TV Binge: The Uncanny Counter (Season 1, 2020)

The Uncanny Counter (Season 1, 2020)

Cast: Byeong-kyu cho, Jun-Sang Yu, Se-Jeong Kim, Hye-ran Yeom, Seok-hwan Ahn, Hong Nae Lee, Sook Moon, Kwang-il Choi

Noodle shop employees by day and demon hunters by night, the Counters use special abilities to chase down malevolent spirits that prey on humans. – IMDB

Watch on: Netflix

Its been a while since I’ve seen any Korean series. The last series I watched was probably some romantic drama in early 2000s, whenever the Korean series phase hit with Autumn Sonata and then I watched the Korean remake of Meteor Garden which in my opinion is the worst remake of all of them made so far so that was equally not very appealing so consider me a little hesitant about Korean series. The Uncanny Counter gets a whole new perspective though because its not a romantic drama and its an action comedy about a ragtag team of demon hunters called Counters who with their special abilities hunt down evil spirits embedded in humans to send them and the souls their trapped to Yung, which I assume is something like a gateway to afterlife whether to Heaven or Hell. As the team starts hunting down, they end up reaching one case to the next that links to their own past and want to investigate and chase down the truth behind what happened as the danger level increases as they encounter the rarely seen highest level of evil spirits.

The Uncanny Counter does a great job because of its balance between the tones. Even in its most dangerous scenes, it manages to give time for the characters to still have their personality show which adds in some humor and vice versa. The story itself has a lot of funny little moments especially with the new addition of So Mun (Byeong-kyu Cho), an eighteen year old high school student which gets pulled into this unexpectedly. The progression and pacing of the story over the 16 episode season is pretty decent as well. The story starts off with the basics and slowly draws connections to Ga Mo-Tak (Jun-sang Yu), who has amnesia from his accident to So Mun’s past. The investigation spirals into something more complex pulling in supernatural elements along with politics and crime. It gets rather intriguing as the Counters characters have more depth throughout and their characters start to connect whether its Ms. Chu’s motherly care for everyone and her touching backstory or Ha-na’s slowly warming up to So Mun as her abilities prevents her from wanting others to be in contact with her physically. These four deliver some great moments together and their chemistry and balance is their characters’ personality develops rather well also. The team actually has one more member who is the monetary sponsor for their operation who is also a Counter but mostly not on the field who is a rich man with a big corporation called Jang-mul (Seok-hwan Ahn) who is a whacky character and brings a ton of laughs whenever he appears.

Talking about the characters, the show has a good deal of them. Whether its the criminal and bad guys involved especially in the second half when its focused on investigating the past of Mo-Tak or the other people involved from So Mun’s grandparents and his best friends, they all have their own place. Especially in terms of So Mun’s best friends, Woong-min (Eun-soo Kim) and Joo-yeon Im (Ji-won Lee) who are truly supporting characters but makes everyone wish that they had friends like those. Plus, they have some hilarious dramatic moments. At the same time, the bad guys are pretty great especially in the depth of how it goes behind the dirty doings and how the evil spirit hides in one of them and that story arc really gets taken for a crazy ride. I do have to say that while the evil spirit being pulled out of the body is meant to be scary, a lot of times, its rather goofy except for a few times especially when with the higher level evil spirit that gets revealed and the body it has taken over. Some of it is a little over the top but still, there are some unpredictable paths that it takes.

Overall, The Uncanny Counter is a great South Korean series. Its a lot of fun and a ton of good action sequences. The characters are done really well and the whole story is rather unique. The series is based on a webtoon called Amazing Rumor by Jang Yi and according to MyDramaList is set for Season 2 expected to release in 2022 which should be awesome and definitely looking forward to that if that is true. The show was a blast even if it only released 2 episodes per week on Netflix. Its done now so if you haven’t seen it now, you can binge through it as quickly or slowly as you want.

Double Feature: Halloween (2018) & Guns Akimbo (2019)

After taking 2 days off to regroup, we’re back with the first double feature of 2021. Its still the remaining movies not reviewed from last year’s viewing. This time, its a look at 2018’s sequel of Halloween paired with 2019’s Guns Akimbo. Let’s check it out!

Halloween (2018)

Director: David Gordon Green

Cast: Jamie Lee Curtis, Judy Greer, Andi Matichak, Haluk Bilginer, Will Patton, Rhian Rees, Jefferson Hall

Laurie Strode confronts her long-time foe Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. – IMDB

The 11th movie of the Halloween franchise which has changed directors and had multiple versions of what its meant to be to finally get back to one that is set with Laurie Strode as a grandmother and mother who has grown estranged from her family because of her precautions towards Michael Myers and her past that has convinced her that as long as he is alive, it will never be safe however also having the means to fight back when needed.

Having a little drama and a story that catches up and brings the story back to the original 1978 storyline with Jamie Lee Curtis, Halloween brings it all back with a Michael Myers and Laurie Strode 40 years after the incident and Myers still going to find her. As the story looks at Laurie Strode’s family situation and the current situation of Michael Myers, it also focuses on crime podcasters that end up triggering some part of Myers that causes him to go rogue.

