Texas Chainsaw Massacre (2022)

Texas Chainsaw Massacre (2022)

Director: David Blue Garcia

Cast: Sarah Yarkin, Elsie Fisher, Mark Burnham, Jacob Latimore, Moe Dunford, Olwen Fouéré, Jessica Allain, Nell Hudson, Alice Krige, William Hope

After nearly 50 years of hiding, Leatherface returns to terrorize a group of idealistic young friends who accidentally disrupt his carefully shielded world in a remote Texas town. – IMDB

Before we get into the review, I figured I should put it out there that my knowledge of Texas Chainsaw Massacre franchise is far and few. I haven’t seen the original in the 70s which gets a mentioned in this film and I’ve seen very little of the 2003 mostly because it was one of the first horror films that I saw and I didn’t have quite the stomach or courage to watch it. The only films I’ve seen in the franchise is Texas Chainsaw 3D (review) and Leatherface (review). I keep thinking that I’ve seen the 2006 film as well but I can’t seem to find any evidence of it anywhere and the trailer doesn’t seem to remind me of anything so either I’ve seen and its wiped clean out of my mind or I just haven’t. Looking back at my whole Texas Chainsaw Massacre franchise experience to date, it does feel like I’ve watched some rather lackluster films and it probably has to do with the ones I’ve watched in entirety being some pretty subpar films. I can only imagine that it starts off much stronger to have the following it has today.

And yet, with that experience and the convenience of it being a Netflix film, here we are again with 2022’s Texas Chainsaw Massacre which picks up 50 years after the first film when a bunch of young adults head out to revitalize the ghost town of Harlow and making an inconsiderate decision that ends up causing their demise and waking up the chainsaw-wielding slasher that we all know, Leatherface. Suffice to say that I got into this film with fairly low expectations and probably because of that, the film turned out to be slightly better than my expectations. Of course, that’s not saying a whole lot since they do have some rather predictable characters and situations and the whole story with the survivor from the 70s story Sally coming back for her revenge was so very weak especially in terms of the dialogue. However, there are some decent jumpscare moments and slasher moments.

Other than some thin characters and some odd dialogue here and there, the story itself isn’t all that bad and the execution is pretty decent as well since it takes into account the modern day trends with the whole social media and cancel culture and giving the whole story a decent amount of body counts to make it all bloody. Not exactly very gory but still an expected amount of blood is spilled. While the idea of reviving a ghost town with a younger vibe despite its past seems like a rather stupid idea considering the history, they do go ahead with it in a quick manner. This applies to the film in general as the execution is incredibly fast: story moves fast, bodies drop fast and the whole situation shifts quickly.

The use of the link to the ’74 film’s character Sally Hardesty (Alice Krige) is one that lacks some finesse especially since she only shows up as more of a subplot and seems to want to try to bank on what Halloween has done with their last 2 films, giving the film the same type of plot line. However, it never quite works considering that the dialogue is quite laughable but does end up giving the main characters a guide and courage to face Leatherface in the final showdown. Talking about the two sisters as the main character, which is a pretty decent base, it follows older sister Melody (Sarah Yarkin) who is one half of the brains behind the revival of the town and takes her younger sister Lila (Elsie Fisher) who has experienced a near death experience in a school shooting prior to this experience, making her back story most interesting. However, their stories never quite get the depth (as expected with a lot of these slasher type films) and it doesn’t help that some of these events feel a tad disjointed. However, the sisterly connection does come into play here and it does make these two more worthy of wanting them to survive these whole situation.

Looking at Leatherface (and you can all judge my inexperience with this part as its more based on my own limited knowledge of the character), the slasher element is probably the stronger part here. Leatherface is revived in this character when he loses his adoptive mother which sends him on this vengeful path. The issue here really starts in this character feeling like he is going back to his origins regardless of his age. It also dials down to whether you think the face reveal of Leatherface is good as well (although I might be wrong but I feel like in one of the origin stories, can’t remember which film it was, it had the younger version of him unmasked). The mask gives his character fear as well as the iconic chainsaw as his weapon of choice so seeing him as the older man that he is loses a bit of the impact at the start, even if it never does have a complete face reveal but an eye here and a glimpse there. It all depends on how you feel about this angle. It does fade away as the film goes along as Leatherface does go into attack mode very quickly with some quick and shocking slasher moments.

