What’s Up 2020: Week 37

Another week has gone by. A lot of last week was catching up, wrapping up, finalizing and then recharging and organizing. At the same time, as I had mentioned last time, I’m starting to get ready for next month’s marathon because I’ve learned from previous years that its not going to happen once the month starts so might as well start accumulating now, right? Yay to being organized..kind of…

READING

Fangirl

Currently reading: Fangirl by Rainbow Rowell

Finally getting back into a teensy bit of reading. I’ve had some really bad luck with reading on the bus lately as I always end up being next to someone talking on the phone loudly so its not easy to make progress. Either way, Fangirl is pretty fun so far even if I’m still really early in the book like 20% in or so.

PLAYING

Currently playing: Luna, Cat Force

While I took a little to get myself organized, I’ve been playing Cat Force the most on mobile. Its full of cats and its Match-3 puzzle game and then they meow when they get matched up. Its all kinds of cute and I’m about 50ish levels into it right now. If I know myself, I usually cap out on Match-3 puzzle games at the most at 100 levels if nothing significantly new happens.

I do have a few PC games that I have lined up to play after I finish Luna. We are restructuring Game Warp to get some new direction so that we can get back on track somewhat in time. However, I do have some written pieces to go up soon.

WATCHING

  • Girlfight (2000)
  • Hairspray (2007 rewatch, Review)
  • Skyscraper (2018)
  • The Predator (2018, Review)
  • Insidious: Chapter 2 (2013)
  • Insidious: Chapter 3 (2015)
  • Dawn of the Dead (1978)
  • Dawn of the Dead (2004 rewatch)

Its fairly obvious with this list that I’m starting to prepare for the Halloween Marathon at this point. Highlight franchise this year (a marathon structure that I didn’t do the past few years) is going to be the Living Dead franchise. Believe it or not, I’ve only seen Dawn of the Dead remake before out of the whole franchise so you know, catching up with that. There’s also other movies set up in between as you can see as well. It’ll be fun. Less festival coverage means more time to focus on doing a proper marathon this year. My awesome co-host did mention the whole 31 Days of Halloween or something, maybe I’ll do that as double features here and then use that as social media since I really just be promoting the blog better.

BINGING

Go Ahead
  • Chef’s Table: BBQ (Volume 1, 2020)
  • Go Ahead (2020)

Currently binging: Great Escape: Season 2, Love Signal 3, Handsome Siblings, Count Your Lucky Stars, Sing China 2020, Go Newbies, The Irresistible

I finally finished Go Ahead which let me tell you is my 2020 favorite series so far. Tops the list right away. Its a different kind of family story; the cast is incredible; the story is really good and it had me hooked from beginning to end. There’s a few moments that gets me every single time. Its really a treat. Of course, it had to be my highlight series. I’m super behind on TV binge posts for C-Dramas so it’ll come out at some point but I won’t make any promises about how soon. Although to be fair, Chef’s Table taking the BBQ themed path is pretty decent also. Chef’s Table and Ugly Delicious kind of all ride on each other a little. Its still a decent 4 episodes to go through as a docuseries.

On that note, most of the currently is pretty much the same. I’m taking a mini break from Handsome Siblings as its getting really annoying when its not about the actual siblings or younger cast. I couldn’t focus for more than one episode at a time so I decided to give myself a breather and just start something new which happens to be Count My Lucky Stars that I had wanted to start when it first aired in August which at 5 episodes in had me hooked at the 2nd episode. I do say that nostalgia plays a big part seeing as people complain about the female and male leads age difference in real life but they are the new and old version leads of Meteor Garden and the best parts of the new and old respectively. I fangirled over Jerry Yan when Meteor Garden came out and in his 40s, he’s a different kind of handsome right now. Okay..I’m starting to fangirl here so I’ll stop.

In terms of TV though, Great Escape: Season 2 only has one episode left and probably some finale episode or something as they sometimes have, I don’t know right now but its sad to see that end although the next episode is one to look forward to as its a crossover with Who’s the Murderer. Everything else is fairly early or just in catch-up phase at some point so that’s all. Things are definitely settling down on the TV front which is great so I can get back on some Netflix or Shudder series.

That’s it for this week’s recap!
What have you been reading/playing/watching/binging?

