A Mermaid in Paris (Une Sirène à Paris, 2020)
Director (and co-writer): Mathias Malzieu
Cast: Nicolas Duvauchelle, Marilyn Lima, Rossy de Palma, Tcheky Karyo, Romane Bohringer, Alexis Michalik
A man rescues a mermaid in Paris and slowly falls in love with her. – IMDB
Being a huge fan of Mathias Malzieu debut feature film Jack and the Cuckoo Clock Heart (review), A Mermaid in Paris was a must-watch. It would be interesting to see how Mathias Malzieu would approach doing a live-action film knowing the imagination that he is capable of. This fantasy romantic melodrama is an outstanding effort by Malzieu once again proving that his unique eye for the visuals as well as the use of an older era of fashion and fantastical color palette all blends incredibly well together with his creative imagination that all comes to life in such an appealing way.
Being a musician before stepping into the director’s chair, Malzieu also uses soundtrack in a strong way to build up the character of the film. He injects Piaf’s song as well as other song choices to pair with the times. In this case, he also plays on the mermaids and the myth of the mesmerizingly deadly songs of the sirens. This builds up the romantic storyline of Gaspard, a man who falls in love easily and has had his heart broken so much he feels that he has no more love to give and struggling to hold onto his family’s business that holds memories of his mother and a place for performances, who saves a mermaid Lula (Marilyn Lima) who he is immune to her song. Their romantic connection grows gradually throughout the film and Lula becomes a character that wants to get back to sea soon but also has the fish out of water story element, that I’m a big fan of as it brings in a comedic element. The chemistry between Gaspard and Lula is undeniably beautiful.
The comedic element is enhanced by a stellar performance of Rossy de Palma playing Gaspard’s neighbor Rossy in a second collaboration with Malzieu. Rossy is a unique character who guides both of them in her rather whacky ways but also plays as an assist. All the happy things here with romance and comedy has to be paired with some drama and adding in a threat to balance out all of this is a revenge story from the girlfriend of one of Lula’s victims. If there’s anything, this character Milena is a bit frustrating at times however she has her purpose.
A Mermaid in Paris is a cinematic treat. The rich color palette paired with the fantasy elements; the mermaid myth playing along on the romantic infatuation that creeps up between them to a surprising twist; the wonderful performances from the cast and the colorful characters: all comes together to create this beautiful experience. On top of that, Malzieu doesn’t even forget to give a nod to the animation style using the characters in this previous film in one of the scenes as a background element. There’s so much to love with Malzieu’s filming style and his seemingly love for telling stories about the life-threatening dangers of falling in love. Its a unique way of telling love stories and its this vision paired with his imagination that makes his films so fun to dive into.
One thought on “Fantasia Festival 2020: A Mermaid in Paris (Une Sirène à Paris, 2020)”
Nice review, Kim! I have never even heard of this movie, but your article makes it sound fascinating! By the way, I nominated you for The Pick My Movie Tag! Here’s the link to my post: