Cast: Mamoudou Athie, Dina Shihabi, Evan Jonigkeit, Julia Chan, Ariana Neal, Matt McGorry, Martin Donovan, Kate Eastman, Charlie Hudson III, Kristin Griffith, Eden Marryshow, Georgina Haig
An archivist hired to restore a collection of tapes finds himself reconstructing the work of a filmmaker and her investigation into a dangerous cult. – IMDB
Based on the podcast of the same name, Archive 81 follows an archivist Dan (Mamoudou Athie) hired to a secluded building to restore a collection of tapes left behind by a college filmmaker Melody Pendras (Dina Shihabi) who moves into the Visser building hoping to capture the lives of the residents but also look for her biological mother but ends up realizing that that the building’s history is a lot more sinister and starts to investigate leading her to discover a cult.
Due to the nature of the show which dives from the present day with Dan and the past via the tape restoration and his process of watching it, the film story unfolds on a parallel. The writing is what truly shines in this series as it crafts both sides very effectively both in terms of the primary mystery element but also having the ability to craft a tense and sinister vibe throughout as it captures the isolation of Dan as he discovers his own side of the mystery as odd occurrences take place and the help of his friend (Matt McGorry) as an outside resource. Much like Melody Pendras who starts to gradually feel more and more of the cult that surrounds her through the strange residents that live there. The sense of danger and insecurity within the building is constructed incredibly well. The use of the VHS grainy element reminding that it is still an image that is being watched does a good job of pulling in and out of this parallel worlds of the past and present especially when it feels like its just watching two sides of a story and forgetting the time element.
While there aren’t any big name actors in the cast, probably the most familiar being Matt McGorry for his role in Orange is the New Black way back in Season 1 (I think) and he has gone on to do some other roles over the years, the main cast revolves around Mamoudou Athie and Dina Shihabi playing as Dan and Melody respectively. They both do a pretty decent job for what their role needs to deliver. Perhaps the supporting characters and their odd personalities delivers more although some of it does go a little overboard at times. Luckily, the show does only focus on a few main characters of the Visser building while Dan’s side focuses mostly around a few characters as well. The events craft a lot more of the atmosphere than the characters involved since the sounds and eerie and bizarre situations and the fear of being caught is what brings out most of the effective tense atmosphere. The characters’ interactions and encounters do bring up a lot of mystery and questions that slowly get revealed in the final episodes.
Overall, Archive 81 is pretty good. Its gripping and tense and the mystery is done really well. The angle and the twist also works pretty effectively. The tone and sound design and setting all add to the mystery much like the characters themselves. Unfortunately, the show does end on something of a cliffhanger and wasn’t renewed for a second season. A pity really since it would be interesting to see where it would have headed if it had the opportunity.
Cast: Kate Siegel, Zach Gilford, Kristin Lehman, Samantha Sloyan, Igby Rigney, Rahul Kohli, Annarah Cymone, Annabeth Gish, Alex Essoe, Rahul Abburi, Hamish Linklater, Henry Thomas, Michael Trucco, Matt Biedel, Crystal Balint
An isolated island community experiences miraculous events – and frightening omens – after the arrival of a charismatic, mysterious young priest. – IMDB
The third Netflix limited series of Mike Flanagan takes a completely different direction. Midnight Mass is bigger than the haunted house set-up but instead tackles an isolated island community and the uprise in religious faith after their new priest is able to create a miracle. This review will be mostly spoiler-free so some things will be much more general. If you’ve watched it, you might what I am addressing.
Diving religion and belief is a pretty ambitious direction to take especially since it also is a rather touchy subject for the most part. It brings up a lot of different viewpoints of religion in community which in a small little island setting does show the diversity of how many people treat religion on a daily basis as well as the extremities of beliefs and perhaps the dependency on it when faith creates miracles. There’s quite a few themes here but in reality the most important element being how these characters are crafted from their experiences and the relationships that grow whether on a family, romantic and friendship. The setting itself gives it a closed off and isolated environment but also manages to create a lot of diversity. When you bring in a stranger, the unknown and mysterious parts of this stranger become a spotlight and brings on the curiosity especially when they are more charismatic than dangerous. Much like someone returning to the island with their own background also has a sense of a new character where they try to re-establish themselves.
