Director: Rob Grant
Cast: Thomas Cocquerel, Camille Stopps, Angus Macfadyen
A severely injured man and woman awake in an abandoned sanitarium only to discover that a sadistic caretaker holds the keys to their freedom and the horrific answers as to their real identity. – IMDB
Let’s face it. At this point in the horror film scene, a lot of plots have already been used. Alive’s plot absolutely looks familiar. One setting, sanitarium, amnesiac captives/patients, ominous unknown captor: been there, done that, right? What separates a familiar plot from the crowd is how it is executed and what twist it can add and especially for something set in one location, how engaging its characters are. Alive nails all these elements and successfully creates an impressive thrilling indie gem.
One of its best elements is its engaging characters. By keeping its cast small, it can also control the characters depth. The amnesiac patients/captives are one man and one woman who is credited only by Man Patient and Woman Patient and played respectfully by Thomas Cocquerel and Camille Stopps. There is a world to create with this blank slate and as small specks of their memories come back, the mystery doesn’t get any less especially when faced with their captor played by Angus Macfadyen, who takes his roles and runs with it. The instability and the suspense as well as the villainous nature of his character portrayed on point at every turn, making every scene with him an absolute tense delight. Even when he is off screen, his presence is lurking in the shadows. That, in itself defines such a well acted character. There is this unknown the whole way wondering whether there is always more to a scene to the next, at the same time, wondering what link these two captives have in common. The questions are endless but that is how it is meant to be to keep the intrigue alive throughout.
Alive is also done with multiple layers. It starts out with a suspense and torture porn sort of movie. Its blood streaked in every scene. However, there is also this psychological layer to it especially when it comes to who the captor is and his final motive. However, the film takes a turn of events as it progresses and the bloody moments turn around and become a cat and mouse sort of game in the final escape and the plot and motives unravel. The finale definitely takes the audience for a ride in an unexpected and surprising way.
However, Alive takes a step too many which is where it falls short. There are after credits scenes so do remember to stay to watch it. The unnecessary additions to a lot of horror is what drags this down. Its a pity that Alive decided to take such a cheap and expected route. It didn’t really need to because the entire film before it had done such a wonderfully executed horror thriller filled with tension and suspense.
Alive will be showing at the BITS Festival on November 23rd at 9pm at The Royal Cinema.