Overall, Texas Chainsaw Massacre was alright. In the slasher department, it does what you’d expect however in the narrative and writing, it feels a weaker at times . The concept overall is decent since it does try to link to the original film and give it both a modern day feeling and bring it back to the nostalgia even if both of these motives seem a little silly. The younger cast has its good and bad moments and while the pacing is very quick and bodies all dropping incredibly quickly, boosting up the slasher blood and gore element, it also might be the reason why no one seems to matter too much since they never have enough time on screen to just be a little pawn meant to be an obstacle before they get taken out. On a personal level, this one is better than expected but then, I seem to have skipped out on all the better films of the franchise from the beginning so expectations are fairly low to start with.

Double Feature: Work It (2020) & The Prom (2020)

Today’s double feature is a rather musical pairing and both are Netflix films released in 2020. The first is a dance film called Work It and the second is the recently released musical The Prom. Let’s check it out!

Work It (2020)

Director: Laura Terruso

Cast: Sabrina Carpenter, Jordan Fisher, Kalliane Bremault, Briana Andrade-Gomes, Liza Koshy, Julliard Pembroke, Michelle Buteau, Drew Ray Tanner, Sabrina Snieckus

When Quinn Ackerman’s admission to the college of her dreams depends on her performance at a dance competition, she forms a ragtag group of dancers to take on the best squad in school…now she just needs to learn how to dance. – IMDB

Work It is mostly a dance film and yet its a comedy about a girl with perfect grades who realize that its not enough to get into college and as an extracurricular decides to go to her best friend’s dance troupe which doesn’t take her so she tries to put together her own group of misfits. The group itself has all different styles of dance and yet the biggest problem is that she can’t dance and needs to start from zero and its zero like finding her music flow and rhythm. That is the comedy part.

With any of these films, you need to throw in a little romantic flare and that’s when Quinn and Jake come into a picture: a girl who can’t dance and a renowned dancer that disappeared off the dance competition circuit after an injury. Its hard to talk about Work It without criticizing its issues but then that is usually the case for dance films, much like Step Up franchise, and yet, Step Up is one that I can see the flaws and still like it for exactly what it is. The same applies for Work It, except it suffers from coming later than a wave of better executed films. What is good is that it adds in those comedy moments and changes the vibe of the film a little. Simply put, its a lot of the same when it comes to these sorts of movies and it is fairly predictable especially when there doesn’t even feel like there’s a lot of dance sequences.

Other predictability, the execution is fairly unbalanced. The movie seems to want to do everything so its structured to go through the motions. Starting off with the characters and then what they need to achieve, the tear in the friendship and struggle to get their act together and then the big win at the end. Other than that, it adds in a little unpolished romantic flare here and then some bad dancing from Sabrina Carpenter’s character to her finally getting it. While the cast itself does what they need to do whether its Sabrina Carpenter or Jordan Fisher and even the sassy other team’s leader Julliard Pembroke, played by Keiynan Lonsdale or the best friend Jasmine, played by Liza Koshy, the script itself does have some lacking moments as well.

Work It is one of those films that is really for the soundtrack or some light entertainment. Its not meant to be reviewed in depth. Its a simple movie and a familiar sort of dance movie storyline. While I did have some cons more than pros, I do enjoy dance films so this one is just some harmless entertainment that you can leave for a rainy day keeping in mind that you do enjoy dance movies. If you don’t, then this one won’t do anything for you.

