Fantasia Festival 2017: Napping Princess (2017)

Going to Fantasia and not checking out at least one anime or other animated films would be a pity. While some great choices slipped through because of scheduling like Senior Class, I wasn’t going to let this one go.

Napping Princess (2017)

Napping Princess

Director and writer: Kenji Kamiyama

Cast: Mitsuki Takahata, Shinnosuke Mitsushima, Tomoya Maeno

In the car-clogged Eastopolis, capital of the kingdom of Heartland, Princess Ancien is confined to gilded cage of sorts. Gifted with remarkable powers, she can bring the inanimate to life using a magical digital device. But she also draws to the city the Terrible Colossus, placing her father’s realm at risk. Back in the real world, it’s three days before the Tokyo Olympics of 2020, and sleepyhead Kokone awakes again from her dreams of Heartland to the realities of life in small-town Okayama. All is not well, though, as her struggling widower father has become tangled up in some sort of corporate intrigue. Soon, the divide between her reveries and the real world will begin to crumble… – Fantasia Festival

Napping Princess, also called Ancien and the Magic Tablet, is a fun and magical adventure animated feature. Straddling between reality and the dream world, a different but linked story with all the same characters come to life in an endearing and a lot of times, humorous way. Cute characters and fantastic environments and the magical kingdom being so pretty, truly makes it something of an eye candy. Napping Princess however does seem to get lost in its length a little and the final act meshes together in a way that makes it hard to follow.

The concept of Napping Princess is outstanding and this anime takes its audience for a ride both literally and figuratively. Our main character is college bound Kokone who has an awkward but close relationship with his widower father who ends up being arrested by the police because he is accused of stealing something. This takes Kokone and her school friend, Morio on a journey as they tumble and roll through one scene after the next, funnily getting through it despite the danger. Napping Princess is definitely a family friendly feature and in many ways, remains innocent. Not only is Kokone and Morio colorful but even the more subtle characters also are. Between the reality and dream sequences, many characters are portrayed differently however also a joy to watch. Even the enemy may have a secret agenda that we soon learn about by the end, however he and his goons are comedic goofballs. What makes it funnier is the fact that the audience is the smarter person here and it becomes obvious that the scenes were written as in our seats we react accordingly with disbelief of the innocent acts of revealing where Kokone is for example in a situation where she may be too trusting.

Napping Princess is an anime that aims to keep its audience on its toes as Kokone escapes and learns about her parents. While the audience gets to see a bigger picture as we can see the villain’s schemes as well as the father’s interrogation, the journey is primarily with Kokone and her friends. While the kingdom of Heartland is a steampunk world filled with mesmerizing designs and a war that is incredible to watch. The real world is in a much more personal journey. Princess Ancien may know much more about her powers and her capabilities but on the contrary, Kokone is only learning about her background as she heads off on this escape and its an adventure that takes everyone quite the turn. Plus, everyone likes an adventure with a magical bear. In this case, he’s called Joy and an adorable little thing that is Princess Ancien’s companion in the kingdom of Heartland.

While Napping Princess is a rather long anime, it does create two fun worlds: the kingdom of Heartland and the future reality of Japan in 2020. In a world of corporate schemes and a dream world of impending war from giant creatures attracted by magic, both are in danger and its all on Kokone or Princess Ancien to hatch a plan that will fix it. Its fun, entertaining and filled with lots of laughter. Its never too serious or even too dangerous even if there is a little bit of violence. With cute and colorful characters, Napping Princess is a family friendly animated feature that is altogether a fun time.

Fantasia Festival 2017: Origami (2017)

Origami (2017)

Origami

Director: Patrick Demers

Cast: Francois Demers, Milton Tanaka, Normand D’Amour, Alexa-Jeanne Dubé

During one of his many Asian adventures, David, a visual artist who specializes in Japanese art, encounters a mysterious man who makes him discover his latent gift for time travel. – Fantasia Festival

As an extension of the Fantasia event, Les Fantastiques Week-ends du Cinéma Québecois comes the world premiere of Origami by French-Canadian director, Patrick Demers. Before the movie starts, Demers who is present advises the crowd that the least we know about the film the better. He hopes that the audience will fall into the main character’s shoes and wishes everyone happy travels. Upon finishing Origami, we definitely feel the same way hence, we will not only avoid all spoilers but this review will be completely on various technical aspects and stay far away from the story itself. The only thing in regards of the story is that Origami is an absolute treat as both a time travel movie and a dramatic thriller.  The story is intriguing.  It will make the audience ask question after question as we willingly and patiently wait for the answers at the end, without knowing if there really will be one. The best of movies will still motivate you to try to figure it out while waiting, letting the story take us on their journey and Origami achieves that.

