Project Wolf Hunting (2022)

Director (and writer): Hong-Sun Kim
Cast: Seo In-Guk, Dong-Yoon Jang, Dong-Il Sung, Gwi-Hua Choi, Park Ho-San, Moon-sung Jung, Jung So-Min
Follows dangerous criminals on a cargo ship who are transported from the Philippines to South Korea, as they unleash a sinister force after an escape attempt leads to a riot.- IMDB
Premiered at the TIFF Midnight Madness as the opening film, Project Wolf Hunting is an violent action thriller that fits the term madness to a tee. Recent years (maybe even decade or more) has seen a rise of hyper violent films hit the market and create a lot of accolades and conversation especially on the film festival circuit, a good example being The Sadness (review) which is one of the most gruesome and disturbing films I have seen to date. Project Wolf Hunting does a lot right from the setting to the hyper violence but it also lacks in its overall plot and characters.
Setting a film on any marine vessel as its one setting (for the most part) is actually a rare move (although look at director Hong-Sun Kim’s filmography, one of his earlier films were also set on a ship). There are a few movies who do it but its still a fairly underused setting. Project Wolf Hunting utilizes its space very well as it moves its characters throughout the ship which poses its own issues right from the get-go. Everything comes into play and they all have their purpose. The narrow passageways and the close pipes and even the deck and different levels all add to what is hidden and how the group can use its abilities to their advantage but also leave space for more discoveries to expose a little backstory to the threat at hand.
This brings up a central issue of this 2 hour film: the story. Sure, we can argue that films like this is all about the visual element in the satisfaction of watching hyper violent scenes, the endless ways someone can be killed ruthlessly and the excessive amount of fake blood a human can actually exude with each kill until every surface is covered in blood. However, we watch this film, there’s no doubt that it all becomes rather mind-numbing especially when the plot is fairly generic in its twist of events. The first part is actually pretty clever when the actual prisoner escape attempt riot starts and not a whole lot of violence has happened at this point so it becomes impressive to see all this being a huge plan that had started even before everyone got on the ship. Even the twist and change of enemy force is expected since it was revealed early on but the enemy design is surprising at first. The deal is that there are a lot of characters, a lot of body count and just not enough cohesive backstory to keep itself engaging. It doesn’t help that while the plot takes some predictable twists that a bigger threat is brewing on the ship with a big secret that will gradually be revealed, how all this goes down feels a little unclear.
The question Project Wolf Hunting brings up for these sort of films is a key one: How do you balance plot, blood and violence? Is it enough to just cover a generic plot with blood and violence and use the shock factor? For myself, the answer is probably no as the film loses its appeal as the violence and blood loses its shock element from simply its overabundance, pounding away the purpose one kill at a time. To be fair, the film started on the right foot in the first half. The action sequences and the kills do have some creativity that works with the setting and some extremely brutal ones as well. Looking past all the violence, the prisoners grouping together to create a riot to escape is pretty clever and even if the leading prisoner character is a tad generic in its psycho-killer ways, he still had a certain extreme brutality that made him rather convincingly creepy. Even the timing for the entrance of the new enemy along with their design was sufficiently spine-chilling but what transpires from that point to the end right up to the finale and that ending that almost feels like it could work up for a possible sequel really does feel so lackluster.
For viewers who are there for simply the hyperviolence and bloodshed, Project Wolf Watching is everything it promises. There are every way possible to kill and some pretty creative deaths as well with various items and weapons. There is an over the top use of blood that would probably put Quentin Tarantino’s to shame (but then The Sadness was even more extreme in its bloodbath extremity). The sole amount of blood a head slowly being crushed can pour out from its orifices is apparently an astoundingly ridiculous amount and that’s just one very quick example. The director never forgets that the heart of the film is this element.
*Project Wolf Hunting will hit digital, Blu-ray & DVD on February 14th and available for pre-book on January 10th. Find more info HERE*
**Screener provided by Well Go USA