Director: Carrie Cracknell
Cast: Dakota Johnson, Cosmo Jarvis, Henry Golding, Richard E. Grant, Yolanda Kettle, Ben Bailey Smith, Nikki Amuka-Bird, Mia McKenna-Bruce
Eight years after Anne Elliot was persuaded not to marry a dashing man of humble origins, they meet again. Will she seize her second chance at true love? – IMDB
Based on Jane Austen’s novel of the same name (review), Persuasion tells the story of Anne, a woman well past her prime for marriage who ends up moving to Bath due to his father’s frivolous spending as the return of a man she once refused marriage after persuasion due to status returns to town after 8 years and brings back her inner struggle as they attempt to run in the same circle as friends.
Years ago when I did a Jane Austen books read, Persuasion was one of the hidden gems considering Pride and Prejudice is the most talked about. The Netflix adaptation is a little odd in execution. Dakota Johnson is rather suitable in her role as Anne and she remains the narrator of her own story as it brings in some fourth wall breaking elements as she speaks her feelings to the audience throughout the film. Unlike the clever use in Enola Holmes, it keeps her character development amusing but still feels almost little too modernized. However, the attempt to make this unique is a good effort, considering this is one of the key elements of the execution.
Persuasion is a story that embodies a deeper and more mature story as a love slowly rekindles and Anne and Captain Wentworth need to get through their past differences from the failed proposal years ago. The issue here is that these two have no chemistry and part of it is the film execution with how their encounters are written but the other part is that Cosmo Jarvis as Captain Wentworth doesn’t quite have the acting depth to interpret those quiet brooding stares as he observes or as they exchange glances. Arguably, the best moment between them, a lot thanks to some nice cinematography, is their final moment as they rekindle their romance and realize that they both still love each other.
Persuasion does hit a lot of expected elements of a period drama like the setting and the soundtrack are pretty good, much like the costumes themselves are decent as well. Some of the supporting cast including the other suitor played by Henry Golding also does a good job. Where the film falls short is in its tone which adds in a bit of silliness and humor as well as breaking the fourth wall which is a unique take but the script might have let it down a little, much like the romance which felt like it didn’t have the chemistry it needed to make it more memorable.
Purple Hearts (2022)
Director: Elizabeth Allen Rosenbaum
Cast: Sofia Carson, Nicholas Galitzine, Chosen Jacobs, John Harlan Kim, Kat Cunning, Linden Ashby, Scott Deckert, Anthony Ippolito, Loren Escandon
In spite of their many differences, Cassie, a struggling singer-songwriter, and Luke, a troubled Marine, agree to marry solely for military benefits. But when tragedy strikes, the line between real and pretend begins to blur. – IMDB
At this point, Netflix delivers a good amount of romance films a year in whatever genre and usually its a pretty mixed bag and truly a test of chemistry and casting rather than script. Purple Hearts is the latest offering as a romance drama which sets a premise of a marriage out convenience for a young soldier being shipped out very soon and a waitress/musician, both with their own hardships that this arrangement would offer.
Deal is, as someone who watches a lot of Chinese drama, marriage before love premise has been done to death over the past two years in all kinds of premise. Of course, it usually is more humorous and light hearted at the beginning rather than the dramatic twist here. While the general premise is fairly predictable, the use of a soldier and his situation that gives him a purple heart is one that makes this journey much more memorable as while it isn’t so much about war, Luke finds meaning in becoming a Marine through it despite the danger and connects more to his father (Linden Ashby) because of this choice despite the bad decisions he had made prior.
Much like Cassie who as the child of an immigrant family also makes her reconsider her feelings about the sacrifices the Marines are making as she learns more about Luke as they do what they need to do to keep up appearances. This understanding also helps her find inspiration to write powerful music which brings her growing success. This brings in the additional music element which is probably the purpose to cast Sofia Carson. While I don’t avidly listen to Sofia Carson, the two songs that she performs here are pretty good and fit the story well. In some ways, it does tie to the story itself in a meaningful way so its a way for her character to express herself despite the arguments and banter between her and Luke.
Honestly, I’m not too hard on romance dramas. In reality, a predictable story is acceptable when they can deliver a believable chemistry between the two main leads. In this case, the chemistry between the two could definitely be better since their characters are fairly thin in development, however the premise and the execution gives this story a little more than just a love story so with everything rounded together, the two coming together from despise to leaning on each other to their revelation that they love each other by the end , its a pretty decent heartwarming and touching journey between the two. A romance where two people help each other grow in one way or another creates their chemistry subtly and a story with this premise of living the “in sickness and in health” part of the vows despite the fake marriage at the beginning.
To be fair, when it comes to romance films and I’ve seen quite a few of them being the sappy romantic that I am, this one might come up fairly average but it still works for various elements. The ending even had me feeling rather connected with Cassie and Luke’s love when these two finally figure out their feelings.