Fear Street: Part Three – 1666 (2021)
Director (and co-writer): Leigh Janiak
Cast: Kiana Madeira, Ashley Zukerman, Gillian Jacobs, Olivia Scott Welch, Elizabeth Scopel, Benjamin Flores Jr., Julia Rehwald, Matthew Zuk, Fred Hechinger, Michael Chandler, McCabe Slye
The origins of Sarah Fier’s curse are finally revealed as history comes full circle on a night that changes the lives of Shadysiders forever. – IMDB
Picking up right after Part Two, Part Three takes a turn as it changes its tone and style from the slasher genre (at least the first part) into a more slow-paced 17th century superstitious supernatural setting. In some ways, it takes a similar approach to films like The Witch where it plays a lot on its characters and the sudden bad omens that bestow what used to be Shadyside. This last part of the trilogy takes it back to the beginning and origin of how this Sarah Fier curse all started before heading into Part 2 of 1994 as its big finale as the current day situation tries to be solved. Part Three is structured to build up the big reveal of what this curse is all about and how it started and then the big finale so it really does complete a full circle of events. The contrast between the first half set in 1666 and the second half where its the continuation of the Part One in 1994 is very apparent but also what makes this one rather intriguing as well.
Looking at the 1666 origin story, Part Three takes a rather different route in both tone and atmosphere and it has to do with the setting in time. That’s of course a given. Plus, in contrast with the previous two parts, it does take a turn. The soundtrack also changes to something more of an orchestral soundtrack with more classical sounding music to match the times. The dialogue also shifts over while the story switches to a small town mentality towards the suspicions of witchcraft causing the town to be cursed because Sarah Fier does things against the religious teachings.
There’s some familiar character structures even for these types of films and they are introduced using the familiar faces from the previous parts and even perhaps how characters in their past lives are very similar to how they are in their other lives. Its a pretty nice character building in that level to be able to callback to these characters in their different times. Stories that start off more slow paced and reserve do usually boost up very well in its peak of events and reveal as this comes to a nice twist of who is cause of this Sarah Fier curse and giving clues to Deena who had been embodied in Sarah Fier in 1666 to figure out a way to end all this.
What makes the 1666 stand out is how its paired up with the 1994 continuation which brings to a very fun and fast-paced finale as not only the characters come together, giving Gillian Jacobs grown-up Ziggy from Part Two more screen time, but also a visual contrast dialing back to a neon color palette from its earthy tons in the past setting while also using its setting from Part Two and Part Three to all link back together from all the knowledge from travelling through to 1978 and 1666 and then finally bringing that back to 1994 as its big finale where all the elements piece everything back together.
Fear Street Part Three is a definite treat. The first part set in 1666 might not land as well for some due to its setting and the general tone those horror movies tend to have. Plus, the horror is still mostly not there except for the gore levels. However, the story does make up for a lot of this in its story and style to make it a lot of fun. Part Three brings it to a satisfying high point for its finale which is executed really well.
As a final thought on Fear Street trilogy event as a whole, it does work together really well. Plus, expanding a story into three weeks is also a good idea. Its almost like watching a TV series or mini-series but this one, each film wraps itself up well enough but still manages to leave some room for intrigue for the next film. If anything, Fear Street demonstrated the diversity of Leigh Janiak as a horror director as she moves through various styles of horror films but builds up the atmosphere to match up each element and keeps pretty well-rounded whether its as a teen Scream homage or a summer camp slasher or a old-time supernatural. The three films do piece together really well and it all dials down to execution and the events moving backwards to reveal its beginning in order to get to its end. Hopefully this is a start to Netflix building more stories around this sort of film event.