in horror films in general don’t quite work as effectively. The demon itself is done really well. The acting is on point as well. The progression of events also is well-paced to give this one some tension. The Changeling isn’t exactly a new concept which probably other than the two feature films being done before and remade before, there’s a lot more but for a short, this one is well-polished and looks great and well-rounded on all the elements. An impressive short for sure!

TADFF 2019 Shorts:Barbara-Anne/Kakatshat/Schism/A Noise That Comes

Toronto After Dark Film Festival

Barbara-Anne (2019)

barbara-anne

Director: Kat Webber

Cast: Emily Coutts, Philip Riccio, Katelyn McCulloch

Starting off as a light-hearted little dancing housewife through the kitchen as she prepares a full course meal for her husband, the story takes an obvious turn stylistically as well as in atmosphere when her husband who stays in the much more modern living room with his gadgets like wireless earphones and goes to do his workout when his wife has something much darker in the plans.

Barbara-Anne is a nice blend of classic Hollywood style with a modern contrast that works so well. The wife here while being the typical blonde beauty also delivers up a clever act that turns her into quite the femme fatale which pretty much happens all to the audience’s knowledge and not to her unsuspecting husband who expects her to be the wife that waits for his attention when he wants to give it to her. Of course, nothing is as you expect and Barbara-Anne has some tricks up its sleeve that gives it that dark twist while serving up some dark comedy as well. Fantastically done short!

Kakatshat (2018)

Kakatshat

Director: Eve Ringuette

Cast: Therese Vollant, Philippe St-Arnault

Starting the short in 1829 when a son abandons his mother in the forest who in turn curses his family and all the descendants to pay for his disrespect, it continues to the present where a father and son bond on a camping trip to where the woman was abandoned and the curse follows them.

Filmed in Sept-Iles in Quebec,  Kakatshat takes a rather atmospheric build here as it moves from the past to the present, not only contrasting the neglect from a grown-up son to a parent versus a young boy and his father, who talks about being neglected by his own father and generally not wanting to be like that. It also takes a sinister turn when the curse follows them in the forest which gives a tense dark atmosphere that builds up to a truly effective jump scare. To have that effect in 8 minutes is a great feat and also shares a bit about the culture of what is shown in the beginning as well. Kakatshat is a short well worth watching if you get the chance.

Schism (2019)

Schism 2019

Director: Andrew Todd & Johnny Hall

Schism is a 3 minute black and white short that is essentially no narrative and splits the screen into two as the main character is a man that has been split into two and negotiating with himself to become whole again. What is intriguing to note here is that Schism was made during the 48 Hours 2019, which definitely shows the creativity here at work especially for something put together in such a short time frame.

While the short is a bit odd and very abstract in what it is trying to do, there is a rather cool use of how the screen is split into two and how effective it is for the execution of this short as the one person split into two is almost like two sides of his personality compromising each other. One is much more wild and sinister while the other is serious and a bit worried about being split into two. At the same time, the soundtrack it uses really adds to the entire experience and the black and white gives it a nice style.

A Noise That Carries (2019)

A Noise That Carries

Director: Guillermo de la Rosa

Cast: Paul Payne, Lee Lawson, Meredith Heinrich

A Noise That Carries is a 15 minute short about a recently divorced man who wakes up to the sound of creaking floorboards which sounds like someone stops right outside his bedroom door and suspects that someone is has broken in during the night and decides to investigate this with a neighbor that drops by with similar concerns.

Pulling in at 15 minutes, A Noise That Carries is more fleshed out just by it being slightly longer. However, it takes no time to get its story set up with the basic knowledge of its situation and starts setting up the unsettling home invasion atmosphere immediately. Its takes its time to give the quiet a chance to do its work especially when subtle noises are the elements that are creating this horror element until it turns around with the big reveal and then things still play more on the quiet evasion rather than any intense chase scene and that works so much better. A Noise That Carries lets “less is more” do its work and it works incredibly well here leaving me at the edge of my seat and wondering whether there would be a jumpscare/surprise around every corner. Great home invasion stories usually have that effect.

 

 

 

TADFF 2019 Shorts 2: Ocimokw!!/Grave Sight/Down the Rabbit Hole/Hearth

Toronto After Dark Film Festival

Ocimokw!! (Go Away!!, 2017)

ocimokw!!

Director: Mathis Ottawa

Running at less than 3 minutes, Ocimokw is made in Manawan, Quebec and shows the start of a zombie invasion and two guys who run away to be saved by a car passing by.

Its a bit goofy with the zombies and its not exactly a convincing portrayal of what we’ve been accustomed to, however, Ocimokw!! is pretty fun in a horror comedy sort of way while blending in some fairly nice dark color palette with atmospheric background music. Its not a lot of dialogue and really, the only person that talks is the radio warning them about the zombies and to run away. Its very basic and yet there’s no fault with that.