Where Flanagan’s shows are most successful is how the story crafts its characters. It makes human nature be the biggest force in what creates the creepy elements sometimes even more than the horror and sinister elements themselves. That’s not saying that Flanagan doesn’t create some genuine startling moments which does bring on a lot of questions especially with their unknown “monster’ that is rumored from their deserted off island where the youths go to hang out in the beginning to its appearances showing up across town. It brings back memories of Absentia when Flanagan creates a character with so little revealed that it creates so much suspense and mystery that brings along the horror. Of course, that’s been while ago and Midnight Mass has much more budget where it can create something a little different in what is actually going on. Although, in terms of execution, it does feel like the big reveal was done a little too early which makes what happens after feel like it drags a little bit longer than it needs to therefore losing the effects. its not to say that its not a shocking ending or that the end result does leave space to contemplate about some of its messages.
That being said, its hard to not talk about the characters here which are pretty well-casted overall. Starting off from Zach Gilford as Riley who returns from his four year prison sentence after killing a woman in an recent accident that causes him to be haunted by the scene over and over again every night. He returns to having to readjust both to the small town and their judgments as well as getting back to good terms with his family so that they can accept him while also facing his ex-girlfriend, Erin (Kate Siegel) who he soon finds out has returned back to the island pregnant but has followed her mother’s footsteps as a schoolteacher. Their reunited friendship keeps both of them comfortable as Erin helps Riley find somewhere that he belongs and isn’t judged but also understands the hurdles of coming back while they respectively have changed in their faith in opposite directions as Riley has lost his religion and faith where Erin has found it upon her return. These two characters are no doubt the center of the entire plot. Much like the island’s new sheriff, Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) also have a pretty strong role as their difference in appearance and religion create their own hurdles of how certain members of the island creates barriers of how they don’t understand how the island operates, sticking to their own ways. This leads to the church portion which brings on a very well-portrayed in the most frustrating sort of character who sits at an extreme of the religious spectrum in her absolute faith and belief, Miss Keane who is one of those very strong type of characters that carries the sharpest words, narrow-minded and is overall a pretty extreme type of person who acts like she is doing good when she is actually a pretty mean person as she manipulates others using her influence. Which leads to the new member of the Church, the young priest Father Hill who temporarily replace their elderly priest who is both charismatic and wise with his views and plays the mystery stranger role which has quite a shocking reveal.
Midnight Mass is full of well-developed characters which each contribute so much to the plot itself. There’s a lot to love about this mini series. In some ways, it dances around the sensitive topic of religion and faith when it is taken to its extremities and how it turn into something that can be freely interpreted using the Bible with any situation to manipulate situation when its believed to be good but it isn’t. As the character dynamics change with the constantly changing situation, this island and community becomes so intriguing to watch. Even if the ending seems a little wild, it does manage to keep its audience contemplating about the deeper messages portrayed here whether its about loss, grief, belief, faith, religion, etc.
Cast: Kiera Thompson, Sienna Sayer, Denise Gough, Steven Cree, Hannah Rae
Leah, 10, lives in a large vicarage, full of lost souls and the needy. In the day the house is bustling with people; at night it is dark, empty, a space for Leah’s nightmares to creep into. A small, nightly visitor brings Leah comfort, but soon she will realise that her little visitor offers knowledge that might be very, very dangerous. – IMDB
Adapted from her own 2019 short of the same name, Martyr’s Lane is Ruth Platt’s third feature film. This film is a British horror drama which balances the two incredibly well. While on the surface, the motions of a horror film is very apparent, the execution is in both its setting, sound design as well as the multilayered story that gets peeled back like an onion layer after layer to its heartbreaking fairy tale-esque supernatural ghost story.
