TV Binge: Love Death + Robots (Season 3, 2022)

Love Death + Robots (Season 3, 2022)

Creator: Tim Miller

A collection of animated short stories that span various genres including science fiction, fantasy, horror and comedy. – IMDB

Season 3 of Love Death + Robots has finally landed. For those who don’t know what it is, its basically an anthology series full of short stories revolving around the themes of love, death and robots sometimes touching only one of those domains and sometimes multiple ones. The big draw of the show does have to go to its production by David Fincher and Tim Miller who also does helm at least one of these episodes each. As a recap, Season 1 was a fantastic selection of shorts that created an incredibly memorable season. Season 2, while a step down from the first, changed its tone a little bit but not so much the variety and also delivered some pretty good shorts. Some had very good discussion points and some were simply meant for entertainment value. Season 3 comes up right in the middle of the two: Its not quite as good as the first but is a step up from Season 2. The stories are more equal in their execution and context and most of them are fairly entertaining

While I won’t go through each of the episodes one by one, here’s a quick rundown of how I’d rank this year’s episodes from most to least favorite. I don’t usually do it and honestly, not exactly why I chose this rather balanced season to do the ranking but here we go. It probably would change if I thought about it a little more depending on my mood as well.

  1. Bad Travelling
  2. Swarm
  3. Night of the Mini Dead
  4. Three Robots: Exit Strategies
  5. Jibaro
  6. Mason’s Rats
  7. In Vaulted Halls Entombed
  8. Kill Team Kill
  9. The Very Pulse of the Machine

Going quickly through what stands out in this group despite its rankings, Bad Travelling is David Fincher’s contribution and not so surprising it made the top of my list mostly because the story was like a creature feature and was on a boat. While not exactly unpredictable, it also included some good voice acting especially with Troy Baker part of it.

The second one is Tim Miller’s contribution Swarm which has to be one of the more detailed and vivid world building about a future where the arrogant humans have destroyed their world and are trying to find a way to rebuild using alien technology from the organic creatures around them.

Night of the Mini Dead is basically a small little world, almost like watching toy figures enacting the whole zombie apocalypse. This one is pure entertainment, packed with laughs and explosions in the most cartoon way possible and yet that is what makes it unique.

Another worthy mention does have to go to the middle of the group and the last episode of the series, Jibaro. This one is very odd and yet, the story it delivers is one that is very gripping even with its lack of dialogue and mostly visual value as it revolves around a lot of dancing to express the story of these two characters. The myth that it delivers along with the mystical creature at hand does bring in just enough lore to make it intriguing. Its definitely one that would be potentially a fantastic full length film.

As I try to stay fairly spoiler free with the stories themselves, since it would be horrible to spoil a short as is, the different stories here bring in a ratpocalypse, a space discovery, a lot of different creatures and a decent amount of action. There’s a lot to discover in the stories and probably some that might even bring in some discussion points.

Love Death + Robots, regardless of the season, is usually fun time. It stands out because of the shorts compilation which are all very creative in one element or another. It reflects on humanity, post-apocalypse and usually is in a world much different from our current reality whether its set on Earth or in space.

TV Binge: Archive 81 (Season 1, 2022)

Archive 81 (Season 1, 2022)

Creator: Rebecca Sonnenshine

Cast: Mamoudou Athie, Dina Shihabi, Evan Jonigkeit, Julia Chan, Ariana Neal, Matt McGorry, Martin Donovan, Kate Eastman, Charlie Hudson III, Kristin Griffith, Eden Marryshow, Georgina Haig

An archivist hired to restore a collection of tapes finds himself reconstructing the work of a filmmaker and her investigation into a dangerous cult. – IMDB

Based on the podcast of the same name, Archive 81 follows an archivist Dan (Mamoudou Athie) hired to a secluded building to restore a collection of tapes left behind by a college filmmaker Melody Pendras (Dina Shihabi) who moves into the Visser building hoping to capture the lives of the residents but also look for her biological mother but ends up realizing that that the building’s history is a lot more sinister and starts to investigate leading her to discover a cult.

