Baby, Don’t Cry (2021)
Director: Jesse Dvorak
Cast: Zita Bai, Vas Provatakis, Boni Mata, Troy Musil, Helen Sun
Baby, A withdrawn and sensitive 17-year-old Chinese immigrant from a troubled home, is living in the outskirts of Seattle. One day, she meets a 20-year-old delinquent named Fox. Together they embark on a twisted journey to escape their hopeless fate. – IMDB
Baby, Don’t Cry is a 2021 coming of age romance and family drama that takes a look at both a cultural element for the main character but also a coming of age for Baby (Zita Bai), a simple and troubled seventeen year old with a filmmaker dream who ends up meeting a bad boy Fox (Vas Provatakis) and has a whirlwind relationship with him. As much as it is a visceral romance, it also embodies a lot of happy moments. The film uses not only the third person film angle to capture but also has a second camera which is that of footage filmed from Baby’s perspective to see what she sees. The family element is also presented here as Baby’s life is further emphasized by her troubled family situation mostly due to her mother’s unstable situation which creates a roller coaster of emotions having both good and bad days in their relationship.
Baby, Don’t Cry isn’t the normal film and has a rather unique voice. It takes a different angle on the Chinese immigrant as a teenager and the struggles to fit in and thrive while not exactly being from a wealthy or immensely, controlled family although it still grounds itself on a more closed parent who talks about bringing shame. However, Baby tries to fit into society despite some of the stereotypes that gets thrown her way. Plus, the film also lacks some groundedness as it floats between past memories, fantasy and the present reality. Much like how Zita Bai flips the characters around bringing in the sexual fox spirit in Chinese folklore which is usually a feminine character and reverses it into a male character and directly names the male lead Fox. Something that I have to admit escaped me until I saw the Q&A session after its screening.
The whole tone and pacing is a little odd at times and even the moments of adding in the fantasy and real elements sometimes even feel a little abrupt however its hard to not be wrapped up by the happy and sweet romance between the two struggling youths that seem absolutely improbable that would have crossed paths other than perhaps destiny and fate bringing them together but also seeing a little bit of power struggle between the two. They do have some fantastic chemistry that in parts of montage moments via Baby’s camera sees all the happiness between the two as they do all kinds of things together but also can switch incredibly quickly to this darker, tense and rather toxic feeling between the two that just can’t seem to find a balance whether its Fox wanting to walk away from the relationship or Baby reacting in her own way. Its this push and pull between Baby and Fox that makes their relationship intriguing to watch especially as it does open up the withdrawn Baby that we see at the beginning of the film.
Baby Don’t Cry is a rather odd film overall and it probably has to do with the main character Baby portrayed by the film’s writer Zita Bai in such a way who has a lot of rather quiet moments but manages to still be an interesting character to discover as she goes on this unique coming of age story. Its not the typical coming of age and yet it wraps up a lot of elements that might or might not be too abstract to be noticed by its audience. Whether if its a relationship between the mother and daughter highlighting some elements of the Chinese family structure albeit the more broken one presented here or the romance between Fox and Baby, it works for myself as I do love hearing other Chinese voices presented in film.
*Baby, Don’t Cry has its world premiere at Fantasia Film Festival on August 11th*