Right from the start of Origami, the sound design and atmosphere is already set for a world full of mystery. The tones and the lights are done well. It uses its cinematography cleverly of both capturing an entire scene and zooming in to capture emotion. The score itself is subtle in parts, dropping out in important parts to create the right mood while in other parts, looming and building in the background. The sound also is what creates the time travel transition as well as the visual of it all. What time travel movies mostly have issues with is how to set a believable time travel concept that works. Origami keeps what we know, reinforces that by adding in a simple description and lets us learn about time travel as its main character, David (Francois Arnaud) explores it as well.

While Origami has various characters, it is very much a one man talent show for Francois Arnaud, who plays the main character, David Marceau. A quick look at Francois Arnaud’s filmography and you can spot some familiar titles from TV series Borgias and Blindspot. A key element of this sci-fi thriller goes into finding a great balance of how to present this character and in short, he nails it. He creates the right emotions and feels human. We learn about him during the movie, just enough to connect with the character. Here is where we talk about the other characters’ being one dimensional. They only are there to serve a particular purpose, be it to explain time travel to David or being a parent role, for quick examples. This is where Origami falls short as some scenes automatically become dispensable and even pointless, creating a slight drag, making the parts with David the only ones that cause intrigue and mystery.

Origami is not perfect but it is a rare appearance in the French-Canadian landscape as it dives into the sci-fi territory exploring the realms of time travel. Francois Arnaud delivers a strong performance and the story makes us question and piece together the plot along the way to keep it intriguing. It pulls a few stops that achieved its purpose. While the plot drags a little in the centre stemming from characters that aren’t fleshed out enough, the main character’s journey is still well worth a visit.

**A note here that I am very easily convinced with time travel movies. This one has been one of the few movies to surprise me in the near future with its plot reveals so I’m incredibly happy to have seen it. While there are French-Canadian movies that I enjoy, they have a very dreary air over them, usually taking the most grim takes on events. While this one tiptoes a little in that area, it manages for the most part to create something a little different. For its all its efforts, I appreciated and enjoyed it.**

Fantasia Festival 2017: Free and Easy (2016)

Free and Easy (2016)
Director: Jun Geng

Director: Baohe Xue, Benbin Gu, Gang Xu, Liguo Yuan, Xun Zhang, Xuxu Wang, Zhiyong Zhang

When a traveling soap salesman arrives in a desolate Chinese town, a crime occurs, and sets the strange residents against each other with tragicomic results. –IMDB

A peddling monk, a soap salesman, a reforestation ranger: What do these three characters have in common? Add in a God-loving man who is seeking for his disappeared mother, a jack of all trades kung fu instructor and a tough landlady. Throw together two cops who really seem to be both careless and clueless and this creates the mix of a 99 minutes Chinese movie set in desolate area in Northeast China. Free and Easy is an odd piece altogether. Is it trying to be comedic with its dry  humor? Or is it a societal statement about the world we live in pushing those into paths they don’t really choose no matter how good or bad they are? Perhaps, its a crime story when one of the characters die. Just like the story its telling, maybe the genre also steps somewhere in a grey area.

Free and Easy is however an interesting piece of cinema to talk about. With so many characters on screen, we mostly focus on the soap salesman and the monk at the beginning. The cops are the other end of the spectrum as they truly feel useless in their positions or simply bored. They talk constantly about things they probably shouldn’t and then they also take antibiotics like its candy. Not the authorities that we’d imagine them to be. In a community like this one, desolate and forgotten, even the cops are useless, it is a statement on how everyone has their own way to fend for themselves and survive day to day. They are thrown into circumstances that we eventually realize aren’t quite them however, it is all a sense of digging out that part of them that they need to live. The soap salesman and monk eventually have some insightful conversations throughout the movie that truly point us into knowing them more. Just as the reforestation ranger obsesses over who cut down his trees and we start seeing his mellow character go through a myriad of reactions to the situation. However, with the amount of characters here, the focus moves quickly through them. Their personalities, their facades, their conversations, their tricks all come together as what defines this world because we never know any of them well enough to know their history or even their story. We only know what they are now and those few days in this desolate area.

While, Free and Easy slowly progresses its story and it feels disjointed throughout the majority of it and there isn’t really a character to bond with, one of the best aspects is its landscape and cinematography. The way that the director composes their shots, capturing the wide angles and pulled out space. It truly expands on the desolate and emptiness in this area. Perhaps, it also is done to create a parallel for these characters who each have their own issues and all don’t seem to keen about what life they are in now. No one truly seems happy. However, the scenes here truly capture so much atmosphere and is structured carefully to capture exactly what it wants and hides some of the details off screen. One of the best scenes do go to one of the cops confronting four of the characters as they keep moving on and off screen.