Due to the nature of the show which dives from the present day with Dan and the past via the tape restoration and his process of watching it, the film story unfolds on a parallel. The writing is what truly shines in this series as it crafts both sides very effectively both in terms of the primary mystery element but also having the ability to craft a tense and sinister vibe throughout as it captures the isolation of Dan as he discovers his own side of the mystery as odd occurrences take place and the help of his friend (Matt McGorry) as an outside resource. Much like Melody Pendras who starts to gradually feel more and more of the cult that surrounds her through the strange residents that live there. The sense of danger and insecurity within the building is constructed incredibly well. The use of the VHS grainy element reminding that it is still an image that is being watched does a good job of pulling in and out of this parallel worlds of the past and present especially when it feels like its just watching two sides of a story and forgetting the time element.

While there aren’t any big name actors in the cast, probably the most familiar being Matt McGorry for his role in Orange is the New Black way back in Season 1 (I think) and he has gone on to do some other roles over the years, the main cast revolves around Mamoudou Athie and Dina Shihabi playing as Dan and Melody respectively. They both do a pretty decent job for what their role needs to deliver. Perhaps the supporting characters and their odd personalities delivers more although some of it does go a little overboard at times. Luckily, the show does only focus on a few main characters of the Visser building while Dan’s side focuses mostly around a few characters as well. The events craft a lot more of the atmosphere than the characters involved since the sounds and eerie and bizarre situations and the fear of being caught is what brings out most of the effective tense atmosphere. The characters’ interactions and encounters do bring up a lot of mystery and questions that slowly get revealed in the final episodes.

Overall, Archive 81 is pretty good. Its gripping and tense and the mystery is done really well. The angle and the twist also works pretty effectively. The tone and sound design and setting all add to the mystery much like the characters themselves. Unfortunately, the show does end on something of a cliffhanger and wasn’t renewed for a second season. A pity really since it would be interesting to see where it would have headed if it had the opportunity.

TV Binge: Deadly Class (Season 1, 2019)

Deadly Class (Season 1, 2019)

Creator: Miles Orion Feldsott & Rick Remender

Cast: Benedict Wong, Benjamin Wadsworth, Lana Condor, Maria Gabriela de Faria, Luke Tennie, Liam James, Taylor Hickson, Jack Gillett, Tom Stevens, Michel Duval, Sean Depner, Olivia Cheng

A coming-of-age story set against the backdrop of late 1980s counterculture, which follows a disillusioned teen recruited into a storied high school for assassins. – IMDB

Based on the comic book series of the same name by Remender and Wesley Craig, Deadly Class is set in the 1980s revolving around a hidden private academy called King’s Dominion which trains those skilled with assassin abilities, honing their unique and individual skills. Its with this that Marcus (Benjamin Wadsworth), who is on the run for allegedly burning down the orphanage he lived in that he is recruited by Master Lin (Benedict Wong) with a little help from his trusted student Saya (Lana Condor). Not from an elite dangerous order, Marcus finds himself not truly fitting in except for a group of misfits at the school as he navigates through this new environment and embraces his own capabilities as new dangers start targeting both the school and himself personally.

Deadly Class is an interesting existence. It embraces and integrates its comic book roots as it does add in these animated sequences especially when recalling the past of the key characters with this group of friends that has bonded together due to different issues. Their back stories help explain the motives of their characters. The comic book elements down to the whole cinematographic elements of the show gives its a lot of style whether its the character designs or King’s Dominion. The whole tone of the show blends well together and is visually appealing for the most part, capturing both the environment of the school but also the grimy outside world that exists which polishes them as they go on their own “missions”.

The tone and plot point can be a little off-putting as the high school drama for the most part. Especially by the middle of Season 1 when Marcus, Maria and Saya have this very wishy washy sort of love triangle that gets a little frustrating to watch as these three take a turn in their character arcs. Much like most series, when things go bad, everything else is going bad at the same time so its all goes a little crazy which is intriguing to watch how it all unfolds since it adds in other elements that help build up the world but also adds in some annoying bits that seem beside the point especially since Marcus is a character with his own issues that also seem rather easily manipulated into certain situations. With that said, the best parts of the show is the action and assassin oriented bits when each of these characters do work together or go into some outing together to achieve something. The danger and the classes do make it all the more intriguing to navigate but at the same time, it somehow does feel like the angle being this unique school gets lost in the bigger plot. Thats not to say that the enemy isn’t decent. For the most part, its the typical mentally unstable sort of character coming for some kind of revenge but there are some outside forces that are targeting the school as well. The two together works well enough.

Looking at the cast itself, everyone fits their role fairly well. Benjamin Wadsworth plays Marcus fairly well. It does capture that teen angst and inner struggle, considering the show is mostly about him. The standout of the show absolutely goes to Benedict Wong as Master Lin who is a tough headmaster of King’s Dominion but also done in such a well-balanced way. Much like its great to see Lana Condor as Saya to be playing this Japanese yakuza’s daughter who is a femme fatale in training with her motorcycle and her katana in hand. Much like Maria portrayed by Maria Gabriela de Faria whose character is on the more frustrating side but does have a lot of ups and downs but her assassin look is really great.

Overall, Deadly Class is a pretty fun ride for its first season. The premise is pretty original and isn’t quite like other teen dramas especially with the school for assassins setting. Sure, there’s a few things that I wasn’t particularly happy about but it did have some pretty decent style. Its a little sad to see that after the great foundation it set up and the cliffhanger ending that it was cancelled for season 2.

TV Binge: Bridgerton (Season 2, 2022)

Bridgerton (Season 2, 2022)

Creator: Chris Van Dusen

Cast: Jonathan Bailey, Claudia Jessie, Julie Andrews (voice), Simone Ashley, Charithra Chandran, Luke Thompson, Luke Newton, Nicola Coughlan, Ruth Gemmell, Polly Walker, Golda Rosheuvel, Adjoa Andoh, Kathryn Drysdale, Phoebe Dynevor, Calam Lynch

Wealth, lust, and betrayal set against the backdrop of Regency-era England, seen through the eyes of the powerful Bridgerton family. – IMDB

Following the steamfest that is the first season of Bridgerton as it followed eldest sister of the Bridgerton family as she becomes Duchess and learns from Duke Hastings how to get in touch with her sexuality and sensuality and also helps him embrace his past so that they can move on better in the future, Season 1 comes to a pretty decent close and doesn’t have the appearance of the Duke as many already know since the real life actor has other projects so basically has been phased out with just the Duchess, played by Phoebe Dynevor making a few appearances to guide her older brother Anthony as he looks for his wife. You can check out my review of Season 1 HERE.

Season 2 dials things down on the steamy department quite a bit and Anthony’s story is one very similar to that of Pride and Prejudice and the familiar despise to love sort of story between Anthony and the previously disgraced Lady Mary’s family as they return to debut the younger sister, Edwina into society and find her a husband. Trained perfectly by her older sister Kate, Edwina is basically what Anthony is looking for in criteria as he searches for a wife to fulfill his duties as the eldest son and the Lord of the household and not for love. Right off the bat, Kate forms a strong prejudice against him based on a conversation he overhears at one of the balls and strongly goes against his pursuing Edwina however at the same time, their hatred and constant brush-up with each other creates strong feelings between them that soon turn into love. Season 2 is basically their journey for this season to their marriage at the end. Its much more familiar and tame than the first one but it has a lot more substance especially for Austen fans as Kate is a headstrong woman and she manages to bond well with Eloise, who reluctantly has entered society as well. It gets a little wishy-washy in parts but they do create a nice contrast between Kate and Edwina building on their sisterhood and their family background but also have that nice chemistry between Kate and Anthony that develops pretty nicely.

Bridgerton isn’t just about the love triangle between Kate, Edwina and Anthony. In fact, the story extends further into that Lady Whistledown plot where now, as the audience for the big finale of Season 1 was revealed to us and its just a trek for this character (not saying the name in case you haven’t seen the first season) to hide her tracks as Eloise is once again enraptured by trying to track down this character which leads her to another side of town, meeting people who are opinionated the way she would like to be. Talking about that, I do still love that Lady Whistledown is voiced by Julie Andrews. Lady Whistledown’s facade has a lot more at stake especially since this character isn’t only a part of scandal that the ton love to read but also has stepped on the wrong toes like the Queen who is also adamant on tracking the identity behind this character who constantly challenges her decisions. The final piece of the plot is the story with the Featheringtons as the household of women and girls wait for the new man of the house to show up which creates an interesting sort of side story and if anything builds up on Lady Featherington’s character the most.

Season 2 Bridgerton is much better than the first one. It takes on a different tone and while the material itself feels familiar, it fits so well into this society and how we come know and love this sort of Austen-like scenario. Not to mention that the acting is more refined with all the characters also having more substance to them as they tie up loose ends from the first and the Bridgertons, Lady Danbury and the Sharmas all have some really human moments where their somewhat of a demise separates them from the ton but also makes them embrace each other in some fun. If you’ve watched it, you know which scene I’m talking about. As a final note, I’m hoping that Lady Danbury hangs out for more of these seasons because she is a fantastic character, one of the best of the series as she’s filled with personality and guidance. Overall, a much welcomed step up in season 2.

TV Binge: Hellbound (Season 1, 2021)

Hellbound (Season 1, 2021)

Creators: Sang-ho Yeon & Gyu-seok Choi

Cast: Ah-in Yoo, Hyun-joo Kim, Jeong-min Park, Jin-a Won, Ik-june Yang, Do-yoon Kim, Shin-rock Kim, Kyung-soo Ryu, Re Lee

People hear predictions on when they will die. When that time comes, a death angel appears in front of them and kills them. – IMDB

Running at a swift 6 episodes, Hellbound presents a story circling society, belief, religion, cult and human nature. This South Korean series breaks its story down into two parts. The first sets itself at the start of these events as a society gradually is exposed to these predictions of death which soon is believed to be the consequences of sins by that individual. The first part focuses on the police follow the trail of these mysterious deaths from these hellbound gigantors that come and go in their predicted time, they soon lead to a priest of a small religious organization, played by Ah In-Yoo, previously known for his main lead in Netflix zombie film #Alive (review). With the final moments of the first half, the second half heads into a few years after this and how the country has dealt with this situation and the huge growth of this religious society that has spread to many people turning to religion for their salvation however this happens to lead to an unexpected prediction that groups up a bunch of people who hasn’t fallen for this religious cult as they try to reveal to the world the truth behind them.

Hellbound has an interesting premise to be sure and it runs at only six episodes which is one of the main reasons for its bingeworthiness. Its easy to consume and makes it pretty well-paced. However, the series does have some deceiving moments especially with these hellbound creatures that pop up which never truly get a resolution as to what this death angel and creatures truly represent in the end game. However, it takes the story and moves it away from this more supernatural element and turns into a human nature, society and belief angle which shows a lot of the ugliness of a cult taking advantage of their followers. It turns into more of a crime investigation in the second half that takes a different turn in events. It takes a more sentimental turn of events as well with the last hellbound prediction especially with how the previous predictions met their end in a violent manner.

Looking at the characters, its a pretty decent cast whether you look at the first or the second part which has some overlapping characters but takes a bigger switch in who is involved in this whole scheme of things. The characters themselves have some complexity as it wraps up in their back story and their stance on the whole situation regarding this organization and afterwards, the cult. There are a few twists added in. With strong topics about belief in society and the extent that some people will go to fight for those beliefs, it does end up having some very extreme moments as it looks at this grey area where belief can lead to good with good intentions and also the complete opposite of using it to manipulate the population to their benefit. This creates the extremities in also how characters are viewed and the desperation of others who have put their trust and faith in the wrong people, adding both drama and tension.

Overall, Hellbound explores some pretty serious topics in this fantasy crime drama series. Its swift pacing and the clear cut execution of its story is definitely some of the pros of this series. The first 3 episodes does feel a lot slower in comparison to its last 3 episodes but it has to do with different characters and a different purpose to set up the situation. Hellbound might not be quite what anyone expected and it might take some time to get pulled into its series but give it some time and it does get better as the plot thickens.

TV Binge: Fishbowl Wives (Season 1, 2022)

Fishbowl Wives (Season 1, 2022)

Director: Matsuyama Hiroaki & Namiki Michiko

Cast: Ryoko Shinohara, Takanori Iwata, Masanobu Ando, Kyoko Hasegawa, Wakana Matsumoto, Shizuka Nakamura, Saori Seto, Anna Ishii, Hadekazu Mashima, Shingo Fujimori, Atsuhiro Inukai, Yuki Kubota

In a luxury apartment tower, six different women in unhappy marriages end up crossing the line into infidelity. – IMDB

Fishbowl Wives dives into the married lives of various women in a pricey high rise where the higher the condo, the more expensive and wealthy the family is considered. Each of these couples struggle with their own issues which eventually lead them on the path of infidelity or in one case, pondering it. Based on the manga Kingyo Tsuma, the series is formed like an anthology where there is one central plot with the more successful and popular couple in the high rise penthouse who runs away from her abusive husband, giving up a life of luxury for a calmer and respected life at a goldfish store. The other stories of the other women are framed within their own individual episode. The structure itself creates an imbalance, leaving out a lot of actual substance for building these characters for the various women and leaving it with their decision to choose infidelity. With these stories also comes a lot of steamy sex scenes. Giving up their depth on the other characters, it does create space to elaborate on the main storyline revolving around Sakura (Ryoko Shinohara), her abusive husband Takuya (Ando Masanobu) and the goldfish shop owner Haruto (Takanori Iwata).

While the storyline is fairly thin overall, it does look at many different types of marriage especially highlighting the characteristics and values embedded in the Japanese (or maybe even some more traditional Asian) society. It looks at the different dynamics that exist within these marriages which essentially create the issues. While it seems in some cases a fairly ridiculous point for infidelity, it all dials down to the main point that some marriages might fade or change in their priorities or perhaps, all in all the lack of communication between these couples. Some of these affairs focused are truly hilarious to watch and a bit self-inflicted when the final episode shares all the end game of each of these couples. In some other cases, it also is a twist in the whole infidelity plot. It also brings in the whole concept of whether the one you marry is your “twin flame” as the eccentric Feng Shui lady in the high rise tells them seemingly leading them to these different affairs. There’s no doubt that the stand-out one that borders ridiculous and self-inflicted but a tad hilarious is the episode The Lunchbox Lady.

The central plot is where the main story does lie leaving many points to ponder in the whole situation. What makes it very respectable is the story itself especially revolving the growing bond between Haruto and Sakura is very comfortable to watch with a lot of very warm and romantic scenes without involving a lot of sex scenes. It gives their relationship a certain foundation that eventually comes to light a deeper story to the whole scenario. It shares a much more equal and balanced relationship compared to the marriage that Sakura escapes which is controlling and physically and mentally abusive. The whole fishbowl and fish brings in a lot of the analogy to her own life. The key here being that Ryoko Shinohara and Takanori Iwata are relatively good in their roles. I don’t watch any Japanese TV series so this is probably my first one so I’m not exactly sure whether this is below or above normal standard for this sort of show however, while their chemistry wasn’t always great and sometimes felt a tad awkward, it did manage to build up as it went along and the dialogue and their connection also managed to be pretty decent. Ando Masanobu playing Takuya does a good job as well since his character is pretty despicable right from the start and feels a bit more conflicted as it starts spiraling to the finale.

Overall, Fishbowl Wives is not exactly a great series. It lacks depth and character growth for the most part. It plays around with the concept of infidelity in marriage and does cover some interesting stories about marriage itself that may contribute or justify these choices (whether or not you accept it will probably also add or minus to the enjoyment of the series). These stories do reflect in its own way the societal values towards marriage and divorce in the Japanese society. However, if there’s anything to give it praise for selling itself in the steamy market, the show is pretty heavy on the steamy sex scenes and for the most part, they are filmed pretty well. In fact, not only those scenes are done well, there is a pretty decent use of cinematography overall. Not exactly the best first venture into Japanese TV series but it was pretty average, some good and some bad elements.

TV Binge: All of Us Are Dead (Season 1, 2022)

All Of Us Are Dead (Season 1, 2022)

Creators: Lee JQ, Chun Sung-il, Kim Nam-su

Cast: Park Ji-hu, Yoon Chan-young, Cho Yi-hyun, Lomon, Yoo In-soo, Lee You-mi, Kim Byong-chul, Lee Kyoo-hyung, Jeon Bae-soo

A high school becomes ground zero for a zombie virus outbreak. Trapped students must fight their way out or turn into one of the rabid infected. – IMDB

The latest Korean series to land on Netflix is a zombie high school horror drama called All of Us are Dead set for the most part in the suburban high school and follows the different groups of students trapped in as this zombie virus outbreak hits. All of Us Are Dead is rather unique. The angle it approaches to how this virus was produced and the motive behind it attacks a core issue which essentially didn’t do anything to fix the problem itself but the intentions being respectable for a science teacher with a desperate mission to help his son find the courage to fight off his bullies. This factor alone makes the virus outbreak being in the high school seem like a reasonable and suitable location.

