Its taken a while to wrap up the Festival du Nouveau Cinema coverage but we’re in the final double feature. Both a romance in their own regards is a Canadian film, Sin La Habana and a French movie, Poissonsexe. Both having a romance wrapped up in highlighting a bigger plot and both carrying a different tone and atmosphere.
Sin La Habana (2020)
Director (and writer): Kaveh Nabatian
Cast: Yonah Acosta Gonzalez, Aki Yaghoubi, Evelyn Castroda O’Farrill, Julio Cesar Hong Oritz, Ahlam Gholami
Set in Cuba and Montreal, Sin La Habana tells the story of a love triangle that grows from a desire to find a better life in another country. A big plan for the main character Leonardo to find a better future in another country that can’t be found in a closed country in Cuba by charming a Montreal traveler Nasim into a relationship in the goal of having her bring him over and eventually get married to immigrate to Canada. When settled, he needs to find a way to bring his girlfriend Sara in Cuba to Montreal so that they can find a way to be together again. However, the issues are piled up when their relationship takes a turn for a more complex when the new country brings on its own problems, not only for Leonardo and Sara but also Nasim who being an immigrant herself has her own issues to deal with.
Looking at the issues of relationships, immigration, assimilating in a new country, Sin La Habana covers quite a few topics. Immigration and how its not as great as people imagine it plus the story of these great ploys at going to no lengths to achieve their goals for a better life to find that things don’t ever go as planned. One in the dark (kind of) and one that isn’t and yet dreams aren’t easier to achieve in another country, its something that is from within as Leonardo goes through from his first moments as a ballet dancer to a roundout point of trying to get a position in a dance group in Montreal. On the other side, Nasim’s character might seem a softer character at first but soon to realize that she knows exactly what is going on and stays cautious but she is fighting her own fight with her family and her future. These two’s story comes in the front that the love triange element falls in the backdrop along with the character of Sara after the Cuba side of things shifts over to the Montreal setting.
Its always nice to see Montreal as a location in movies as a personal little highlight for myself. Montreal is a diverse location but a harder place to fit in because of its language barrier as a French-speaking province in Canada along with the cold winters and it makes for a fitting location for this story. Sin La Habana talks about an issue and perhaps loopholes of the immigration system. A story that probably someone has heard of about one person or another or the news however its the characters that are crafted and their journey that gives Sin La Habana an interesting angle. They each have their good and bad character traits that make them believable and real people and each chasing some form of their own dream and life.
Director (and co-writer): Olivier Babinet
Cast: Gustave Kervern, India Hair, Ellen Dorrit Peterson, Okinawa Valerie Guerard, Alexis Manenti
Daniel, a biologist studying the disappearance of fish, is haunted by paternity. It is by looking for a woman who could be the mother of his children that he will come across a strange fish and discover what he really lacks: love. – IMDB
Poissonsexe, called both as Fishlove or Fishsex on FNC site and IMDB respectively, is a peculiar little story. The characters are peculiar and they find a strange fish and altogether it has this unique take on the environment especially on a biological marine/aquatic side. Its about love and sex and babies but in the end, its also about these fairly lonely people who do the same things everyday and want to find companionship. A bit of a comedy and a little of drama pulls this story together in a charming way.
The story’s focal character is Daniel, played by Gustave Kervern. He is a rather routine and boring sort of fellow. He has everything planned out for an upcoming baby room without even having a girlfriend and then he gets set up by his friend for online dating. When he meets a woman who finds him parked on the beach, they end up finding a strange fish with legs. This brings their connection together and he slowly realizes that he wants love and not just a child. The whole movie is a little quirky and moments of comedy and awkwardness and yet it manages to find its own balance to make the whole thing fairly charming.
Other than the leading roles standing out, the little strange fish creature adds this almost psychedelic nature to it. Sometimes it feels like it overdoes some of it a little but then, it feels deliberate to make this fish have its own pull for Daniel. However, what is a big theme that pulls the story together is about the environment and how its being wasted away does to the smallest fish which grow extinct because they no longer can reproduce despite the best scientific effort. Yet what goes on this lab almost reflects the story line that Daniel’s character goes through right down to the most entertaining part which its finale.
Poissonsexe is a little odd and the strange fish is a quirky little addition and putting together the parallels of extending the next generation whether in the fish world or human world, the story is about love and feelings instead of the science. There are some disjointed moments and some supporting characters do feel a little one dimensional but its a lot of fun. French humor always seems to have this interesting charm when balanced well and this one definitely.has those charming elements. The love story is a fairly basic element here but what makes it different are the other elements all combined together.
Thats it for this double feature and it wraps up my FNC 2020 coverage! (FINALLY!) Hopefully there were some smaller films that caught your eye. These two were okay for me alhough Sin La Habana did win one of the festival awards.
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