On the 3rd Day (Al Tercer Día, 2021)
Director: Daniel De La Vega
Cast: Mariana Anghileri, Diego Cremonesi, Lautaro Delgado Tymruk, Osmar Nunez, Gerardo Romano, Osvaldo Santoro
Cecilia and her son Martín have a car accident. On the third day after the crash, she wanders by herself on a lonely route and there is no clue of her son. She can’t remember what happened during this time and she is desperately looking for her son. On her quest she finds coincidences with her case and other police files, which seem to be acts of a brutal hunting. The circles goes round and Cecilia will end up facing a religious man, who is the responsible of this slaughter. For her, he is a lunatic. For him, Cecilia is the enemy. – IMDB
On The 3rd Day is an Argentinian fantasy horror thriller that tells the story of a mother who reappears three days after an accident with no memory of what happened during that time and sets off to find her missing son. Argentinian horror is definitely on an up at the festival especially with last year’s The Funeral Home (review) recently landing on Shudder. The credit for its plot is greatly towards its creativity and execution. For many who frequent here, my greatest issue with thrillers (which I do love to watch) is with execution as the whole mystery needs to be paced really well to make the final end game or plot twist land effectively and logically. On that level, On The 3rd Day does a fantastic job.
At first glance, its easy to feel a little bit of “been there done that” in its first act whether its an accident or amnesia or even the creepy sort of hospital moments right down to the overuse of sound cues to create this sense of constant suspense and tension which tends to overstay its welcome fairly quickly. However, the film has some great visual elements that also build up the environment and atmosphere whether from the mysterious things that the main character, Cecilia starts seeing around her. At the same time, there’s an incredible use of symmetry in its cinematography which is greatly accented by the emphasis on mirrors. In certain scenes, through doorways and such, it almost feels like there’s a reflection of the room (although I’m not quite sure if that’s deliberate or not). It does create some uneasiness although in one scene (and I’m slightly nitpicking), where the cars park facing each other on the street which is a bit contradictory to the dialogue between two character from the previous scene. Little details, of course.
The story isn’t just about the mother and child but also has a parallel storyline which shows the other person that was part of the accident who seem to have a secret task where he is carrying a wooden box or casket around and does these very odd sort of rituals playing almost like there’s something that he is trying to hide. This part of the story line starts building up the mystery more as the horror elements start expanding into a possibility of the other subgenres that could be involved and what the box holds that makes this character so on edge but builds up on the unknown of what his goal is, which only starts having answers as the two plotlines converges in the final act.
It might sound like I’m being incredibly obscure with the plot here however its reasonably done. While On The 3rd Day does a lot of things right especially with cinematography and plot lines, what makes this film stand out is the well-executed ending that truly does pack a wonderful punch that wraps up all the mystery and suspense and is truly thrilling to watch unfold as the pieces fall in place. There’s a lot to love here especially as it touches on a biblical interpretation of resurrection but also uses that element in such a clever way. As a final note, remember to watch through the credits as there is an after credits scene.