Honestly, there isn’t a lot to say concretely about Free and Easy. The story needs a little more work particularly for the pace they are going at. The sound design is nice and the cinematography captures so much of the atmosphere and the area despite it being desolate and empty. The characters are plentiful but never fleshed out. The dry humor definitely is there however, it never seemed to work enough although humor is rather subjective. Free and Easy is a statement piece about society, at least from the first watch, it definitely seems to be leaning the most in that direction. Its a lot of reading between the lines and listening to the dialogue and conversations. Its a movie for those that enjoy dry humor, slow-paced and reading between the lines.

Personally, this doesn’t feel like a movie that I was meant to like. I do think for its vagueness in many of the issues, it makes it more thought provoking to figure out what they are trying to say. What message is it all about? I’m honestly kind of in between with this one.

Fantasia Festival 2017: Vampire Cleanup Department (2017)

Vampire Cleanup Department (2017)

vampire cleanup department

Director: Pak-Wing Yan, Sin-Hang Chiu

Cast: Babyjohn Choi, Min-Chen Lin, Richard Ng, Siu-ho Chin, Susan Shaw

Tim Cheung joins the Vampire Cleanup Department which is a secret task force for dealing Chinese vampire Goeng Si. He is instructed by his uncle Chau and he saves a female Goeng Si, Summer from her evil lord Goeng Si who buried alive her. – IMDB

For those familiar with the Mr. Vampire series decades ago and their introduction to the hopping Chinese vampires, the recent years has seen a resurgence to seemingly revive or perhaps catch Hong Kong’s own wave of the vampire popularity. In 2013, Rigor Mortis saw the debut directing work of Juno Mak get the cast of the originals and create a serious horror full of gore and symbolism. However, Vampire Cleanup Department this year aims to do the same thing but uses more of the horror action comedy angle, in turns more in vein with the original series while still taking the familiar actors. It feels like a true revival or remaster or perhaps modernized reboot of this Chinese cult favorite and not only appeal to the fans of the franchise but also grab a new generation and educate them about these hopping vampires. Screened in Cantonese, the English subtitles were done well enough to still carry the humor it wanted for the most part. We always like to make sure that the jokes will still carry well to an international audience.

Vampire Cleanup Department does many things right. It is hard to say that anymore in terms of comedy or horror. Two things the Hong Kong industry in general seems to have hit a snag as it settles for ineffective and trope-y horror or dumb and nonsensical humor. However, this movie is littered with clever jokes and puns and most of all, actors that deliver them seamlessly and perfectly. It also uses the CGI that they have access to in order to make these vampires and other action/horror effects feel more authentic and less campy. Its a re-skin and one that is done tastefully. For those who were too young when this released or never quite had access to it before or simply the new generation, Vampire Cleanup Department never forgets to educate its audience as it educates and trains its long awaited new blood. Using this story line works in this situation because we as the audience will also learn about how hopping vampires came to be, how to get rid of them as well as how this secret department originated as a new vengeful vampire is unleashed into the city accidentally.

Another great aspect of Vampire Cleanup Department is its veteran actors. Siu-ho Chin and Richard Ng are the main characters in this as they take a supporting role that links to the past. They are fun and entertaining. Siu-ho Chin contributes to a lot of the action as he is the younger of the original crew. Richard Ng brings a lot of the humor. Its truly hard to not feel nostalgic when watching them on screen as they have both been part of memorable films aside from the Mr. Vampire movies. They are the anchor of this film and despite the younger actors seeming to be a focus of the film. The scenes they are in keep the movie grounded as their opposite personalities in their characters also create a nice friction.

The one downfall of this flick truly goes to the young romance, Tim and Summer, played respectively by Babyjohn Choi and Min-Chen Lin. This factor is less to do with their performance but more with the more than familiar romance. Its sappy and redundant. In fact, the humor elements added into their budding romance makes it fun and cute however never lets us feel too invested either, at least not enough to feel emotional about their outcome. Sadly, the romance does take up a decent portion of the movie. While still successfully entertaining us for the most parts, it falls short from what the rest of the movie creates and could of been done a little more concisely.

