Double Feature: Crawl (2019) & Bumblebee (2018)

Welcome back to another double feature! Today, we are looking at an interesting pairing to say the least. One is a creature feature with alligators and the other is another Transformers movie but more of a spin-off of how Bumblebee ended up on Earth. Its a pretty fun double feature

Crawl (2019)

Crawl

Director: Alexandre Aja

Cast: Kaya Scodelario, Barry Pepper, Morfydd Clark, Ross Anderson, Jose Palma, George Somner

A young woman, while attempting to save her father during a category 5 hurricane, finds herself trapped in a flooding house and must fight for her life against alligators. – IMDB

*Originally posted as Friday Film Club on Movies and Tea HERE*

While sharks are primarily the star of creature features, Crawl takes on a lesser used monster as it takes a disaster film and pairs it with a horror film where a father, daughter and their dog gets trapped in their basement crawl space and hunted down by alligators during a Category 5 hurricane. As in any of these films, it is about survival. Directed by Alexandre Aja who is no stranger to directing horror films, Crawl takes on a decent form from the atmosphere and how the whole story goes as it builds gripping tension with these characters and this quiet predator.

Starring Kaya Scodelario as a rising swimming athlete in university called Haley who goes to check on her father Dave played by Barry Pepper, she ends up finding him in a crawl space unconscious and their own salvation is behind these pipes that the alligators hunting them can’t get through. As the crawl space fills up with water, they need to find a way to escape without being noticed by these alligators. Just looking at the character designs, it definitely feels like a rather contrived way to put a swimmer as a central character in a flood and yet, if you can get past that (and you should), Crawl manages to create some gripping moments and build up a decent  bit of tension while also making the whole crawl space experience to play well in the claustrophobic and time-sensitive situation.

There’s a lot to love about Crawl. For one, it uses a lesser used “monster” which definitely needs to be used more as quiet predators create some good surprise attack moments. At the same time, the characters are pretty good. While there is still some family drama to sort out between the father and daughter, the focus on survival is the priority. At the same time, the script makes an effort to give reasoning for why these alligators have gathered in this crawl space and it all does come together in the end. Plus, the director manages to not only use the crawl space and the claustrophobia of that setting to its potential but when it migrates out of there, it still manages to use its environment and the hurricane to its advantage as well. Crawl definitely delivers a great creature feature film that’s well worth a watch.

Bumblebee (2018)

Bumblebee

Director: Travis Knight

Cast: Hailee Steinfeld, Jorge Lendeborg Jr., John Cena, Jason Drucker, Pamela Adlon, Stephen Schneider, Ricardo Hoyos, John Ortiz

On the run in the year 1987, Bumblebee finds refuge in a junkyard in a small California beach town. On the cusp of turning 18 and trying to find her place in the world, Charlie Watson discovers Bumblebee, battle-scarred and broken. – IMDB

While I don’t have any major qualms with Transformers to this certain point but knowing that its really just mindless entertainment, Bumblebee is a whole different level. I guess nothing looks so bad until you find something better that comes along. Bumblebee is a fun movie and brings so much to the table because its so goofy and really about the unlikely friendship between Bumblebee and Charlie as she learns gradually about what he is, maybe not fully as this movie also shows how he loses his voice and ends up finding it again with the help of Charlie and her mechanic skills.

Hailee Steinfeld has gone a long way in her acting career. She’s had some misses, mostly due to the overall movie and not her. Bumblebee sees her in a blockbuster role that she really does take on very well. Her character is a tad bitter about her life with her own burdens in her current life situation while at the same time, her sarcasm adds to the humor especially when playing off of Bumblebee who also is discovering Earth and just how it all works despite his amnesia. Its a bit of a fish out of water story in a Transformer point of view and its executed so well.

If there was anything that I disliked about Transformers, it would have to be the annoying John Cena character which plays a little like Samuel L. Jackson’s role in Kong: Skull Island who pursues Bumblebee like he is a threat and the army gets manipulated by the Decepticons (because you know, who wouldn’t believe anyone called Decepticons, right?).

Overall, Bumblebee is a fun time. It definitely has much more substance and gives an origin story angle for Bumblebee which works very well. It balances between the comedy, drama and action a lot and also manages to get in a lot of  screen time for the Autobots and Depcepticons instead of the humans. Really good job here!

That’s it for this double feature!
Have you seen these two films? Share your thoughts in the comments below!

Double Feature: Deep Blue Sea 2 (2018) & Godzilla: King of the Monsters (2019)

Call this a creature feature sequel double feature, if you’d like. I had a monster film desire and it just happened to be the day that Netflix got Deep Blue Sea 2 and then I had a rental of Godzilla: King of the Monsters lined up so everything worked out well.

Let’s check it out!