Running longer than the average Korean series available on Netflix, All Of Us Are Dead has 12 episodes where each runs over an hour long. While the execution of the show itself is relatively decent, the pacing is where it tends to feel little stretched out in parts especially with some of the side plots and side characters, some of which feels almost unnecessary as it isn’t developed in enough length to make them meaningful other than being an additional factor that changes the main group of high school students trying to move from one location to the next to find safety and escape.

With that said, there are some great elements in terms of execution. The zombies and their transitions are done really well. The exploration of the virus is explained as it follows these video logs from the creator as he tries to track its change and hopefully find a treatment which sporadically pops up as the students experience those moments. There are decently executed and well-spaced out twists that give the story enough pivot to keep it engaging. The students themselves also have some creative ways in defense and finding ways to escape their current predicament. Adding in a touch of humanity in times of crisis and survival and mostly decent character development and some meaningful supporting characters regardless of their screen time and All of Us Are Dead is definitely an engaging viewing experience.

All of Us Are Dead is actually much more than a zombie teen drama. In fact, the whole teen element adds in their own coming of age angle for a few of the characters. Its main storyline revolving around two teens who are neighbors and childhood friends On-jo (Ji-hu Park) and Cheong-san (Chan-young Yoon) who have the most character development throughout the series, making their friendship and bond very meaningful to watch. However, that doesn’t discount the other characters in this group of classmates who add in their own comedic relief and different know-hows that contribute to various solutions. Of course, also having some students who have their own selfish personality, perhaps one of the most irritating characters played by Squid Game’s supporting actress Ji-Yeong who lands a role as a classist and snobby girl, Na-Yeon (Lee Yoo-mi).

Much like the main antagonist of the story right from the start, Gwi-nam (In-soo Yoo) who also ends up having an annoying and hated role which feels like it doesn’t quite reach the satisfying sort of ending that his character would probably deserve in the end. Or even dialing right back to some of the other classmates who feel like significant characters but lack a more in-depth character development to give them more context. Of course, this is a survival show so a lot of the emotions grows as the body count increases as the classmates also start being infected one by one and the longer time surviving together creates a bond between them. That element plays incredibly well and is honestly the strength of the show, even when it expands later on when the military gets involved.

In the heart of keeping this mostly spoiler-free, I don’t want to dive into too many details. All Of Us Are Dead is a pretty decent Korean zombie series. It has a lot of great elements in terms of execution of the horror and tension while balancing it with some comedic relief. A lot of that is contributed by a rather solid cast even if some characters do lack more development, the friendship and bond between each of the groups do prove to be what carries a lot of the story and makes the more dramatic moments more emotional. There are some arcs that definitely could have been spared or shortened and some supporting characters that probably didn’t get enough screen time. The length did affect a bit of the pacing making some parts feel longer than it needed to be but overall, the series does a great job at building up to a good ending that makes for a great direction to expand if they were to have a second season.

TV Binge: I Know What You Did Last Summer (Season 1, 2021)

I Know What You Did Last Summer (Season 1, 2021)

Cast: Madison Iseman, Brianne Tju, Ezekiel Goodman, Bill Heck, Ashley Moore, Fiona Rene, Cassie Beck, Brooke Bloom, Sonya Balmores, Danielle Delaunay, Sebastian Amoruso

In a town full of secrets, a group of teenagers are stalked by a mysterious killer a year after a fatal accident on their graduation night. – IMDB

I Know What You Did Last Summer is a 2021 modernized TV series adaptation of the novel of the same name and the 1997 film with only retains the general premise. I have always felt that slashers do have a market in creating longer forms for these stories whether its the previous attempt with Scream TV series (review) or this one since it gives so much more room to flesh out the story and characters and create a bigger mystery to cast suspicions. However, as both Scream and this series has proven, somehow they aren’t quite the crowd pleaser. Perhaps its the comparison to its predecessors or that a bunch of fresh faced teens as the main teens aren’t quite as appealing to watch with their new lingo and modern technology making the target audience not exactly aimed correctly. Whatever it is, it seems like a fate they haven’t been able to escape albeit myself finding both the previously mentioned or this one are still decently enjoyable despite there being obvious plot holes.