At this point, Halloween seems to really be for the fans that have stuck around since the beginning, enduring its many sequels along with all the randomness and nonsensical story directions. Halloween 2018 is a great attempt at reviving the series especially as its a solid story as a whole. Sure, the story focuses on the family drama between Laurie Strode and her daughter, played by Judy Greer who faults her mother for giving her a traumatic childhood full of defense lessons and harsh upbringing perhaps of what she feels is paranoia and yet, that part did become a little nonsensical and frustrating in its own regards. What does make up for it is in the second half when the danger is undeniable and how the family will face it.

Michael Myers is a fantastic horror icon. One that truly shows the inhuman side of a monster that makes for a talk about whether he is human considering he seems to be indestructible. 2018’s Halloween brings all that back to perspective. No more reasons of why he does it or adding in unnecessary side story and just executing it as a slasher, one that gives once the victim a chance to fight back. Its not exactly scary or horrific as a movie but its still a thrilling and fun movie.

Guns Akimbo (2019)

Director (and writer): Jason Lei Howden

Cast: Daniel Radcliffe, Samara Weaving, Ned Dennehy, Natasha Liu Bordizzo, Grant Bowler, Edwin Wright, Milo Cawthorne

A guy relies on his newly-acquired gladiator skills to save his ex-girlfriend from kidnappers. – IMDB

Guns Akimbo feels very similar to other movies in its own realm like Nerve or even Ready Player One. Movies with worlds rooted in a live game with rather extreme results. Its over the top and ridiculous. And yet, Guns Akimbo has this satisfying feeling to the adrenaline rush and its one that puts this main character, Miles who is a nobody at work find some empowerment by being a troll online, you know, the current day keyboard warrior that anyone with any presence online dislikes. He messes with the wrong people and they make his life hell by attaching guns to his hands and sending him on a deadly mission. With that said, it is ridiculous as a whole and there are movies in the same realm that definitely does a better job in terms of creativity and pacing, making this one probably a fairly forgettable experience looking back at it right now.

However, Guns Akimbo has a few things going for it. It has this not so serious tone. The characters seem to all just enjoy doing their over the top thing. Daniel Radcliffe is pretty fun to watch and probably one of the much more entertaining roles that he’s been in post-Harry Potter, but I could be wrong since I haven’t been really keeping track (side note: if you do have other movies to recommend of his, let me know in the comments below). The biggest motivation has to be watching Samara Weaving taking on another one of these over the top adrenaline rush movies and making it her own by creating yet another similar character but still unique in her own way. Its always a joy to watch her take on these characters and embody the character so well.

Thing is, Guns Akimbo has a lot of action and yet somehow, there seems to be a lot of time without action as well. There is this imbalance in execution of the movie as a whole. Its a little confusing on whether its trying to be more than just a mindless high octane movie. In some ways, the humor at the beginning goes to this character Miles getting extreme consequences for being an internet troll and then ends up having to run away, which is a great premise with tons of potential and the bickering between Miles and Nix also becomes quite a highlight moment. The story does lose itself a little on what its trying to achieve. Sure, this isn’t a movie meant for analysis and yet, I can’t help but feel while I was watching it that it doesn’t quite hit that extremity or high octane that it should have.

Overall, Guns Akimbo is very much like watching a video game come to life. Its fairly action-packed and Daniel Radcliffe and Samara Weaving are fantastic in this. The tone and execution is a little imbalanced with what it wants to deliver and what it actually delivers perhaps. However, as a mindless entertainment sort of deal, it feels fun enough. There are definitely other similar movies that do a better job but there are still some worthwhile elements.

Double Feature: Future World (2018) & Jumanji: The Next Level (2019)

Today’s double feature is a more action/adventure sort of deal. The pairing of 2018’s Future World set in a future dystopia wasteland and 2019’s sequel of Jumanji where they head back into Jumanji a second time in Jumanji: The Next Level with a little twist.

Let’s check it out!

Future World (2018)

Director: James Franco & Bruce Thierry Cheung

Cast: James Franco, Suki Waterhouse, Jeff Wahlberg, Margarita Levieva, Snoop Dogg, Lucy Liu, Milla Jovovich

A young boy searches a future world wasteland for a rumored cure for his dying mother. – IMDB

Science fiction, action, adventure, Western: all these are categories of what Future World is described. Most of people familiar with my tastes in movies know that I do enjoy mixed genre films and yet, not such a big fan of Westerns (mostly because I just haven’t found many that I liked before). Future World is kind of like the direct to video version of Mad Max: Fury Road. At least its comparable in color tones and atmosphere and even some of the design elements. With that said, the world itself is fairly cool especially as it goes into different places and meeting the different rulers in the various corners of this wasteland.

Where Future World feels a bit messy might actually be in its male lead as a younger boy Prince looking for this rumored medicine for her mother and to save his land. Call it trials for the boy or whatever you want because he falls into a lot of trouble and makes some bad decisions, maybe trying to highlight his naivety to the world around him. Prince becomes this fairly frustrating character to watch.

