The Tremor (2020)
Director (and writer): Balaji Vembu Chelli
Cast: Rajeev Anand, Semmalar Annam, Sasikumar Sivalingam
Following a tip-off, a rookie photojournalist sets off to report on a destructive earthquake but soon finds himself on a mysterious journey that questions the line between fact, myth, and sensationalism. – IMDB
The Tremor is one of those movies that is very hard to sell. The plot of it (just like described above) is rather intriguing but the execution is one that is going to test a lot of the viewer’s patience. The Tremor follows an unnamed photojournalist who spends most of his film driving in his car through mountain paths. The movie starts with scenes of the aftermath of an earthquake in first person as it sees trees fallen down and people being carried out in stretchers and there’s this brewing sound effects in the background that gets louder and louder and yet, back on the road, the movie spends a lot of time with a GoPro or dashcam bouncing around in first person of the mountainous roads that he drives on or close-up of his face whether trying to figure out where to go next or smoking.
The few encounters he has turns out to be fairly cryptic with different information being shared about whether an earthquake did happen and where it is exactly. That is where the suspense lies: in the unknown and whether this did happen and whether the tip-off was a real thing because it starts feeling a lot like its misinformation at a certain point. Its what keeps the plot going and the intrigue of following this man drive around the movie and visit different places and climb through mountainous locations and these little villages along the way looking and questioning the people that want to talk to him. Its these little conversations that much like him, the viewers are learning about the location and what happened or has happened.
In reality, what does give The Tremor the most style is the setting. The mountainous roads and the forest along with a deep fog that creeps in from the valley that starts covering up what is going on. It seems to come in slowly and unexpectedly, following him around. The isolated roads and the vast mountain range and valleys and just the emptiness of the whole location gives it so much suspense. As the past is revealed and almost always constant denial, much like the main character, its easy to wonder what is real or myth. If it wasn’t for the mountainous roads that feel like they loop (or maybe they do) and the unknowing direction of just moving forward and keep hitting figurative dead ends of this situation either having never been heard or the connection of a past earthquake that has been lingering in the village’s memory, it all gets a little uncertain and unclear.
In some ways, The Tremor really is quite an outstanding movie. The cinematography, the setting, the soundtrack all give it the suspense and mystery to keep the viewer intrigue. But at the same time, its a grueling experience where it ends and its a wonder how it was one to get into because in reality, its the most basic elements of watching one man drive through a mountain constantly going forward with almost always fruitless effort and it lies on whether the endgame is one that is satisfying enough. For myself, its a little half and half.
*The Tremor is currently playing virtually for Festival du Nouveau Cinema until October 31st, 2020*