Vampire Cleanup Department is a treat. Despite its rinse and repeat romance that doesn’t have the connection with the audience it is meant to have, everything else is done very well. It creates a beautiful balance of action, comedy and horror. It revives and reboots this Geong Si, aka hopping vampires, from the late 80s to 90s from the Mr. Vampire series. It also brings in some new blood to possibly (and hopefully) continue the franchise in a modern way. This film has found a way to keep itself self-contained while remembering to honor its predecessors by creating a link of the world the earlier movies created. It brings back the atmosphere those movies had while giving it a fresh look successfully.

Fantasia 2017: Tilt (2017)

Tilt (2017)

Tilt poster

Director & co-writer: Kasra Farahani

Cast: Joseph Cross, Alexia Rasmussen, Jessy Hodges, Kelvin Yu

An unemployed documentary filmmaker’s behavior becomes increasingly erratic in the months after his wife becomes pregnant. – IMDB

A mind’s control over a chaos. Tilt is a movie about exactly that. Also, it stems from possibly the main character, Joe’s first documentary called Tilt and its tagline about control and chaos and skill in regards to pinball which could easily be carried forward to how we watch him slowly spiral towards his urge of becoming someone that he doesn’t recognize. The best way to describe Tilt would be a slow-burn character study of a person who slowly changes as perhaps their subconscious desires take a path they try to resist.

Tilt is an interesting one. We love horror thrillers and slow-burn movies and honestly, those types of movies are possibly the hardest to get right. Tilt does a decent job at setting up the stage. The technicalities from sound design to production set to the cast were done very well. It was captivating in parts and intriguing in others. Tilt’s first and third act were all of these things, wrapped up in a lot of questions and slowly gives the audience pieces to put together and wonder whether our main character Joe, played by Joseph Cross, will eventually spiral to. Where the film may fall a little short is in the incredibly dragged out second act that we can understand the purpose of watching our character, his observations and his resistance come into full force however, it also was a grinding experience to get through falling into the tedious territory for a few brief moments. What does redeem this movie is the unknown and the unsaid. Things happen and we can only wonder and link and imagine some, (at times) disturbing ideas.

It is hard to do a film like Tilt where it combines the thriller genre with a character study. For all its intrigued and ideas executed well most of the time, perhaps one of the harder things to invest into would be the characters themselves. The cast did incredibly well with how these characters are scripted, particularly our main couple, Joe and Joanne. We see the stress and the sacrifices and the tears that the pregnancy and upcoming addition to their family has caused. Perhaps this is what causes these issues to arise subtly in Joe’s personality as he spends many hours by himself.  However, as impressive as Joseph Cross and Alexia Rasmussen portrayed their characters, it is hard to be rooting for any one of them in particular. Perhaps that isn’t the point because it does feel like these characters were created to not truly be likable as they struggle with this new stress that has entered their lives as they have to face a new reality.

With that said, Tilt does a lot of technical aspects right. The scenes, moods, atmosphere are done incredibly well. They help create that sense of fear and dread as well as danger and intrigue. The script itself tells just enough to make us wonder and link things but never truly know if our guess is correct or not. That is what makes a thriller fun as the finale pulls together masterfully. It has some disturbing scenes and ideas and all this is thanks to a great performance by Joseph Cross. However, the downfall of this film lies in characters we can’t seem to get behind and that make sit harder to truly feel invested into their outcome and also a second act that could’ve been perhaps executed a little better in various parts. Not a perfect thriller, however one that executes many things well enough to deserve a watch.

My Weekly Adventures # 47

My Weekly Adventures

We are halfway through July and at another Weekly Adventures update!

As you may have noticed in the last update, I was on vacation and it overlapped one week into this time. I can’t say that I did a whole lot or went out a lot but I did end up doing one stupid thing, a few cool things to share, small achievements here and there and if you follow me on letterboxd, then you know that I watched a ton of movies that I haven’t reviewed yet. In hindsight, that wasn’t such a great idea because of what is happening now, which if you don’t know, I’ll update you here as well.

Let’s go!

Vacation: New Brunswick & Prince Edward Island


We took a 4 day vacation overlapping Canada Day. It was rainy and a lot of driving but a lot of fun and incredibly beautiful. The scenery was breathtaking. You check out the 4 days recap below:

Day 1, Day 2, Day 3, Day 4

Marche Publiques at Place Ville Marie

I met up with my Battle of Ingredients co-host, Phoebe from Starry Traveler’s Road and her bun bun to go check out this public market at Place Ville Marie. There were a good few local businesses selling fresh foods, drinks and snacks. There was a lot of choices. Phoebe picked up some bread and macarons. We got some lemonade. I picked up some spiced nuts and gluten and lactose free oat bars.

Haircut…Finally!