Double Feature: The Platform (2019) & The Predator (2018)

As I took a few days off to get my mind back on track and figure out what needs to be written (because I basically forgot after Fantasia Festival), we’re back on the double feature! As we gear into October’s Halloween Horror month, I’m leaving some horror on Shudder for next month so we’re focusing on the rest of the alphabet with only Netflix choices and maybe some shortcuts along the way.

Picking up where we left off, its time for the P selection. The first is a Netflix movie called The Platform and paired with the fourth movie in the Predator franchise called The Predator. Let’s check it out!

The Platform (2019)

Director: Galder Gaztelu-Urrutia

Cast: Ivan Massagué, Zorion Eguileor, Antonia San Juan, Emilio Buale, Alexandra Masangkay, Zihara Llana

A vertical prison with one cell per level. Two people per cell. One only food platform and two minutes per day to feed from up to down. An endless nightmare trapped in The Hole. – IMDB

The Platform is a Netflix Original Spanish sci-fi horror film which works a lot like Snowpiercer where its moving horizontal through a train, this one moves in a vertical structure via a platform that passes from the top levels to the lowest levels. As a man gets trapped there, his conversation with his cellmate becomes one where he starts to notice the patterns and the system and wants to fight for a change to actually survive this ordeal. The backstory and mystery of why these people are there and how do they get out is all a key part to the story. Sure, the platform itself plays a big part as the people shift every while from one level to another so that they can experience the upper and lower levels and the ugly and selfish side of humans in the face of survival.

Netflix automatically started the movie in its dubbed English version for myself which was a decent experience. It would be interesting to watch it again in its original audio. Overall, The Platform is a pretty good film. It builds up on the mystery and the intensity of the situation pretty well and has a decent pacing and execution throughout.

The Predator (2018)

Director (and co-writer): Shane Black

Cast: Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Sterling K. Brown, Thomas Jane, Alfie Allen, Augusto Aguilera, Jake Busey

When a young boy accidentally triggers the universe’s most lethal hunters’ return to Earth, only a ragtag crew of ex-soldiers and a disgruntled scientist can prevent the end of the human race. – IMDB

There are days I wonder why we just keep going back to making more and more of a franchise when it should’ve been left at the first movie. It sometimes feels like Predator is one of those situation, maybe because I’m also not a huge fan of this franchise in comparison to Alien franchise, I guess. Although, credit where its due, Predators (review) was a pretty fun one even though I think some people wasn’t a big fan. Back on track to this one, the story here is far-fetched and it runs rather off track the further it goes. The only thing that worked for it was the ragtag team and the twist of the concept of the predators end-game although the whole “twist” of what they wanted wasn’t exactly a twist but fairly obvious.

I don’t hate on this completely since I thought Olivia Munn’s character was fairly resourceful and there’s some familiar faces with Thomas Jane and Keegan-Michael Key, two people that I rather enjoy in movies. Then there’s the little boy played by Jacob Tremblay who right away is different but intelligent for his age. The characters do work rather well. Its a pity that the story gets a little odd especially when the Predator world starts showing up with alien pups which was supposed to add some humor which it kind of did at times especially with whatever it would fetch back.

Its a fairly flat experience. Its not good but not horrible either. There are some glaring issues with it for sure but then, the director definitely has a special place for this movie as it puts in some references to the original film (or at least a very obvious one).

That’s it for this double feature!
Have you seen these two films?

Fantasia Festival 2020: Shorts Round-up

Like every year, the final post for Fantasia Festival 2020 is going to be a short film round-up.

Abracitos (2020)

Director (and co-writer): Tony Morales

Cast: Virginia Gomez, Beatriz Salas, Carmen Salas

This Spanish horror short running at 11 minutes is set in the bedroom of a little girl when a phone call rings and the two sisters picks up the phone to realize that there’s something outside the little hideaway. While there is a little bit of campiness in the design of the “monster” on hand, the execution and atmosphere is done so well that it is very creepy and unsettling of tension build-up as anticipation of something happening builds up more and more of what will appear and all ends in a startling ending.

Abracitos is an incredible short executed with such a strong sense of horror that just makes you cringe in your seat waiting for what will happen next but never actually knowing when it will happen.