Martyr’s Lane carried a wonderful script and premise. Nothing screams horror film as effectively as using children as their center, this one takes on two. The first is Leah (Kiera Thompson), the main protagonist living on this vicarage with her parents and her sister who right away realize that her relationship with them as a distance. Whether its the sibling rivalry between her and her older sister or the most loving teaching from her father or the quiet and distanced relationship to her mother, leaving her feeling lonely. Until she takes something from her mother that causes a lot of unexplained distress and she ends up losing it right when a little girl wearing wings (Sienna Sayer) comes to her window claiming that she’s an angel in the making and gives her nightly tasks to find what she has lost. These two little girls are the heart of the film. As young as they are, they are very smooth in their roles carrying the naivety that they should have but also being able to build their characters one visit after the next as these tasks start to reveal a more dangerous motive.
Leah’s nightly tasks takes her on an adventure as she moves around the vicarage grounds and discovers hidden little pieces. Some places being more hidden than the other. As she keeps looking, she starts finding little trinkets which start to piece together who used to be. These little clues are key to the story and each one increasing in danger as the simple game of 2 truths and one lie starts making these two little girls’ friendships grow. Much like her little tasks makes the vicarage grounds and her home a prominent setting to be in. There are horrors in the background unknown to Leah but the audience sees the fleeting figure in the distance that seems to be observing from a distance. While this sounds like most horror tropes, Ruth Platt executes them really well by building up the atmosphere to be increasingly unsettling and pairing it with some great sound design.
Ghost stories at this point are a dime a dozen nowadays. Its such an overused tropey category for the most part but Martyr’s Lane is different. Similar to a lot of other films at this edition of Fantasia, it breathes new life to a familiar horror subgenre by creating a thoughtful balance between horror and drama and adds in a hint of mystery and hidden secrets to put it all together. There are so many little elements worth discussing in Martyr’s Lane and yet, the film’s gradual reveal is one that is well worth discovering so less talk to keep this completely spoiler-free. While I haven’t watched Ruth Platt’s previous two features (but will definitely catch up sooner rather than later), her storytelling abilities and directorial finesse is one to absolutely look out for in the future.
*Martyrs Lane has its world premiere at Fantasia Film Festival on August 19th. It also will be landing on Shudder on September 9th.*
A woman and her brother seek revenge against a mysterious stalker. – IMDB
When I Consume You is a 2021 American horror thriller which revolves around siblings trying to make it together in the world until one day Wilson finds Daphne dead in her apartment. While the police claim its drug-related, he knows it isn’t and goes to follow what he knows to discover that her sister might be caught up with something supernatural which has now turned its attention to him. While he has relied on his sister in the past, he needs to find his own courage to face it. There’s a lot to love about When I Consume You. Whether its the plot, the characters and the cinematography plus of course, the horror element.
The plot is well-written and executed well. The focus on the siblings is a good one where they have hard lives and issues which are shown right at the beginning, outlining the two siblings contrast in personality and their bond. As the film layers out the whole situation and the threat that Daphne is protecting Wilson from, the film takes a rather more violent turn. The story also adds in elements of beliefs bringing in a symbol and the heart sutra. Having learned the heart sutra before, this was something rather interesting to see appear in the film. Its a little more than a horror film in that side as Wilson’s character finds an inner strength that he didn’t have anymore. The essence is in character building and bond that the siblings have that are very convincing which makes them all the more worth cheering for in the face of evil. A lot of credit does go to Libby Ewing and Evan Dumouchel who is great in their respective roles as Daphne and Wilson.
The horror element comes from this threat: a lingering figure in the closer with glowing yellow eyes which constantly appears throughout the film and remains unknown as to what it is until the end. To be fair, the effects for this has an unsettling feeling that builds. At the beginning, the effects actually made it a bit funny as it does feel a tad unreal and not too fitting with the tone of the film. However, as this mysterious stalker character starts being built up, it starts having a much more unsettling feeling overall.
The cinematography is definitely a standout here despite this odd shift occasionally to the first person perspective bringing some found footage wobbly camera elements on screen, which was a little less enjoyable as it felt like it pulled away from the film itself. However, on the overall element the cinematography does help create the tension and unsettling elements plus some scenes are crafted incredibly catchy. It packs in both horror and mystery which makes it all the more intriguing. There’s one part where its completely dark except for some neon pink lights on the background and phone screen and the sound effects with just a hand sneaking in to touch the phone screen which was an awesome stylistic scene. There are a lot of these moments which work very well.