The Prom (2020)

Director: Ryan Murphy

Cast: Meryl Streep, James Corden, Nicole Kidman, Kerry Washington, Keegan-Michael Key, Jo Ellen Pellman, Ariana DeBose, Andrew Rannells

A troupe of hilariously self-obsessed theater stars swarm into a small conservative Indiana town in support of a high school girl who wants to take her girlfriend to the prom. – IMDB

Looking at the cast, The Prom is absolutely star studded with some big names and most of them, I do quite enjoy so the movie popped onto Netflix and I didn’t know about it in advance but I saw those stars, that it was a musical and it was an immediate play. Adapted from a Broadway musical of the same name, The Prom does come at a good time when the world is talking about LGBT rights a lot. I haven’t heard of The Prom before but at first glance, The Prom’s story almost feels like Footloose where that one is about not being allowed to dance, The Prom is about the PTA trying to stop one of the students to take her girlfriend to prom and wanting to cancel prom altogether. In the face of this serious matter, a bunch of theater stars comes in to try to fight for a cause to help themselves get back some positive press. Its hard to determine whether the journey for the film is for the girl, Emma or the troupe as both of them do have their moments of growth.

Being a fan of musical films, The Prom is the type of movie that I’d like and it is quite enjoyable. Most of the stars here have been part of musicals before so the talent is there. Perhaps what stands out more is some of the awkward moments between characters. It definitely is scripted to be awkward and was delivered pretty well. The Prom has a decent storyline even if sometimes the events feel slightly disjointed like its being pushed along so its forced to progress faster. What makes this film shine is truly some of the stars here delivering some great performances. Other than Meryl Streep and Nicole Kidman, they are joined by Andrew Rannells as this performer that’s wants to hang with them and adds comedy. There’s a lot of characters so its hard to say whether anyone had enough time for their characters to develop enough but Kerry Washington’s parent character against the whole prom situation and Keegan-Michael Key’s principal character were also done really well. In all honestly, the younger characters also did fairly well and Emma’s character is a much quieter one despite the unfair situation that she’s part of.

The Prom is an alright musical. Everyone does a good job and the story is pretty nice as well as how the characters develop throughout. It is structured well and the scenes are executed pretty good as well. Where I have issues with it is that it feels like it lacks the uniqueness to make it more memorable. None of the songs stuck in my head even if they were rather fun to listen and watch the choreography/performances in the moment. I know that I had fun watching it the first time and yet, it doesn’t make me want to go back to watch it a second time and yet, I can’t quite pinpoint where its lacking as everything seems to done good, just put together, it seems to not quite get that excitement of a musical for myself.

Double Feature: A Simple Favor (2018) & Dumplin’ (2018)

Next double feature is here and we’re doing a 2018 film double feature. Honestly, it was fairly unplanned since this one was more for the focused on the female cast on hand. The first is a dark comedy thriller A Simple Favor and the second is Netflix coming of age comedy Dumplin’.

Let’s check it out!

A Simple Favor (2018)

Director: Paul Feig

Cast: Anna Kendrick, Blake Lively, Ian Ho, Joshua Satine, Henry Golding, Dustin Milligan

Stephanie is a single mother with a parenting vlog who befriends Emily, a secretive upper-class woman who has a child at the same elementary school. When Emily goes missing, Stephanie takes it upon herself to investigate. – IMDB

* Originally published on Movies and Tea – Friday Film Club*

Based on the 2017 novel of the same name by Darcey Bell, A Simple Favor is a dark comedy thriller about a mommy vlogger who befriends one of the other moms who ends up mysteriously disappearing after asking her to pick her son after school. Using the power of her followers and as a form of journal, she tries to track down her friend and eventually find out what happened to her. 

Starring in the main roles as the mommy vlogger Stephanie is Anna Kendrick while her elegant friend Emily is portrayed by Blake Lively. A lot of the charm of the movie is how it is executed as a fluctuation between the past interactions and the context of their friendship and how their conversations expose their characters, especially that of Stephanie, both having elements that break out of how they are perceived by the people around them while contrasting it with the present search after her disappearance and eventual death which leads to Stephanie trying to figure out what happened while being caught up in it herself. 