Downs of the Dead (2019)

Director (and co-writer): Even Husby Grodahl

Cast: David Vekony, Svein Andre Hofso Myhre, Eili Harboe, Ivar Lykke, Jeppe Beck Laursen, Elg Elgesem, Giulia Hellesdatter Roi, Trond Halbo

Running at 23 minutes, Downs of the Dead is a horror comedy set in a home for the intellectually disabled when the zombie apocalypse hits. The nurse tries to find a way out with the residents as the people around start turning one by one. The comedy elements of Downs of the Dead is pretty good. The incorporation of the different character groups with both the residents and the nurse’s collaboration to escape taking a different angle while using the visiting music band and the boss who gets turned into another element of added danger. Its all rather entertaining to watch and runs at a decent pacing. Horror comedy set during zombie apocalypse is really a been there done that sort of premise however its characters and setting is really what gives it the unique edge.

Suspense (2020)

Director (and writer): Ben Burghart & Jacob Burghart

Cast: Robert Coppage III, Jelani Talib

Running at a swift 7 minutes, Suspense starts off with an army pilot caught in the canopy of trees after he escapes the crash. As another army pilot reunites with him on land, they realize that something is chasing them in the shadows. Playing a little like Predator, this story takes a turn for the worse really quickly as the invisible enemy is tracked mostly by its sound with the aid of the camera. Its a fast-paced and excitingly intense short film that delivers on executing some thrilling build-up.

Dead Birds (2018)

Director (and co-writer): Johnny Kenton

Cast: Shannon Tarbet, Tara Fitzgerald, Luke Newberry, Synnove Karlsen, Lydia Wilson

A failing teenage badminton player at a Catholic Girls School is visited by a Saint – who agrees to help her if she’ll complete three tasks for him. Dead Birds is a twisted Super Natural Black Comedy about competitive mother daughter relationships, losing your religion and learning how far you’d go to get what you want. – IMDB

Running over 30 minutes, Dead Birds is one of the longer short films in this batch and also that I’ve seen to date. Its a dark comedy that elevates in its intensity gradually and also a horror comedy that doesn’t use zombies but rather the psyche of a badminton player striving for success and recognition to move up before a big competition. Its quite a wild ride with a good execution on the humor (at least for myself) and all builds up to this fairly alarming twist ending that becomes a little apparent by the final moments right before it as things all piece together from the various conversations. Its a fun and engaging short film that feels very different from any that I’ve seen before.

Homo ErecTattoos (2020)

Director (and writer): Kim Tae-woo

A terrible accident leaves a young soldier horribly scarred, but his rediscovery of art heals his wounded soul, in this brief but powerful animated documentary. – Fantasia Festival

If there was any short film that’s unique, it would definitely be this 8 minute South Korean animated short film. One of the most standout points is how it uses its black and white art style to execute each of its scenes as the pictures morph into one and another to progress through the story of a soldier recovering. There’s such a powerful story told here while still keeping it stylish and visually gripping. Its a movie experience that shouldn’t be missed.

What’s Up 2020: Week 36

Another week is gone and Fantasia Festival is behind us now! All the content is up at this point even if there was a week delay in getting mostly everything done. Next week, things should show some signs of returning back to normal as I start sorting through the backlog and what needs to be done as well, start planning for next month’s Halloween Marathon!

READING

Fangirl

Currently reading: Fangirl

I’m just going to confess right now that I did zero reading this week. None whatsoever. I was either watching movies for Fantasia or using every spare moment to write. I’ve also been going through some strange insomnia so it hasn’t helped the energy or productivity. Reading will resume as I do want to keep going with Fangirl once I’ve recharged my Kindle again.

PLAYING

Luna

Currently playing: Luna

The same for reading as gaming basically, which was pretty much expected. Luna is still the game that I’m going to return to very soon. I didn’t get much time for gaming.

WATCHING

  • Homo ErecTattoos (short 2020)
  • Bring Me Home (2019, Review)
  • A Witness Out of the Blue (2019, Review)
  • Legally Declared Dead (2019, Review)
  • Perdida (2019, Review)
  • Chasing Dream (2019, Review)

I ended the last few days of Fantasia Festival powering through a lot of on demand films. It was a bit intense but all the films were pretty fun to watch. My favorites for the week had to go to A Witness Out of the Blue followed very closely with Chasing Dream. Both had their own style that was a lot of fun to watch. Both of the films, I’d gladly watch again if I had the chance (fingers crossed that Netflix might pick it up).

