Next up in the double feature is the continuation of our catch-up for the New Year’s viewing with a movie set in a post-apocalyptic wasteland in an alternate reality then hopping back to watch some 80s slasher as we work through some of the Shudder selections that we often forget to check out.
Turbo Kid (2015)
Directors (and writers): Francois Simard, Anouk Whissell, Yoann-Karl Whissell
Cast: Munro Chambers, Laurence Leboeuf, Michael Ironside, Edwin Wright, Aaron Jeffery, Romano Orzari, Anouk Whissell, Francois Simard
In a post-apocalyptic wasteland in 1997, a comic book fan adopts the persona of his favourite hero to save his enthusiastic friend and fight a tyrannical overlord. – IMDB
Turbo Kid is a wonderful little full feature debut for RKSS, the team that contains the director trio, Francois Simard, Anouk Whissell and Yoann-Karl Whissell. Together they put together this alternate 1997 post-apocalyptic wasteland setting filmed in the secluded Thetford Mines in the province of Quebec where asbestos mining used to be its main activity. Suffice to say, the thought of the setting already gives it a lot of extra points. The 1997 setting also gave this film a lot of the charm with its music selection, its effects, the color palette as well as the outfits of the characters.
On the other hand, the character designs are equally fun. Leading the movie is Munro Chambers who plays The Kid, who finds his heroism through his comic book fandom for Turbo Rider. The Kid lives by himself and has found a way to survive on his own since he was young and the film takes its time to gradually reveal his backstory. At the same time, his subtlety is quickly contrasted by his new friendship with a mysterious and very bizarre girl with an over the top enthusiasm called Apple, played by Laurence Leboeuf. If anything, Laurence Leboeuf does steal the show a little here as her character is colorful both physically an emotionally. There is something so odd about her that makes her the more intriguing to discover. With any hero movie, there has to be a villain and of course, its not hard to soon discover in the harsh wastelands played masterfully by Michael Ironside, a towering bad guy called Zeus who pretty much controls the scarce resource: water. It doesn’t help that his masked henchman , Skeletron is also as intimidating.
There’s a lot to love about Turbo Kid. Its packed with a lot of creativity and creates an alternate reality that works in a wasteland that makes sense. The acting and characters all have their stand-out points. It also manages to blend comedy and action adventure elements really well to keep it fun while having some more dramatic moments as well.
Hell Night (1981)
Director: Tom DeSimone
Cast: Linda Blair, Vincent Van Patten, Peter Barton, Kevin Brophy, Jenny Neumann, Suki Goodwin, Jimmy Sturtevant
Four college pledges are forced to spend the night in a deserted old mansion, where they are stalked by the monstrous survivor of a family massacre years earlier. – IMDB
80s slasher films probably mean more to others than it does to me. To myself, its really just a fun little killing romp with a lot of the similar kind of deal. There’s always some kind of bad effects (usually because of the film not aging well) and then it has some disposable dialogue (that at the best of times is very fun to laugh at) and of course, a certain flow of events of the final girl syndrome and the couple having sex that gets killed first and the likes. I’m not well-versed in 80s slasher and really have just mostly seen the main big franchises so I probably don’t appreciate it as much as the connoisseurs out there.
With that said, Hell Night is okay. It has its very similar moments with a lot of the other 80s slashers and falls pretty much where I’d expect it. It drags in the middle a little and its incredibly predictable. The slasher scenes or death scenes aren’t very fulfilling as they just kind of happen and hope to get multiple scares as other characters discover the deaths. The acting itself is rather lackluster and its not helped by some pretty bad dialogue which merited some eye-rolling or laugh out loud moments. There’s some really silly moments in Hell Night.
Honestly, Hell Night is a lot of what you would expect of 80s slasher films, especially the earlier ones. Its not great but it has some entertaining elements that comes with the time. Its not quite as good as some of the more known slasher films but then, I think slasher film has its audience and if you happen to haven’t seen it, its okay. Save it for a rainy day or something.
That’s it for this double feature!
Have you seen either of these films? What are your thoughts?