Poupelle of Chimney Town (2020)

Poupelle of Chimney Town (2020)

Director: Yusuke Hirota

English voice cast: Tony Hale, Antonio Raul Corbo, Stephen Root, Misty Leek Hasan Minhaj, Greg Chun, Ray Chase, James Mathis III

A factory town is covered by chimney smoke, and as the townspeople haven’t see the sky in centuries, they no longer believe that stars exist. A chimney sweep and a friendly monster named Poupelle decide to prove that stars are real. – IMDB

Mostly known for his role as computer graphics animator, director Yusuke Hirota has his directorial debut with this colorful adaptation of Akihiro Nishino’s children picture book of the same name, Poupelle of Chimney Town, who also writes the screenplay. Poupelle of Chimney Town is a family fantasy animated film set on an island which is covered in chimney smoke with no knowledge of anything outside of their world. Carrying his disappeared father’s story in his mind, Lubicchi works as a chimney sweep to be closer to the sky in hopes of seeing the elusive stars that his father constantly talked about until he meets a monster that everyone called Garbage Man and he names Poupelle (nice play on the French world poubelle for garbage). As their friendship flourishes and he tries to hide Poupelle with a little help, they soon realize that Poupelle might not be just a monster while the constant doubt of the outside world and even the resistance of these ideas.

Poupelle of Chimney Town is pretty family friendly. In fact, it does play like a children’s book. The screenplay being written by the author of the source material definitely does fill in some of those boxes (although I have never read the source material itself). However, the story does flow relatively well. There are some parts that feel a little disjointed or the English dub dialogue might feel like it jumps into the next scene a little awkwardly. However, the concept of the whole story is there. As an animated film, the world itself being covered in chimney smoke doesn’t stop the actual film to be very colorful in appearance which brings the entire Chimney Town setting to life. The film also uses different angles for various sequences which almost plays out like a movie but at times like a video game scene and even a few musical scenes. It may feel a little odd, mostly fun but does add a little uniqueness to the whole execution.

The story is the main focus as the characters are pretty simple and easy to understand. There are some rather witty characters that pop in and out, much like any children’s book someone who poses as resistance and others that are bullies. Whether we look at Poupelle or Lubicchi who are primarily the main focus of the whole story, their goal is still pretty simple. The story talks about friendship, family, and most importantly, belief. The whole end game is to see whether there are stars in the sky and prove that Lubicchi’s dad wasn’t lying about this and being shamed for it. As the government gets in the way posing as the main resistance and others trying to stop life from the norm, the whole story unfolds both in adventure and drama, sometimes the tone does also jump around a little abruptly. It does all come to a rather satisfying and slightly emotional revelation. It seems a little far-fetched but if you do get immersed into the story about those living in this Chimney Town, the whole idea of seeing the miraculous sky is pretty cool.

Overall, Poupelle of Chimney Town is a decent family friendly animated film. There are a few darker moments and a tad bit of violence but the story itself is pretty straight forward and does feel rather magical and colorful, making it also visually appealing. It looks like a story book that comes to life for the most part in its art style. There are some fun characters and some cool adventures. Sure, the story feels like it has a little disjointedness whether in tone or story progression at times but the main message and story does carry forward well enough.

*Poupelle of Chimney Town opened in theatres across North America on January 7, 2022*

*Screener provided by Prise Media Group*

TV Binge: Girls Und Panzer (Season 1, 2012)

Girls Und Panzer (Season 1, 2012)

Miho Nishizumi comes from a family famous for their skills in Senshado, the art of tank warfare. However, she dishonored her family name, so she attends the no-name high school called Oorai, which doesn’t have a Senshado club, wanting to stay away from it. But, the student council president has other plans, wanting to save their school from termination by winning the Senshado tournament. – IMDB

Its been a while since we’ve talked about any anime here. Its fine time to talk about the the latest one that I watched although it has already left Netflix. Girls Und Panzer is a interesting premise with schools on freighter ships away from the main land and the focus on tankery as an extracurricular activity. There’s so much to love about it mostly because war-like commands seem like its very focused on men and war but this one is an amicable strategy competition between different schools and bases around these girls at this school as they work together to make it happen with the main girl Miho being a girl that wanted to run away from her family and tankery but ending up with a school who rebuilt tankery in hopes of saving their school. I’m going to say right away that this is the rare occasion that I watched the English dub version, which was very adequate and entertaining. Minor things didn’t match up to the subtitles in comparison but it all translated to pretty much the same thing.

Girls Und Panzer is a little odd at times and a little quirky but overall, it has a really positive and fun vibe. Using the whole tank warfare as their focus is a unique angle for the story especially when it captures a girl who has refound her passion for something her family is renowned for but she has been shamed upon her ways as she isn’t doing it the conventional way but in a more caring way. It reflects in the team that she eventually is asked to direct as the commander for all the other tanks. Miho’s character eventually is crafted into a much stronger one by the end of season one. Much her team, especially the her core team which she runs the tank with as the flagship. They end up truly bonding as each of the characters also have their little background and something that they are fighting for as well or a certain value they find from joining into this.

While the characters themselves are pretty fun, the key element and the most fun of the series is the tank warfare sequences which they do spend a lot of time doing as the Oorai school pretty much has one friendly match as practice and then gets pushed into the competition against some of the top schools which also brings in some colorful opponents from different parts of the world and their own set of strategy versus theirs. All that stuff is pretty fun as the crew learns more about how to strategize and it smoothly flows from one thing to the next as they learn from their previous matches each time around. Not to mention, they actually bring up different actual tanks that did exist (a mega thanks to my husband who knows a lot about history who shared this knowledge with me while we were watching it) even if some of them (according to my husband again) was a little out of reality but it is an anime so a lot of these things can be ignored in my opinion.

Overall, Girls Und Panzer is a really fun series. Its a unique angle and the characters are all pretty good plus there’s a decent bit of comedy that lands pretty well even if some of it is a tad bizarre and quirky. Its a little sad to see that they didn’t get past the first season but there are a few films released after the TV series which is something that I am trying to hunt down.

Double Feature: Frozen 2 (2019) & Raya and the Last Dragon (2021)

Frozen 2 (2019)

Directors: Chris Buck & Jennifer Lee

Voice Cast: Kristen Bell, Idina Menzel, Josh Gad, Jonathan Groff, Sterling K. Brown, Evan Rachel Wood, Alfred Molina, Martha Primpton, Jason Ritter, Rachel Matthews, Jeremy Sisto, Aurora Aksnes

Anna, Elsa, Kristoff, Olaf and Sven leave Arendelle to travel to an ancient, autumn-bound forest of an enchanted land. They set out to find the origin of Elsa’s powers in order to save their kingdom. – IMDB

The sequel of Frozen follows the group as Arendelle has a magical catastrophe hit the town and Anna, Elsa, Kristof, Olaf and Sven follow a childhood tale that Anna and Elsa’s mother told them to find an enchanted land which is covered by a mysterious mist when the unknown cause of war between Arendelle and Northuldra which angered the spirits.

Frozen 2 still packs in the musical tunes and still has the fun dialogue and fantastic voice cast with some comedy and adventure. The tunes itself aren’t quite as catchy as the first film. The main elements are still there but this story already has the first film’s foundation so dives into the connecting pieces about their parents, Arendelle’s past, Elsa’s powers, etc. It adds more magical elements in this enchanted land mostly in the form of the different spirits. It gives a playful side to the air and fire spirit as swirling leaves and a cute fiery salamander. There are water horses in the ocean and lots of fun little enchanting moments. Plus, it adds in the silliness with Kristoff trying to propose to Anna and Olaf enjoying being permanently a snowman.

Overall, Frozen 2 is a sequel and one of the better ones for sure. The story trajectory is pretty good plus it gives both the sisters the strength to grow separately as their journey splits it halfway through. They have some throwbacks to the first film which is fun but also some extensions to it and adds even more magic to the whole situation. Its definitely something that has always been very enchanting plus these new princesses don’t always need a man pursuing them and more of a personal growth sort of story which definitely applies here for Elsa. Its an overall fun time.

Raya and the Last Dragon (2021)

Directors: Don Hall, Carlos Lopez Estrada, Paul Briggs

Voice Cast: Kelly Marie Tran, Awkwafina, Gemma Chan, Izaac Wong, Daniel Dae Kim, Benedict Wong, Jona Xiao, Sandra Oh, Thalia Tran, Lucille Soong, Alan Tudyk

In a realm known as Kumandra, a re-imagined Earth inhabited by an ancient civilization, a warrior named Raya is determined to find the last dragon. – IMDB

Talking about the new princesses without a man pursuing them, Raya and the Last Dragon is very much that. Raya is such a beautiful story and sadly one that feels not seen as much due to the pandemic and it hit Disney Plus fairly quickly and not everyone has the streaming service.

Raya and the Last Dragon is a story about trust wrapped up in a world where the dragons have all disappeared and the last magical stone that preserves the dragon’s power is in possession by Heart which is prosperous and has big dreams by the King to reunite everyone in peace despite everything. However, every other part of the realm named after different parts of the dragons are exactly as that: separated and some with jealousy as they believe the stone was unfairly brought there and manipulating the trust, they ended up breaking it and taking parts of it for themselves and awakening the evil Druun which turns everyone in their path to stone. Years later, after being the object of manipulation, she chases after the clues to find the last dragon Sisu and of course does and proceeds to repossess the pieces of the stones in the different places to hopefully bring her father back to life.

There’s a lot to love about Raya and the Last Dragon. The message it delivers is really nice. Its a little simplistic and a tad naive but this is a Disney animated film so it remains valid to give that sort of hope trying to trust others and reunite everyone to be stronger. The voice cast here is already really good especially with Sisu being voiced be Awkwafina who is definitely a huge highlight especially with all the delivery of some very clever and funny dialogue adding some quirk to the last dragon. Much like the different members that join Raya’s crew as she goes on this adventure. There’s humor and action and remains very fast-paced. Its a really fun time and very well-paced. The setting for each of the tribes are also very different so it also adds in some change in this big Kumandra land.