Talking about Fantasia coverage, I do have to to say, the only post that hasn’t gone up is for Fantasia shorts round-up. There were some impressive short films this year that I saw and no doubt the one from this week’s recap, Homo ErecTattoos was incredibly unique.

BINGING

  • Gagman (Season 1, 2020)
  • Little Forest (Season 1, 2020)

Currently binging: Great Escape: Season 2, Go Newbies, Go Ahead, Chef’s Table: BBQ, The Irresistible, Sing China 2020, Handsome Siblings, The Coming One:SuperBand, BLK946

I finally sat down to finish Little Forest which was a charming little show. Its always relaxing to watch little kids with celebrity adults in nature. Plus, I liked the celebrities involved so I had a fun little dynamic. However, highlight show that ended would be Gagman. That show was a treat every single week. I can’t say that I’m particularly happy with the rundown of the Gag6 (top 6 Gagman/Gagwoman winners) since I’m sure there are other people there that would be much more entertaining but its an alright mix of people.

Some of these shows have kind of fallen into the background right now as I only have a pair of eyes that I can’t watch movies and TV at the same time. I have some general shows that I always like to catch when they release like Great Escape 2 which should be ending soon along with the Master Version (which I never list here but its a show with the same escape room with little changes but a younger cast which are pretty much have their own set of intellectual skills).

Go Ahead is one of my favorite dramas this year and its nearing its final few episodes so I’ve been saving up the episodes so that I can binge it in one shot since if its anything like other series, the last 10 episodes will be a torture to have to watch one or two episodes and then wait for the next day’s to release. Because of that, I finally started Handsome Siblings which has been made so many times that its hard to wonder whether it’ll live up to the last one, which it took a little while to get into but I’m about halfway and its starting to get into a rhythm that I like. Aside from that, I keep forgetting to talk about BLK946 which is a show about trends and fashion/design while I’ve also started watching Sing China 2020 which is like American Idol but the Chinese version but hey Nicholas Tse is a judge/mentor so I’m a little late to the party but better late than never.

That’s it for this week’s recap!
What have you been reading/playing/watching/binging?

Fantasia Festival 2020: A Witness Out of the Blue (犯罪现场, 2019)

A Witness Out of the Blue (犯罪现场, 2019)

A Witness Out of the Blue

Director (and writer): Chi-Keung Fung

Cast: Louis Koo, Jessica Hsuan, Louis Cheung, Patrick Tam, Philip Keung, Sam Lee, Andy On, Fiona Sit, Cherry Ngan

A Witness Out of the Blue is 2019 crime thriller about a murder of a member of a bank robber group that may have gone array as they hunt down their leader with only one witness to the crime: a parrot. One of the best things about Fantasia Festival is hearing director’s talk about their film. A nice touch to A Witness Out of the Blue was the director having a little message about how the movie came to be and how it all started with a parrot. Director and writer Chi-Keung Fung definitely is more renowned for his writing credits with involvement in Stephen Chow movies like Shaolin Soccer and The Mermaid. A Witness Out of the Blue has the hook of using a parrot as a witness and how the cop will use it to his advantage to learn about how a parrot communicates or learns the language and can have the intellect of a 5 year old child and its a fun element for sure. The story itself does create a lot of twists and turns that manages to lead down a rather interesting chase. There’s a bit of tension and a bit of humor and the mystery definitely takes everyone for a chase with the characters. The ending isn’t exactly never been done before (but I say what its similar to, that would be a huge spoiler so I’m going to avoid that). Whether pacing or execution, A Witness Out of the Blue is an intriguing thriller.

A Witness Out of the Blue has a stellar cast. Its consisted primarily with the once righteous but now easygoing cop Detective Lam that everyone sees as useless who sees through the case in another angle played by Louis Cheung who is more known for his music career than his acting career even if he has a lot of Cantonese voice acting credits to his name however delivers quite the performance. Lam starts suspecting his upper level boss played by Philip Keung (a familiar face at this year’s Fantasia for sure with his appearance in Sheep Without a Shepherd HERE) who holds a grudge towards the bank robbers for killing another cop. At the same time, Lam needs to still try to catch the bank robber mastermind Wong by the character played by Louis Koo but always seems to be one step behind as the robber crew starts being hunted down as well making him look more and more suspicious. There is no doubt that Louis Koo’s career is full of crime thrillers at this point and he is the perfect candidate for this role especially since he becomes something of an antihero. At this point, Wong hides out at this senior care home managed by a visually disabled woman played by Jessica Hsuan where we see the more human side of Wong in their interaction.

