Wildland (Kød & blod, 2020)
Director: Jeanette Nordahl
Cast: Sandra Guldberg Kampp, Sidse Babett Knudsen, Besir Zeciri, Elliott Crosset Hove, Joachim Fjelstrup, Sofie Torp, Carla Philip Roder
Ida moves in with her aunt and cousins after the tragic death of her mother in a car accident. The home is filled with love, but outside of the home, the family leads a violent and criminal life. – IMDB
Wildland is a Danish drama about a family involved in crime witnessed through the eyes of a cousin that moves in after her mother passes away. Through her eyes, Wildland shows the dynamic of the family matriarchy lead by a doting mother who runs her underground business where her three songs help her with the dirty work of chasing down money owed from people and doing some scare tactics. At the same time, Ida starts having to tag along with her cousins even though each one treats her in a different way and slowly accepts her well. As with any family drama, there is a certain level of dysfunction whether its the overbearing love or the protectiveness or a judgement (and disagreement) of the girlfriends. There’s a lot that slowly reveals as the mother’s smile might hide a lot more and everyone has something deeper brewing in them. As Ida gets dragged deeper into this family and this crime world, a new side of her starts emerging as more of her personality comes out as well.
Wildland executes the family drama with a lot of details and dialogue as well as the most confused feeling towards the mother character who seems to still treat her boys like children and yet gives them some important tasks. Every single character has their own unique personality. Ida pieces together the film because for the most part, she plays the role of an observer and doesn’t talk too much however she has a lot of little subtle moments that gives her some depth. Where the movie does the best is the story of the mother role played by Sidse Babett Knudsen who knocks it out of the park. Her mother role is a little unsettling as she is very close with her son and incredibly controlling of their every choice in life while also having this power woman sort of role to hold up all of her business.
As with her character, the second point is her dynamic and interaction with each of her boys. The oldest son, Jonas (Joachim Fjelstrup) plays someone who has found his place with his mother who still stays at home and built his own family so has some kind of harmony while being more of a manager role to his brothers. Mads (Besir Zeciri) is the brother seems the most out of control in his own world who plays video games and is a little weird. The last son David (Elliott Crosset Hove) is the plot point that drives a lot of conflict as his mother disapproves of him and yet he can’t seem to break out of his mother’s grasp to have his own life apart of this crime world. David carries a lot of hidden messages in his character and as things start piling up, he starts having some distance. What winds up to be a shocking ending especially on how things close out the story.
As more Danish films pop up in film festivals, its starting to become obvious that there are some upcoming powerhouse actors/actresses and directors in Denmark. Wildland tells what might feel like an expected tale of crime and family drama and yet, there’s a lot of subtlety to the performances and some fantastic visual cues used in the cinematography to boost the scene’s tone and mood. The characters are crafted with a lot of care and still leaves room for its audience to connect some of the dots and delivers some surprises as well. There’s a lot to like about Wildland.