The Hustle (2019)
Director: Chris Addison
Cast: Anna Hathaway, Rebel Wilson, Alex Sharp, Ingrid Olivier, Nicholas Woodeson
Two con women – one low rent and the other high class – team up to take down the men who have wronged them. – IMDB
Taking a little break from teem comedies, its time to take a look at an actual comedy about con artists which is a female-centered remake of 1988’s Dirty Rotten Scoundrels which is a remake of 1964’s Bedtime Story. I haven’t seen either of the films that The Hustle is based on. The Hustle is a tad odd and probably will be divisive on how you feel about these two actresses as they team up and face off as con artists. The film primarily circles around them and they play off each other to create the comedy. The contrast of the character’s personality and style being the main driving force of the comedy itself as they fight for the Beaumont-sur-mer turf in a wager for conning a tech guy’s $500K.
Anne Hathway and Rebel Wilson are a little hard to peg down their style. While Anne Hathaway has a lot of different films under her belt, she always seems to fall into comedy quite a bit. And in more recent films of hers that I have seen, she plays a lot with accents (The Witches (review) being the most recent example). They aren’t particularly bad accents and actually it is rather fun since it works well with these cons that her character is doing especially while Rebel Wilson’s Penny is convinced that she is the renowned international con artist, Medusa. Rebel Wilson plays into her style of comedy right from her days from Pitch Perfect (or even earlier in the smaller role in Bridesmaids) and she has come into her own but her comedy style is not exactly for everyone as it does go a little over the top and exaggerated. There is no doubt that Rebel Wilson has her own silly charm. In the contrast of things in this film, it works alright.
Call it a form of buddy film if you will because this does have that sort of feeling to it as these two work together and eventually adapt each other’s con strategies to play against the other. They do have a decent dynamic here even if some of the comedy might not always land right. The Hustle all comes to a twist sort of ending and the setting is absolutely beautiful. Its not a phenomenal comedy but it is pretty fun overall.
Falling For Figaro (2020)
Director: Ben Lewin
Cast: Danielle MacDonald, Shazad Latif, Joanna Lumley, Gary Lewis, Hugh Skinner, Rebecca Benson, Christina Bennington
A brilliant young fund manager leaves her unfulfilling job and long-term boyfriend to chase her lifelong dream of becoming an opera singer in the Scottish Highlands. – IMDB
*Originally posted on Friday Film Club*
As Valentine’s approaches, Netflix is bringing on a lot of different romantic comedies for their release schedule. There’s no doubt that when you look at Danielle MacDonald, her filmography has been rather diverse. Looking at some of her leading roles, she’s been truly wrapped up in trying to be something to break out of what others view her as from wanting to be a rap star in Patti Cake$, to breaking the norm of a pageant queen in Dumplin’ and her latest film right here as Millie who is striving to be an opera singer despite starting later than most would and giving up her own money-making successful career and being apart from her boyfriend for a year to pursue this dream with a harsh opera teacher Meghan (Joanna Lumley) and her only student Max (Hugh Skinner) who is reluctant about her presence as they both try to enter and win the upcoming opera singing competition. However, her presence brings on a journey that doesn’t only discover her talent for opera but also sparks the necessary change for Max to get in touch with his emotions.
Romantic comedies nowadays are really a challenge to truly enjoy especially as a lot of them are formulaic. Falling For Figaro still has a lot of those romantic comedy tropes but also has that comedy element that does deliver rather well as it features a cast of supporting characters and main characters that are colorful to watch in both dialogue and interactions. Not to mention that Danielle MacDonald does tend to connect herself to feel-good films. This one has a few awkward moments especially with her boyfriend character (Shazad Latif) that seems to be an odd presence but the film also focuses on the natural progression of the feelings for Max as they start to train together and despite his reluctance still tries to help her with some of the skills and understanding. The training bits with Meghan also have some comedy and adds to the whole film pulling away from the romance part to not focus too much on it. Its how the film overall strikes a decent balance between the training and the romance that makes it feel pretty fun to watch overall.
Perhaps calling Falling for Figaro a romantic comedy is stretching it a little since the romance is rather subtle and minimal overall. Its spaced out rather well and focuses more on the musical training element. Danielle MacDonald, Joanne Lumley and Hugh Skinner do make the film very fun to watch their entire dynamic both as mentors, friends and potential romance. Of course, the snarky inn owner (Gary Lewis) also adds to the comedy adding to the whole small-town charm much like the setting itself.