There is no doubt that Chi-Keung Fung is a great writer since every character in this thriller has its purpose. The characters all play off each other as detective Lam goes looking back at the grudges linked to robbery as he questions supporting characters played by Fiona Sit, Andy On and Patrick Tam. Each of these characters have their own stories whether its a flawed detective or a mastermind who wants to find the truth of the death of his team but every step takes on a different turn. Put in the equation of the parrot being another character and its all quite the whirlwind ride.

A Witness Out of the Blue has a lot to offer. It tries to be a little different and how it starts with a parrot and uses its characters all fit well together. Its a crime thriller that has some action and comedy blended together to become a little more mix genre. With both a stellar cast and a fun little plot and some great comedy points, it all actually fits together in a well-paced, engaging and entertaining sort of crime thriller even if the ending isn’t as clever as the director might think it is but somehow this still felt a little like a breath of fresh air in the sea of crime thrillers that come out every year.

Fantasia Festival 2020: Legally Declared Dead (死因無可疑, 2019)

Legally Declared Dead (2019)

Director: Wai Yuen Kim

Cast: Carlos Chan, Anthony Chau-Sang Wong, Karena Lam, Kathy Yuen

Based on Japanese novel Black House by Yusuke Kishi, Legally Declared Dead is 2019 Hong Kong psychological thriller that centers its story at an early point of understanding a quote: “The road to Hell is paved with good intentions.” It takes the angle of an insurance broker Yip (Carlos Chan) who is assigned a client that asks him to discuss his policy at his home but ends up witnessing his son hanging from the ceiling and the case ends up being deemed a suicide and his parents get the insurance money. Struggling between hallucinations from PTSD and believing that the father Tak killed his own son with the scheme to get the insurance money for his own purposes, he goes onto his own investigation before Tak gets to his wife Ling who also has a huge insurance policy.

Legally Declared Dead is a good premise. While I’ve never read the source material, there is something about following a normal person that finds this newfound desire to seek out the truth relentlessly despite the apparent abnormal personality from Tak and Ling. The story is at its most gripping when its looking watching Yip pursue this family’s past from where the couple met and piecing together Tak and Ling’s story. There’s a great execution element done where the past blends into the present with each shot as it shares the location. Its a very cool maneuver to keep the scene flowing smoothly. However, the movie does have a secondary focus on Yip’s mental state falling apart as he starts seeing nightmare scenes like the pet praying mantis giant and attacking him and his girlfriend for example. The CGI is rather lacking for the most part and doesn’t quite flow as well. Its meant to be creepy and yet it seems to not quite hit the mark especially as its meant to build up on Yip’s character while bringing up a key point of the dangers of praying mantis female and male together.

Legally Declared Dead

There is no doubt that where this movie excels is the performance of Tak and Ling by Anthony Chau-Sang Wong and Karena Lam. Its fairly early that there is something wrong with Tak and the story gives cues of different probably reasons for his abnormal behavior. Anthony Wong embraces this role so well especially as its such a helpless character by the end that creates a lot of unsettling moments throughout the film using actions and how he interacts with other people and then with Ling being a key point. Karena Lam delivers a surprising role as Ling. She plays a woman who has a visual disability that appears like she has settled for Tak for whatever reason that soon becomes apparent as we follow their side of the story that she has a manipulative character. Tak and Ling are characters with depth and twists. Its unsettling and psychological. Its a little sad that they are paired up with Carlos Chan who does an alright job as Yip but in comparison, his character lacks a lot more substance and feels fairly one-dimensional. Luckily, they also have a great supporting cast with Stephen Au, Kai Chi Liu and Catherine Chau.

Packed with a good premise and some outstanding powerhouse performances from Wong and Lam, Legally Declared Dead is relatively successful as a horror/psychological thriller. Its execution and pacing does build tension very well. It gives both side of the story and as each characters mindset and grand scheme comes to light one step at a time, it becomes more and more unsettling. Not to mention, the cinematography plays a big part using parallels to show the past and the truth of a story being told while also playing with light and dark scenes and the whole concept of good and bad people being respectively weak and power. There are a few decent use of psychological elements especially as Yip’s girlfriend plays the role of a team that looks into criminal behavior. Its a bit of a convenient setup but for the most part, Legally Declared Dead does fit together all its elements well enough to be gripping and engaging.