Deep Blue Sea 2 (2018)

Deep Blue Sea 2

Director: Darin Scott

Cast: Danielle Savre, Rob Mayes, Michael Beach, Nathan Lynn, Kim Syster, Jeremy Boado, Adrian Collins, Cameron Robertson, Darron Meyer, Marc Hyland, Tamer Burjaq

A brilliant billionaire creates five genetically altered bull sharks, which proceed to wreak havoc for a group of scientists on an isolated research facility. – IMDB

Following the trend of unnecessary sequels, Deep Blue Sea 2 shows up 19 years after the release of the first one, which really only has a cult following after all these years. Its quite the odd film to choose for a sequel especially as it has nothing to truly expand from. However, this sequel decides to be something of a reboot as it takes pretty much the same type of story as the first film, even a lot of the things that happen feels very parallel to the first one. The only difference is who plays in this and what they are trying to genetically engineer as well as the crew, which is miles away from as fun as the people from the first film.

Its hard to not compare the film when the sequel is almost the same as the first one except done a lot worse and visibly lower budget than the first. One of the elements that seem to think that its being clever is making these flooded hallways turn on these different color hallways. In some ways, it does help navigate where the split up crew is but at the same time, it does also feel like its using different lights to make it feel like there are more hallways than there really are. Things is, move aside from these things, the bull sharks and the scenes attacking all feel like a few scenes.

Deep Blue Sea 2 is very unnecessary and everything it does here just solidifies the fact. It feels like it hasn’t aged in the film making technology as well. Through and through a bad shark film but if b-horror shark films are your thing, this might be one to watch.

Godzilla: King of the Monsters (2019)

godzilla king of the monsters

Director (and co-writer): Michael Dougherty

Cast: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Ken Watanabe, Ziyi Zhang, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds

The crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. – IMDB

Godzilla: King of the Monsters plays as a sequel to the 2014 movie with a new cast of characters and a much more intriguing approach to Godzilla and the other monsters. Take it as something of a Godzilla 101 course as the different monsters show up and as the Monarch team tries to trace down how to stop the big nemesis as well as the technology that was stolen, they realize the world falling to pieces and Godzilla reappearing to try and stop it. As this goes on, the Monarch also talks about each of these monsters to have a general knowledge of their abilities.

While I am fairly new to the whole kaiju film genre, Godzilla: King of the Monsters is much more enjoyable than the previous film. One of the main elements is its focus on giving much more screentime to the monsters and giving enough time on the human end to give it enough backstory. They bring in a family drama and the human element of connecting with the monsters and believing that they can have them under their control through technology and it all backfires, as expected. Giving the film so much more action and conspiracy also makes it well-paced and intriguing to watch.

Looking past the story, the cast is pretty great as well and rather international. We have Vera Farmiga and Millie Bobby Brown. Vera Farmiga is a fantastic actress who I find is rather underrated and then Millie Bobby Brown plays some moments a little like Eleven in Stranger Things but is also fun to watch. We also see Sally Hawkins here as well as on a more international level, Ziyi Zhang and Ken Watanabe.

Godzilla:King of the Monsters in the end is a giant monster movie. Its not meant to be too complex or too deep but there is a lot of knowledge here to introduce this kaiju world and for myself, its much appreciated. The storyline is familiar as humans thunk they have things in control and the world ends up being in danger of destruction and Godzilla needs to step up and fix their mistakes and its about working together to achieve it. It also makes the effort to bring together the events from 2014’s Godzilla and 2017’s Kong:Skull Island (review) all together which will all come together for this year’s release of Godzilla vs. Kong.

That’s it for this double feature!
I rather monstrous creature feature, right? These are always the most fun pairings!
But that’s me!
Have you seen these movies? Thoughts?

Ultimate 2010s Blogathon Kick-Off: The Wandering Earth (流浪地球, 2019)

Welcome to the official kick-off of this year’s ultimate decades blogathon hosted by myself and Drew from Drew’s Movie Reviews, Ultimate 2010s Blogathon! As we wave goodbye to the 2010s, its the best time to talk about the movies that defined it. Whether its a favorite or one that shows off  an element that represented the decade, both movie choices are good. With a lot of movies to choose from between 2010 to 2019, there are endless possibility.

Kicking off the first two days is myself and my fantastic co-host, Drew from Drew’s Movie Reviews. Starting this off on day 1 as I take a look at one of the biggest trends and changes in the movie landscape is the power of the rise of streaming services opening up a variety of movies, giving a platform for distribution and creation of independent and international titles that may otherwise have remained unknown or less accessible.