Anna Kendrick has always been quite a flexible character as she started off in Pitch Perfect and takes up comedic roles like Mr. Right and now, this one takes it one step further as she catches those dark comedy points really great especially in her dialogue which brings in a bit of embarrassment and unexpected elements that brings out some laugh but still keeps the movie fairly suspenseful. Blake Lively’s Emily is a blunt character, not the conventional polite mom but a powerhouse elegant girl who says what comes to mind and feels secretive but also manipulative which makes her disappearance feel not unexpected but rather more of a mystery of what secrets she is hiding. 

A Simple Favor has the same feeling and tells the kind of story like Gone Girl but perhaps a different angle as it takes a more dark comedy angle while the other is more of a pure thriller. The twist and the story/script all work pretty well as it watches a character feel like she is a naive small town girl just trying to do the best mom she can be even though in reality, both female characters are really  not as perfect as they seem to be whether in their perspectives or the people around them. Not to mention that it has a lovely soundtrack. Its not exactly very complex but it has a good balance between having a decent twist and mystery to fulfill the thriller element while also delivering some great dark comedy. A Simple Favor is simply entertaining and fun. 

Dumplin’ (2018)

Director: Anne Fletcher

Cast: Danielle Macdonald, Jennifer Aniston, Odeya Rush, Maddie Baillio, Bex Taylor-Klaus, Luke Benward, Harold Perrineau, Ginger Minj, Sam Pancake, Hilliary Begley

Willowdean (‘Dumplin’), the plus-size teenage daughter of a former beauty queen, signs up for her mom’s Miss Teen Bluebonnet pageant as a protest that escalates when other contestants follow her footsteps, revolutionizing the pageant and their small Texas town. – IMDB

A true Netflix gem is what Dumplin’ is. I can’t say how many times that I’ve watched it and rewatched this film at this point. There’s so much to love from the coming of age story to hitting those comedy points really well and even giving me that extra push from the Hideaway location with Dolly Parton drag queens that made me go and watch Rupaul’s Drag Queen because I’ve never seen it before. Of course, that’s besides the point. On that note, I don’t listen to Dolly Parton a lot nor am I mega knowledgeable about her music except for the really popular ones but I love the Dolly Parton soundtrack that it uses. Even though I don’t know about her sayings either, the movie puts a lot of focus on all the positive message that she delivers which becomes an encouraging element for Willowdean’s character.

What makes coming of age films great are usually the different types of relationships including that with facing up to yourself. For Willowdean (Danielle Macdonald), the story is from her point of view as she deals with a feeling that her mother (Jennifer Aniston) is ashamed of her body because she prides herself on being the 1991 Miss Teen Bluebonnet and her beauty pageant which makes her make fun of the pageant girls. At the same time, it brings in the element of friendship as she ends up having an argument with her best friend Ellen (Odeya Rush) that leads her to making friends with 2 other girls, Hannah (Bex Taylor-Klaus) and Millie (Maddie Baillio) that are not the typical pageant girls in the heart of breaking the norm. Its all about finding the courage and doing the impossible for them as they realize all the work that goes into participating in the pageant and the shining points of the pageant as they describe is a “team sport”. Then there’s the extension to finding courage and committing to being different much like Willowdean’s Aunt Lucy taught her and the friends she makes at the Hideaway help her remember. The whole Hideaway segments and the pageant segments are some of the best parts of the film.

If there was one thing that seemed to not fit so well was probably the love interest character that didn’t seem to be needed. It was there to emphasize her discomfort with herself and that she had to come to terms with herself. At the same time, while the character of Bo (Luke Benward) was okay overall, he didn’t exactly add a whole lot to the film itself. The movie was much more about the girls and ladies than anything else. Plus, its a different sort of movie that shows this pageant being filled with girls who don’t have it out for each other but are actually rather nice about the whole thing.