Fantasia Festival 2020: Wildland (Kød & blod, 2020)

Wildland (Kød & blod, 2020)

Wildland

Director: Jeanette Nordahl

Cast: Sandra Guldberg Kampp, Sidse Babett Knudsen, Besir Zeciri, Elliott Crosset Hove, Joachim Fjelstrup, Sofie Torp, Carla Philip Roder

Ida moves in with her aunt and cousins after the tragic death of her mother in a car accident. The home is filled with love, but outside of the home, the family leads a violent and criminal life. – IMDB

Wildland is a Danish drama about a family involved in crime witnessed through the eyes of a cousin that moves in after her mother passes away. Through her eyes, Wildland shows the dynamic of the family matriarchy lead by a doting mother who runs her underground business where her three songs help her with the dirty work of chasing down money owed from people and doing some scare tactics. At the same time, Ida starts having to tag along with her cousins even though each one treats her in a different way and slowly accepts her well. As with any family drama, there is a certain level of dysfunction whether its the overbearing love or the protectiveness or a judgement (and disagreement) of the girlfriends. There’s a lot that slowly reveals as the mother’s smile might hide a lot more and everyone has something deeper brewing in them. As Ida gets dragged deeper into this family and this crime world, a new side of her starts emerging as more of her personality comes out as well.

Wildland

Wildland executes the family drama with a lot of details and dialogue as well as the most confused feeling towards the mother character who seems to still treat her boys like children and yet gives them some important tasks. Every single character has their own unique personality. Ida pieces together the film because for the most part, she plays the role of an observer and doesn’t talk too much however she has a lot of little subtle moments that gives her some depth. Where the movie does the best is the story of the mother role played by Sidse Babett Knudsen who knocks it out of the park. Her mother role is a little unsettling as she is very close with her son and incredibly controlling of their every choice in life while also having this power woman sort of role to hold up all of her business.

As with her character, the second point is her dynamic and interaction with each of her boys. The oldest son, Jonas (Joachim Fjelstrup) plays someone who has found his place with his mother who still stays at home and built his own family so has some kind of harmony while being more of a manager role to his brothers. Mads (Besir Zeciri) is the brother seems the most out of control in his own world who plays video games and is a little weird. The last son David (Elliott Crosset Hove) is the plot point that drives a lot of conflict as his mother disapproves of him and yet he can’t seem to break out of his mother’s grasp to have his own life apart of this crime world. David carries a lot of hidden messages in his character and as things start piling up, he starts having some distance. What winds up to be a shocking ending especially on how things close out the story.

As more Danish films pop up in film festivals, its starting to become obvious that there are some upcoming powerhouse actors/actresses and directors in Denmark. Wildland tells what might feel like an expected tale of crime and family drama and yet, there’s a lot of subtlety to the performances and some fantastic visual cues used in the cinematography to boost the scene’s tone and mood. The characters are crafted with a lot of care and still leaves room for its audience to connect some of the dots and delivers some surprises as well. There’s a lot to like about Wildland.

Fantasia Festival 2020: Perdida (2019)

Perdida (2019)

Director: Jorge Michel Grau

Cast: José Maria de Tavira, Cristina Rodlo, Paulina Davila, Juan Carlos Colombo, Sonia Franco, Paulette Hernandez, Luis Fernando Pena

Shattered by the unexpected news of their irreversible break-up, an aspiring orchestra conductor is puzzled by his girlfriend’s mysterious and seemingly inexplicable case of disappearance. But, can he look beyond the facts? – IMDB

Perdida is the 2019 remake of the 2011 Columbian thriller called La Cara Oculta aka The Hidden Face (review). The source material itself is an outstanding piece of psychological horror thriller kind of deal with great execution and a stellar twist. It comes as a surprise after some research for this film that there was a remake before this one which was Bollywood film Murder 3. Its always been somewhat of a mystery in my mind whether knowing the twist of this plot would change its value in a second viewing and its probably one of the reasons that I haven’t revisited the original since I saw it years ago in the early days of the blog. Its also a movie that is very rarely talked about and it makes me wonder whether people actually have seen the original. Putting all that aside, Perdida was one that had a lot to live up to and one that is hard to not at least compare it to its original a little especially since movies that live in my brain years after its viewing is a rarity.

For the most part, Perdida stick fairly close to the source material especially in structure. Its atmosphere and the characters all come together quite well. Its interpretation of the suspense and the thriller also works well. What it does really well is the cinematography as it creates all the tension with ambiance as well as making some visually appealing scenes using the dim lighting and shadows. There are some passionate sex scenes and then the music score is probably what blends the best with the film which pulls together the orchestra conductor profession of Eric. The score builds up a lot of the scenes. At the same time, the contrast of subtlety in sound also crafts the suspenseful side of the story.

Where Perdida might not quite work so well is that the characters feel a little empty. The main leads between Eric, Fabiana and Carolina do a good job as their dynamic and the scenes sees the shift in those relationships. However, the need to cast suspicion on the husband being responsible isn’t as prominent and that has to do with a lack of the police officers presence in the story. There’s a bigger focus on the passionate love between Eric and Fabiana, a little bit of Eric’s obsession for this conducting career and a bit of his darker character perhaps, while Carolina is a someone who seems very resourceful but also having some extremes in her character.

Overall, Perdida on its own is a decent thriller. It follows the source material a lot and that originally had a very good story to begin with. The three main leads as Eric, Fabiana and Carolina all do a decent job while the other elements also come together fairly well. They also make the new home as a setting some kind of life as well with the little things that happen. In case anyone hasn’t seen The Hidden Face or Perdida, I’m going to avoid talking about the twist here which is executed fairly well. However, on a personal level, Perdida didn’t quite live up as a remake of La Cara Oculta since in my memory, the original still seemed to have a better control of a lot of these elements but that’s all comparison which if you haven’t seen it, Perdida is done pretty well overall.

Fantasia Festival 2020: Bring Me Home (2019)

Bring Me Home (2019)

Bring Me Home

Director (and writer): Seung-woo Kim

Cast: Yeong-ae Lee, Jae-myung Yoo, Jin-hee Baek, Hae-Joon Park, Hae-Jin Yoo, Ae-ri Jung, Hyun-woo Seo

A dedicated mother in search of her missing son follows a tip that leads her to a fishing village where corrupt police officers might have the answers to her mystery. – IMDB

Bring Me Home is a rather clearcut sort of thriller. Its a story about a mother looking for her missing especially harder after she gets an anonymous tip following her husband’s death. On one hand, she remembers and imagines life with her husband and son which gives her strength when she starts discovering the fishy clues of the people at the fishing spot of a boy that they hide from her in fear that it is her son.

Its not hard to get into the emotioms that Bring Me Home wants the audience to feel especially since the straightforward plot gives a clearcut line of good and evil. The mom is the sad person who is desperately looking for her son even through all uncertainty she feels like Min-su is her Yoon-su so things get crazy as she puts herself into one after another dangerous situation to find the clues amd prove her point and take back her child. On the other side is the evil people of the fishing village which we soon learn is full of ex-cons and lead by the corrupted cop Hong. The whole group is full of selfishness, molestation, misogyny and so much more. With a crew like that, everything they do is either overdramatic or overreaction making them more suspicious or how they treat Min-su in general. Its hard to not side with the mom’s side in a story like this and the finale is some sweet, sweet justice. Well, its a Korean film so there’s always some bitterness to it or else it wouldn’t be a thriller, right?

Bring Me Home

Lady Vengeance (review) herself, Yeong-ae Lee plays the mother here which means that subtle acting is really on point and well, the acting in general. Just like police corporal Hong played by Jae-myung Yoo which also does a fantastic job since it was so easy to hate this character and that hatred built throughout the film. Like I said, sweet sweet justice. Of course, these are the main characters and the two strongest opposing sides of the equation that really stood out. There are some supporting characters that really do add quite a bit to the story with the roles of Flounder (I think that’s the name) and Mr. Choi who both aren’t explored too much but at the same time, add to the story in their own ways, mostly in the dislike department.