The Wandering Earth (流浪地球, 2019)

The Wandering Earth

Director (and co-writer): Frant Gwo

Cast: Jing Wu, Chuxiao Qu, Guangjie Li, Man-Tat Ng, Jin Mai Jaho, Mike Kai Sui, Hongchen Li, Jingjing Qu, Yichi Zhang

As the sun is dying out, people all around the world build giant planet thrusters to move Earth out of its orbit and sail Earth to a new star system. Yet the 2500-year journey comes with unexpected dangers, and in order to save humanity, a group of young people in this age of a wandering Earth fight hard for the survival of humankind. – IMDB

Loosely adapted from a novella of the same name by Li Cixin, The Wandering Earth is not only China’s third highest grossing film of all time but also the third highest non-English film of all time. Taking a change in landscape from the normal Chinese New Year movie release, The Wandering Earth is set on Chinese New Year but isn’t the normal happy movie but rather a high budget science fiction film.

wandering earth 2

Set in a future where the sun has become a threat to Earth, the world has united into the United Earth Government and collectively has initiated The Wandering Earth Project, installing Earth Engines across the surface of the planet to propel Earth out of the Solar System 4.2 light years away to the Alpha Centauri to preserve human civilization. However, as they cross Jupiter, the gravitational pull of the bigger planet takes control of Earth and causes a possible collision while causing other side effects. As teams travel with their Lighter Cores to reignite the failed Earth Engines, the dangers that await them are numerous with the unexpected changes in the environment.

wandering earth

This premise alone of creating a future where Earth is being pushed in movement out of the solar system is unique to say the least and one that has so much room for exploration. The story uses its environment to its full potential as it shows off right from the get-go how the world has changed from its inhabitants living in various underground cities that have everything that you’d have when the world lived above ground to the current frozen above ground and its operations. The visuals of these are done with grandeur, showing off the technological advances in both this film but also in showing off slick cinematography and CGI used in the current Chinese filmmaking landscape which is pretty much  on par with the Hollywood blockbuster films at least delivers the same feeling, especially as the film’s story starts stepping into the dangerous elements.

wandering earth

The story is two-fold. On one hand, it takes place with the father and Chinese astronaut Liu Peiqiang (Jing Wu) who left at the initiation of the Wandering Earth Project 17 years ago and now is on the last day before retiring back to Earth but now is stuck on the space station. On the ground, his son, now a young man Liu Qi (Chuxiao Qu), decides to take his grandfather’s driving access card to show his sister, DuoDuo (Jin Miao Jaho) the world above ground, unknowing getting caught up in the mess as they get caught along with their grandfather (Man-Tat Ng) in the midst of the Earth crumbling as the side effects of crossing through Jupiter and as they try to escape, get commissioned to help transport the rescue mission lead by Wang Lei (Guangjie Li).

Wandering Earth

The story here, while isn’t quite as fresh as its premise, managing to add some little comedic moments through some goofy elements and characters and adding in the expected Chinese drama, in this case, mostly within the family drama with the main characters as well as the hardships and loss of hope through the rescue mission and its possibility of failure. However, where the film shines is in its emphasis on keeping on track with the action and giving this movie in its science fiction a certain level of disaster film quality as well that keeps the film propelling forward. The movie runs for over 2 hours and while some of the slower dramatic moments might drag out a little, the film does focus heavily on the concept of being united and keeps itself focused on these everyday realistic characters but never let them be heroes but rather to let them fight for mankind’s survival together. There’s something so precious and touching about this story as it works up to its endgame and reveals a little more about the state of the United Earth Government and adds in the internationalism with the different languages and authorities working together that makes this future feel hopeful and even utopic.

wandering earth 5

The Wandering Earth might not be the best film of the decade (although it definitely is pretty close to at least the Top 20 for myself), but it does achieve a lot and defines a lot of the 2010s. While I would have loved to pick a movie that was also created by Netflix (or some other studio), the global distribution rights for Netflix shows off the change in landscape and how international films are more visible especially as they manage to reach platforms globally and become more accessible especially in the Chinese film market which has its many restrictions and is less openly advertised than other Asian films. As the world moves closer together, these channels give a chance to have access to more international films and especially, those that are as significant as The Wandering Earth with all the success its had in its own country. Its definitely worth a watch to see how far and competent Chinese film are especially great with one that is pretty much a sci-fi blockbuster.


You can check out the full archive of Ultimate 2010s blogathon posts as they go up, updated daily HERE.

Remember to head over to Drew’s Movie Reviews to check out my co-host’s kick-off movie review!

Podcast: Lamb Tracks #4 Jurassic World Commentary

Hey my lovelies!

Just a quick post today!

A few weeks ago, I got asked by my fantastic Game Warp co-host Elwood Jones to join him on the Lamb Tracks podcast that he hosts. Lamb Tracks is a new show that does commentary on different franchises or category of movies each season. Season 1 was kicked off by the Jurassic Park franchise. I’ve had a ton of fun listening to their commentaries while rewatching the franchise and I was ecstatic about joining him for Jurassic World. Being a newer release, this was only my second viewing however, I still remember a lot of it.

This is my first time doing commentary and I personally rarely listen to them even when they are bonuses on DVDs or Blurays however, it was a ton of fun to record. Hopefully you will enjoy it as well. If you didn’t read my review of Jurassic World, you can find it HERE.

There is no embed player so use the link to jump to the podcast episode. Hope you enjoy! 🙂

https://www.podomatic.com/podcasts/lambcast/episodes/2017-05-15T04_47_25-07_00

Did you like Jurassic World? Have you seen it yet? If not, do you intend to?
Are you excited about Jurassic World 2?