However, the movie does take things to quite the action level. There are some fun cinematography here as it directs the camera through some cool sequences and such. The best probably with the Drug Lord, played by Milla Jovovich who takes it to this wild level that I kind of like quite a bit. With that, there are some interesting characters in these different groups mentioned before with Love Lord by Snoop Dogg, which is a rather minor role and the persistent Warlord played by James Franco (that also takes on the co-director role in this film) who shows up throughout because of this Android girl Ash (Suki Waterhouse) who goes rogue and decides to save the Prince. And finally, the Queen that the Prince is trying to save is played by Lucy Liu.

Future World is not exactly a good movie. There are some issues with it and probably the Prince being this character that’s hard to get behind is one of the biggest things. And yet, there is a fun element to it probably because of these over the top characters like James Franco who does crazy really well (which reminded me a little of what I loved about this role in Springbreakers) and Milla Jovovich who also has extended a little outside of her Alice role in the Resident Evil series more and more. Sure, she’s not exactly a great actress but she takes on these roles and its a fun time for her sequences. Is the movie as a whole a fun time? Not really.

Jumanji: The Next Level (2019)

Director (and co-writer): Jake Kasdan

Cast: Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Awkwafina, Nick Jonas, Alex Wolff, Morgan Turner, Madison Iseman, Ser’Darius Blain, Danny DeVito, Danny Glover

In Jumanji: The Next Level, the gang is back but the game has changed. As they return to rescue one of their own, the players will have to brave parts unknown from arid deserts to snowy mountains, to escape the world’s most dangerous game. – IMDB

Jumanji: The Next Level is the sequel to 2017’s Jumanji: Welcome to the Jungle (review), which of course continues on with the Jumanji franchise, something that I’m sure not a whole lot of people were banking that it would keep going and probably not even the success it should be. The Next Level is pretty fun and keeps to the tone of the first one. It takes away the Alex Wolff character, Spencer for a little while as his friends hunt him down and end up going back into the game that takes them onto a much more dangerous adventure except this time, they are tagged along with grandparents, played by Danny DeVito and Danny Glover who in the real world has their own issues to iron out after a decision to end their restaurant business. Because of these two’s bickering and the bodies that that they take over, it becomes a hilarious romp. Not to mention, the crew goes to track down Spencer’s whereabouts who ends up being embodied in a female character, Ming portrayed by Awkwafina (who is just showing up everywhere).

Jumanji: The Next Level is a decent sequel. It maintains a lot of the fun and humor from the first movie and carries forward with the characters adding a little switch in the in-game characters and who they end up embodying. At the same time, the Jumanji world has changed also into something of an another game with other objectives while also changing the characters from the previous movies strengths and weaknesses. Sure, it might flow much better for people who have seen the first movie and lacks that standalone quality to it but Jumanji, no matter which movie we’re talking about, isn’t exactly a hard movie to catch up on story-wise.

Overall, there isn’t a whole lot to say about Jumanji: The Next Level. If you like this type of action-adventure film and Dwayne Johnson, Kevin Hart and Jack Black’s humor is your cup of tea, this movie is a fun movie to watch. Sure, its better if you have seen the first movie before watching this one but both of them are good in their own very similar ways and this one does add changes that do fit well with the story they are telling. Plus, the cast is still pretty awesome especially with the addition of Danny Glover and Danny DeVito even if I kind of feel like the whole story between those two and the whole relationship of Spencer seems a little trivial to the whole story but it does create a link between the different pieces so overall, its still a fun time.

Double Feature: Enola Holmes (2020) & Robin Hood (2018)

Next up for double feature is a pairing of Netflix film Enola Holmes and 2018’s live action retelling of Robin Hood. Two movies that I feel pair up rather well together. Let’s check it out!

Enola Holmes (2020)

Director: Harry Bradbeer

Cast: Millie Bobby Brown, Henry Cavill, Sam Claflin, Louis Partridge, Helena Bonham Carter, Burn Gorman, Adeel Akhtar, Susan Wokoma, Frances de la Tour

When Enola Holmes-Sherlock’s teen sister-discovers her mother missing, she sets off to find her, becoming a super-sleuth in her own right as she outwits her famous brother and unravels a dangerous conspiracy around a mysterious young Lord. – IMDB

*Originally published in Movies and Tea – Friday Film Club*

Based on the first book of the series of the same name by Nancy Springer, Enola Holmes tells the story of the teenage sister of an already famous Sherlock Holmes who follows the clues to find her disappeared mother. Using her wits to be evade her older brothers’ tracking in order to put her into a finishing school, she escapes to end up helping a young Viscount Tewkesbury escape from a man sent searching for him with murder intentions. Despite having part ways in London initially, they end up meeting again when she realizes that she needs to help him being murdered and tracks him down.