Overall, Raya and the Last Dragon is really underrated. Sure, its not perfect and they don’t break out in song and dance but the story has a very strong princess figure who does have a decent character development throughout, not to mention that Raya and even the other tribe’s daughter Namaari, voiced by Gemma Chan, are very badass. The animation is really nice capturing the colorful and the more dull areas, having a whole group of well-crafted characters voiced by a lovely cast and the story execution is pretty decent packing in a decent balance in drama, humor and adventure.

TV Binge: Resident Evil : Infinite Darkness (Season 1, 2021)

Resident Evil: Infinite Darkness (Season 1, 2021)

Creator: Hiroyuki Kobayashi

Voice cast: Nick Apostolides, Ray Chase, Stephanie Panisello, Jona Xiao, Billy Kametz, Doug Stone, Joe Thomas, Brad Venable

Federal agent Leon S. Kennedy teams up with TerraSave staff member Claire Redfield to investigate a zombie outbreak. Based on the popular video game series of the same name by Capcom. – IMDB

Running at a swift 4 episodes of approximately 26 minutes each, Resident Evil: Infinite Darkness is probably the quickest and shortest TV binge that I’ve done as its about the length of an average movie so pretty much a one sitting sort of series. The premise of the story pulls away from being heavy on zombies but rather takes a turn for a more political conspiracy and investigative nature following two storylines. The first following Leon who is called in to be a part of a team that will investigate the recent hacking of internal systems and zombie outbreak in the White House and the second follows Claire Redfield who looks further into Penamstan’s civil war six years ago that might be a government cover-up for a zombie outbreak.

Most people come into a Resident Evil entry to see zombies and its not wrong but taking the side of padding out a bit more of the bioweapon backstory is pretty nice and moving away from Umbrella and focusing more on a political angle. Sure, there’s still zombies and action but this animated series proves that there is more stories to tell and so much more of this world that can be expanded on that can give it more depth. Not to mention, the animation is done so well, comparable to that of the recent game remakes, that it almost feels like a live action series. Not only the setting and locations but even the characters all look realistic. With that said, Leon has always been a good-looking guy but somehow this one, he seems even better (but then, I haven’t played Resident Evil 2 remake yet so it might be a similar model just a little aged as this is set between the Resident Evil 4 and 5 games).

Talking about the story and characters, the execution is well-structured. As the story progresses in the present story line, it almost going back to tell the story of the past for each of their new characters specifically Leon’s new teammates, Jason and Shen May as their story helps contribute to the current story but also helps their character development also. Each having their own motives as to why they are on the team and on this specific mission. Of course, Leon and Claire’s story is already fairly familiar to fans so its only touched upon quickly and not lingered on for a long time. Perhaps for new viewers to the franchise, it might leave them feeling less structured. However, the story itself is set years after their first appearance so doesn’t need too much backstory to support them although knowing about it will help connect with their characters better, considering new viewers won’t have the knowledge that these two are key and beloved characters in the games.

This is an animated series so voice cast is a big part of the immersion. Both Claire and Leon are voiced by the Resident Evil 2 Remake’s game voice cast, Stephanie Panisello and Nick Apostolides respectively. They both capture the two characters incredibly well. Voicing Jason is Ray Chase, a voice actor who has a lot of experience when looking at his extensive voice cast roles in many video games perhaps the biggest and recognizable as Noctis in Final Fantasy XV along with known roles other popular games like NieR: Automata, Horizon Zero Dawn, Sekiro: Shadows Die Twice, etc. Jason is a key character here and probably one that incurs the most change throughout especially as his back story is pretty intriguing. However, that’s not saying that the voice actress Jona Xiao voicing Shen May, who has less experience looking at her filmography doesn’t do a pretty solid job as well. There are some little moments that the characters, especially the political discussions where it feels a little over done but overall, the English voice casting is done really well.

Whether its character designs or the zombies and the atmosphere and setting for the overall show, its done incredibly well and keeps it paced quickly so it stays both entertaining and immersive to want to find out who is behind this and what is actually going on. In a franchise that feels like there’s been a lot of different directions that’s been taken both in the movies and the games itself, the series is refreshing because it reminds its viewers what the actual story is about. Sure, there’s zombies and there’s mutated big monsters and Umbrella but in the depth of all of this, its about the creation of bioweapons and the consequences that its brought to the world. This is a viral outbreak and how the world is handling it so it makes sense that this one strays further from being heavy on big zombie action scenes but goes back to focusing on the political side of the whole ordeal and the conflicts between countries so on and so forth.

Overall, Resident Evil: Infinite Darkness is an awesome series. Its short and sweet and a fantastic little binge. I’m a big fan of Resident Evil so I might be a little biased but looking at this new direction with some new characters, it shouldn’t be too hard for new viewers to the franchise to get into it the story either.

Double Feature: Bigfoot Family (2020) & Flushed Away (2006)

Time for the next double feature! This time its an animated film double with a 2020 sequel Bigfoot Family and a 2006’s Flushed Away! Let’s check it out!

Bigfoot Family (2020)

Director (and co-writer): Jeremy Degruson & Ben Stassen

Voice Cast: Jules Wojciechowski, Roger Craig Smith, Grant George, David Lodge, Lindsey Alena, Sandy Fox, Joey Lotsko

Follow up to Son of Bigfoot: Father uses his new fame to fight against an Alaska oil company but when he disappears the son, the mother, a raccoon and a bear head North to rescue him. – IMDB

Having no idea that it was a sequel when started up Bigfoot Family, the good thing is that it didn’t really need the first movie to understand what was going on however, I also never heard of the first film so I guess that’s why I didn’t draw the connection. With that said, Bigfoot Family is rather straightforward and fun type of animated adventure film. It is a bit wild and imaginative especially since it starts off with Bigfoot being quite the man of fame and in the spotlight and decides in his busy schedule to use his popularity to do some good and decides to head to Alaska to protest against some oil company for doing harm to the environment leading him to get caught. His family finds it odd and heads up on a road trip with the two of the animals, a raccoon and a bear to go with them. Like I said, imaginative and fun.

The premise is pretty fun and definitely geared towards a younger audience however, the sense of adventure is there as it jumps between the different members of the family and what’s going on. The only issue with it probably would be that the beginning is more exciting to watching than the ending which felt a little predictable but then this is a family film and most of the time, it is pretty easy to figure out which is I’d expect is great for kids as its more straight-forward in plot. The ending is pretty fast-paced and action-packed but the plot feels a little empty even if it does highlight family and environment messages.

There’s not a whole lot to say about this one. Overall, the voice acting and premise is pretty good. It also delivers a decent message. I’m going to look out to see whether the first film, Son of Bigfoot gets added on Netflix at some point so that I can check it out.

Flushed Away (2006)

Directors: David Bowers & Sam Fell

Voice Cast: Hugh Jackman, Kate Winslet, Ian McKellan, Jean Reno, Bill Nighy, Andy Serkis, Shane Richie

The story of an uptown rat that gets flushed down the toilet from his penthouse apartment, ending in the sewers of London, where he has to learn a whole new and different way of life. – IMDB

*Originally posted on Movies and Tea for Friday Film Club*

Following two stop-motion projects for Chicken Run and Wallace & Gromit: The Curse of the Were-Rabbit between Aardman Animations and Dreamworks Animations, their third and final project together was Flushed Away, an all-CGI animated film due to the story being focused around water which would affect the stop-motion elements.

Flushed Away tells the story of a pet rat, Roddy St-James (Hugh Jackman) living in a high-end Kensington home when he gets flushed down the toilet by a sewer rat Sid who decides to live his luxurious life especially with the World Cup Finals around the corner. Following the sewers and pipes, he ends up at Ratropolis which resembles a sewer version of the city of London where he meets Rita (Kate Winslet), a rat being chased down by Toad (Ian McKellan) for stealing a ruby and in the getaway runs off with an important cable which leads Toad and his French cousin Le Frog (Jean Reno) to go in a chase to retrieve it before the World Cup Finals in order to undergo a plan. Between going back to his luxurious life and protecting these new friends that he’s made, Roddy has to make a decision about whether being on the surface is better than the sewers while also trying to save Ratropolis for Toad’s plans.

Flushed Away is a charming film. Very much so when it was first released and still manages to keep its charm in this rewatch especially as it has a lot of pun jokes and movie puns added into the script which makes for quite an entertaining viewing. At the same time, there’s also a decent soundtrack which cues up in certain scenarios with the slugs that are all over the place singing which is both cute and very fitting. Plus, the art is really nice even if it does resemble the design of Wallace & Gromit character styling but the story keeps these characters in check especially with the actors involved doing the voices.

With that said, the cast is pretty good. Probably not as famous for some as they are now since they’ve moved on bigger projects since 2006 which gained them a lot more fame however, they are deliver pretty great voice acting. With Hugh Jackman as Roddy and Kate Winslet as Rita, two actor and actress that are really great in their own regard especially Kate Winslet which makes such a wonderful Rita (but then I do like Kate Winslet a lot). Toad and Le Frog, as the villains are voiced by Ian McKellan and Jean Reno respectively which are also veteran actors while Toad’s henchmen are voiced by Andy Serkis and Bill Nighy also two known names. Its a great cast of actors put together for this animated film that makes these characters so dynamic and fun to watch come to life even if some of the moments are both ridiculous but still very entertaining to watch.

In some ways, Flushed Away almost feels like a hidden gem. Not a lot of talk about it in general and yet there’s a lot of greatness to it both in cast and the animation as a whole. The story is pretty simple and straightforward and rather suitable for kids especially with the cute slugs and their singing however the dialogue is pretty clever overall. Lots of things done right in this one that makes it worth a watch!

Ultimate Decades Blogathon 2021: Shrek (2001) by Starry Traveler’s Road

Next up for the Ultimate Decades Blogathon is from my (now in hiatus) Battle of Ingredients co-host, Phoebe from Starry Traveler’s Road. While Starry Traveler’s Road is posting far and few the last few months, you can go check out her DIY crafts, gardening and other projects and thoughts. Being a regular of the blogathon, Phoebe brings us a review of 2001 family animated film, Shrek.