Overall, When I Consume You is a wonderful horror drama/thriller with a great supernatural horror element and touching on the occult as well. It was both intriguing on its thriller elements but also managed to bring some unsettling feelings build up the horror elements and blends it well with the more drama elements for the characters itself.
*When I Consume You had its world premiere at Fantasia Film Festival on August 18th.*
Cast: Madison Walsh, Sera-Lys McArthur, Julian Black-Antelope, Sheena Kaine, Carla Fox, Samuel Marty
When a young passionate activist of an indigenous community is killed unexpectedly, a string of mysterious murders suddenly show up with no murderers in sight but with witnesses who don’t see anyone present. As local peace officer Mary and Park Ranger Stacey join together to investigate, they realize that it is related to the mining company WEC who has been approved to drill on their tribal lands and that something of a supernatural form could be protecting against it.
Don’t Say Its Name is a 2021 Canadian horror thriller. Set in a snowy indigenous First Nations community, the film also features a mainly female cast also mostly with indigenous backgrounds. There are not nearly enough films in any genre with First Nations voices and this one having this one is a pretty impressive one. The story itself is prime folk horror essence as the different opinions towards the change in the use the lands become a big factor to what is happening in the story. The snowscape and the community is a big factor in what makes this stand out. It highlights some of the isolated elements in the snowscape but also its lack of resources to have a more extensive investigation. The values of community is a big part of what is created here and the struggles that the community as a whole has. However, these little details are hidden in its script and dialogues but adds so much to the setting itself.
The cast is also pretty decent here. Mary, played by Madison Walsh as the local peace officer is really great in her role as she moves through each of the scenes trying to figure out what is going on. Her character is nice as she carries multiple hats while trying to do what she can with the investigation but also trying to care for her nephew and the little everyday bickering which accentuates another element. As she seeks for help, she finds Park Ranger Stacey, played by Sera-Lys McArthur who has her own set of issues including recovering from her time in the army but also her mixed race elements that shuns her a little from the community itself. The characters don’t go incredibly deep but they do build them enough to make them ones that are compelling to watch on screen.
In terms of pacing which is rather important in thrillers, the film kickstarts its investigation almost immediately and sets up the mystery right away. There are a lot of unknowns when it first starts leaving room for intrigue. The mysterious killings are also executed rather well as it uses its surroundings well enough. The special effects are also good. The film itself is a thrilling experience in the second half as the general suspicions are being investigated with the supernatural element becoming more prominent. It all comes barreling to a tense ending as everything unveils itself. While there does seem to be some elements that feel a little underexplained by the end, it does wrap up the whole situation fairly well.
Overall, Don’t Say Its Name is a rather unique horror film. Its snowy setting in a First Nations community is definitely the standout element but the whole thriller and mystery elements are also well-executed. This one is a pretty decent treat as it blends elements of folk horror with supernatural.
As a final thought, maybe I might be overthinking this a little, the plot premise also leaves room to contemplate a little more on what started the whole situation of whether protecting the land is more important than grabbing opportunities for its people (among some other points about community and this society that this film made me think about.)
*Don’t Say Its Name had its world premiere at Fantasia Film Festival on August 18th. There is an encore virtual screening on August 20th at 9am. More info HERE.*
Cast: Lingwei Li, Ning Han, Guanzhi Huang, Jack Yao, Teng-hung Hsia, David hao, Guanxu Luo, Kunda Wu, Serena Fang, Carol Cheng, Han Chang, Jui-hsueh Tsai, Chih-chien Lin
A tormented student uncovers unsettling secrets at her remote high school as betrayal and a paranormal encounter upend her life. – IMDB
Based on the 2017 point and click horror game of the same name developed by Taiwanese game developers as their debut game, Detention has gone on to a horror movie adaptation in 2019 (review) and followed last year with the release of their Netflix series based on the game but having a different story arc moving into the 90s and using the backdrop of the original source material to create a psychological horror drama.
Running at 8 episodes, Detention is an interesting blend as it starts off in the psychological horror territory and gradually retracts into a more drama-focused direction as the characters come into place while bringing in a sort of time loop element in its finale. Perhaps the best area that this could be considered is more of a gothic drama as nothing is going to really scare you a lot save for a few moments perhaps the opening episode having the most horror-esque scene. It does have a lot of themes revolving more touchy subjects with suicide and mental illness being a big one.
This adaptation, while taking its own liberation in the 90s, still manages to weave in the key plot points of the source material. That being said, the two girls whether its the ghost girl from the 70s, Rui Xin who wants some kind of revenge and is using her pendant to occupy a girl with her own unknown agenda and luring them in by fulfilling their wishes and then pushing them a certain extent versus this latest new to town girl, Yun Xiang with her mental illness and broken family actually draws a strong parallel between the two characters that gradually form the two characters and their dependency and connection as well. The two are probably the more intriguing characters as both the past and the present runs its own course. The focus on the present makes it interesting to see a lot of taboo situations happen whether with messing with spirits or the student-teacher relationship or even the warped values of Greenwood high School.
Other than the two female leads, there are some pretty good characters here and some situations that truly do make for some ethics and morals to come into play. The more villainous type of characters definitely do an impressive job. In reality, the story even has this weird focus of making these men into pretty much horrible people overall from the selfish principal to the controlling Inspector Bai down to the new teacher, Shen Hua. Even the neglectful father of Yun Xiang is pretty much a very unlikeable sort of character. They all do such a great job at making you mostly despise their actions overall. Putting the villains aside, there is one character of note and that is Yun Xiang’s schoolmate Wen Liang who may be pegged as a bad student in school but in reality is one of the more down to earth and genuine character in the whole scenario and truly looking out for Yun Xiang while also being a link to the spirit world and a character linked to the past scenario.
Playing with themes of revenge, school troubles, mental illness, student/teacher relationship, its brings in a lot of different elements that come into play through the 8 episodes. While the pacing isn’t exactly speedy, it still feels well-paced enough to keep things moving constantly and revealing the story gradually. The last 3 episodes add in a really good element that gives the series a nice twist that manages to pull the past and present situation together that definitely adds to the whole end game. Overall, an impressive little Taiwanese series that involves the supernatural but also shows the bad side of some people.
Cast: Byeong-kyu cho, Jun-Sang Yu, Se-Jeong Kim, Hye-ran Yeom, Seok-hwan Ahn, Hong Nae Lee, Sook Moon, Kwang-il Choi
Noodle shop employees by day and demon hunters by night, the Counters use special abilities to chase down malevolent spirits that prey on humans. – IMDB
Watch on: Netflix
Its been a while since I’ve seen any Korean series. The last series I watched was probably some romantic drama in early 2000s, whenever the Korean series phase hit with Autumn Sonata and then I watched the Korean remake of Meteor Garden which in my opinion is the worst remake of all of them made so far so that was equally not very appealing so consider me a little hesitant about Korean series. The Uncanny Counter gets a whole new perspective though because its not a romantic drama and its an action comedy about a ragtag team of demon hunters called Counters who with their special abilities hunt down evil spirits embedded in humans to send them and the souls their trapped to Yung, which I assume is something like a gateway to afterlife whether to Heaven or Hell. As the team starts hunting down, they end up reaching one case to the next that links to their own past and want to investigate and chase down the truth behind what happened as the danger level increases as they encounter the rarely seen highest level of evil spirits.
The Uncanny Counter does a great job because of its balance between the tones. Even in its most dangerous scenes, it manages to give time for the characters to still have their personality show which adds in some humor and vice versa. The story itself has a lot of funny little moments especially with the new addition of So Mun (Byeong-kyu Cho), an eighteen year old high school student which gets pulled into this unexpectedly. The progression and pacing of the story over the 16 episode season is pretty decent as well. The story starts off with the basics and slowly draws connections to Ga Mo-Tak (Jun-sang Yu), who has amnesia from his accident to So Mun’s past. The investigation spirals into something more complex pulling in supernatural elements along with politics and crime. It gets rather intriguing as the Counters characters have more depth throughout and their characters start to connect whether its Ms. Chu’s motherly care for everyone and her touching backstory or Ha-na’s slowly warming up to So Mun as her abilities prevents her from wanting others to be in contact with her physically. These four deliver some great moments together and their chemistry and balance is their characters’ personality develops rather well also. The team actually has one more member who is the monetary sponsor for their operation who is also a Counter but mostly not on the field who is a rich man with a big corporation called Jang-mul (Seok-hwan Ahn) who is a whacky character and brings a ton of laughs whenever he appears.