With the encouragement of Phoebe’s company, we both went to get a haircut. It was the final push that got me to my hairdresser after around 15 months. My hair is thick so it was heavy and fell down to my butt. Definitely a record and why I didn’t have the heart to cut it for so long. Anyways, its done and sure feels good to have such light hair again.

Montreal Comiccon 2017


Game Warp’s first press badge and it is fantastic to have it and cover Montreal Comiccon. It was a tiring weekend. Luckily, I strategically overlapped my vacation so that I would be well-rested.

You can read the recaps over at That Moment In and other posts here.

Fantasia Festival 2017


Tranquil Dreams first press pass! I’ve covered Fantasia the last 3 to 4 years out of my own expenses (much like everything here) however, I decided to give it a shot. Why not, right? What have I got to lose? Nothing. So here we are! My badge is with me and I’m typing this Weekly Adventures as I wait for a film to start. While I don’t have vacation for this, I am trying to work in about 15 movies, adding in screeners and such, it might turn out to be quite crazy! Bear with me if things get out of hand. If movies aren’t your thing, regular programming resumes after this. I will try to keep things versatile but I honestly can’t promise anything.

Cute Kitty Pic


Thats it for this Weekly Adventures! 
What have you been up to? 

Fantasia 2017: Abu (2017)

Kicking off the Fantasia Festival this year for myself surprisingly is a documentary called Abu. It screens on July 16th at 2pm at Theatre D.B. Clarke. You an find the Festival information HERE.

ABU : Father (2017)

Director/Writer/Producer: Arshad Khan

As a gay man, Filmmaker Arshad Khan examines his troubled relationship with his devout, Muslim father Abu. Using family archives and movies, Khan explores his struggle with his identity and compares it to his parents attempts to fit into Canada. – IMDB

Documentaries aim to educate, invoke thoughts about certain issues and tell its audience a true story which generally is the raw truth. Director, writer and producer of Abu takes us on a deeply personal journey of his life. While the movie Abu, meaning father, entails a heavy focus on his troubled relationship with his own father from values and views, his story dives into deeper issues of assimilation into Canada as a immigrant family, particularly as a Pakistani family. It also looks at his personal struggles and coming of age of being a gay man and in this also looks at the struggle between his family of modernism and traditionalism. Abu says quite a lot in its 80 minutes run-time.

No one can judge someone else’s life story, as we can’t judge Arshad Khan’s. This is his journey. For that, he exposes many truths and realizations from his youth to the present; starting his story from letting the audience understand where his parents came from and how they met and got married. His documentary laces together video clips from back in Pakistan and snippets of popular Bollywood movies (and performances, etc) and interviews with a few members of his family as he narrates his story step by step, bearing his observations, feelings and experiences. There is no doubt in our minds that this documentary shows us his hardships and it should relate to many people: immigrants, men, LGBT community, those growing up in Pakistan, those who relate to generation gap issues with parents, and the list goes on. Even if it doesn’t relate to it, this story tells truths about how he grew up and some very poignant issues ring up particular issues that are hidden away from other’s eyes, be it because of conservatism or religion. However, what is a downfall of this documentary is that while some events may seem to set a platform for various issues, there are mundane parts that make this documentary lose a bit of where it wants to take its audience. While it may seem necessary in his journey, some bits are extras that only serve to extend the running time and doesn’t serve to add to what this documentary is trying to portray.

The creativity of using real life video clips and interviews from family as well as adding in the modernization of cinema which addressed the issues he was talking about, helped create good supporting material to his narration. Plus, it is impressive to see the use of the once familiar VCR static fuzziness be used as a transition tool here. The documentary itself starts off with an animated sequence and these sequences do appear sporadically throughout this journey. The experiences he tells us about in this personal journey also resounds on many levels and highlights mostly hidden issues that many don’t talk about publicly. What Abu does well and truly deserves our attention is telling this poignant and emotional story, particularly in the last third (or second half) of the documentary as the issues truly come to light and Arshad Khan talks about dealing with issues such as anger, frustration and forgiveness as well as the change of dynamics not only with his father but his mother as well. Perhaps it takes a while to get into understanding why anyone would want to hear someone else’s story but give this documentary some time to get its ducks in a row and everything truly comes together in a meaningful, thought-provoking and educational way regarding religion, immigration and family.

***As a personal thought, most of you know that I’m not an immigrant but my parents are. I’m not part of the LGBTQ community. However, this documentary still managed to strike a chord especially in some of the later scenes. Its the family aspect that truly gets me. This goes to a point that in many ways, this film brings up many issues the relate in a multi-faceted way and that problems can transcend through different people because of similar instances. For that, there was one part that truly had me emotional.***