Enola Holmes are originally set for a theatrical release however due to the pandemic, they sold the distribution rights to Netflix which is how this movie has graced it presence on the streaming circuit. This is one charming movie that boasts a brilliant cast with Millie Bobby Brown playing the young female detective Enola Holmes, Helena Bonham Carter player her disappeared mother and her brothers Sherlock and Mycroft being played by Henry Cavill and Sam Claflin respectively and finally, the young Viscount Tewkesbury is played by Louis Partridge and his murderer by Burn Gorman. Its a very full cast with many names that I haven’t even started mentioning yet. The cast are remarkable in each of their roles especially with Millie Bobby Brown who delivers her best role to date.

One of the best elements of Enola Holmes is due to a script that constantly breaks the fourth wall which makes it very engaging and fun as the character Enola would constantly be reacting at the camera even sometimes for one quick moment to show her true reactions. It makes it all the more charming and entertaining. At the same time, her whole chemistry with Louis Partridge’s Tewkesbury while inching towards a little young romance hints throughout did play very well off each other. Of course, Henry Cavill needs to get a mention especially since Sherlock Holmes has been portrayed by so many different actors at this point over the past decade and he definitely holds up the role fairly well especially as he is supposed to be an older Holmes who is starting to show his more emotional side which is a good different.

Overall, Enola Holmes blends the world of Sherlock Holmes with a young heroine detective story. It has a unique little twist and the execution of the film works in a fun and feel-good way that gives its a lot of charm and well worth a watch.

Robin Hood (2018)

Director: Otto Bathurst

Cast: Taron Egerton, Jamie Foxx, Ben Mendelsohn, Eve Hewson, Jamie Dornan, Tim Minchin, Paul Anderson

A war-hardened Crusader and his Moorish commander mount an audacious revolt against the corrupt English crown. – IMDB

I’ve lost count of how much retellings and adaptations we’ve had of Robin Hood already whether its TV series or movies. I sometimes hop in and out of the TV and films and they all feel along the same line of thought, but then it all makes sense since its been a story that’s been around for a long time considering Disney’s animated classic was released in 1973. With that said, I was fairly indifferent about this one. On one hand, there’s a lot of familiar faces in cast such as Jamie Foxx, Taron Egerton, Ben Mendelsohn, Jamie Dornan, even though they all happen to actors that I’ve seen but never watch a lot their movies.

Robin Hood has some alright action sequences. The cast itself isn’t really the problem although the characters themselves are a little disjointed. I can’t say that after so many Robin Hood’s that Taron Egerton brought anything different especially since he still has more of a boyish feeling which doesn’t quite match the character of Robin of Loxley for this story. However, one of the bigger issues probably dials down to execution and pacing. Running at almost 2 hours long, the movie spends a lot of time in slow-paced segments that make this feel a little boring to be honest. It actually stretches out this familiar tale and adding some unnecessary changes that doesn’t seem to add too much.

Perhaps the biggest issue is that this film feels like its fairly forgettable. There’s nothing that makes it better than previous versions released. Taron Egerton’s Robin of Loxley feels fairly disjointed. Sure, Jamie Foxx’s character delivers a decent performance with some good dialogue. There’s definitely some issues with this latest version of Robin Hood and the similarities made me think about how other movies might have done it better.

BITS 2020: For The Sake Of Vicious (2020)

For The Sake Of Vicious (2020)

Directors (and writers): Gabriel Carrer & Reese Eveneshene

Cast: Lora Burke, Nick Smyth, Colin Paradine, T. J. Kennedy, James Fler

An innocent nurse, a tortured maniac and a suspicious hostage face off against a wave of violent intruders as they descend upon their place of refuge on Halloween night. – IMDB

Running at a swift (rare) 80 minutes, For The Sake of Vicious is a revenge action thriller more than a horror movie. Its more of the former than the latter. It starts off quickly with the three character, a nurse playing out like a mediator controlling the situation between two men: a father seeking revenge for his daughter on the man who raped her and the man who he suspects is responsible but evaded his sentence. The tension in the conversation reveals the personality of these characters. Before its resolved, a swarm of masked men come in under command by the man that was seemingly asked by the hostage to come to help. Its unclear how all of this comes into play together. Packed in its single setting and a turn to survival sort of action film, it turns into a non-stop heart-pounding fight scene moving throughout the house as more masked men come in one batch after another. The revenge plot gets a little lost in the action as it loses sight of that angle but turns more towards why these men are asked to attack them.

The single setting of the nurse’s house is a little house with some tight rooms and narrow hallways which gives it a bigger sense of dangerous as the fight scenes moving from one room to the next. The use of the space is explored really well as it uses the items broken to their full purpose and there are some nifty attacks with the tools/weapons that they use. It also helps that the cast did all the stunt themselves which makes it so much more engaging.

The characters also create their own sort of dynamic. As they fight for survival with the infiltration of masked killers and the helmeted assassin (or what I think he is meant to be), Romina (Lora Burke), Chris (Nick Smyth) and Alan (Colin Paradine) end up having to set their differences aside to work together in order to survive and possibly have some resolution to the previous conversation. Lora Burke delivers a stellar performance as usual. Its a different role from her prior roles in Poor Agnes and Lifechanger but one that drives the plot. She finds her strength but still has a side of her that is shocked by the events as any normal person innocently thrusted into this situation would be. Nick Smyth’s role feels a little overacted although it does deliver how his character is very unhinged and troubled and very desperate to get a confession but still has a fight to survive. Colin Paradine’s character is done fine as Alan gets left hanging on whether he is just a shady man or he also is a shady man that raped a child. The verdict hangs in the air since the discussion never finished before the killers arrived giving it that extra thriller element.