Talking about the characters, the show has a good deal of them. Whether its the criminal and bad guys involved especially in the second half when its focused on investigating the past of Mo-Tak or the other people involved from So Mun’s grandparents and his best friends, they all have their own place. Especially in terms of So Mun’s best friends, Woong-min (Eun-soo Kim) and Joo-yeon Im (Ji-won Lee) who are truly supporting characters but makes everyone wish that they had friends like those. Plus, they have some hilarious dramatic moments. At the same time, the bad guys are pretty great especially in the depth of how it goes behind the dirty doings and how the evil spirit hides in one of them and that story arc really gets taken for a crazy ride. I do have to say that while the evil spirit being pulled out of the body is meant to be scary, a lot of times, its rather goofy except for a few times especially when with the higher level evil spirit that gets revealed and the body it has taken over. Some of it is a little over the top but still, there are some unpredictable paths that it takes.
Overall, The Uncanny Counter is a great South Korean series. Its a lot of fun and a ton of good action sequences. The characters are done really well and the whole story is rather unique. The series is based on a webtoon called Amazing Rumor by Jang Yi and according to MyDramaList is set for Season 2 expected to release in 2022 which should be awesome and definitely looking forward to that if that is true. The show was a blast even if it only released 2 episodes per week on Netflix. Its done now so if you haven’t seen it now, you can binge through it as quickly or slowly as you want.
Expected Publication Date: January 12, 2021 Genre: Supernatural Thriller
An unsolved murder. Disturbing dreams. A missing child.
Caitlin Walker hasn’t had a dream in nine years. But now nightmares torture her son Adam and awaken in Caitlin buried memories and a dark secret. Her husband Lance has a secret of his own, one that his son’s nightmares threaten to reveal.
In Culver Creek newly hired detective Sage Dorian works to unravel the small town’s notorious cold case, the grisly murder of a young girl.
How are Caitlin and Lance connected to the horrific crime? And how far will they go to make sure their secrets stay hidden? Find out in this riveting thriller.
Being the first book for an upcoming series, Up the Creek sets a good foundation. Up The Creek is well-paced and executes the story back and forth between its characters. In this case, it involves 3 main characters: Caitlin Walker, her husband Lance Walker and the new detective in Culver Creek Sage Dorian, who has been hired to take a look at the cold case. As a thriller, it also is executed quite well to slowly give the reveal of what is the secret with Caitlin and Lance that links them to the disappearance of their child and the cold case. It also sets up the story so that the finale delivers a question that makes you think whether all this could have been avoided if one person’s decision had been different and whether some secrets are best exposed.
One of the best elements of Up The Creek is the character design/development. The three characters each have their own connection to the past that brings up some flashbacks and through various conversations with the new situation that comes up reveals their secrets little by little. With that said, the characters are fairly complexed and suitably so for a thriller. Caitlin’s secret is probably the easiest to piece together: the reason that she takes medication for her dreams and the quick reveal of her tendency for nightmares pieces together easily to see her deal. However, this ends up connecting to her young son Adam that eventually goes missing and no one truly knows who took him and what happened. Lance Walker is probably the character with the most secrets from what seems like every day habits to slowly see that he has a much stronger connection to the case. His character is actually rather fascinating as he unveils and everything comes into place. That leaves Sage Dorian which probably starts to feel like the balance for his part is a little smaller however he is a key part as he pulls the cold case with the new missing child case together. At a certain point at the end, it is fairly clear how it all pieces together however, there isn’t an issue for this character to draw the conclusions clearly. As a side note, while this isn’t mentioned but there seems to be one connection that probably will come into play at the end in future books as it may connect to Sage Dorian that wasn’t addressed.
As a first book of a series, Up The Creek leaves a lot to look forward to for future books set in Culver Creek. Already by the end, there still is the issue of Sage Dorian’s own family mystery that hasn’t been addressed yet and only mentioned that gives his character some foundation. Writing good thrillers are very difficult and something that I mention quite a bit. Up The Creek does a great job to make it both gripping and thrilling to watch from beginning to end with decent pacing and execution. Up The Creek is a great thriller and well worth a read.