Looking at the story of I Know What You Did Last Summer, the essence of the premise is there. Grad night and an accident happen that gets hidden, a year later, they start getting hunted down along with other members of their community. The elements are all there and this remake brings things to today’s world: the social media, the lingo, etc. The story does pace fairly well throughout the season. It sets up the plot and uses the pieces of grad night to craft these characters one by one to not only complete the past and in turn, building up their present intentions or actions. The execution on that level is well done. The killings for the main group of teens is also spaced out fairly well with some creative death scenes to say the least while also directing suspicions from one character to the next reasonably. The best element of this TV series is that its self- contained. One season, a resolution and most answers addressed: its rare thing to have these days.

Looking at the young cast, I Know What You Did Last Summer is still pretty decent. Leading the show is the central characters, twins Lennon and Alison as they appear in flashback and present day, played by Madison Iseman, a young actress that I discovered with an indie film that I love, Riot Girls (review). She does a fantastic job as her character spirals throughout the film and creates some mind-boggling character development moments. Playing alongside her is Brianna Tju as Margot, a girl that has a little thing for Lennon but keeps getting rejected and has her own set of issues whenever she seems to lose control of her life as well as Dylan played by Ezekiel Goodman, who is the center of a lot of grad night’s feud between the twins and has the most resistance towards the whole accident being covered up. Much like them, there’s another girl who is best friends with Dylan and also deals drugs as her side business to earn some money, Riley (Ashley Moore). Complimenting the younger cast are the parent characters, the two prominent ones being Lennon and Alison’s dad (Bill Heck) who seems very knowledgable about covering their tracks about their little secret while his not-so-secret special fling with the police sheriff (Fiona Rene) who no doubt is a focus considering she is investigating all these deaths hitting their small town.

Overall, I Know What You Did Last Summer is a remake. It literally only uses the skeleton of the premise and builds from there. The film is set in sunny Hawaii which makes for some nice scenery. The cast itself is fairly decent for this type of teen series fare. While the plot itself has its fair share of head-scratching developments aka plot holes, it still fairly enjoyable to watch. I’m not sure anyone heading into these teen series are expecting some revelation or revolutionary profound watch so there’s no point in trying to make it what it isn’t. However, the show does have its fair share of tackling different personal issues that a lot of these shows normally would have and does it in a decent way. Slasher genre in general aren’t really supposed to taken that seriously since its just a fun time. Putting aside the comparisons, the show itself is pretty fun with decent moments of mystery and suspicion, building tension and a nice little wrap-up for the season-long mystery.

As a final thought in general, these teen slasher TV genre really seems to be struggling. It definitely makes me wonder why that’s the case. Teen series aim for a younger crowd so the original shows should bank on this better, perhaps Scream Queens being a nice example since it did make it to 2 seasons where other adapted or remade series might have its bigger issues as older audience than teens might want to venture into it since those would be compared to their source materials or film adaptation predecessors. Not sure there’s any conclusion to this thought but its been something that I’ve thought about whenever thinking about these series.

My December 2021 Adventures + Overview of the Year

After an entire year of pandemic (and ongoing from the previous year), we’ve finally reached the end of 2021. Its a tad wild and yet 2021 went by incredibly fast despite all the sitting at home, watching TV, playing games, and finding other ways from our own homes to connect with friends. Of course, the blog is not about that and while here took a little slowdown in the last few months mostly for personal IRL reasons, I still think it was very much needed. With that said, a little look at some simple activities in December. We will end with an overview of 2021: some simple numbers, and top 10 lists. You know, this is the normal deal on the last day of the year.

Christmas Decorations

Beyond Monet

Before things started getting worse in Montreal, we managed to make it to the Beyond Monet exhibit. Monet art is something that means a lot to me as art is something is what reminds me of my childhood with my father. With that said, this exhibit was quite the show as its a 360 wall of Monet art that flips through the details of each collection while pairing it with classical music (in majority, there was some opera as well).

OVERVIEW OF 2021

Its the end of 2021 and with that, its time for some quick numbers! First of all, we are dropping blogging statistics this year because its really not something that was top on my list this year. However, let’s focus back on the content that was consumed.