Revenge thrillers are always a tough storyline to tackle. In some ways, venturing off from it and focusing on the action, like a dialed down The Raid gives it a lot of style. It makes the revenge plot change direction into something else unexpectedly, making it more suspenseful than if they pushed further with the rape-revenge that could be more emotionally manipulated. This is definitely a decent way to approach this will giving it a little twist. The story gets a little thin because of the heavy focus on the action but somehow, it really does work out to be a satisfying action-packed effectively executed watch.

Double Feature: The Kissing Booth 2 (2020) & Skyscraper (2018)

Welcome to the next double feature! I have to say that I may have given up on the alphabet format but I don’t think anyone else was really following that anyways…always get stuck at Q. Either way, next pairing are two movies I saw as breathers in between Fantasia screenings. The first is The Kissing Booth 2 (which I’m still wondering why I saw since I didn’t like the first one) and the second is Skyscraper which has Dwayne Johnson which is almost guaranteed a nice mindless entertainment movie night. Not exactly the typical sort of pairing but it is what it is.

Let’s check it out!

The Kissing Booth 2 (2020)

Director (and co-writer): Vince Marcello

Cast: Joey King, Joel Courtney, Jacob Elordi, Taylor Zakhar Perez, Molly Ringwald, Maisie Richardson-Sellers, Meganne Young, Stephen Jennings

In the sequel to 2018’s THE KISSING BOOTH, high school senior Elle juggles a long-distance relationship with her dreamy boyfriend Noah, college applications, and a new friendship with a handsome classmate that could change everything. – IMDB

Following the events of The Kissing Booth (review), The Kissing Booth 2 resumes after a summer of Elle and Noah being together and they have to part ways because of Noah having to go to Harvard. Between juggling her emotions for Noah not being there, keeping herself busy, spending time with her best friend (and his girlfriend) and then trying to find money to fund possibly college in Boston without burdening her family and keeping her own secrets, Elle has quite a lot on her plate. Not only from Elle’s angle, The Kissing Booth 2 also focuses a little on Noah and Lee’s side. The Kissing Booth 2 is probably exactly as I’d expected it would go seeing as I still am wondering why I started it in the first place since I didn’t really enjoy the first one and not a huge fan of Elle’s character setup.

The whole world of The Kissing Booth 2 just always seem to have this missing thing that they aren’t hitting. This one tries to cover a lot of ground with different supporting characters and more conflicts. Its about friends and relationships and planning for the future. I just sometimes have this hard time believing that these characters and how they talk are teenagers in high school in this current day and age. Its a predictable sort of story and to be honest, this film was more enjoyable than the first because of one element and that’s the Second Lead Syndrome where I thought the new character and Elle’s new friend and dance partner that has some sparks, Marco portrayed by Taylor Zakhar Perez was fun and one of the better characters of this whole story. There seemed to be some good chemistry between the two of them especially in the dance competition part which was a lot of fun to watch overall. But then I have this deep love for Dance Dance Revolution so the whole Dance Mania competition was a highlight.

The Kissing Booth 2 is really nothing to call home about. I’d love to see Taylor Zakhar Perez in something else although it was announced that The Kissing Booth 3 is happening and was filmed back to back or something and just to finish this thing up, I’ll probably still check it out and cross my fingers that maybe the 2nd lead will get the girl (which probably won’t happen) but then I’m getting ahead of myself at this point. If you liked The Kissing Booth then you might like the sequel, if you didn’t, then maybe you are like me and found some joy with the second male lead and the dance competition.

Skyscraper (2018)

Skyscraper

Director (and writer): Rawson Marshall Thurber

Cast: Dwayne Johnson, Neve Campbell, Chin Han, Roland Moller, Noah Taylor, Byron Mann, Pablo Schreiber, McKenna Roberts, Noah Cottrell, Hannah Quinlivan

A security expert must infiltrate a burning skyscraper, 225 stories above ground, when his family is trapped inside by criminals. – IMDB

Dwayne Johnson is definitely one of those actors that makes some fun and entertaining sort of action movies packed with one liners and just altogether a straightforward good time. The stories sometimes don’t have a ton of depth and are fairly predictable but if you already know what to expect then its almost always a decent little action romp. With that said, Skyscraper fits the bill of exactly what to expect. Set in a rather fictional Hong Kong (to anyone who knows the city well enough) in a fictional tall skyscraper, it might break the reality just a tad on that front as well as how ridiculously over the top a few of the action sequences are. For frequenters of Fast and the Furious franchise who has just been packed with these over the top unrealistic moments that people like to make Youtube videos to debunk how accurate it can be, Skyscraper is a usual deal especially when Dwayne Johnson’s character goes to jump off a crane to another building, there’s some strange physics going on there.

