BITS 2020: Bloodthirsty (2020)

Bloodthirsty (2020)

Director: Amelia Moses

Cast: Lauren Beatty, Greg Bryk, Katharine King So, Michael Ironside, Judith Buchan

Grey is an indie singer who is having visions that she is a wolf. When she gets an invitation to work with notorious music producer Vaughn Daniels at his remote studio in the woods she begins to find out who she really is. – IMDB

After her psychological thriller team-up Bleed With Me, Amelia Moses’s second film at Blood in the Snow Festival is a psychological slow-burn werewolf film, Bloodthirsty. Feeling a bit like the psychological journey of Raw at the beginning with the main character Grey having these dream sequences of eating animals and going with her girlfriend tagging along to a music producer’s remote studio to create her album, it turns into a journey of self-discovery that unleashes another side of her. Without knowing anything about the film, Bloodthirsty feels like a lot of different horror movies and its the unknown the truly gives the first half a slow-burn but intriguing psychological trip. Both Grey and the music producer Vaughn have a mysterious dark edge. Vaughn seems to be hiding something about his past which comes to light as a final twist at the end.

Its always great to see more directors exploring a werewolf premise. Recent years has seen more of this films show up taking different tones. Bloodthirsty is a more serious story about a girl embracing her true nature but at the same time, struggling to let go of her current things. As she unleashes the beast inside, the main question is what are the consequences. Bloodthirsty grabs the right tone and atmosphere. As its characters are music-oriented, the soundtrack is also distinguishes the gradual changes in Grey’s character from the change in her music and the lyrics. Its a great angle and one of the strengths of this movie. Paired up with the remote setting of the house in the woods, they all come into play to give it an ominous feeling.

Looking at the characters, its a small cast that basically floats between the growing connection between Grey, played by Lauren Beatty (also in Bleed With Me which also questions whether the two stories have some sort of connection as both characters revolve around blood) and Vaughn (Greg Bryk). Vaughn becomes something of a mentor who helps Grey find her musical inspirations and make more music but at the same time, he pushes her into a certain direction to follow her desires and temptations starting from little things like eating meat (a big step for her vegan character). There’s a dark side to Vaughn which sometimes plays a little too heavy which destroys a bit of the subtlety of developing Grey’s character which takes a little more time. Perhaps its that push and pull that gives the pacing a little imbalance. Plus, these two dominant characters also render the two supporting characters of Grey’s girlfriend Charlie (Katharine King So) and Vaughn’s housekeeper Vera (Judith Buchan) feel a little insignificant except for two scenes respectively that help give the story a push.

Bloodthirsty is a decent horror film. Extra points for taking on the werewolf premise. It has a great setting as well as a good story premise. Lauren Beatty does a decent performance as Grey and same goes for Greg Bryk. Their characters build to the finale. The twist is fairly good although the ending is a little questionable (not exactly to my liking). Its really the imbalanced pacing and some execution choices that leaves me a little less enthused. However, the soundtrack sets the tone really well and a great angle. Plus, Michael Ironside has a cameo/supporting role which is always great to see. Overall, Bloodthirsty is a decent werewolf film but its definitely much more than that as it tackles more of a subtle psychological angle which I do appreciate.

BITS 2019: Dark Visions Shorts Program

BITS 2019 banner

The last shorts program to be presented at Blood in the Snow Festival 2019 is Dark Visions which features 10 Canadian short films which are dark, scary, moody and intense. 9 of which I was able to check out remotely.

BITS 2019 Dark Visions

Romi (2019)

Romi

Director: Robert Cuffley

Cast: Camille Sullivan

Romi is a 10 minute short about a woman who is terrorized by her virtual assistant Romi after it keeps refusing to let go of her past. This short is fantastically well-executed. In terms of building up the horror of technology and meshing somewhat with the paranormal to add it all together to make it a scary world when technology manages every aspect of everyday life that its malfunction or abnormality will cause uncontrollable consequences. Romi also shot really well with each frame capturing so much in it, giving it space to anticipate something that may or may not happen. This short is every bit scary the event of her past starts to reveal itself again as she tries to push it away and forget it.

The Thought of You (2019)

The Thought of You

Director (and writer): Elvis Deane

Cast: Avelyn Graye, Aundreya Thompson, Letréal Farquharson, Aziza Jaffer

A woman tries to move on from the events of a violent night, but finds that it’s not only trauma that comes clawing back. – IMDB

The Thought of You is almost completely filled in the beginning by a monologue that recaps the traumatic event that has happened and fills in the information with news headlines of what happened for a vague idea. On one hand, the distress of the woman is felt from the start but its easy to feel that the second half as the trauma comes back to haunt her that it makes it much more unsettling to watch. The tension built up in the second half of the short definitely seeps through effectively and the ending it chooses is also great for the situation, leaving a little space for imagination.

