Director (and writer): Kwon Oh-seung
Cast: Wi Ha-Jun, Jin Ki-Joo, Park Hoon, Kil Hae-yeon, Kim Hye-yoon
Midnight is a 2021 South Korean thriller about a deaf woman Kyung-Mi who becomes the target of a psychopath serial killer Do-Sik when she interferes his murderous plan for another woman So-Jung in the neighborhood. In a night of constant changes, the killer makes a sudden change in his target from Kyung-Mi’s mother to So-Jung which leads to a night of a heart-pounding fast-paced cat and mouse chase between him and Kyung-Mi as a mother and daughter tries to escape the killer while So-Jung’s brother tries to find his sister and get tangled into the whole situation.
South Korean thrillers are really quite something. This directorial feature debut for Kwon Oh-Seung which absolutely grabs from start to finish is no exception. It lives up to the standards of a great thriller. The pacing, execution, location and the sound design all comes together very well to create a thrilling experience. The pacing and execution pretty much goes hand to hand as it doesn’t give the story a lot of time to breath but also have those quieter moments to really build up the tension mostly because of how the cat and mouse elements along with the deaf elements are put into play. With that, the sound design becomes very important. As the balance between when the silence and the heart pounding score has to achieve a balance to make it feel natural as it shifts between the deaf main character and the chase sequence to build up the tension. While the deaf element is a pretty big part, in reality the biggest contribution to this film might be its setting mostly in this neighborhood full of dark alleys which it becomes this web of paths that the characters can navigate through. The whole cinematography becomes a huge focus on camera work on it follows through the chases from different perspectives to make it flow well. All these elements are done really well put together.
If there was anything to criticize for Midnight, it probably would be related to the script itself. It falls into its own trap of making these characters feel a little too naive and lacking in common sense at time when it comes to being aware of surroundings and the dangers lurking around them or having a sense of self-protection might be the better way to warn. The most obvious being its opening sequence that introduces this serial killer who preys on a woman walking alone at night and sets up a scene to lure here which seems a little too obvious that most people, especially women would probably just call the police based on their suspicions and not approach it. Of course, during the flow of the main plot, these moments to occur where it becomes a tad frustrating to watch but at times, it does add this sarcastic humor element (at least to myself) which brings up the incompetent police or the insensitivity and lack of knowledge towards the deaf community as well as a general miscommunication or perhaps even going further (and I might be overthinking this), a sense of unawareness to the general surroundings because of our technology aka our cellphone.
Putting that point, the plot itself is very straight-forward. Its a pure thriller which is adrenaline pumping and pulls of some great moments that push its tension and edge of the seat moments. Its truly and amazing feeling to experience. The great part of this one is that it pulls from the basics. It sets up the brother and sister relationship from the start and then sets up the mother and daughter relationship and then introduces the killer in a very quick format. They don’t need to be deep characters but its their relationship between them that makes them matter more than their story. It makes these people very human with a pure sense to survive and protect their loved ones. Much the killer is very simple and yet, his character shifts in tone so much like a chameleon that it makes him have an unpredictable element right down to the ending where it takes a very interesting turn in the final act. All the characters pull of their roles very well. The killer played by Wi Ha-Jun really does deserve a special mention because his role does have a lot of change and he grasps its so well.
Overall, Midnight is a fantastic thriller. Its well-executed and straightforward. Sometimes filmmakers forget that the most basic things carry forward the best and in this case, this is achieved with so much balance. While the script might be a little lacking in some parts, everything else really does make up for it with engaging characters and fast-paced well designed, smoothly flowing cinematography. Being a directorial feature debut, this film is fine job.