Its really hard to talk about movies likes these. On one hand, for serious moviegoers, its very obvious that there are a ton of flaws whether in shallow plot or some computer effects or even how some events flow and how certain scenes are structured. Its not going to be some award-winning movie. On the other hand, if you go by the standpoint of having exactly what is expected and for the mindless entertainment and some fun Dwayne Johnson moments, this is fairly harmless especially when a lot of his skyscraper moments involve duct tape, a common every day man trick which does keep the movie grounded a little more than expected.

Not to mention, Dwayne Johnson is accompanied by a supporting role by Neve Campbell who plays his wife in the movie. She actually has quite a useful point to make and actually speaks some decent Cantonese line. I always praise actors/actresses who are given these foreign lines and get it right on point. Although, that is definitely more of a personal thing. With that said, there are some good characters here plus I do usually enjoy Chin Han’s roles. Overall, Skyscraper was plain and simple a fun time. I acknowledge all the issues with it but at the same time, it was exactly what I needed when I chose to watch it.


That’s it for this double feature!
Have you seen these two films? Thoughts?

Double Feature: 13 Hours: The Secret Soldiers of Benghazi (2016) & Bloodshot (2020)

Next double feature something of a more random selection with a movie that left Netflix Canada paired with a rental with 13 Hours: The Soldiers of Benghazi and Bloodshot respectively. Let’s check it out!

13 Hours: The Secret Soldiers of Benghazi (2016)

13 Hours: The Secrets Soldiers of Benghazi

Director: Michael Bay

Cast: John Krasinski, James Badge Dale, Pablo Schreiber, David Denman, Dominic Fumusa, Max Martini, Alexia Barlier, David Costabile, Payman Maadi

During an attack on a U.S. compound in Libya, a security team struggles to make sense out of the chaos. – IMDB

Based on 2014’s historical book by Mitchell Zuckoff of the same name, Michael Bay helms this project that retells the account of a terrorist attack that took place at an American diplomatic compound in Libya from the point of view of the the security team. Its quite a jarring story even under the direction of Michael Bay that many people have issues with his direction style on literally explosive scenes, which in the context of this film definitely felt like his direction was a lot more grounded than a lot of other previous movies. Having never read the source material, there are some elements that feels a little odd but at the same time, the story of this security team and the men involved as they get caught up in this dangerous situation that they need to face focuses a lot more on them as individual people and the team and there’s this incredible subtle action and intensity that builds while also giving a few of these more key characters enough background to make them feel real, which is important seeing as this is based on something that actually did happen.

In reality, the strength of the film lies heavily on the characters themselves especially through the eyes of John Krasinski’s character Jack, who is the latest addition to the team upon his arrival and in a short amount of time is shown the place that Americans have in this place and the dangers of their presence as well as the role they play as a private military security team. The whole cast of characters whether its Pablo Schreiber’s Tanto and his odd decision to wear shorts the whole time or the role of the friendships between these characters as well as the connection between the office they are protecting as well as whether help is coming for them and who is one which side all comes into play of the big picture.

Sure, the movie itself has its flaws since it still has the Hollywood sense where some things do feel constructed to make it more entertaining for the audience but the premise and how its executed and even Michael Bay’s choice to keep things feeling fairly grounded but still deliver some intense action scenes that play especially with darkness and the mystery of what is and isn’t there and different ploys really does add a lot to the movie. Its a rather gripping viewing experience.

Bloodshot (2020)

Director: Dave Wilson

Cast: Vin Diesel, Eiza Gonzalez, Sam Heughan, Toby Kebbell, Talulah Riley, Lamorne Morris, Guy Pearce, Johannes Haukur Joahnnesson, Alex Hernandez

Ray Garrison, a slain soldier, is re-animated with superpowers. – IMDB

Its fair to say that Vin Diesel is casted in a certain type of movies aside from his main role of The Fast and the Furious franchise and his grunting voice cast role as Groot. He has this cookie cutter sort of deal where its a lot of one liners and not a whole lot of dialogue and enough action to make it satisfying to watch, at least for myself, I like watching Vin Diesel movies even if the movie itself is flawed. With that said, Bloodshoot is pretty much exactly what I expected and wanted out of watching a Vin Diesel movie which had enough entertaining elements. The story itself does try to add in some twists, probably more for me since I haven’t read the comics and know nothing of this Bloodshot character so its a fresh discovery.

If you look at the cast, its really a pretty decent round-up. Aside from Vin Diesel, there’s Guy Pearce playing a rather similar role to Iron Man 3’s role (if I remember correctly), I’d say while also haven’t some familiar faces like Eiza Gonzalez which has delivered some fun roles in recent films as well as Lamorne Morris who is almost unrecognizable from his New Girl days but also does a decent job here with a fun supporting character. Plus, it takes on this element of having a crew of characters that are all flawed and using this new technology to make them have this “superhuman” in their own way. Of course, with Bloodshot being the character that has been literally revived from the dead and the twist is how he’s being manipulated.