With that said, Bring Me Home is an alright drama thriller. The story itself is fairly clear cut but they do have a little bit of the reveals in some of the subtle details from camera pans to using the flashlight in dark scenes. There is some disturbing scenes and unpleasant characters to deal with. I’m starting to notice films that deliberately use content that’s a little emotionally manipulating. This one does hit that territory a little. However, the fishing spot setting is used well and the whole thriller does get fairly tense. There’s a lot of subtle visual cues to bring some clues to light and give these band of kidnappers some depth. Without hitting too many spoilers, another element that was a bit lacking was its unsatisfying ending. Overall, Bring Me Home is alright with some good and some bad point but it has to thank its engagement really in its casting choice of its two main leads, Young-ae Lee and Jae-myung Yoo because they really delivered stellar performances.

Fantasia Festival 2020: The Mortuary Collection (2019)

The Mortuary Collection (2019)

The Mortuary Collection

Director (and writer): Ryan Spindell

Cast: Clancy Brown, Caitlin Custer, Christine Kilmer, Jacob Elordi, Ema Horvath, Jennifer Irwin, Jame Bachman, Barak Hardley, Sarah Hay, Ben Hethcoat, Mike C. Nelson

On the cusp of retirement, an eccentric mortician recounts several of the strangest stories he’s encountered in his long career, but things take a turn for the phantasmagorical when he learns that the final story – is his own. – IMDB

While horror anthology are far and few, they always luckily tend to pop up at Fantasia Film Festival. The Mortuary Collection is the latest offering and its one that the poster caught my eye instantaneously. The art style and color palette of it reflects in the movie itself. The Mortuary Collections tells 4 tales with the 5th one being the one that strings them together at the Raven’s End Mortuary over the span of decades starting from the 1950s all the way to the 1980s. All of them are fairly diverse but uses the different situation of people. As with many anthologies, some stories probably land a little more than others however in my opinion, they were all fairly entertaining in their own way with each other having a little bit of dark humor and increasingly creepy to watch all building up to the last tale set in the present.

The Mortuary Collection

The Mortuary Collection uses the conversation between mortician Montgomery Dark (Clancy Brown) and a potential hired help Sam (Caitlin Custer) as the basis as he shows her around the mortuary while fulfilling her desire to tell her stories of the dead that has passed through Raven’s End Mortuary. After each one, she will criticize them for their predictability or lack of extremity. The first tale told, set in the 50s, is rather short and gives a good taste of the style. In reality, its definitely a catchy dose whether its the color scheme or the single actress in one setting of poking their nose where they shouldn’t as she finds a creature in the medicine cabinet. I’m a big fan of creature features here so the small dose of this was exactly what made it a fun start. Of course, the 60s takes on a different term with a male lead that I recently saw in The Kissing Booth 2, Jacob Elordi plays a college boy trying to build up his count of girls he sleeps with and it all comes down to a rather scary end and warning about safe sex. Its probably not my personal favorite but the ending was slightly disturbing yet a tad creepy. If anything, this was the lesser one although it had a nice premise and had us wondering what creature this girl is that leaves a little space for the imagination to go off. The 70s one is probably the creepiest as a husband contemplates killing off his sickly wife to get out of this dead end situation. Things go horribly wrong as it usually does and it also gets incredibly creepy although to be fair, another anthology (maybe Creepshow on Netflix) might have had a similar sort of segment with a different backstory. The 80s one is titled The Babysitter Murders, told by Sam as she tells a story close to her heart. It might seem like one of the more predictable tale among all of these but in reality, it takes a rather unique twist of events.

Aside from the stories, Montgomery Brown and Sam’s conversation about stories, their greatness and lacking elements while also the lessons that it discusses all brings a lot of fun. The dynamic between the two characters works really well. Clancy Brown does a great portrayal of Montgomery Brown and Caitlin Custer is a rather engaging Sam which gives both of them some subtle depth. At the same time, Raven’s End Mortuary also seems to come alive as they go through the different rooms. There’s is fantasy-like entity to the space that almost feels like something more is just lurking around the corner.

The Mortuary Collection is a really fun anthology. Sure, not all the stories are perfect but they all have this great entertainment value that gives a nod back to series like Creepshow or Tales of the Crypt. They have their own keeper of tales and it even has this fantastic color palette that makes some colors pop in their gloomy environment. The setting and the stories spread across the decades all have their own genre and leaves a little space for mystery plus the stories all connect as supporting characters will overlap between each tale as well. Its such a well thought out anthology that brings a lot of entertainment and amps up the creepiness with each tale. Its one that I’d definitely want to watch again while also hoping that they make another of one of these to see what other stories they have to tell.