Abhorrent (2019)

Abhorrent

Director (and co-writer): David Scott

Cast: Stacey Iseman, Garth Wigle, Alex Friesen, Elliott Scott

Abhorrent is a 15 minute short film about a woman who learns about her husband’s sinister secret and decides to take action to prevent her sons from being badly influenced. Abhorrent is very odd. The way the characters talk are rather weird but then maybe its just the emphasis on the odd characters, making them feel more unsettling to watch. The story itself in the big reveal and all the secrets revealed in the 15 minutes are actually pretty decent. The story itself thought probably could have been done in less time. There’s definitely something more to the story and it leaves a little bit of questions at the end from the different elements of what has hinted at but never completely revealed until the end. The ending is more satisfying than the whole process of the short perhaps.

Polar Tour (2019)

Polar Tour

Director (and writer): Dustin McGladrey

Cast: Delphine Menu, Elizabeth Potskin, Matt Paynter, Crow Billy

Three university friends embark on an adventure they hope never to forget. They chose the Arctic to go polar bear sighting. On their first tour, the engine of the bus breaks down. Isolated, cold and in the dark; they wait for rescue. – IMDB

Polar Tour is a simple short film. Its one that shows three friends stuck in a van stalled in the Arctic. Its not exactly quite as refined and is definitely rather expected but somehow, the isolation and how it uses its territory and the dangers that come with it does work to a certain extent. It doesn’t pull anything out of the ordinary but I have seen a film that tries to use polar bears (even though unseen) as a danger horror element and not a lot of films will have friends heading down to the freezing Arctic instead of the beach or something. It definitely has its unique elements but maybe its just a tad short to have enough of the premise fleshed out to make it have more impact.

Pepper (2019)

Pepper

Director: Kate Felix

Cast: Stennie Bell, Jennifer Hardy, Mathew Chenuz

Pepper is a 7 minute short film about Fidelma who is desperately looking for a job and ends up finding one with Weylon’s farm as his assistant to help him out. When she gets sent to do her first task, it turns out that it might be more than she expected. Its an intriguing little short that plays a lot on the unknown. The mystery of finding Pepper is the main basis as she follows the barks throughout the barn and she gradually starts seeing different things that make her (and the viewers) wonder where it is and probably what twist there is (because it gets oddly suspicious).

Foret noire (2018)

foret noire

Director (and writer): Jean-Marc E. Roy & Philippe David Gagné

Cast: Pascale Montpetit, Charli Arcouette-Martineau, Joanie Guérin, Nadia Essadiqi, Fayolle Jean

Foret Noire is a 20 minutes short about the reenactment of a crime scene ordered by a judge in France to clear up inconsistencies in the murder case, bringing back the three women involved to relive the day step by step in detail. This short is definitely longer in length than most shorts produced and because of that it has a lot of depth to every element. The place that its filmed has this sense of isolation. At the same time, the characters themselves and the little details in their moments and reactions as well as what some of the outside characters observing the case and the Judge’s requests of the little details make the inconsistencies stand out and truly highlight what might actually have been the truth behind the situation or at least where the differences may have occurred without actually ever making it crystal clear on what the truth is. Leaving a little bit of mystery adds so much charm to the storytelling here.

Le otto dita della morte (2018)

le otto dita della morte

Director (and writer): Frédéric Chalté

Cast: Rose-Marie Perreault, Pierre Pinchiaroli

An homage to Italian giallo and an affectionate tribute to the genre in the form of a 70s theatrical trailer for a fantasized faux-film from that era with Italian voice-over pastiche. – IMDB

Structured like a music video of sorts and adding a lot of theatre and drama to each of the scenes adds a lot of style to this short film. Le otto dita della morte has a story that might not be wildly clear on what is going on exactly  but for its short length, it lands to a certain extent of what its trying to pay tribute to. While the music itself is not exactly and some of the style here isn’t exactly something that I particularly like, but the story has some nice elements to it.

She Must Vanish (2019)

she must vanish

Director (and writer): Kyle Martellacci

Cast: Anne-Carolyne Binette, Renny Jachowicz, Meri Spencer, Quinn Bennett, Valerie Taller

In a seaside town, residents succumb to the malevolence of a witch, who sets a fury in motion. – IMDB

Tales about witches are always fascinating to see where it can now take its stories and unique spins from the traditional knowledge of their existence. Meshing a bit of the old and new, this witch tale She Must Vanish has some subtleties as well as the first act that gives it a lot of style in how its all executed from its lighting to to the little details on the witch. However, a lot of the follow-up afterwards uses a simple town and normal everyday and meeting some incredibly cryptic woman along the way that ends up leading to a scene that becomes rather unsettling (and was meant to be) to a scene that felt rather set up but ends on quite a high note in how the witch is revealed. This short is somewhat of a wild ride.

Lady in the Shower (2018)

Lady in the Shower

Director (and writer): Chris Borgo

Cast: Laura Woodbeck, Jennifer Swistun, Chris Borgo

A woman with a shady secret is haunted by a mysterious entity, while taking a shower in a historic hotel. – IMDB

Lady in the Shower is one of the more predictable sort of horror shorts in this group. It has the normal tropes in horror films in general from shadows to what the woman’s secret is and the whole deal behind it even up to some of the ending little bit. At the same time, what does stand out in this short is how the cinematography really does help a more familiar sort of horror give it the style it needs to stand out and become visually appealing.

Short not reviewed from this shorts program:

Dreamcatcher (director: Michael Alexander Uccello)