As a feature film directorial debut for Dave Wilson who had only previously directed a short for Love, Death & Robots (review), which is pretty impressive and did mostly visual effects for a ton of video games, this is a step forward and in reality, the direction is pretty decent. What really does make this movie feel a little more disposable and flawed is really that superhero movies are oversaturated at this point and there’s this predictability to the whole situation. The elements are there in terms of action and some fun little Vin Diesel moments and even the humor additions and the littler twist is all decent but then its hard to not feel like, there’s a solid idea of what the general end result of a superhero movie will be that makes it hard to be truly excited by its end game.

That’s it for this double feature.
Have you seen these two films?

Double Feature: The Platform (2019) & The Predator (2018)

As I took a few days off to get my mind back on track and figure out what needs to be written (because I basically forgot after Fantasia Festival), we’re back on the double feature! As we gear into October’s Halloween Horror month, I’m leaving some horror on Shudder for next month so we’re focusing on the rest of the alphabet with only Netflix choices and maybe some shortcuts along the way.

Picking up where we left off, its time for the P selection. The first is a Netflix movie called The Platform and paired with the fourth movie in the Predator franchise called The Predator. Let’s check it out!

The Platform (2019)

Director: Galder Gaztelu-Urrutia

Cast: Ivan Massagué, Zorion Eguileor, Antonia San Juan, Emilio Buale, Alexandra Masangkay, Zihara Llana

A vertical prison with one cell per level. Two people per cell. One only food platform and two minutes per day to feed from up to down. An endless nightmare trapped in The Hole. – IMDB

The Platform is a Netflix Original Spanish sci-fi horror film which works a lot like Snowpiercer where its moving horizontal through a train, this one moves in a vertical structure via a platform that passes from the top levels to the lowest levels. As a man gets trapped there, his conversation with his cellmate becomes one where he starts to notice the patterns and the system and wants to fight for a change to actually survive this ordeal. The backstory and mystery of why these people are there and how do they get out is all a key part to the story. Sure, the platform itself plays a big part as the people shift every while from one level to another so that they can experience the upper and lower levels and the ugly and selfish side of humans in the face of survival.

Netflix automatically started the movie in its dubbed English version for myself which was a decent experience. It would be interesting to watch it again in its original audio. Overall, The Platform is a pretty good film. It builds up on the mystery and the intensity of the situation pretty well and has a decent pacing and execution throughout.

The Predator (2018)

Director (and co-writer): Shane Black

Cast: Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Sterling K. Brown, Thomas Jane, Alfie Allen, Augusto Aguilera, Jake Busey

When a young boy accidentally triggers the universe’s most lethal hunters’ return to Earth, only a ragtag crew of ex-soldiers and a disgruntled scientist can prevent the end of the human race. – IMDB

There are days I wonder why we just keep going back to making more and more of a franchise when it should’ve been left at the first movie. It sometimes feels like Predator is one of those situation, maybe because I’m also not a huge fan of this franchise in comparison to Alien franchise, I guess. Although, credit where its due, Predators (review) was a pretty fun one even though I think some people wasn’t a big fan. Back on track to this one, the story here is far-fetched and it runs rather off track the further it goes. The only thing that worked for it was the ragtag team and the twist of the concept of the predators end-game although the whole “twist” of what they wanted wasn’t exactly a twist but fairly obvious.

I don’t hate on this completely since I thought Olivia Munn’s character was fairly resourceful and there’s some familiar faces with Thomas Jane and Keegan-Michael Key, two people that I rather enjoy in movies. Then there’s the little boy played by Jacob Tremblay who right away is different but intelligent for his age. The characters do work rather well. Its a pity that the story gets a little odd especially when the Predator world starts showing up with alien pups which was supposed to add some humor which it kind of did at times especially with whatever it would fetch back.

Its a fairly flat experience. Its not good but not horrible either. There are some glaring issues with it for sure but then, the director definitely has a special place for this movie as it puts in some references to the original film (or at least a very obvious one).

That’s it for this double feature!
Have you seen these two films?

Fantasia Festival 2020: A Witness Out of the Blue (犯罪现场, 2019)

A Witness Out of the Blue (犯罪现场, 2019)

A Witness Out of the Blue

Director (and writer): Chi-Keung Fung

Cast: Louis Koo, Jessica Hsuan, Louis Cheung, Patrick Tam, Philip Keung, Sam Lee, Andy On, Fiona Sit, Cherry Ngan

A Witness Out of the Blue is 2019 crime thriller about a murder of a member of a bank robber group that may have gone array as they hunt down their leader with only one witness to the crime: a parrot. One of the best things about Fantasia Festival is hearing director’s talk about their film. A nice touch to A Witness Out of the Blue was the director having a little message about how the movie came to be and how it all started with a parrot. Director and writer Chi-Keung Fung definitely is more renowned for his writing credits with involvement in Stephen Chow movies like Shaolin Soccer and The Mermaid. A Witness Out of the Blue has the hook of using a parrot as a witness and how the cop will use it to his advantage to learn about how a parrot communicates or learns the language and can have the intellect of a 5 year old child and its a fun element for sure. The story itself does create a lot of twists and turns that manages to lead down a rather interesting chase. There’s a bit of tension and a bit of humor and the mystery definitely takes everyone for a chase with the characters. The ending isn’t exactly never been done before (but I say what its similar to, that would be a huge spoiler so I’m going to avoid that). Whether pacing or execution, A Witness Out of the Blue is an intriguing thriller.