Alissa Grosso is the author of several books for adults and teens. Originally from New Jersey, she now resides in Bucks County, Pennsylvania. You can find out more about her and her books at AlissaGrosso.com.
We are thrilled to share this amazing new novel by K.T. Rose! The Haunting of Gallagher Hotel just proves that ghost stories are perfect any time of the year!
Read on for an exclusive peek and an amazing giveaway to enter!
The Haunting of Gallagher Hotel By: K.T. Rose
Publication Date: November 5th, 2020 Genre: Supernatural Horror/Paranormal
Pride and greed infect the soul, anchoring the dead to Gallagher Hotel.
When Chris, a master thief, and Riley, a contract waitress, get mysterious invites to an exclusive party at the haunted Gallagher Hotel, they discover that there is more at play than simple celebrations.
Hidden truths are revealed, and all hell breaks loose. But the “party” has just begun.
Now, Chris and Riley face their demons as they fight to survive a hellish nightmare full of spoiled secrets, carnage, and vengeful spirits lost to the hotel dating back to the turn of the 20th century.
Will they survive the night? Or will their souls be devoured by the most haunted building in Michigan?
Torches lit up the town square, illuminating scowling and shouting faces. The townspeople launched stones and spit, pegging Trudy’s arms and face as she trudged through the abhorrent mob. She cringed when a pebble struck her cheek. Pain erupted, shooting through her face like lightning striking the earth.
Deputy Hill yanked her arm, leading her through the narrow path the townspeople created. Fists balled, Trudy groaned as the rope around her wrists dug into her skin. Her bare feet picked up glass shards and debris from the cobblestone path as she shuffled along.
She glared around at the angry faces and recognized the men, women, and children of Holloway. She’d done more for them than any God before her. Many of those people owned the very businesses that lined the stone slab she marched across that night. Building and financing the rows of wooden businesses lining the town’s square accounted for half the things she’d done for Holloway. She fed the hungry, made clothes for cold children, and taught woman’s independence. The ever-growing list of the townspeople’s wants was endless. At one point, she didn’t mind the busy work. Fulfilling dreams of the once poor town kept her boisterous and distracted from her bitter reality. Trudy was Holloway’s personal shepherd, making the people her needy sheep.
Hands snagged at her lavender tea gown, adding dirty prints to the blood drops and grime from the beatings in that putrid cell. She glared at the bare-faced man towering over her. The brim of his deputy hat cast a thick shadow, hiding his dark eyes and pale face.
Deputy would miss her. She was sure of it. He got off on the assaults that bruised her face. His heavy fists pounded her bones and scraped her skin until she confessed. And even after her confession, he continued with his evening visits, slamming her body into cinder block walls and passing off open-handed blows to her nose, cheeks, and eyes.
Trudy sighed. A bath with lavender and Epsom salt sounded good for the swelling. She didn’t realize how bloated and purple her once beautiful, fairly smooth skin had become until she passed by the picture window in front of the town’s jail just before they began her walk of shame. Her dark hair matted to her forehead, washed by sweat and blood. Her plump lips were chapped and bloated with bruises.
Even then, her face pulsed with intense hurt. Pain shot through it whenever she winced.
The sea of convictions roared, growing louder as she drew closer to the opposite end of the square.
“Adulterer,” yelled a woman.
“Traitor,” screeched a boy.
“Murderer,” said a pot-bellied man.
Their accusations sent a sickening jolt through her bones. She watched the path underneath her slowing feet, fighting back the tears.
How could they turn on me like this?
The Haunting of Gallagher Hotel is a decent horror story packing in both elements of haunted house (well, in this case, its a hotel) and the ugly side of humans which is what gathers this “elite” group of invites for an overnight stay at Gallagher Hotel, a place not only known for being haunted but with a lot of history. The story itself follows some key characters, jumping between Riley, a woman specially requested to work there who has suffered quite a bit of loss; Chris, a young man who is part of a thief ring however wants to use this as his final job before leaving town and Trudy, the woman who haunts this hotel.
