Fishbowl Wives (Season 1, 2022)
Director: Matsuyama Hiroaki & Namiki Michiko
Cast: Ryoko Shinohara, Takanori Iwata, Masanobu Ando, Kyoko Hasegawa, Wakana Matsumoto, Shizuka Nakamura, Saori Seto, Anna Ishii, Hadekazu Mashima, Shingo Fujimori, Atsuhiro Inukai, Yuki Kubota
In a luxury apartment tower, six different women in unhappy marriages end up crossing the line into infidelity. – IMDB
Fishbowl Wives dives into the married lives of various women in a pricey high rise where the higher the condo, the more expensive and wealthy the family is considered. Each of these couples struggle with their own issues which eventually lead them on the path of infidelity or in one case, pondering it. Based on the manga Kingyo Tsuma, the series is formed like an anthology where there is one central plot with the more successful and popular couple in the high rise penthouse who runs away from her abusive husband, giving up a life of luxury for a calmer and respected life at a goldfish store. The other stories of the other women are framed within their own individual episode. The structure itself creates an imbalance, leaving out a lot of actual substance for building these characters for the various women and leaving it with their decision to choose infidelity. With these stories also comes a lot of steamy sex scenes. Giving up their depth on the other characters, it does create space to elaborate on the main storyline revolving around Sakura (Ryoko Shinohara), her abusive husband Takuya (Ando Masanobu) and the goldfish shop owner Haruto (Takanori Iwata).
While the storyline is fairly thin overall, it does look at many different types of marriage especially highlighting the characteristics and values embedded in the Japanese (or maybe even some more traditional Asian) society. It looks at the different dynamics that exist within these marriages which essentially create the issues. While it seems in some cases a fairly ridiculous point for infidelity, it all dials down to the main point that some marriages might fade or change in their priorities or perhaps, all in all the lack of communication between these couples. Some of these affairs focused are truly hilarious to watch and a bit self-inflicted when the final episode shares all the end game of each of these couples. In some other cases, it also is a twist in the whole infidelity plot. It also brings in the whole concept of whether the one you marry is your “twin flame” as the eccentric Feng Shui lady in the high rise tells them seemingly leading them to these different affairs. There’s no doubt that the stand-out one that borders ridiculous and self-inflicted but a tad hilarious is the episode The Lunchbox Lady.
The central plot is where the main story does lie leaving many points to ponder in the whole situation. What makes it very respectable is the story itself especially revolving the growing bond between Haruto and Sakura is very comfortable to watch with a lot of very warm and romantic scenes without involving a lot of sex scenes. It gives their relationship a certain foundation that eventually comes to light a deeper story to the whole scenario. It shares a much more equal and balanced relationship compared to the marriage that Sakura escapes which is controlling and physically and mentally abusive. The whole fishbowl and fish brings in a lot of the analogy to her own life. The key here being that Ryoko Shinohara and Takanori Iwata are relatively good in their roles. I don’t watch any Japanese TV series so this is probably my first one so I’m not exactly sure whether this is below or above normal standard for this sort of show however, while their chemistry wasn’t always great and sometimes felt a tad awkward, it did manage to build up as it went along and the dialogue and their connection also managed to be pretty decent. Ando Masanobu playing Takuya does a good job as well since his character is pretty despicable right from the start and feels a bit more conflicted as it starts spiraling to the finale.
Overall, Fishbowl Wives is not exactly a great series. It lacks depth and character growth for the most part. It plays around with the concept of infidelity in marriage and does cover some interesting stories about marriage itself that may contribute or justify these choices (whether or not you accept it will probably also add or minus to the enjoyment of the series). These stories do reflect in its own way the societal values towards marriage and divorce in the Japanese society. However, if there’s anything to give it praise for selling itself in the steamy market, the show is pretty heavy on the steamy sex scenes and for the most part, they are filmed pretty well. In fact, not only those scenes are done well, there is a pretty decent use of cinematography overall. Not exactly the best first venture into Japanese TV series but it was pretty average, some good and some bad elements.