  • Total films watched: 215 movies
  • Total books read: 9 books
  • Total TV series binged: 69 seasons

Top 10 First Time Watches

  1. Hand Rolled Cigarette
  2. Vicious Fun
  3. Dreams On Fire
  4. The Final Girls
  5. Shang-Chi and the Legend of the Ten Rings
  6. Inglourious Basterds
  7. Better Days
  8. The Dressmaker
  9. Hello! Tapir
  10. Beyond The Infinite Two Minutes

Top 10 TV series

  1. Flourish in Time
  2. Baking Impossible
  3. Our Secret
  4. Squid Game
  5. Moonlight
  6. Lost In Space (Season 1-3)
  7. Love Crossed
  8. A Murderous Affair in Horizon Tower
  9. Use For Our Talent
  10. Sweet Home

Overall, 2021 was a decrease in content in general for film watching in general. The actually movie watching for 2021 releases was all focused on what was accessible on streaming services or online. Some of which is still waiting to be written up. Less posts written, less movies watched, a new podcast (which is currently in hiatus for rebuild), more TV watching (I believe since I didn’t track it last year), an unbelievable backlog of movies and TV series to write up reviews and a whole lot less books read is where I’m at as we approach this year-end. However, its been a crazy year in real life so I think all things aside, its amazing that things are still running the way it is.

Drop by tomorrow to see the 2022 upcoming plans post!
There’s some little changes and announcements!

TV Binge: Girls Und Panzer (Season 1, 2012)

Girls Und Panzer (Season 1, 2012)

Miho Nishizumi comes from a family famous for their skills in Senshado, the art of tank warfare. However, she dishonored her family name, so she attends the no-name high school called Oorai, which doesn’t have a Senshado club, wanting to stay away from it. But, the student council president has other plans, wanting to save their school from termination by winning the Senshado tournament. – IMDB

Its been a while since we’ve talked about any anime here. Its fine time to talk about the the latest one that I watched although it has already left Netflix. Girls Und Panzer is a interesting premise with schools on freighter ships away from the main land and the focus on tankery as an extracurricular activity. There’s so much to love about it mostly because war-like commands seem like its very focused on men and war but this one is an amicable strategy competition between different schools and bases around these girls at this school as they work together to make it happen with the main girl Miho being a girl that wanted to run away from her family and tankery but ending up with a school who rebuilt tankery in hopes of saving their school. I’m going to say right away that this is the rare occasion that I watched the English dub version, which was very adequate and entertaining. Minor things didn’t match up to the subtitles in comparison but it all translated to pretty much the same thing.

Girls Und Panzer is a little odd at times and a little quirky but overall, it has a really positive and fun vibe. Using the whole tank warfare as their focus is a unique angle for the story especially when it captures a girl who has refound her passion for something her family is renowned for but she has been shamed upon her ways as she isn’t doing it the conventional way but in a more caring way. It reflects in the team that she eventually is asked to direct as the commander for all the other tanks. Miho’s character eventually is crafted into a much stronger one by the end of season one. Much her team, especially the her core team which she runs the tank with as the flagship. They end up truly bonding as each of the characters also have their little background and something that they are fighting for as well or a certain value they find from joining into this.

While the characters themselves are pretty fun, the key element and the most fun of the series is the tank warfare sequences which they do spend a lot of time doing as the Oorai school pretty much has one friendly match as practice and then gets pushed into the competition against some of the top schools which also brings in some colorful opponents from different parts of the world and their own set of strategy versus theirs. All that stuff is pretty fun as the crew learns more about how to strategize and it smoothly flows from one thing to the next as they learn from their previous matches each time around. Not to mention, they actually bring up different actual tanks that did exist (a mega thanks to my husband who knows a lot about history who shared this knowledge with me while we were watching it) even if some of them (according to my husband again) was a little out of reality but it is an anime so a lot of these things can be ignored in my opinion.

Overall, Girls Und Panzer is a really fun series. Its a unique angle and the characters are all pretty good plus there’s a decent bit of comedy that lands pretty well even if some of it is a tad bizarre and quirky. Its a little sad to see that they didn’t get past the first season but there are a few films released after the TV series which is something that I am trying to hunt down.