Grave Sight (2019)

Grave Sight

Directors (and co-writer): Walter Forsyth & Angus Swantee

Cast: Holly Stevens, Craig Gunn, Dale Bellefontaine

A couple goes to rob a grave which turns out to belong to a witch. As they open it, it releases a demon.

Running at about 7 minutes, this short actually is done pretty well. There are some rather comedic effects and probably done for that purpose. It plays on its low budget and yet, the demon itself is done really well. The couple actually do work although it plays on them being one braver than the other and finding their courage to fight back or save the other but also on the obvious clumsy act which amounts to whole deed being a loss at the end of the day. There’s some nice ideas here and the premise is pretty good as well.

Down the Rabbit Hole (2019)

Down the Rabbit Hole

Director (and writer): Ali Froggatt

Cast: Ali Froggatt, Jeff Gladstone, Darion Trotman, Lucia Forward, Charlie Kerr

Down the Rabbit Hole is a short about a woman who falls in love and cuts out their heart afterwards until one day, she suffers heartache. Its hard to pinpoint exactly what all of it means as the really lovely cinematography here actually hides a lot of it off screen and leaves it for our own imagination. No doubt one of the more polished and artistic shorts so far, the story itself has no narration and only has atmospheric background music and non-verbal exchanges whether facial expressions or actions as a means of directing the story forward. While its an abstract sort of storyline, it leaves a lot of space for its own interpretation which is quite fun. Not to mention, the effects here are done really well and there’s a deep sense of build-up for the leading lady as she goes from one rendez-vous to the next until that final turning point which is rather shocking on how it all works.

Its one those stories that leave enough space that it could be interesting to see what this could be with more space to develop the story and what direction it can take as there seems to definitely be a bigger picture here to understand and explore.

Hearth (2019)

foyer le film

Director: Sophie B Jacques

Cast: Marilyn Castonguay, Joel Marin, Marianne Farley, Guy Richer

Paralleled with reality to the past events of an Airbnb owner coming home after renting out her home to a couple, the story follows the reading of the man of the letter he leaves after their departure (or maybe the note in the guestbook, something like that). As she goes through the house, she is pleased by its appearance while its contrasted with how the events of the night the couple rented went and it was much more sinister in nature.

Using dim lighting and a very clever use of camera as it moves from one room to the next and blending in the past and the present, Hearth is an outstanding telling of the horror stories behind the unknowns of renting out a house, taking the opposite side of the spectrum when most people will talk about the owners being the one with the questionable motives, the renters can also be the ones that are the unknown factor here and can be involved in some suspicious activity. Its a clever little script that works really well and perfectly paced for this 10 minute experience.

With Airbnb and such services becoming such a hit, it was only a matter of time before horror took its direction there and gave everyone the warning of what could happen with their tenants. Its definitely a territory to explore in the future of horror and suspense.

 

TADFF 2019 Shorts: Turbo Killer/Far Horizon/Flip

Toronto After Dark Film Festival

The next batch of three shorts is here! These were screened with a shorter length feature called Blood Machines, which happens to be a sequel to the first of these three shorts reviewed here. The others suitably work with this post-apocalyptic sort of concept with quite a bit of imagination and creativity behind each of these premises.

Turbo Killer (2016)

Director (and writer): Seth Ickerman

Cast: Joelle Berckmans, Guillaume Faure, Marc-Antoine Frederic, Noémie Stevens

 Set up like a music video with a great soundtrack, Turbo Killer is a visual feast. The color palette pops. The story is abstract but still somewhat easy to understand about a post-apocalyptic world where a man accidentally transports a woman and then another masked man comes to save her. Its a fun little (almost) 5 minutes short that truly shows something that can be expanded on.

Far Horizon (2019)

Far Horizon

Director: Sara Martins

Set in 2025, Far Horizon is episode one of what I’d expect would be a series with fairly short episodes. Episode 1 is called survivor. While the context isn’t quite there, the synopsis of this is pretty much that a group of soldiers search the desolate land and end up going to look through, what they believe, is an abandoned field hospital for a supply run and ends up finding the first survivor in three years.

The tone here is done well. The suspense is also quite good. The cast also works as well as the characters definitely seem to have something more to learn about. The whole episode/short builds in tension as the suspense and darkness of each scene hides a lot of whats around them, limiting the vision and giving the final discovery such a nice element of surprise. Its rather impressive and if this is an actual series, it’d be nice to see where it heads for story-wise.

Flip (2019)

Flip

Director: Jessica Grace Smith

Kept in a post-apocalyptic future trapped in a bunk, mother Flip and daughter Plug need to find a way to escape their prison. Flip tries to protect Plug as much as possible and kept her away from Helmet, a growling aggressive beast (of sorts) that goes to visit them and abuse her. However, when things go wrong one day, Plug finds the courage to protect her mother and fight back.

Whether its the design of the mother and daughter or the world or even the villainous Helmet, Flip is a very well-executed short. Running at 13 minutes, this one has more depth than the typical short and actually manages to show off a lot of the elements of their entrapment as well as their dangerous situation and the creeping fear of the inevitable if they do stay there. The action sequence and the stakes in the story make Flip a really good short (and even one that could merit a full length project to see what this world has to offer more especially for this mother and daughter duo).

That’s it for these three shorts!
If anything, these short films show that there’s still a lot more to explore in the whole post-apocalypse idea or a dystopian future.

 

 

TADFF 2019 Shorts #1: We Three Queens/Eyes Open/Make Me A Sandwich

Toronto After Dark Film Festival

Much to our surprise, we are going to be covering Toronto After Dark Film Festival remotely for its short films selections. The festival itself runs from October 17 to 25th this year at the Scotiabank Theatre. If you happen to be in Toronto, do head over to check out this festival with its great line-up of feature films. You can find all the info HERE.

Over the next few days throughout the duration of TADFF, I will be looking at these in various categories and pre-feature shorts will be batched in 3 (or 4) films. Most of these will be paired with their screening times. These three to kick-off the first batch of pre-feature shorts are paired with screenings from October 17th and 18th.

We Three Queens (2018)

We Three Queens

Director: Chris Agoston

Cast: Erin Margurite Carter, Soma Chhaya, Emma Hunter, Rachel Wilson

*Screens with Extra Ordinary at TADFF 2019*

Beard (Erin Margurite Carter), Charlotte (Soma Chhaya) and Janet (Emma Hunter) are an all-star carolling group called We Three Queens. As they go to pick up their vests from their seamstress, they end up waking up kidnapped in her basement. With Christmas just around the corner, they need to find a way to convince Shelly (Rachel Wilson) to release them before midnight so that they can finish their carolling.

Christmas horror is always a welcome idea. Carolling has probably (at least to my knowledge) never been used in the context of a horror film. In a premise like this one, carolling definitely seems like quite the competitive world although who doesn’t want to be a part of something important or get noticed by the people that they enjoy watching, right? Running at almost 9 minutes, We Three Queens is a fun little Christmas horror short that adds a little comedy to the situation. Its not hard to see where the story goes as there is some foreshadowing but the actresses here are also quite entertaining to watch especially with their dialogue. Something about having a lot of red on screen not only makes it have the feeling of holiday but also have this more troubling situation at hand that we never know how Shelly would react to their responses to her requests.

Straight-forward and fairly unique in its premise of carollers being the central focus, We Three Queens is a fun Christmas horror short to check out.

Eyes Open (2019)

Eyes Open

Director (and writer): Jawed J.S.

Cast: Angela Bell

*Screens with Witches in the Woods*

Eyes Open is a 2019 horror short about a girl who goes for a walk in the woods to soon find out that she is haunted by an unseen presence both physically and psychologically.

Horror set in the woods has become increasingly used. Its a great choice for a setting because of its emptiness and isolation. With Eyes Open, its (almost) 6 minutes is a huge difference from where it starts to where it ends. The horror actually builds in its moments. While there were some oddities to this one, it still works overall especially as the unseen presence that haunts the single character in Eyes Open shows what it is doing: attacking when she closes her eyes. There are some odd low-budget effects but still, for its progression of horror, it does a pretty decent job at making it intriguing.

Make Me A Sandwich (2019)

Make Me A Sandwich

Director: Denman Hatch

Cast: Anne Shepherd, Peter Hodgins

*Screens with James vs. His Future Self*

Make Me  A Sandwich is a 2019 horror short (and its very short) about a wife who is constantly being asked by her husband to make him a sandwich.

Nothing is quite defining of a short film than one that runs for 3 minutes and keeps things as simple as a wife constantly being asked to make her husband a sandwich. And yet, those 3 minutes say a lot with just the wife’s reaction to each aggressive demand. Anne Shepherd as the wife does a great job at using those little facial expressions to show her lack of patience each time and how she retaliates. At the same time, what seems simple and straight forward as this story has a very startling twist at the end. Deranged might be the way to say that twist ending and actually makes you think a little more about the whole situation here and what we just watched. Its rather unsettling to watch and yet its hard to not laugh at a little of the dark humor here (perhaps its dark humor..I’m not sure anymore). If satisfying unsettling is a term that works, then this might apply to Make Me  A Sandwich.