Starry Traveler and family review: Shrek (2001)

Big thanks to my Battle of Ingredients co-host Kim and Drew of Drew’s Movies Review for hosting this Ultimate Decades Blogathon! It has definitely been a nice distraction from COVID-19’s brouhaha and caregiving tasks to spend some time trying to watch a movie as a family.

Why did I say, “trying to watch a movie”? The story behind it is, we tried to watch Shrek over dinner, but Bun Bun freaked out and asked me to stop because she finds some scenes scary even if there were some parts in the introduction that she laughed her head off like potty humor. I went on to finish the movie on my own that night only to ask Bun Bun the next day if she wants to try and finish it again while I prepare dinner and dad can watch with her (my husband successfully calmed her down when we watched Frozen 2 for last year’s movie review). They did finish it but Miss Bun Bun did not want to discuss it on numerous days so my conclusion is that I will do future movie reviews alone or with my husband unless Bun Bun volunteers to watch it with us.

Before I go into the movie review, I must be honest and say that I am extremely puzzled by Miss Bun Bun’s avoidance of kids’ movies. She told us that many movies are scary or too sad (she cried buckets when we watched Tigger Movie during first lockdown but she was fine with Zootopia on a flight a few years back). As a concerned mom, I ultimately decided to look up the phenomena only to find out there are other kids like her who find some TV shows or kids movie scary. (https://www.todaysparent.com/kids/is-your-child-afraid-of-kids-movies/) For parents with sensitive kids like Bun Bun, sounds like family movie nights with popcorn are not part of quality family time.

Without further ado, here is a summary of Shrek from IMDB:

A mean lord exiles fairytale creatures to the swamp of a grumpy ogre, who must go on a quest and rescue a princess for the lord in order to get his land back.

Directors: Andrew Adamson, Vicky Jenson

Writers: William Steig (based upon the book by), Ted Elliott | 6 more credits »

Stars: Mike Myers, Eddie Murphy, Cameron Diaz | See full cast & crew »

To be honest, I did not really like Shrek when it first came out. The fact that it was a dysfunctional fairy tale while containing a bad sense of humor did not really appeal to me. Also, I found donkey utterly annoying in capital letters. Fast forward ten years for 2021, I still did not like it except for some of its messages like not judging people by their looks. I did learn to appreciate the strong female lead that I found in Princess Fiona. Her internal struggles about her terrible secret make her very relatable. Her fighting scene with Robin Hood and his Merry Men to defend Shrek was wonderful.

There might be some bad words that are not so good for younger kids (especially those in copycat phase) but I do use some of them when I am extremely angry, so it is not as if Bun Bun has not heard them before. Therefore, I let this category slide a bit.

Music is so-so if I must compare. The only one that stood out was the Hallelujah with some modified lyrics as it went well with the emotional scenes. I am maybe biased as well since I performed it with my choir group in my graduating year.

Graphics are ok for that time period after double checking movies from 2000s as I did not watch that many movies during that time period.

To end, this is my husband’s review for Shrek:

I found it clever in that it inverted a lot of the usual fairy-tale tropes. All the typical expectations were subverted. However, I still do not get why Shrek mysteriously decides to pick up random bits of knights’ helmets and put them on while looking for the princess nor how she fails to notice that Shrek has green skin. Regardless, the movie was funny and decent overall. It probably takes a good amount of knowledge about other fairy tales and nursery rhymes as there are many cameos. I would not necessarily expect young children to have known even most of them. I would consider this an above average movie.

Thank you for reading my little family’s movie review. I definitely hope all of you stay healthy and safe in this difficult period!


A huge thanks to Phoebe and her family for offering up this review!

To see the full list of entries of this blogathon, you can see HERE.

Double Feature: Over The Moon (2020) & Mamma Mia! Here We Go Again (2018)

Welcome to the next double feature! This time is something of a musical double feature as we look at Netflix animated film Over The Moon and the Mamma Mia sequel, Mamma Mia! Here We Go Again. Let’s check it out!

Over The Moon (2020)

Directors: Glen Keane, John Kahrs

Voice Cast: Cathy Ang, John Cho, Edie Ichioka, Ruthie Ann Miles, Sandra Oh, Robert G. Chiu, Margaret Cho, Phillipa Soo, Ken Jeong

In this animated musical, a girl builds a rocket ship and blasts off, hoping to meet a mythical moon goddess. – IMDB

Over The Moon tells the story of a Chinese girl Fei Fei who is told the story of the Moon Goddess who takes a potion of immortality and is sent to live on the moon with her Jade Rabbit and waits for her lover there. A story that has its own different versions but has its own set of life lessons. Living with her parents who make moon cakes for a living, her life eventually falls apart when her mother is sick and eventually leaves her and her father as well a little pet bunny Bungee. Years later on Moon Festival, her father introduces her to Mrs. Zhong, a woman that will be her stepmother and Chin, a weird little boy who thinks he has the superpower to run through walls to be his stepbrother. Her father and family judge her for her belief in Chang’e and she goes to build a rocket to go to the moon which takes her a crazy journey when Chang’e and the moon isn’t all that she imagined, especially when she finds that Chin has tagged along for the ride. 

Using the legend of the Moon Goddess and a quick look at the Moon Festival as a jumping point for the story, Over The Moon’s delivers a message about moving on and family. With some colorful imaginative parts especially from the part of building the rocket and flying to the moon and the whole sequence on the moon with Chang’e and all of the moon’s occupants, it’s a fun little adventure and the studio’s take on what the Moon Goddess is doing after being sent to the moon. The animation and creativity in those sequences are pretty good but perhaps the parts of the animation with the Fei Fei’s mom at the beginning with some watercolor/Chinese painting coming to life stands out even more just based on how beautiful those scenes are executed. 

Over The Moon also has a great voice cast with John Cho, Margaret Cho, Sandra Oh and Ken Jeong even if some of the roles might be a little smaller. Fei Fei is voiced by Cathy Ang and does a pretty good job much like Chang’e is voiced by Phillipa Soo. This is a musical so the songs are pretty fun for the most part. It’s not quite as memorable as other musicals but some of the scenes are pretty nice as well. Talking about voice casts and languages, the film actually took some time for the Mandarin voice casts and script to have little changes that cater to their own audience especially with the comedic elements, which is a cool little detail seeing as this is American-Chinese but it is based on an animated film set in China. 

Overall, Over The Moon is a fun little animated film. It might not be particularly as deep and probably caters more to children with its cute little elements of Bungee and the dog on the moon Gobi and other little colorful creatures on the moon. It is rather heartwarming.

Mamma Mia! Here We Go Again (2018)

Director (and co-writer): Ol Parker

Cast: Lily James, Amanda Seyfried, Andy Garcia, Alex Davies, Jessica Keenan Wynn, Dominic Cooper, Julie Walters, Christine Baranski, Hugh Skinner, Pierce Brosnan, Josh Dylan, Jeremy Irvine, Colin Firth, Stellan Skarsgard, Cher, Meryl Streep

Five years after the events of Mamma Mia! (2008), Sophie prepares for the grand reopening of the Hotel Bella Donna as she learns more about her mother’s past. – IMDB

Being a fan of the first movie, Mamma Mia! Here We Go Again is released ten years after and its a rather good look as the characters have all gotten older as well just like Sophie and her return. In some ways, the movie does feel like a fun little jump back into the story especially for fans of the musical since they got back a lot (if not all) of the original cast of the first one and the sequel adds a little something as it fills in those pieces of the first movie, like how Donna met her three suitors and ended up with Sophie and staying on the island. For sure, its not exactly a needed story to tell but as much as I had my own doubts about it, it still has that feel-good vibe of the first film that left me really happy as I watched the musical and the musical numbers play out one by one.

With that said, one of the best things for sequels is having the original cast show up for this one. It shows the family essentially being separate but each on a different path in this future but the island and the family pulling them all back together. These characters are rather fun and charming. Fluctuating between the past and the present does add a lot of fun to it. The younger cast still manages to carry the film fairly well especially as Lily James plays the young Donna. It also comes with a cameo of Cher and Meryl Streep which is also pretty cool.

Overall, I honestly feel that Mamma Mia! Here We Go Again is for the fans of the original film. If you didn’t care of it, this sequel probably will do nothing for you. While its story is fairly straight forward that you don’t really need to know the first film to catch on to the story (maybe it will hinder the relationships of the characters in the present time), its still just a feel-good musical with those fun ABBA songs. Its just a fun time for those who enjoy musicals. Plus, I really liked the Waterloo performance in those outfits at the end of the first film and they did it again for this one in a slightly different way which was also entertaining.

Double Feature: Angela’s Christmas Wish (2020) & The Grinch (2018)

Merry Christmas everyone!

Wrapping up this year’s Holidays marathon on Christmas day is how it usually works so the next double feature is the final 2 movies of the marathon, although I did have one more alternate Christmas movie but we’ll pair it up later after Christmas. This time, its a animated Christmas films double feature with a Netflix sequel, Angela’s Christmas Wish and 2018’s adaptation, The Grinch.

Let’s check it out!

Angela’s Christmas Wish (2020)

Director (and co-writer): Damien O’Connor

Voice cast: Lucy O’Connell, Ruth Negga, Moe Dunford, Brendan Mullins, Shona Hamill, Oscar Butler, Janet Moran

A sequel to the much loved Angela’s Christmas, Angela’s Christmas Wish is a heart-warming tale of a determined little girl who sets out to reunite her family in time for Christmas. – IMDB

There’s something so heartwarming about Angela’s Christmas Wish. It has that same type of charming little girl character for Angela that continues from Angela’s Christmas (review) where Angela’s imagination is one that makes it so beautiful to be a child because of the naivety to believe in the things that she knows probably isn’t true but also shows her big heart. Last year was keeping baby Jesus warm and stirring up a lot of commotion that the townspeople hasn’t quite forgotten as it still gets mentioned but this year, its running around trying to bring her father home. Being an adult watching this, its obvious that whatever she is thinking up is absolutely impossible to happen and the adults do bring it up, however its the persistence and the pure hope of bringing her father back home that makes this such a heartwarming tale, which takes her on an adventure and makes a new friend in the process.

Wrapping it up with a tale about a pauper and what he wished for that made him happy as a string between the conversation and a Christmas surprise to look forward to, Angela’s Christmas Wish is all about family, the meaning of happiness and the best intentions. The story is all about the kids and their shenanigans especially based on their simple minded ideas that kids have, liking digging to Australia. Its all the world that crafts up these cute funny moments that make up this story and makes Angela such a charming character who has this convincing enthusiasm that makes her brother and this other little girl to follow along her since her wish would make for her father getting involved and that would allow him to spend time with her. Its all these little desires from children to be close to their parents and yet, adults can see through those beyond the lines moment that make it so meaningful to watch.

Angela’s Christmas Wish is a fun and heartwarming story. One that has all the right values and such charming characters in a cute little town. The ending bit was so touching also that I got a little teary. Its one definitely worth a watch, especially since its less than 50 minutes in length.

The Grinch (2018)

Director: Yarrow Cheney & Scott Mosier

Voice cast: Benedict Cumberbatch, Cameron Seely, Rashida Jones, Pharrell Williams, Tristan O’Hare, Kenan Thompson, Sam Lavagnino, Ramone Hamilton, Angela Lansbury, Scarlett Estevez

A grumpy Grinch (Benedict Cumberbatch) plots to ruin Christmas for the village of Whoville. – IMDB

*Originally posted on Movies and Tea Friday Film Club*

Based on the 1957 Dr. Seuss book How The Grinch Stole Christmas and the third screen adaptation following the 1966 classic TV adaptation and the 2000 live action film, The Grinch is a computer animated film and the second Dr. Seuss by Illumination following The Lorax. Illumination is rather on point with these adaptation. For those who are unfamiliar of How the Grinch Stole Christmas, its about a green-furred Grinch who was born with two hearts too small who lives alone in the mountains with his dog Max above Whoville. The Whos are festive and love Christmas a lot which rubs The Grinch the wrong way that he decides to put a stop to it by disguising as Santa on Christmas Eve and stealing all their decorations, gifts and foods to stop them from celebrating Christmas however, he soon realizes that Christmas is more than the material things and that its all about the Christmas spirit which lives in them and ends up with this revelation making his heart grow two sizes and deciding to give back all that he stole to the Whos who in turn, take him in for their Christmas holiday.

While the first adaptation in 1966 is the one that most interprets the original story, these adaptations all add their own twists to fluff up the full length. In this adaptation, it gives the Grinch a backstory that makes him less of the disagreeable character but one where he grows up suffering from being alone that he doesn’t know how it feels to have companionship whether as friends or family. At the same time, giving a lot of life to certain characters in Whoville and not just focusing on Cindy Lou Who. She still plays a big element but giving her more of a backstory, a ploy to meet Santa with her friends and a connection with her mom. Sure, maybe it does stretch far from the original but all this does add a lot of fun characters. Cindy Lou Who and her friends are very adorable in design just like Max and the addition of a buffalo and then there’s the very fun neighbor Mr. Bricklebaum.

Plus, there’s a decent cast of voice actors from Grinch by Benedict Cumberbatch, Cindy Lou’s mom by Rashida Jones, Cindy Lou by Cameron Seely and Mr. Bricklebaum voiced by Kenan Thompson. Of course, a big part of Dr. Seuss story is the Narrator. In this case, its narrated by Pharrell Williams who actually has some narration that strays away from the original text but still keeps the rhyming and creative elements.

This adaptation of The Grinch still has a lot of heart. Its light and fun and fairly entertaining. There’s no doubt that The Grinch Who Stole Christmas is its best without all the extra bits but as its straightforward story like the 1966 TV movie, however this version does an exceptional job at making it very entertaining. Its still full of the Christmas spirit and its a great effort as an adaptation plus in my opinion, its much more redeeming than the 2000 live action adaptation. This one might have some slight pacing issues but it still delivers as a family holiday animated film.

FNC 2020: Kill It and Leave This Town (2020)

Kill It and Leave This Town (2020)

Kill It and Leave This Town

Director (and writer): Mariusz Wilczynski

Voice Cast: Krystyna Janda, Andrzej Chyra, Maja Ostaszewska

Fleeing from despair after losing those dearest to him, the hero hides in a safe land of memories, where time stands still and all those dear to him are alive. – IMDB

Kill It and Leave This Town is a Polish animated film which upon research is well worth a watch because of the time it takes to make it ( 15 years!!). While time isn’t exactly a defining factor of how good a movie will be and this one is rather bizarre, it absolutely is a personal film to the director/writer Mariusz Wilczynski. The story feels a little jumbled as it moves between a mother preparing and going to work, her son and husband that goes to the beach, an old woman in a hospital and her son and this old woman’s life going in reverse to when she is in younger scenes while her son turns into this giant observing everything going on. Its rather odd when the only significant standout color in this doodle drawing world is red with some lighter contrast colors for the backdrop of buildings or lights or the blue sky, etc. Its a bit confusing to figure it all out since it feels like there’s a lot of imagery at play here.

One of the most original elements of this animation is the art style. It feels like a doodle project where its simple sketches in a notebook put together. At a closer look, its like a craft project as different elements are cut and glues on top of each other and there are even faint fold lines in each scene but the elements all move like stop motion animation with moving trains and birds flying around. The people are drawn in the most simple and have simple scenes where its focused a lot on one person talking in the one scene and having some conversation with someone off screen or off-centre conversation between two people. The use of color and how something that feels simple like a 2D drawing on paper all comes together piece by piece literally. The amount of thought and creativity (and heart and patience) just seems to flow off the screen.

Kill It and Leave This Town does feel like its an interconnected story between the scenes. There are some well-constructed scenes where one person is in one shot but then shows them in another shot in the background. It seems to live in memories of the characters and there is something deeper to explore in the story once the proper characters and their cross with each character is set straight. Talking about the characters, the voice actor (while unfamiliar with the language) does work really well with the characters (from how I interpreted the scenes, at least). Its a little odd and has a few weird scenes in between and its a little out there in what its trying to portray. This animation is rather dark and sad so its not really for everyone as there are some graphic bits to it as well. Overall, its one that I’m still trying to piece together in my mind in entirety but definitely a unique film to say the least especially since Polish cinema is not something that I’m familiar with.

Double Feature: Gwen (2018) & The Garden of Words (2013)

As we get back to more frequent double features, we head into the next letter in our alphabet run as we get to G. G selections on Shudder are rather slim pickings so I went ahead and started up 2018’s slow-burn film Gwen and then paired with also a shorter title with Japanese animated film by the same director as Your Name, The Garden of Words. Let’s check it out!

Gwen (2018)

Gwen

Director (and writer): William McGregor

Cast: Eleanor Worthington-Cox, Maxine Peake, Richard Harrington, Mark Lewis Jones, Kobna Holdbrook-Smith, Richard Elfyn

A folk tale set in the hills of Wales during the industrial revolution. – IMDB

Gwen is a slow pace Welsh horror drama set during the Industrial Revolution, mostly set in the isolated hills where this family of a mother and two daughters live on their farm. Unfortunate situations keep happening as the older daughter Gwen holds up the family and strives to survive while dealing with the farm animals dying mysteriously and her mother being overcome with a mysterious illness. Its a dark story and well-portrayed in its landscape and setting under its dim lighting and gloomy shots.

If we look at the characters, Gwen is played by Eleanor Worthington-Cox who does a really great job in this character. Its a quiet movie so dialogue is much less and there’s more of an observation of the situation and she does that very well. At the same time, her mother is played by Maxine Peake who also captures her role fairly well. There’s some rather “creepy” moments for lack of a better word. The movie itself isn’t exactly scary per se but it is a little unsettling at parts.

Gwen is for the patient audience that doesn’t mind a slow paced horror drama. Its not scary in the jump scare sense but more of a slow unwinding unsettling feeling that goes with where its set and the gloomy darker environment that surrounds this tale.

The Garden of Words (2013)

The Garden of Words

Director (and writer): Makoto Shinkai

Cast: Miyu Irino, Kana Hanazawa, Takeshi Maeda,

A 15-year-old boy and 27-year-old woman find an unlikely friendship one rainy day in the Shinjuku Gyoen National Garden. – IMDB

The Garden of Words is a 45 minute Japanese animated drama film written and directed by Makoto Shinkai, the person behind Your Name. Its interesting to see that this story also features two strangers Takao and Yukari who the latter is the mysterious woman who we actually don’t know the name until much later when her identity is revealed. The Garden of Words is something of a coming of age as the two characters have their own personal struggles of being a bit of a loner or misunderstood and finding it hard to know how to move forward. It uses the 15 year old boy, Takao’s passion for being a shoemaker and shoes in general as a metaphor for life.

Because of that focus, there’s a lot of scenes that capture the feet with how they sit and position their feet or walking through the streets, etc. Makoto Shinkai is a nice storyteller. His stories, at least the two to date that I’ve watched, has been rather meaningful. Its always about some element of life and adds a hint of romance in it that helps the characters grow. While this story isn’t quite as complex, it does take a level of careful execution to allow the story to work in the realm of keeping one of the character’s a mystery until giving her identity reveal. At the same time, Shinkai always gives these rich in color and beautiful animated scenery. In this case, its capturing the realistic rain fall set in the beautiful garden and capturing the light beams  and such.

The Garden of Words is a mere 45 minutes and because it doesn’t have a overly complex story but still with a little mystery, it adds enough to move the story in a quick paced. Its well-animated and has a rather careful metaphor. The story focuses on two characters with an age gap and while there are some elements of it that feels a little odd at first, its a rather interesting friendship that happens between them. Its a bit unlikely but then its not the friendship itself but rather how it develops emotionally perhaps. The Garden of Words is a quick viewing that’s definitely worth your time if you liked Your Name. Its not the same sort of story but its still a pretty good watch.

That’s it for this G double feature!
Have you seen these two movies? Thoughts?