The story itself does pack a lot. There are a handful of characters which all have their own character build and past which determines why they were invited to the hotel. As each of their motives get revealed and perhaps their ugly side, its where the story is at its strongest especially since it reflects on how they essentially get ended. Those scenes are well-executed and in vivid description. However, the main characters do have these disjointed storylines jumping back and forth. It spends a lot of time with each of these characters separated from each other for most of the story however, its almost like a mystery as the group goes through their own visions that pop up to haunt them from their past. At the same time, Trudy’s storyline fills in the blanks with the history of what lead to her death and how she came to be haunting the hotel and how this world of evil works. The balance between executing the lore and the haunted house was where the pacing started to go off in the middle section.
With that said, the story itself blends bits and pieces from stories told mostly in movies and TV. The element of being invited in, a key book to the story, the hotel resembling that of The Shining, some haunted house elements that give off the vibe of that from the recent Haunting of Hill House. Its not a bad thing to pull certain elements and add their own twist. In fact, it has a certain level of creativity as all these elements and atmosphere do blend well together. Its more an observation than a criticism.
Overall, The Haunting of Gallagher Hotel is decent. Horror novels don’t normally scare me and this one wasn’t a pure horror novel. It has some horror elements from the death scenes and how that was described but it is mostly mild (of course, that differs to the reader but I do watch a lot of horror so my tolerance is fairly high). There are some pacing issues in the middle parts but if anything, this is a rather ambitious story as it does try to build its own lore and history to the hotel while adding in this group of characters and exploring their darker side.
K.T. Rose is a horror, thriller, and dark fiction writer from Detroit, Michigan. She posts suspense and horror flash fiction on her blog at kyrobooks.com and is the author of a suspenseful short story series titled Trinity of Horror, an erotic thriller novel titled When We Swing, and A Dark Web Horror Series. She also writes supernatural and paranormal horror novels and short stories.
Cast: Richard Harmon, Sara Thompson, Echo Andersson, Marina Stephenson Kerr, Erik Athavale, Gwendolyn Collins, Zoe Fish, Kristen Sawatzky
After the death of his father, a brilliant college student returns to his family home where he learns that the horrors from his childhood aren’t as dead and gone as he once thought. – IMDB
There’s no doubt that based on the synopsis above that The Return sounds like a unique horror experience. However, The Return isn’t quite as generic as it makes it out to be. In fact, its one that starts off with a general horror tropes seen in ghost stories. Creepy dolls, jumpscares, slamming doors: the basic elements of a haunted house, right? Its all wrapped up a college student going back to his childhood home after his father passes away in a questionable manner. With his girlfriend and best friend in tow, they go to the funeral and sort through the house when his long return dredges up something else and eventually bringing him to dig up some things in the past that he has forgotten.
The Return’s first part although fairly predictable in its scares actually manages to build a decent atmosphere. However, the first part is also the weaker part of the film. Not only are the scares fairly familiar haunted house tropes but its really the pacing of revealing this “ghost/monster” (whatever you want to call it) to quickly that messes up a little of the turning point/twist. With that said, it also tries to pack in too many scares in a short amount of time that decreases the scare element. At one point, the “monster” revealed itself over and over again in quick frequency and anything in frequent amounts tends to dull the effective of what its trying to achieve. With anything lurking in the background, the mystery of how its executed is incredibly important and somehow that seems lose a bit of that in the first half, even though the set up was done well enough story-wise.
The second half is much stronger as it consists of a clever twist and at the same time, it has a lot more action of the characters actually being in some kind of peril. The threat is in action a little more. While some reactions were a little silly, the search for what happened to the main character and his lost memory along with connecting all the dots to why his childhood home is haunted does add a lot to making it much more unique and adding in some of the mixed genre elements, in this case a bit of science fiction and time travel.
The Return is one of those movies that might not be really at first glance or even the beginning segment as the setup does feel a little been there done that in horror films however, once the past of the main character becomes more clear and and the things start to build up along with a clever twist, it does add a lot of charms to it. Its not exactly a pure horror film however, its unique because of this and adds a lot of extra points when those other elements come into play.