Deep Blue Sea 3 (2020)
Director: John Pogue
Cast: Tania Raymonde, Nathaniel Buzolic, Emerson Brooks, Bren Foster, Reina Aoi, Alex Bhat, Siya Mayola, Avumile Qongqo
Studying the effects of climate change off the coast of Mozambique, a marine biologist and her team confront three genetically enhanced bull sharks. Now, a new bloodbath is waiting to happen in the name of science. Will humans never learn? – IMDB
While Deep Blue Sea (review) is undoubtedly one of my favorite shark films ever, Deep Blue Sea 2 (review) was absolutely one of the most unsatisfying ones that I have watched. Its hard to fathom what this final film in this series is going to bring especially as it plays out as a direct sequel to the second film. Deep Blue Sea 3 might not really be any incredible shark film but it does deliver some decent entertainment. Of course, this depends what you look for in shark films. For myself, itself some creative shark kills (ridiculous as some of it might seem) and some fun characters and dialogue that might even add in a few laughs. As serious as Deep Blue Sea is, whether its the age or the bad effects, it had a decent balance of tension and fun to make it stand out. Deep Blue Sea 3 might not be in the same league as tension isn’t exactly high on the charts as the plot is a little too silly but there are some things that are done well enough to have a good time.
As mentioned before, Deep Blue Sea 3 picks up after the events of the second film as they try to track down the genetically enhanced bull sharks before they mate. Conveniently, they end up at an abandoned village on the water which has 2 inhabitants remaining and a small shark preservation crew has taken over with a underwater nursery to help monitor and preserve great white sharks. The crew itself consists of marine biologist Emma (Tania Raymonde) and Shaw (Emerson Brooks) who is something of a mentor and the muscle here, much like the tech-savvy Spin (Alex Bhat) and marine analyst Miya (Reina Aoi) are behind the scenes monitoring the situation when the boat carrying Emma’s college fling Richard (Nathaniel Buzolic) and his crew who are commissioned to find the bull sharks enter into the picture but decides to hide the grittier facts of the whole situation until they slowly get revealed and things get way out of control.
Let’s be honest here: Deep Blue Sea 3 is not exactly a great shark film, its not probably not even considered a good one. Looking at the plot and the dialogue, it walks on some thin ground. There’s some unnecessary romance side plot that doesn’t get anywhere; the usual untimely confession of feelings right before things go bad; some of the attacks are extremely predictable; dialogue feels a little ridiculous and cheesy at times. We’re not even looking at the big picture of the plot especially with the “bad guys” being not only the genetically modified bull sharks who not only swim backwards (which was a trait from the first film) but also recognizes bombs and reacts to mommy shark’s frequency, the bad guys are the crew from the big corporation who suddenly decides that they need to get down to business to get rid of the sharks and then decides to do stupid decisions like getting their minions to finish up a fight or just drop their weapons and go into hand to hand combat. Its actually quite funny to watch in all its ridiculousness. However, as much as there are things to criticize about the film, Deep Blue Sea 3 doesn’t really take itself that seriously and that really does help with the whole thing since it makes the second half when the whole island village goes down all the more fun with the sudden and unexpected shark kills to the big showdown finale.
There’s really not a whole lot to say about Deep Blue Sea 3 because its a rather middling experience. Its a fun time for sure if you enjoy shark films the way that I do in all its stupidity and ridiculousness but delivering some shark kills that take you by surprise. I mean, the effects here for the sharks at times reminds us that Deep Blue Sea from the start until now doesn’t seem like its changed much and that is a good or bad thing. Deal is, there are a ton of issues with Deep Blue Sea 3 that you can hate on it a lot. Honestly, I feel like they should have just left Deep Blue Sea in 1999 and never done any sequels but since the sequels are here, at least this one isn’t quite the wreck that the second film was. Maybe it simply had to do with the fact that its not another underground facility but much more minimalistic and embraces the “open waters”/open space a little bit more and keeps things above ground a little more as well.
Director (and writer): Greg McLean
Cast: Michael Vartan, Radha Mitchell, Sam Worthington, Caroline Brazier, Stephen Curry, Celia Ireland, John Jarratt, Heather Mitchell, Geoff Morrell, Damien Richardson, Robert Taylor, Mia Wasikowska, Barry Otto
An American journalist on assignment in the Australian outback encounters a man-eating crocodile while trapped on a rapidly flooding mud island. – IMDB
Allow me a moment to celebrate as Rogue finally gets added to the Netflix catalogue (Netflix Canada at least). Not the Megan Fox action thriller but the Australian crocodile creature feature. With the fun experiences of several crocodile/alligator creature features like Crawl (review), Alligator and Lake Placid (review), Rogue has been a film on my radar for a pretty long time and it lived up to my expectations. Directed by Wolf Creek director Greg McLean, Rogue steers away from the torture porn horror style and dives into the creature feature genre as a group of tourists get stuck on a tiny mud island as the tide comes in with a crocodile lurking nearby ready to attack.
Australia is such a prime location with all it deadly animals lurking about for creature feature content and yet, there’s not quite enough films to use that setting. Rogue actually takes the creature feature for a very different ride. The film captures the beauty where this tourist excursions are taking place, focusing on the nature around them and the lay of the land from up above and takes the time at the start to give this boatful of tourists as well as their tour guide a chance to show some of their characteristics and personalities before thrusting them into danger. It gives some context to who this group will be dealing with.
At the same time, the crocodile doesn’t really get as much camera time and is slowly revealed bit by bit. It gives it the mysterious element of how big this crocodile actually is while still using a crocodile’s hunting both to educate the viewers but creating some foreshadow of what to expect. There’s the unexpected window between kills which looms over the tourists and just how quickly they can be picked off while how much risk is too much risk to try to get off the island with both the night and the tide coming in all becoming pressuring factors. The way that the film uses these elements is what makes Rogue a tense creature feature.
Looking at the cast, there are some familiar faces here with Radha Mitchell, Michael Vartan and Sam Worthington are the obvious recognizable ones. They also are the leading and bigger roles here with a little more focus on their characters throughout the film. Michael Vartan plays a travel journalist who finds himself becoming quite the hero in the process as the group starts falling apart and everyone’s true colors start showing. For Wolf Creek fans, John Jarratt appears here in a much more toned down type of role, much like there’s a young Mia Wasikowska playing the young daughter of a couple on the tour. With bigger groups of this, there are always a few characters which are outlined a little frustratingly and this was no exception.
Overall, Rogue is a pretty effective creature feature. It delivers a pretty tense crocodile creature feature. The beginning set up is a great contrast to the actual crocodile hunt portion. As much as its almost one location, the final act takes it into another area which gives it a nice change and adds to the danger element to push it a little further. Definitely an enjoyable one and one that I’d highly recommend to check out.