A Witness Out of the Blue has a stellar cast. Its consisted primarily with the once righteous but now easygoing cop Detective Lam that everyone sees as useless who sees through the case in another angle played by Louis Cheung who is more known for his music career than his acting career even if he has a lot of Cantonese voice acting credits to his name however delivers quite the performance. Lam starts suspecting his upper level boss played by Philip Keung (a familiar face at this year’s Fantasia for sure with his appearance in Sheep Without a Shepherd HERE) who holds a grudge towards the bank robbers for killing another cop. At the same time, Lam needs to still try to catch the bank robber mastermind Wong by the character played by Louis Koo but always seems to be one step behind as the robber crew starts being hunted down as well making him look more and more suspicious. There is no doubt that Louis Koo’s career is full of crime thrillers at this point and he is the perfect candidate for this role especially since he becomes something of an antihero. At this point, Wong hides out at this senior care home managed by a visually disabled woman played by Jessica Hsuan where we see the more human side of Wong in their interaction.

There is no doubt that Chi-Keung Fung is a great writer since every character in this thriller has its purpose. The characters all play off each other as detective Lam goes looking back at the grudges linked to robbery as he questions supporting characters played by Fiona Sit, Andy On and Patrick Tam. Each of these characters have their own stories whether its a flawed detective or a mastermind who wants to find the truth of the death of his team but every step takes on a different turn. Put in the equation of the parrot being another character and its all quite the whirlwind ride.

A Witness Out of the Blue has a lot to offer. It tries to be a little different and how it starts with a parrot and uses its characters all fit well together. Its a crime thriller that has some action and comedy blended together to become a little more mix genre. With both a stellar cast and a fun little plot and some great comedy points, it all actually fits together in a well-paced, engaging and entertaining sort of crime thriller even if the ending isn’t as clever as the director might think it is but somehow this still felt a little like a breath of fresh air in the sea of crime thrillers that come out every year.

Fantasia Festival 2020: Crazy Samurai Musashi (2020)

Crazy Samurai Musashi (2020)

Crazy Samurai Musashi

Director: Yuji Shimomura

Cast: Tak Sakaguchi, Kento Yamazaki, Masaaki Takarai, Akihiko Sai

A clan’s future hangs in the balance. A boy of noble birth waits by a temple. The dishonor of his father and the death of his brother must be avenged. The boy is merely bait, there to draw out the enemy who has brought shame upon the Yoshioka school of swordfighting. In the surrounding woods, hundreds of Yoshioka retainers lurk, weapons at the ready, in anticipation of the solitary swordsman’s arrival. This will not be a fair fight. Not fair at all. – Fantasia Festival

With only beginning and ending scenes with the actual plot, Crazy Samurai Musashi is mostly all about its 77 minute one take samurai fighting scene in between where Musashi faces an unfair amount of 400 mercenaries and other clan samurai who all want his dead. A few of these have a bit more dialogue which indicates some kind of deeper desire to win or more competent which isn’t always the case.

77 minutes of fighting is still a little much. It becomes a little flat since its easy to start seeing who will get hit on the head or get slashed elsewhere. It gives a lot of space to start nitpicking and seeing the little moments of people getting hit and then running off screen for example that feels like its a constant rinse and repeat cycle. It is 400 people to 1 person so its nothing that’s unexpected. Its also a lot of the same moves with some more elaborate fighting choreography here and there. However, credit where credit is due, the fight choreography does take the time to go from the lighter elements in the beginning to being more lethal as there’s more blood spill and such. It all escalates to this fight in the rain that is definitely one of the high points of the film. The score also changes throughout almost like the fights shifts from one phase to the next. The film also takes the time between these transitions for Musashi to be human and look for water thats conveniently strewn about in little corners of the house that he can find instantaneously.

It has its appeal at the beginning when the story starts off with a specific scene where Musashi shows up and then the one take starts and it seems a little funny to see people running off screen or being shielded to move off screen or whatnot. The one take techniques comes into play and its fun to watch how its executed in this sense but then fighting goes on for a long time and its wears down the pacing a lot. It might feel a little more gimmick than proper execution in this sense. The backstory is decent but the focus on the story is so little that there isn’t a whole lot of engagement with the characters to begin with.

Overall, Crazy Samurai Musashi might be only suitable for those with an incredible love for either the technical one take movies or samurai movies on general. For myself who isn’t quite that hardcore and more focused on more thorough story line, this one fell a little flat in the middle, even if the movie does give some changes like score and the pacing of the fight choreography. The one take and some of the fight scenes and even the filming and use of the setting and the score is really nice but there’s just something missing to make this more engaging.